Film Review: Batman: Return of the Caped Crusaders (2016)

Also known as: Batman ’66 (informal title)
Release Date: October 6th, 2016 (New York Comic Con)
Directed by: Rick Morales
Written by: Michael Jelenic, James Tucker
Based on: Batman (the ’60s TV show) by William Dozier, Batman by Bob Kane, Bill Finger
Music by: Kristopher Carter, Michael McCuistion, Lolita Ritmanis
Cast: Adam West, Burt Ward, Julie Newmar, Steven Weber, Thomas Lennon, Jeff Bergman, William Salyers, Wally Wingert

Warner Bros. Animation, DC Entertainment, Warner Bros., 78 Minutes

Review:

“Quickly, Robin, to the crosswalk!” – Batman

It’s kind of cool to see the old ’60s Batman get some life again over the past couple years. There was the Batman ’66 comic series, I already reviewed all the collections, and then there were two of these animated features that were made just in time to use the voices of the original cast: Adam West, Burt Ward and Julie Newmar. Sadly, West recently passed away, so a third film in this series probably won’t happen.

But I’m here to talk about Return of the Caped Crusaders, which is the first of the two Batman ’66 movies. I’ll review its sequel at a later date.

I guess the thing that I liked best about this movie is that the tone and the humor were spot on. It really captured the spirit of the show and felt like it was written by people that cared about the source material.

I also liked that this could be much larger in scale than the show. It featured a dozen or so of the television series’ villains but had a larger focus on the big four from the series: Joker, Penguin, Riddler and Catwoman.

There is also a whole side plot where Batman turns evil and has to be saved from himself by Catwoman and Robin. If you remember the show, you probably remember the rivalry for Batman’s attention between these two characters. It just makes for some good, amusing moments.

This is a quick and action packed film like everything else DC Comics has been doing as animated features. But this one really stands out due to its style and how well it works without DC sticking to their regular animated formula.

Good, fun story and overall, a really awesome experience for fans of the old show.

Rating: 7/10
Pairs well with: The sequel to this film: Batman Vs. Two Face, as well as the 1960s Batman TV show and movie, the Batman ’66 comic and other DC Comics animated films of the last decade.

Comic Review: Deathstroke, Vol. 4: Defiance

Published: April 24th, 2018
Written by: Christopher Priest
Art by: Diogenes Neves, Carlos Pagulayan, Jason Paz, Larry Hama

DC Comics, 132 Pages

Review:

This is the biggest storyline so far in the current Deathstroke series. It sees Deathstroke try to further atone for his past sins while becoming the leader of a new group he has formed with his children and a few former Teen Titans.

Also, Deathstroke and his team wear some pretty cool looking black and white costumes.

This has been the biggest and most popular story in the most recent and ongoing Deathstroke series. So once I got to this volume, I was really excited to jump in, especially with all the plot threads leading up to it being fresh in my mind. There are several characters that this series is trying to balance but it has done a good job, so far, of keeping things moving and flowing properly.

And sure, Deathstroke is often times overshadowed by other characters in his own series but it all ties directly to him and his journey since the current series started.

The biggest problem with this chapter, however, is that it doesn’t wrap up within this volume. The Defiance team’s story carries over into what will be the next installment, which isn’t released for a few more months. I’d like to jump into it while this is all fresh but I guess I’ll have to pickup a few of the single issues I’m missing to fill the few holes in my collection.

What I like about this though, is that it feels like a throwback to Cable coming into New Mutants and eventually forming X-Force. There are some parallels to it and it makes this feel like something I would have read in the early ’90s when I was first getting into comics at a deeper level.

This is capped off by a story that sort of interjects itself into the Defiance plot and forces the series to switch gears momentarily. But that story was really cool and pits Slade Wilson against several of DC’s top villains who are trying to test if he has turned over a new leaf or if he is still “evil” at his core.

This was a good collection but it leaves you hanging.

Rating: 8/10
Pairs well with: The other Deathstroke stories since DC’s Rebirth. Also, the current runs on Nightwing and Red Hood and the Outlaws.

Film Review: Batman: Under the Red Hood (2010)

Release Date: July 27th, 2010
Directed by: Brandon Vietti
Written by: Judd Winick
Based on: Batman: Under the Red Hood by Judd Winick, Doug Mahnke
Music by: Christopher Drake
Cast: Bruce Greenwood, Jensen Ackles, John DiMaggio, Neil Patrick Harris, Jason Isaacs, Wade Williams

Warner Premiere, DC Comics, The Answer Studio, Warner Bros., 75 Minutes

Review:

“I’m being forced into negotiating with a psychotic.” – Black Mask

This is one of the best DC Comics animated features that I have seen. But I was also a massive fan of this story in the comics and this film benefits from being written by Judd Winick, who also wrote that comic story.

I love that these feature length animated films by DC are not made for kids, they are made for those of us who grew up reading comics in the ’80s and ’90s and who are probably the same age as the people working on these films. It’s like some of us grew up, got jobs at DC and decided to high five the rest of us by making adult animated comic book films.

I liked the art in this, the tone was perfect and the story was well structured. Plus, I always like stories that feature Nightwing and Black Mask. I friggin’ love Black Mask and think he’s underutilized. So seeing him come to life in a feature length story was a lot of fun and just f’n cool.

Also, Nightwing was voiced by Neil Patrick Harris, which was kind of cool too.

My only real complaint was that Kevin Conroy wasn’t Batman and Mark Hamill wasn’t the Joker. I think this was made when they retired from the roles for fifteen minutes. Because they did eventually come back to do other animated features for DC, as well as the Arkham series of video games.

I still thought that Bruce Greenwood was good as Batman but I can’t not hear Kevin Conroy in my head whenever I read a Batman comic, so when it’s not Conroy’s voice in an animated feature, it throws me off. He just is the voice of Batman to me, as Hamill is the Joker.

Apart from that, there isn’t much to shake a stick at. This was well crafted and came off feeling just right.

Rating: 7.75/10
Pairs well with: Other DC Comics animated films of the last decade.

Comic Review: Batman/Teenage Mutant Ninja Turtles, Vol. 1

Published: July 25th, 2017
Written by: James Tynion IV
Art by: Freddie Williams II

IDW Publishing, DC Comics, 176 Pages

Review:

When this was first announced, I got pretty excited. But at the time, hunting down single issues of comics was hard for me, as my closest comic book shops are both 45 minutes in opposite directions. So I planned on waiting for it to be collected in a trade paperback format.

I mean, who doesn’t want to read a team up of Batman and the Teenage Mutant Ninja Turtles? On top of that, who doesn’t want to see Batman fight Shredder? Yeah, because that’s just about all I could think about when I first heard that this crossover was happening.

You get more than that though. You also get to see Shredder team up with Ra’s al Ghul and several Batman villains get exposed to mutagen and thus, turn into TMNT styled animal villains. The Penguin obviously becomes a penguin but my favorite was Mr. Freeze as a polar bear. You also get to see Casey Jones show up about midway through the story arc.

Overall, this was a lot of fun. I heard that the follow up wasn’t as good but I’ll read that once it’s complete. I think there are still issues coming out for that sequel run.

This comic is really just fan service done really well. It’s not an exceptional story but it doesn’t need to be. It just needs to take these two franchises and smash them together and let everyone loose.

One of the highlights for me was seeing Alfred interact with Michelangelo. That shit was comedy gold.

I can’t call this a great book but if you love both franchises this is certainly worth your ten or fifteen bucks.

Rating: 7.5/10
Pairs well with: Batman/Teenage Mutant Ninja Turtles, Vol. 2 and other recent TMNT crossovers.

Comic Review: Batman Confidential: A New Dawn

Published: February 11th, 2009
Written by: Nunzio DeFilippis, Christina Weir
Art by: Jose Luis Garcia-Lopez, I.L.L., David Baron, Kevin Nowlan

DC Comics, 72 Pages

Review:

For fans of the 1966 Batman television show, this story arc is somewhat of a big deal. It is the comic book debut of King Tut, who was a villain created for the ’60s show but who had never been in comic book form before this.

It is a bit disappointing though, because this is an all new King Tut and not the same character that the charismatic and fun Victor Buono played from 1966 to 1968.

All things considered, this was still a good story and it even had elements of classic film-noir to it. I won’t get into those details, as it may spoil the plot.

This also sees Batman form a short lived partnership with the Riddler, as Batman needs Nygma’s mind to help anticipate Tut’s moves.

I’ve always been into ancient Egyptian stuff so that made this a worthwhile experience for me, even if this wasn’t the King Tut I was hoping for.

The plot was well constructed, kept me engaged and I enjoyed the art and the nice little twist at the end.

I meant to buy these issues back in 2009 when they were first announced. I had one of them and then recently found the other two while looking for something else at one of my local comic shops.

I wish that this had opened the door for Batman Confidential to explore other ’60s TV villains but all we got was this attempt at King Tut. The story was also left open ended for Tut to return but as far as I know, he never did.

For those of you who would like to read this, the story arc is featured in Batman Confidential issues 26, 27 and 28.

Rating: 7/10
Pairs well with: The Batman ’66 stories that feature King Tut. Also, other story arcs released as part of Batman Confidential.

Comic Review: Batman: The War of Jokes and Riddles

Published: December 19th, 2017
Written by: Tom King
Art by: Mikel Janin

DC Comics, 200 Pages

Review:

I haven’t been too keen on modern comics from the big publishers: Marvel and DC. I’m not wholly opposed to reading them, as there are a few titles I still like. However, modern writers seem to be trying to reinvent and alter things too much. Then there is the whole SJW movement in comics that are forcing change in a bizarre and unnecessary way, as oppose to creating new characters that can stand on their own.

The Batman Rebirth stuff doesn’t seem to be full of SJW meddling but it does make some drastic moves and alters the narrative in ways that don’t feel organic.

My biggest issue with this story, is that the Riddler, one of the main characters, is pretty much a murderous, blood thirsty psycho that carves question marks into his flesh and plays more of a mob boss with a penchant for green suits than the classic villain we all know and love. Also, he has sideburns, looks attractive and wears his dress shirts wide open like some sort of douchebag.

The Joker seems pretty much normal, even if he is drier and more bland than what one is used to. But his story starts with him not finding anything funny anymore. Sort of like the kid that takes his ball and goes home because the bigger kid keeps tackling him to the ground. The Joker has no energy here but I guess that’s the point of the story and how it plays out. Still, in no situation whatsoever, can my mind even imagine this sort of version of the character.

Then there is the relationship between Batman and Catwoman, which sees Batman turning a blind eye to Catwoman’s crimes as long as she grinds on his junk once in a while. Besides, she’s not a “sick” criminal. Regardless, Batman’s code seems to be thrown out the window as long as he gets to play “hide the churro” every few dozen pages or so.

And speaking of Batman’s code, he tries to kill the Riddler in cold blood, unprovoked in the moment, with a machete to the face. No, seriously. This is something that happens in this tale.

The problem with this story arc is maybe the same problem I have with modern comics. The writers and the creators either don’t have respect for the source material and want to put their own spin on things or they just don’t understand or know the source material. I’ve been reading Batman comics for over thirty years and this is the most un-Batman story I have ever come across.

The writer doesn’t understand these characters, tries to throw way too many into the story and then doesn’t even weave a good or engaging enough plot to give this any sort of point. The entire plot revolves around the Joker feeling gloom. The big reveal at the end shows that this was all an elaborate ploy by the Riddler to solve the biggest riddle of all: why won’t the Joker laugh.

I’ll tell you why the Joker won’t laugh. It’s because he’s lived for nearly eight decades and never has he been in a story as dull and as dumb as this one.

I really wanted to like this because it has been a long time since I’ve cared about Batman. Yes, I still read older stuff on a regular basis but the series has just been lost to me ever since the end of the Grant Morrison era.

On the positive side of things, the art is pretty damn good. I don’t like some of the new character designs but the book still looks nice.

Rating: 4/10
Pairs well with: Probably other Batman stuff in the Rebirth line but I doubt I’ll read anything else from this era.

Comic Review: Batman ’66, Vol. 5

Published: May 17th, 2016
Written by: Jeff Parker
Art by: Jonathan Case
Based on: Batman (’60s TV Series) by William Dozier, ABC

DC Comics, 184 Pages

Review:

This is it, the final collected volume in the Batman ’66 run of comics. It’s a sad, sad day. But, there are some crossover titles featuring Batman ’66 and other TV shows from that era, which I will have to read. But for now, let’s see if the final collection in the series was a worthy finale.

Well, one cool thing about this final volume, is that it introduces us to more classic Batman villains that weren’t originally a part of the Batman television show from the ’60s. In volume three we got Harley Quinn and in volume four we got Two-Face. Here we get even more: Solomon Grundy, Clayface, Poison Ivy, Bane, Scarecrow and Killer Croc.

The first story in this book is called The Short Halloween, which is a play on words of the famous story arc The Long Halloween. This tale is about two mean trick or treaters dressed as the Joker and the Penguin, who are going around robbing kids of their candy. A young boy and his little sister go out as Batman and Robin in an effort to stop the dastardly villains. It’s a very short but cute story where the real Caped Crusader and the Boy Wonder make an appearance at the end.

Following that story, we see the origin of the Batman ’66 version of Solomon Grundy, who is resurrected from beyond the grave by Hilda, the witch grandmother of Marsha Queen of Diamonds. After that is a third short story that takes Batman ’66 villain False Face and establishes him as Basil Karlo a.k.a. Clayface, who is a big time comic book villain that hadn’t yet appeared in any Batman ’66 related stories.

We then get a story revolving around Carolyn Jones’ Marsha Queen of Diamonds but Hilda isn’t there, probably because she had just been in the Grundy story. Then we get our second Harley Quinn tale in the Batman ’66 universe, which also has a one panel Cesar Romero Joker cameo. Then we get to see the Joker, the Frank Gorshin Riddler, the Burgess Meredith Penguin and the Eartha Kitt Catwoman team up and hold an advertising agency hostage in a story that just features Batgirl as the hero and parodies the television show Mad Men.

The next story is one of my favorite in the Batman ’66 franchise, it is the debut and origin story of Poison Ivy. The story started with the “murder” of Milton Berle’s Louie the Lilac, who you find out, is actually just in a catatonic state due to a poisonous plant concoction. Batman and Robin investigate and fall into the clutches of Ivy. The Ivy character is well written here and she is handled in a way that really fits the Batman ’66 style.

Next up, we are introduced to the Batman ’66 version of Bane, who is in league with the Riddler and comes to Gotham City as a lucha libre star. He crushes his opponents and believes that he breaks Batman’s back ala the classic Knightfall story arc. Bane returns to his home country as its ruler but Batman, Robin and Batgirl show up to change his plans.

We then get two shorter stories, each introducing us to two other classic villains yet to appear in the Batman ’66 franchise: Scarecrow and Killer Croc. Both are pretty straightforward and quick tales but it would have been cool to see them get more fleshed out had this series continued on.

Then we get a tale that features the first comic book appearance of Shelley Winters’ Ma Parker. Alongside her are a team of villains comprised of Killer Croc, Solomon Grundy and Killer Moth, in his only Batman ’66 appearance. The Julie Newmar Catwoman enters the story in the second half.

Lastly, we come to the grand finale of the entire Batman ’66 series with a story called Main Title. This awesome and incredible final issue is a recreation of the opening credits to the Batman show. So we get an actual narrative and see all (or most) of the Batman villains make a cameo as they try to overtake Batman and Robin. This whole fight takes place in a movie studio in a green screen room, explaining the green background in the classic show’s opening credits sequence. This was a pretty creative send off for this series and brought things full circle.

Initially, I thought that I wouldn’t like this volume in the series as much as the others because it had such a high emphasis on wedging in as many new villains as it could. However, every story was well crafted and served a purpose. This actually ended up being my favorite of the five volumes. As a fan of the 1960s Batman televison show, this was as perfect as a comic book can get featuring this particular pocket of the Batman universe.

Rating: 10/10
Pairs well with: The rest of the Batman ’66 comic collections.