Comic Review: The Death of Captain America, Vol. 1: The Death of the Dream

Published: June 11th, 2008
Written by: Ed Brubaker
Art by: Steve Epting, Mike Perkins

Marvel Comics, 161 Pages

Review:

I was excited to read this after having recently read Ed Brubaker’s first three volumes in his Captain America run, as well as revisiting the Civil War event.

This story takes place immediately after Civil War and in the first issue of this collection, we see Cap arrive at the courthouse to stand trial only for him to be assassinated on the steps before entering.

What follows is a political thriller with a lot of twists, turns and curveballs. This story is also used to setup Bucky Barnes a.k.a. Winter Solider as the new gun-toting Captain America. While he doesn’t become the new Cap yet, this is the start of that interesting journey and intriguing era for the character.

The death of Cap happens so quick and once you get past that, this deals with the fallout from it and how it effects certain characters while also slowly revealing that something is very complicated with one of them. I don’t want to say too much for risk of spoiling a major plot twist.

I thought that this was pretty good but it doesn’t have a definitive ending. It’s left open ended, as this is the first of several parts collecting the larger saga around Cap’s death and Bucky’s evolution into the role of Cap’s replacement.

Brubaker once again wrote a compelling and interesting story with superb art by Steve Epting and Mike Perkins.

Rating: 7.5/10
Pairs well with: the rest of Ed Brubaker’s Captain America run.

Comic Review: Hulk: Visionaries – Peter David, Vol. 1

Published: November 12th, 2015
Written by: Peter David
Art by: Todd McFarlane, John Ridgeway

Marvel Comics, 215 Pages

Review:

I was never a big fan of Hulk as a character. At least not until I was older and read Planet Hulk. That epic story gave me a love and respect for the character that I hadn’t had before and in a lot of ways, it made me want to go back and check out some of the character’s more critically acclaimed runs.

Well, the one run that is always talked about with a lot of admiration is Peter David’s, which saw the talented writer work on The Incredible Hulk for 100 issues, a pretty incredible feat.

Now I have read some of David’s stories over the years and he was the Hulk writer when I started really collecting comics. So I have some of his issues in my collection. But I didn’t want to just thumb through those, I wanted to start at the beginning of David’s run, which also kicked off with the debut of Grey Hulk and the visual allure of a young Todd McFarlane’s art before he would go on to illustrate his own epic run on The Amazing Spider-Man.

I’m glad I read this. While it didn’t blow my socks off, it was a good, solid, energetic story that set the stage for a lot of avenues for Peter David to explore.

I like the Grey Hulk and he was the Hulk that was at the forefront when I first started spending my allowance on comic books at my local Starvin’ Marvin convenience store. I thought he was cooler, more interesting and now that I’ve read this, I was right.

Now I can’t say that I’m in love with this series or David’s run but I do want to delve into the second volume and see where it takes me. I’m not sure where McFarlane jumps off but I hope he stuck around at least for another collected volume or two because I really like his look for the Hulk, Leader and Doc Samson.

I can’t give the whole Peter David run a real assessment off of just this but it starts out strong and did inspire me to keep going down this rabbit hole.

As for now, I see something that could potentially be on the cusp of greatness.

Rating: 7.75/10
Pairs well with: the rest of Peter David’s Hulk run.

Comic Review: X-Men: The Fall of the Mutants

Published: 1988
Written by: Chris Claremont, Peter David, Louise Simonson, Steve Englehart, Mark Gruenwald, Ann Nocenti
Art by: Marc Silvestri, Todd McFarlane, Bret Blevins, June Brigman, Kerry Gammill, Jon Bogdanove, Kieron Dwyer, Keith Pollard, John Romita Jr., Walt Simonson

Marvel Comics, 803 Pages

Review:

This was a story so big that it was collected into two massive volumes. But I figured I’d read both and give the whole thing a single review, as one body of work.

But that may have not been the best approach, as this crossover doesn’t really crossover in a way that makes one big story. This is more like an anthology of events that were going on in all the different X-books at the same time. And weirdly, this isn’t collected in chronological order but as separate stories without much overlap or characters meeting.

This big event also has some short stories focused on Hulk, Captain America, Daredevil, Black Widow and the Fantastic Four. In those tales, it shows what they’re up to during the events of what is happening in some of the X-books.

The Fall of the Mutants takes place between Mutant Massacre and Inferno. It is also the last of the ’80s X-Men crossovers that I hadn’t read in its entirety.

Out of all the tales here, I thought the X-Factor one was probably the best as it concludes the Apocalypse and Angel storyline, as it introduces Archangel for the first time. Also, the X-Factor arc showcases Cameron Hodge turning on the team, revealing his true agenda to set up what would eventually be the superb crossover event X-Tinction Agenda.

The New Mutants part was the weirdest but it also featured Hodge’s heel turn and kind of sets things in motion for X-Tinction Agenda and Inferno. This is also where the New Mutants dump Magneto as their teacher and return to the ways of Charles Xavier.

Ultimately, this was kind of a mess when read as one body of work. But it does do a proper job of bridging the gap from Mutant Massacre and the next two big events to follow.

Rating: 5.5/10
Pairs well with: other major X-Men crossover events from the ’80s and ’90s.

Comic Review: Avengers, Issue #6 – First Appearance of Baron Zemo & The Masters of Evil

Published: July 8th, 1964
Written by: Stan Lee
Art by: Jack Kirby, Chic Stone

Marvel Comics, 24 Pages

Review:

I recently read Avengers issue #8, the first appearance of Kang the Conqueror and I really enjoyed it. And since I actually now own a high quality original issue of this comic, the first appearance of the original Baron Zemo and his Masters of Evil, I figured that I’d read this one too.

Granted, the comic I own is graded and slabbed, so I read this digitally. It’s actually free for Comixology Unlimited members.

I’ve got to say, I enjoyed this issue immensely. Even more so than the Kang issue.

This was a pretty high energy issue that was mostly action, as the Avengers didn’t fight one big villain but instead, fought a group of villains that were very aware of each hero’s weakness.

The story also ties back to the death of Bucky and how personal that tragedy was for Captain America. We learn that Zemo was behind Bucky’s death and that gives some added emotional weight to the story, cementing him, immediately, as one of Cap’s greatest rivals.

I loved Stan Lee’s writing here, especially his dialogue. I also appreciated the extra layers added to the plot that called back to past events that existed before Stan was even writing comics.

This is, of course, all enhanced by the stupendous artwork of Jack Kirby, who is still my favorite person ever to draw Captain America. He also really gives Zemo a presence and style that no one else has been able to replicate with the same sort of impact.

For those of you that just like old school comics when stories were told over just one issue, this is a great representation of that bygone narrative style.

Rating: 8.5/10
Pairs well with: other Stan Lee and Jack Kirby era Marvel stuff, especially The Avengers and Fantastic Four.

Comic Review: Avengers, Issue #8 – First Appearance of Kang the Conqueror

Published: September 9th, 1964
Written by: Stan Lee
Art by: Jack Kirby, Dick Ayers

Marvel Comics, 22 Pages

Review:

This is one of the comic books that is pretty high up on my bucket list. I still don’t own it but I wanted to read the story, so I bought a digital copy on Comixology for under two bucks.

While this isn’t technically the first appearance of the character that would become Kang, this is his first appearance as Kang. Before this, he appeared as an Egyptian pharaoh-looking villain named Rama-Tut in Fantastic Four number 19 and Fantastic Four Annual number 2.

For the most part, this was a cool read. It had that great Stan Lee style to the action and dialogue and it featured art from my favorite artist of all-time: Jack Kirby.

While this isn’t the start of a big multi-part story, a lot happens in these 22 pages and you get a real sense of who Kang is and what he is capable of. It is a pretty solid Lee/Kirby era intro to one of their greatest villainous creations.

I wouldn’t consider this a must read but it will probably be enjoyed in an old Avengers collection alongside other stories from the time.

I personally love Kang, though, so I probably enjoyed this more than the average bear.

Rating: 7/10
Pairs well with: other Stan Lee and Jack Kirby era Marvel stuff, especially The Avengers and Fantastic Four.

Comic Review: World War Hulk

Published: May 7th, 2008
Written by: Greg Pak
Art by: John Romita Jr.

Marvel Comics, 197 Pages

Review:

Planet Hulk is one of my favorite story arcs of the ’00s. I never read the followup, World War Hulk until now though. I think the reason behind that is because Planet Hulk was so perfect, I didn’t want to diminish its impact on me by jumping right into the next big chapter in the Hulk’s life.

That being said, I’m glad that I did finally read this as it was a lot of fun. Sure, it doesn’t live up to what Planet Hulk was but those were big shoes to fill and this is still a worthwhile followup that shows the Hulk finally make it home with a serious chip on his shoulder.

At its core, this is a revenge tale. But there are a lot of layers and a dark secret that comes out at the end that really shakes the foundation of what this era’s Hulk stands for.

You see, the Hulk is not only mad that his friends (Mr. Fantastic, Iron Man, Doctor Strange and Black Bolt) sent him away against his will, marooning him on a terribly violent planet, but now he wants revenge because his wife and unborn child were killed by what he believes was the fault of these same former friends. So the Hulk returns to Earth with his allies from Planet Hulk ready for a showdown with his old teammates in the heart of New York City.

This story is full of epic destruction and incredible action. It’s also nice seeing John Romita Jr. do the art for this, as I’ve been an avid fan of his work since I first discovered him in the pages of Daredevil in the late ’80s.

World War Hulk is full of a ton of Marvel superheroes, all trying to stop the Hulk’s war against Earth’s mightiest. While it isn’t on Planet Hulk‘s level, it’s still a worthy sequel and changes the Marvel landscape going forward.

Rating: 7.75/10
Pairs well with: the story that precedes this one, the near perfect Planet Hulk.

Comic Review: Avengers: Kree/Skrull War

Published: 1971-1972
Written by: Roy Thomas
Art by: Neal Adams, John Buscema, Sal Buscema

Marvel Comics, 205 Pages

Review:

I never read the original Kree/Skrull War storyline but I’ve heard it referenced my entire life. But with it being free on Comixology and with my desire to read a lot of the major old school comic book milestones, I had to finally give this a read.

So if I’m being honest, this really is a mixed bag.

Now when this is good, it’s damn good. However, the middle act of this large story feels like it gets off track before it all comes back together for the big finale, which is a space battle between two warring alien races and members of the Avengers team.

This story is at its best when both Ronan the Accuser and Annihilus are front and center. Other than that, it deals with the newer Avengers team screwing up and the original team having to come back and disband them. Ultimately, this leads to the newer Avengers redeeming themselves and it also showcases Rick Jones, a man without any powers, as a brave, courageous badass. Never mind that Ronan nearly slaps him to smithereens at one point though.

The only weak thing about this story besides the middle act, is that it was probably too drawn out. In fact, most of that middle act should have been whittled down. If that was fixed, this would have had better pacing and it would have been much, much better overall.

I really loved seeing old school Ronan and Annihilus though. Man, they’re such good villains when used correctly and not written as fodder for heroes. Most modern comic book fans probably don’t know how scary it was to see either of these guys show up, back in the day. Annihilus, especially, was a terrifying enemy.

Lastly, I have to mention that this was just great to look at. The art of Neal Adams, John Buscema and Sal Buscema was ’70s Marvel perfection.

Rating: 7.75/10
Pairs well with: other ’70s Marvel milestone events.