Film Review: Little Shop of Horrors (1986)

Release Date: December 19th, 1986
Directed by: Frank Oz
Written by: Howard Ashman
Based on: Little Shop of Horrors by Howard Ashman, The Little Shop of Horrors by Roger Corman, Charles B. Griffith 
Music by: Miles Goodman (score), Alan Menken (songs)
Cast: Rick Moranis, Ellen Greene, Vincent Gardenia, Steve Martin, James Belushi, John Candy, Christopher Guest, Bill Murray, Levi Stubbs (voice), Tichina Arnold, Tisha Campbell, Michelle Weeks, Vincent Wong

The Geffen Company, 94 Minutes, 102 Minutes (original cut)

Review:

“Does this look “inanimate” to you, punk? If I can move and I can talk, who’s to say I can’t do anything I want?” – Audrey II

I used to watch this quite a lot when I was a kid. It was always on cable and I liked everyone in it, so when channel surfing in the late ’80s, I often times stopped when this was on.

Oddly enough, I haven’t seen it since the ’80s but I’ve always meant to go back and revisit it, especially since I love the original Roger Corman film and revisit that one every five years or so.

This version of the story was actually an adaptation of the off-Broadway musical, which was inspired by the Corman film from 1960. I’ve never seen the musical on-stage and there are some story differences but it’s something I’d like to see, even if it’s just on television, assuming there’s a version I can watch.

Anyway, back to this film.

This will always hold a nice spot in my heart because it features two I guys I really enjoy, especially when together, Rick Moranis and Steve Martin. This also sprinkles in Bill Murray, Jim Belushi, John Candy and Christopher Guest. Needless to say, it’s chock full of great ’80s comedic talent.

I also dig the hell out of Ellen Greene and Vincent Gardenia, who rounded out the cast nicely and played their parts perfectly.

The real gem of this picture, though, is the monster, Audrey II. The monster evolves into a massive, talking, man-eating venus flytrap. Audrey II is actually an alien trying to kickoff a full alien invasion but to do so, he needs to grow and to do that, he needs human blood.

What makes the monster so cool is two things, the first of which is the voice acting of Levi Stubbs, the lead vocalist of the Four Tops. Stubbs was stupendous and he made Audrey II one of the coolest villains in ’80s cinema.

The second thing is the practical effects, animatronics and puppeteering that brought the giant plant to life. This isn’t some CGI bullshit that takes you out of the movie, this is a real, physical beast that was live and on the set, interacting with the actors on film. The character just looks great, moves great and it’s incredibly easy to suspend disbelief and get caught up in this bonkers movie.

The real cherry on top of it all is the music. It’s great and I say that as someone that usually turns away from musicals because it’s the one genre that doesn’t really resonate with me. For me to care about a musical, it’s got to work on a level beyond that and attract me to it with some sort of cool twist. This picture does that well and I honestly don’t simply see it as a musical.

In the end, I’m glad that I finally revisited Little Shop of Horrors and it somewhat exceeded the expectations my memory had for it.

Rating: 8/10
Pairs well with: the original film, as well as other comedies featuring Rick Moranis, Steve Martin and John Candy.

Film Review: Parenthood (1989)

Release Date: July 31st, 1989 (Los Angeles premiere)
Directed by: Ron Howard
Written by: Lowell Ganz, Babaloo Mandel, Ron Howard
Music by: Randy Newman
Cast: Steve Martin, Rick Moranis, Dianne Wiest, Mary Steenburgen, Keanu Reeves, Martha Plimpton, Joaquin Phoenix, Tom Hulce, Jason Robards, Harley Jane Kozak, Eileen Ryan, Helen Shaw, Jasen Fisher, Paul Linke, Alisan Porter, Ivyann Schwann, Zachary La Voy, Alex Burrall, Charmin Lee, Dennis Dugan

Imagine Entertainment, Universal Pictures, 124 Minutes

Review:

“It sounds like a boy Garry’s age needs a man around the house.” – Helen, “Well, it depends on the man. I had a man around. He used to wake me up every morning by flicking lit cigarettes at my head. He’d say, “Hey, asshole, get up and make me breakfast.” You know, Mrs. Buckman, you need a license to buy a dog, or drive a car. Hell, you need a license to catch a fish! But they’ll let any butt-reaming asshole be a father.” – Tod

Man, this movie is great.

There are a lot of large family comedies that have been made over the years but for whatever reason, this is the one that hits all the right notes for me.

That’s probably due to when it came out and how old I was then, as well as how incredibly superb the cast is. All of them are loveable in their own way, even the shitty black sheep son that only comes around when he’s in serious trouble.

The thing is, anytime that Steve Martin and Rick Moranis get together, the results are pretty satisfying. However, when you add in Dianne Wiest, Mary Steenburgen, Tom Hulce, Jason Robards, Keanu Reeves, Martha Plimpton and a young Joaquin Phoenix, it maximizes the overall positive impact and gives you so much great talent to enjoy.

What makes this movie so perfect is that it features so many people but each one of them gets a fairly equal amount of time to let their story be told. In fact, the multiple plot threads are really well-balanced and when they merge, at times, it all flows pretty smoothly. Writing big ensemble stories like this can be a real challenge but the writers succeeded and Ron Howard, who directed this, had great material to work with.

I think a lot of credit also has to go to the editor, who kept this thing moving at a good pace and who handled the transition between plot threads pretty seamlessly.

Ultimately, though, this is a picture with a lot of heart and I feel like most people can find it relatable. Even if you don’t have all of these character types in your own family, I think we all have at least a few. Furthermore, these character tropes are all pretty timeless and even if this has that ’80s movie vibe to it, it’s still kind of timeless.

Additionally, the movie is well-acted from top-to-bottom, including the kid actors.

Parenthood is one of the best movies of its type. Personally, it’s my favorite but I’m also a big fan of all the key players in the film. And frankly, I can watch it just about anytime and it’ll lift my spirits even if I’m in a funk.

Rating: 9/10
Pairs well with: other family-centric comedies but this one takes the cake.

Film Review: Honey, We Shrunk Ourselves (1997)

Release Date: March 18th, 1997
Directed by: Dean Cundey
Written by: Karey Kirkpatrick, Nell Scovell, Joel Hodgson
Based on: characters by Stuart Gordon, Brian Yuzna, Ed Naha
Music by: Michael Tavera
Cast: Rick Moranis, Eve Gordon, Bug Hall, Robin Bartlett, Stuart Pankin, Allison Mack, Jake Richardson, Mila Kunis

Walt Disney Pictures, 74 Minutes

Review:

“Baseball’s just a phase, it’ll pass. But science is always cool.” – Wayne Szalinski

As bad as Honey, I Blew Up the Kid was, I assumed that this would be absolutely terrible. However, I was kind of surprised by it.

No, it’s not as good as the original film but it was still amusing and kind of charming.

I found it kind of weird that Marcia Strassman wasn’t in this but after the second film, I can’t blame her. But Eve Gordon, who takes over the role of Wayne’s wife, did a better than decent job and had okay chemistry with Moranis.

I also found the other two adults in the story, Stuart Pankin and Robin Bartlett, to be pretty good. I’ve always liked Pankin and I’ll always have a soft spot for Bartlett, who I most remember for that Richard Grieco starring spy spoof If Looks Could Kill. Man, that film’s been lost to the sands of time. I’d like to review it but I’ve never seen it streaming anywhere.

Getting back to this movie, I’m glad that they shrunk characters down again and got back to what made the first film cool and unique. I also like that they shrunk the adults this time, as it at least doesn’t give us a lazy rehash of the original.

My only real complaint about the film is that the adults never go outside. One of the things that made the first film so cool was seeing a normal backyard from the perspective of an insect. In this film, everything happens within the house but considering that this was a movie made specifically to be released on home video, they didn’t have the budget to replicate the oversized outside world.

That doesn’t mean that the shrunken characters don’t have threats to deal with, they certainly do. The worst of them being a cockroach that is about the size of a large horse when compared to the scaled down protagonists.

For the majority of the film, the parents are trying to get their kids’ attention. However, the kids are busy having a house party and are just happy that their parents are nowhere to be found.

For what this is, the special effects and overall production were pretty well done. Sure, some things look dated and it’s obvious that this wasn’t intended for the big screen but you still get lost in the oversized world and buy into the premise.

In the end, this isn’t half bad and it’s better than other straight-to-video releases of the time.

Rating: 5.25/10
Pairs well with: the other two films in this series.

Film Review: My Blue Heaven (1990)

Release Date: August 17th, 1990
Directed by: Herbert Ross
Written by: Nora Ephron
Music by: Ira Newborn
Cast: Steve Martin, Rick Moranis, Joan Cusack, Melanie Mayron, Bill Irwin, Carol Kane, William Hickey, Deborah Rush, Daniel Stern, Ed Lauter, Colleen Camp, Troy Evans, LaWanda Page

Hawn / Sylbert Movie Company, Warner Bros., 97 Minutes

Review:

“Richie loved to use 22s because the bullets are small and they don’t come out the other end like a 45, see, a 45 will blow a barn door out the back of your head and there’s a lot of dry cleaning involved, but a 22 will just rattle around like Pac-Man until you’re dead.” – Vincent ‘Vinnie’ Antonelli

Even though My Blue Heaven kind of bombed when it came out, I’ve always liked the movie. I’d even go as far as to say that Vinnie Antonelli is my favorite Steve Martin character. I think a lot of that has to do with it being a real departure from typical Steve Martin while still having his DNA all over it.

Rick Moranis is also great, here. However, he plays the straight character and he’s not too dissimilar from the regular Moranis role. Well, except he’s an FBI agent and a bit of a badass when push comes to shove.

Rounding them out is a good cast of character actors, as well as Joan Cusack, who is pretty dynamite, overall. I like her character a lot and as you get to know her, you start to feel for her while the story makes her character’s journey a worthwhile one.

The plot revolves around an ex-mafioso who has been put into Witness Protection by the FBI. Martin plays the mafioso while Moranis plays the FBI agent assigned to him. Cusack plays the District Attorney of the town where Martin has been relocated to. Martin’s Vinnie can’t keep his hands clean, however, so Cusack’s D.A. keeps trying to throw the book at him while Moranis keeps interjecting, drawing the ire and the attraction of Cusack.

Mostly, the film plays out like a series of gags and funny bits with a simple but nicely layered story bringing it all together.

The best parts are where Steve Martin interacts with other people. He really makes this picture work and on paper, he probably didn’t seem like the best casting but he actually shines and shows his range in the comedy realm. Granted, Moranis and Cusack also bring a lot to the table and they only compliment Martin’s performance, giving him solid people to work off of.

In a lot of ways, this is just a feel good romantic comedy with some crime and a wee bit of action. It’s good, mindless entertainment and reminds me of a simpler time when we could escape into our entertainment and forget the world for 90-120 minutes.

The film has held up well and even though many would disagree, it’s still one of Steve Martin’s best.

Rating: 7.5/10
Pairs well with: other Steve Martin comedies of the ’70s up to the early ’90s, especially Parenthood and Little Shop of Horrors, which also feature Rick Moranis.

Film Review: Honey, I Blew Up the Kid (1992)

Also known as: Big Baby, Honey, I Blew Up the Baby (working titles)
Release Date: July 17th, 1992
Directed by: Randal Kleiser
Written by: Garry Goodrow, Thom Eberhardt, Peter Elbling
Based on: characters by Stuart Gordon, Brian Yuzna, Ed Naha
Music by: Bruce Broughton
Cast: Rick Moranis, Marcia Strassman, Robert Oliveri, Amy O’Neill (cameo), Lloyd Bridges, John Shea, Keri Russell, Gregory Sierra, Julia Sweeney, Ron Canada

Touchwood Pacific Partners 1, Walt Disney Pictures, Buena Vista Pictures, 89 Minutes

Review:

“There’s one thing every little kid knows. Daddies mean fun; mommies mean business.” – Diane

This is a bad sequel. In fact, it’s a horrendous sequel.

And that sucks because Rick Moranis is a Canadian national treasure.

The reason this film is terrible is because it completely lacks the most important element of its predecessor: Honey, I Shrunk the Kids. That element is adventure.

Honey, I Blew Up the Kid is just a goofy comedy where a giant toddler descends upon downtown Las Vegas and brings no real kaiju level terror. He just picks up random things and plays with them like an actual f’n toddler.

The previous film saw four kids get shrunk to a size smaller than ants and then saw them have to make it across their backyard, fending off giant bees, fighting giant scorpions, surviving a lawn mower and dealing with a half dozen other threats to their lives.

This film dealt with babysitting a giant toddler that just ends up escaping anyway. None of this is fun, funny or all that entertaining. The jokes are weak, the gags are lame and the only giant props in the film are the random pieces of crap the toddler has in his front pocket.

There’s honestly not a whole lot to say about this movie. It’s bad on just about every level and it shouldn’t exist.

Rating: 2.75/10
Pairs well with: I guess the other Honey, I Re-Sized A Family Member movies.

Film Review: Honey, I Shrunk the Kids (1989)

Also known as: Grounded, Teenie Weenies, The Big Backyard (working titles)
Release Date: June 23rd, 1989
Directed by: Joe Johnston
Written by: Ed Naha, Tom Schulman, Stuart Gordon, Brian Yuzna
Music by: James Horner
Cast: Rick Moranis, Matt Frewer, Marcia Strassman, Kristine Sutherland, Thomas Wilson Brown, Jared Rushton, Amy O’Neill, Robert Oliveri, Mark L. Taylor, Kimmy Robertson, Frank Welker (voice)

Walt Disney Pictures, Silver Screen Partners III, Buena Vista Pictures, 94 Minutes

Review:

“Nick, I’ve got six hours to get home, get big and get to the mall. Now get moving.” – Amy Szalinski

It’s hard for me to wrap my head around the fact that one of the writers of Honey, I Shrunk the Kids is Brian Yuzna, the guy behind Re-Animator and its sequels, as well as From Beyond and Society. In fact, this film came out in the same year as the over the top and insane Society. Talk about two extremes.

Anyway, this family classic was one of many reasons as to why the summer of ’89 is probably the best summer for movies of all-time. I loved this as a kid and it has held up pretty well.

Some of the effects look a bit dated, as this came out just before the CGI boom that came with Jurassic Park in 1993, but the use of green screen and stop motion effects pretty much comes off without a hitch and these special effects are top of the line for 1989. Disney crafted an incredible world for this movie and all the physical sets still look fabulous by 2019 standards.

The movie is also kind of timeless and the humor still works. This isn’t a film that’s chock full of ’80s cliches. Okay, maybe the clothes the kids wear are very ’80s but this is written in a way that the jokes and humor aren’t as dated as other films from the time.

Additionally, all the kid actors are pretty solid, as are the parents. The parents of course get top billing in this movie but the bulk of the film is focused on the children and their adventure, trying to get home from the other side of their backyard. Of course there are several challenges that stand in the kids way, which just makes this adventure a lot of fun and actually provides a good amount of real tension.

Rick Moranis is as good as he always is but the real scene stealer was Matt Frewer, who owned the character of Russ Sr. Frewer can do drama and comedy well but here he was so committed to the bit that he was the biggest bright spot in the film.

I’m glad that I revisited this and I’ve just realized that it’s approaching its thirtieth anniversary. Man, I can’t believe it’s been that long since the epic summer of ’89.

Rating: 7.25/10
Pairs well with: the sequels but each one gets worse and worse, as well as other late ’80s family sci-fi movies like *batteries not included and Cocoon.

Film Review: Spaceballs (1987)

Also known as: Planet Moron (working title), Spaceballs: The Video (video box title), Mel Brooks’ Spaceballs (Germany)
Release Date: June 24th, 1987
Directed by: Mel Brooks
Written by: Mel Brooks, Ronny Graham, Thomas Meehan
Music by: John Morris
Cast: Mel Brooks, John Candy, Rick Moranis, Bill Pullman, Daphne Zuniga, Dick Van Patten, George Wyner, Joan Rivers (voice), Michael Winslow, John Hurt (cameo), Jim J. Bullock, Ronny Graham, Leslie Bevis, Rudy De Luca, Dom DeLuise (voice), Stephen Tobolowsky, Robert Prescott, Rick Ducommun, Tim Russ, Tony Cox

Brooksfilms, Metro-Goldwyn-Mayer, 96 Minutes

Review:

“What’s the matter, Colonel Sandurz? Chicken?” – Dark Helmet

I’ve been on a Mel Brooks kick, as of late. I’ve also been irritated with modern Star Wars shit. So I figured I’d go back and revisit Spaceballs, as it is a much better Star Wars movie than anything we’ve gotten in the last few years.

Well, it isn’t really a Star Wars film, it is a parody of the Original Trilogy, as well as some other sci-fi franchises like Star TrekAliens and Planet of the Apes, but it feels more consistent with the things I love about Star Wars than anything Disney has done, except for Rogue One.

Mel Brooks was the master of parody and he arguably lost his touch after this film but he was still on his A-game when he crafted this.

The thing that this film really has going for it is the cast. Brooks was perfect as always but it was cool seeing him ham it up with Rick Moranis and the inclusion of John Candy was great. Bill Pullman really stood front and center and carried the picture on his back. And that’s not to take anything away from the comedic actors, again, they were superb. Pullman had a certain panache and command of the screen when he was center stage and he’s really the star of the picture.

I also liked Daphne Zuniga as the princess and Joan Rivers as the voice of her robot sidekick, essentially a female C-3PO. You also have a lot of cameos and small parts for other well-known comedians and Brooks regulars, all of whom leave their mark.

This movie is hysterical if you love Brooks, Candy and Moranis. It’s certainly ’80s mainstream humor and it does feel a bit dated but it is a comedy classic in the same vein and style of Brooks’ Young Frankenstein and Blazing Saddles.

Plus, if you are a fan of the massive sci-fi franchises of the ’60s, ’70s and ’80s, then you’ll enjoy this even more.

This is a solid example of how to do a parody film, which in this day and age, seems like a lost art.

Rating: 8.5/10
Pairs well with: The original Star Wars trilogy, as well as the Mel Brooks classics: Young Frankenstein and Blazing Saddles.

Film Review: Streets of Fire (1984)

Release Date: June 1st, 1984
Directed by: Walter Hill
Written by: Walter Hill, Larry Gross
Music by: Ry Cooder
Cast: Michael Paré, Diane Lane, Rick Moranis, Amy Madigan, Willem Dafoe, Deborah Van Valkenburgh, E.G. Daily, Richard Lawson, Bill Paxton, Lee Ving, Stoney Jackson, Robert Townsend, Grand Bush, Mykelti Williamson, Ed Begley Jr., John Dennis Johnston, Lynne Thigpen, Peter Jason

Universal Pictures, 93 Minutes

Review:

“Well, it looks like I finally found someone who likes to play as rough as I do.” – Raven Shaddock

I have always looked at 1984’s Streets of Fire as a sort of spiritual successor to 1979’s The Warriors. They share the same director, some of the same themes, some of the same acting talent and take place in a vivid and surreal fantasy version of urban America.

While music often times drove the narrative and the action of The Warriors it takes over Streets of Fire and propels this picture forward as a perfect balance between the action and musical genres. Granted, this isn’t a traditional musical, it is mostly a string of live performances setting the tone, as the action flows around it. It is a movie full of energy and it is incredibly kinetic.

The film also has a neo-noir look, which was becoming popular in the 80s thanks to films like Blade Runner and slew of independent movies employing the visual style. While made in the 80s, the picture mostly looks like an homage to the 1950s and the rockabilly scene of that decade. The movie is a hybrid of 1950s and 1980s culture but the 50s were on a comeback in the 80s and this film really embraces that.

Streets of Fire also crosses over into the biker gang genre of film and Willem Dafoe’s Raven Shaddock seems to channel his character Vance from his debut film The Loveless, a biker gang picture that was also Kathryn Bigelow’s directorial debut.

The film also stars Michael Paré, Diane Lane, Rick Moranis and Amy Madigan.

Paré was a good hero and it is unfortunate that he didn’t do a whole lot after this movie. His acting was a bit better than average, at this point in his career, but he had a presence and just epitomized cool. Diane Lane was beautiful and did great with the musical numbers, even if it wasn’t her voice. Rick Moranis was incredibly unlikable but even then, who doesn’t like Moranis? This film was Amy Madigan’s coolest role and second only to her part in Field of Dreams. I wish she would have got more roles like her character McCoy.

There are a lot of cameos by up and coming actors, as well as Walter Hill regulars. We get to see a young Bill Paxton, as well as Ed Begley Jr., Deborah Van Valkenburgh, Lynne Thigpen, Lee Ving of the punk band Fear, as well as small roles played by Stoney Jackson and Robert Townsend, who were members of the band The Sorels.

For the most part, the acting is not exceptional and the script is often times cheesy and bare bones but for this picture, it works. This is exactly what it markets itself as, “A rock & roll fable.”

The film is exciting and fast paced and never has much downtime. Sure, the plot might not be as developed as many would like but this isn’t that sort of movie. It is a roller coaster ride of bad ass tunes and bad ass characters where two manly men duel in a fairly original fashion. Plus, Dafoe’s presence adds so much to the picture, despite his lack of experience when this was made.

Streets of Fire was a true throwback when it came out and it still fits that mold, over thirty years after its release. It doesn’t need to be set in a defined space and time. It is imaginative and well executed and it has gone on to become a cult favorite among film aficionados.

Rating: 7.75/10

Film Review: The ‘Ghostbusters’ Film Series (1984-1989)

For those who haven’t seen these films, you have wasted your time on this planet. In fact, these are films that should be beamed into the brains of unborn babies. This would eliminate any chance of horrible humorless babies coming into the world. America, or the world for that matter, doesn’t need anymore humorless jerks being born to boring parents.

These films are great. The first is much greater but the second is still damn good. So let me get right into these movies.

Ghostbusters (1984):

Release Date: June 7th, 1984 (Westwood premiere)
Directed by: Ivan Reitman
Written by: Dan Aykroyd, Harold Ramis
Music by: Elmer Bernstein
Cast: Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, Sigourney Weaver, Rick Moranis, Annie Potts, William Atherton, Slavitza Jovan, Casey Kasem (cameo)

Black Rhino, Delphi Productions, Columbia Pictures, 105 Minutes

ghostbustersReview:

I was five years-old when this came out. I didn’t see it in the theater because my mum thought it was “too intense”. She was wrong, as I saw it when I was six and fell in love with the film and its cast.

My young mind was exposed to Bill Murray, as well as Dan Aykroyd and Harold Ramis. From that point forward, my lifelong allegiance to those three was solidified. Hell, I also had an allegiance to Ernie Hudson, Rick Moranis, Sigourney Weaver and Annie Potts after this film.

Few films, even great comedy ensembles, are able to assemble a cast this good. Originally, John Belushi was set to play Murray’s part but his death changed things. Eddie Murphy was also cast in the role that went to Ernie Hudson while John Candy had Rick Moranis’ part. All things considered, I’m glad the film turned out the way it did. I think Murray is the gel that makes this unit work.

Great cast aside, the film was fun and original. The story sees three failed scientists and a hired fourth guy go against the paranormal forces that are ravaging 1980s New York City. It is a pretty nonstop film that moves fast from the first scene through the climactic final battle with Gozer the Gozerian.

Peter Venkman is Bill Murray’s greatest character, even though many can just say that he’s playing Bill Murray with a bit more intelligence in the realm of science. It is also Ramis’ and Aykroyd’s most iconic roles. The film is a perfect storm of talent, comedy, action and storytelling.

The special effects, for their time, are top notch and well executed. The diversity in the types of ghosts and supernatural characters is pretty astounding. While this film could’ve played as well with typical one-dimensional ghost characters, the filmmakers got insanely creative and took a lot of liberties.

Ghostbusters isn’t a perfect film.. no, actually, it is.

Rating: 10/10

Ghostbusters II (1989):

Release Date: June 16th, 1989
Directed by: Ivan Reitman
Written by: Harold Ramis, Dan Aykroyd
Music by: Randy Edelman
Cast: Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, Sigourney Weaver, Rick Moranis, Annie Potts, Peter MacNicol, Kurt Fuller, Wilhelm von Homburg, Mary Ellen Trainor, Christopher Neame, Chloe Webb (uncredited), Kevin Dunn (uncredited)

Columbia Pictures, 108 Minutes

ghostbusters_iiReview:

It took five years to get a sequel. Many think that it is inferior to the original, and they aren’t wrong. But it is still great and although it doesn’t capture lightning in a bottle a second time, it does retain some of the magic of the first film.

At its worst, it is a continuation of these characters’ lives. With a talented cast, such as this, it is hard to make a bad film, even if a sequel wasn’t necessary.

The entire cast that I mentioned in my write-up about the first movie, returns in this installment. We also get the addition of Peter MacNicol, who was brilliant and really steals the scenes that he is in – a tremendous feat when sharing the screen with Murray, Aykroyd, Ramis, Hudson, Weaver and Moranis. I’m surprised that MacNicol hasn’t done more comedy like this.

This chapter sees the Ghostbusters go against Vigo the Carpathian, who is an homage to Rasputin and Vlad Tepes (the real Dracula). He is in search of a baby to be his vessel for reincarnation. It just so happens that Weaver’s character is now the mother of a baby.

While not as outright funny as the first film, the humor is still top notch, the gags are funny and it is just nice to see these guys together again for another two hour romp.

Ghostbusters II isn’t an example of a bad sequel, it is a good sequel. While it wasn’t needed, we got it. It could have been much worse but I am happy with the finished product, regardless.

Rating: 8.5/10