Comic Review: Queen Sonja, Vol. 6: Heavy Is the Crown

Published: April 30th, 2014
Written by: Luke Lieberman
Art by: Milton Estevam
Based on: Red Sonya by Robert E. Howard, Red Sonja by Roy Thomas and Barry Windsor-Smith

Dynamite Entertainment, 248 Pages

Review:

This is it! The grand finale of the Queen Sonja series and also, the beefiest volume of the lot.

This probably should have been broken out into two volumes though, as it covers two different main story arcs.

However, out of the volumes written by Luke Lieberman in the Queen Sonja series, this is my favorite of the lot. Although, I don’t like it as much as the volumes written by Arvid Nelson, because those seemed to have more energy and were just more exciting, overall. Granted, he had the benefit of using Thulsa Doom in one of his stories.

This brings everything to a close though, as events happen to bring peace throughout the larger empire. There are those that don’t want to unify under Sonja’s rule and that is the main focus of the larger story here. However, Sonja also steps down as Queen/Emperor after leaving multiple kingdoms in what she feels is, the right hands.

Ultimately, this brings the story full circle, ends on a fairly high note and also brings Sonja back to where she started, as a nomadic warrior fighting for truth, justice and the Hyrkanian way.

The Queen Sonja series was pretty enjoyable from start to finish, as even the lowest points were still engaging and helped propel the story forward. I feel as if it may have been cut short due to Dynamite feeling a need to do a soft reboot once they brought in Gail Simone to write the character, which immediately followed this series.

Rating: 7.5/10
Pairs well with: other older Red Sonja comics from Dynamite.

Comic Review: Queen Sonja, Vol. 5: Ascendancy

Published: April 10th, 2013
Written by: Luke Lieberman
Art by: Fritz Casas
Based on: Red Sonya by Robert E. Howard, Red Sonja by Roy Thomas and Barry Windsor-Smith

Dynamite Entertainment, 139 Pages

Review:

After coming off of the really satisfying previous volume, this one is a bit of a step down. But, as I’ve said in my reviews of the previous installments of Queen Sonja, the creative team keeps changing from book-to-book and that’s usually not a good way to maintain quality, plot coherence and momentum.

Luke Lieberman returns to write this one and I feel like he just steps in when another writer couldn’t be locked down and the publisher didn’t want to go on hiatus.

Overall, I’ve liked this series and its highpoints have been really good. But it is very topsy turvy and incredibly inconsistent. While Lieberman understands the character, as his family owns the trademark, his writing style tends to move slower. While that’s fine, the installments of Queen Sonja that he didn’t write, move at a brisker pace.

I did like this story but it lacked the feeling of scale that the previous story did, which featured Thulsa Doom and a supernatural beast that was posing as the god Set.

This story involves throne politics, which is the focal point of most of this series. It shows Sonja deal with new challenges and trying to balance them with those who want to usurp her. By this point, however, it’s getting somewhat repetitive.

There is only one volume left in the Queen Sonja series, so I am looking forward to reading it. Plus, it’s the beefiest book of the lot.

Rating: 7/10
Pairs well with: other older Red Sonja comics from Dynamite.

Film Review: Conan the Barbarian (2011)

Release Date: August 11th, 2011 (Los Angeles premiere)
Directed by: Marcus Nispel
Written by: Thomas Dean Donnelly, Joshua Oppenheimer, Sean Hood
Based on: Conan the Barbarian by Robert E. Howard
Music by: Tyler Bates
Cast: Jason Momoa, Rachel Nichols, Stephen Lang, Rose McGowan, Saïd Taghmaoui, Leo Howard, Bob Sapp, Ron Perlman, Nathan Jones, Morgan Freeman (narrator)

Lionsgate, Millennium Films, Cinema Vehicle Services, 113 Minutes

Review:

“I live, I love, I slay, and I am content.” – Conan

I put off watching this for a really long time. But finally, after nine years of ignoring this movie, I said, “fuck it!” and fired it up because it was free on Prime Video and because I’m a hardcore fan of the Conan franchise. Also, I believe that this is the only film based off of Robert E. Howard’s literary work that I hadn’t seen.

It’s actually not as bad as people led me to believe but it is far from a good movie and it’s honestly, really fucking boring.

Jason Momoa was a decent choice for the role of Conan but I feel like he was chosen a few years too early, as he hadn’t reached the level of fame that he has now and because he hadn’t developed more as an actor. He’s got some of his charm here but it is nowhere near as much as it was in 2018’s Aquaman.

That being said, if they made a Conan movie with him now, I’m pretty sure it would do really well. And hopefully, it would be better than this was, as it didn’t seem to understand what it needed to be to be successful.

The main issue with this movie is it doesn’t feel larger than life. It relies so heavily on CGI and green screen that it lacks the scope and scale the Schwarzenegger Conan movies had. Hell, 1985’s Red Sonja looks much more grandiose than this digital cartoon that looks more like a syndicated television show than a blockbuster movie featuring one of the biggest and greatest literary and comic book heroes of all-time.

Adding to that problem, Conan only really tangles with one monster in this movie. Now it doesn’t need to be overflowing with mythic beasts but it should take more cues from the books and comics, which saw Conan come face to face with big creatures a lot more often than he does in this picture.

Now I did like the casting of Rachel Nichols as the female love interest of Conan and I thought that Nichols and Momoa had pretty good chemistry but overall, they didn’t get much to work with between the mundane script and uninspiring story.

On the other side of the coin, the villains felt completely wasted.

I just wasn’t feeling Rose McGowan as the witch character and her performance here borderlined on cringe, which I found surprising as she is typically pretty good. But I think that the script failed her, as did the overall look of the character.

As far as Stephen Lang goes, how do you take the guy that stole the show and was really the only good thing about Avatar, and make him so lame and generic? Who the fuck was this guy? Why the fuck should I care? He just looks like a boss from the second level of a side scrolling beat’em up game from the ’80s.

I also thought the mask was stupid and they could’ve come up with a much better MacGuffin than that. I mean, there are countless books and comics to pull material from and you basically come up with Gran Naniwa’s crab mask? For those that don’t know, he was a goofy comedy wrestler from Japan in the ’90s: Google that fucker. Side note: he was actually really entertaining, unlike this movie.

Conan the Barbarian was hard to get through. I wanted to turn it off just about every three minutes. I had to watch it in spurts of twenty-to-thirty minutes because it was dreadfully slow, terribly lame and didn’t feel as badass as something with the Conan name on it should.

But I am definitely not against giving Jason Momoa another shot as the character. The studio just needs to get their shit together and give fans something worthy of the Conan brand.

Rating: 5.25/10
Pairs well with: other modern sword and sorcery films.

Comic Review: Conan: Serpent War

Published: April 22nd, 2020
Written by: Jim Zub
Art by: Vanesa R. Del Rey, Scot Eaton, Ig Guara, Luca Pizzari, Stephen Segovia, Carlos Pacheco (cover)
Based on: characters by Robert E. Howard

Marvel Comics, 115 Pages

Review:

Conan: Serpent War is kind of a neat idea.

It probably shouldn’t give top billing to Conan though, as it is a miniseries that features four heroes: the others being Dark Agnes, Solomon Kane and the one non-Robert E. Howard creation, Marvel’s Moon Knight.

The story is about this guy who has a psychic link to all four characters, regardless of their place in time and space. He brings them all together to help stop the two serpent-like gods who are going to war with one another.

My biggest complaint is that the story is pretty thin and wonky. And also, you never really get to see them all come together in any meaningful way.

Still, it’s a mostly entertaining story, that’s a pretty quick read.

I can’t say that it failed to meet expectations, because I didn’t have any. But it certainly doesn’t exceed them either. It mostly felt like a wasted opportunity to make an actual team that’s pretty interesting and could’ve made for some compelling developments.

However, with Conan’s involvement in the Savage Avengers title, this feels pretty weak by comparison.

Rating: 6.25/10
Pairs well with: other Conan comics Marvel has done since getting the license back.

Comic Review: Queen Sonja, Vol. 4: Son of Set

Published: October 3rd, 2012
Written by: Arvid Nelson
Art by: Edgar Salazar
Based on: Red Sonya by Robert E. Howard, Red Sonja by Roy Thomas and Barry Windsor-Smith

Dynamite Entertainment, 140 Pages

Review:

Where the previous installment of the Queen Sonja series felt kind of light and was more of a prequel/Year One type of tale, this moves the story forward in a great way and also serves as a sequel to Red Sonja Vs. Thulsa Doom, as Doom is resurrected by an ancient force claiming to be the god Set.

All the Thulsa stuff here is pretty great for fans of the character. Also, everything with Set has very strong Lovecraftian vibes and it draws comparisons to the old Robert E. Howard stories that kind of tied to Lovecraft’s mythos, as the two writers were very close friends and it’s been said that it’s possible that the original Conan, Kull and Red Sonya stories happen in the same universe as Lovecraft’s.

The story was the second strongest of the Queen Sonja series thus far, following the second volume. I liked the action, the stakes and how Sonja overcame adversity and was able to further develop into a real leader, able to rally her kingdom behind her, even when it’s all in complete disarray.

My only complaint about the story is that the faux Set and Thulsa Doom sort of have their own battle and we didn’t get the satisfaction of seeing Sonja really fight either of them. But the ending, regardless of that payoff, was still good and it makes sense for the story. I just wanted to see Sonja and Doom get into a physical confrontation once again.

Overall, this was some good shit, especially for fans of Howard lore, Lovecraftian lore and simple yet badass sword and sorcery tales.

Rating: 7.75/10
Pairs well with: other older Red Sonja comics from Dynamite.

Vids I Dig 236: Midnight’s Edge: ‘Conan The Barbarian’: One Year at Marvel Comics – In Review

From the Midnight’s Edge YouTube description: One year ago, on January 1st of 2019, Conan the Barbarian returned to Marvel comics. While the original run of Conan comics from Marvel directly lead to the movies starring Arnold Schwarzenegger, Dark Horse comics have had the Conan license the past two decades. So how has Conan fared with Marvel now that they got the license back, in this day and age?

We are about to find out, for in this video, @AndreEinherjar will give his honest review on each Conan title Marvel has released over their first year with the license in our current era, as well as his assessment on what the future might hold for Marvel at Conan, and how that in turn in may influence the future of Conan in all other media, including film, so be sure to stay for that.

Comic Review: Queen Sonja, Vol. 3: Coming of Age

Published: May 30th, 2012
Written by: Luke Lieberman
Art by: Mel Rubi
Based on: Red Sonya by Robert E. Howard, Red Sonja by Roy Thomas and Barry Windsor-Smith

Dynamite Entertainment, 117 Pages

Review:

I really dug the hell out of the previous volume in the Queen Sonja saga, so naturally, I wanted to keep moving forward in the series.

This chapter didn’t quite hit the mark for me but it was still enjoyable.

The main reason, is that this was more of an origin story told in flashback and I didn’t feel like it progressed the larger Queen Sonja arc forward.

Also, being that it is kind of like a Year One type of tale, it could’ve existed as its own miniseries, as opposed to being wedged into a regular, ongoing series.

Looking at it on its own, it is a good, energetic tale with lots of action and insight into how Sonja developed into the women she would become, a future warrior queen.

Luke Lieberman knows the character well but he should, as his family owns the Red Sonja brand. Regardless of nepotism or what have you, he’s one of the best Red Sonja writers since the classic Roy Thomas era. As he continues on in this series beyond this story, it motivates me to read the other volumes.

I don’t mean for my words to sound harsh, I liked this, it just felt like a roadblock. Or more like a side quest in an RPG game that takes you away from the main story.

That’s fine but this may have been better off being a companion miniseries, published alongside the Queen Sonja title.

Rating: 7/10
Pairs well with: other older Red Sonja comics from Dynamite.