“She’s some bunny isn’t she? Great to see her again, it’s been years. But I never forget a face… especially, if I’ve sat on it.” – Decker
I actually didn’t even know about this movie until the scene I’ve linked below came across my YouTube suggestions while I was looking for some other Christopher Walken clips for something else completely unrelated.
That scene is pretty incredible and maybe the most Walken thing that Walken has ever done. Once I saw that this long lost flick also featured Charlie Schlatter and Josie Bissett with small roles for Joanna Cassidy and Richard Kind, I knew that I had to check it out.
This was a straight-to-VHS release and while it’s not a very good movie, it’s pretty entertaining for those who love Walken and late ’80s/early ’90s crime thriller schlock.
All-American Murder also dabbles into horror due to the dark nature of its plot, the crimes committed and a few sequences that almost play more like a slasher flick than a hard-nosed, gritty crime picture.
The plot is damn clunky and it became predictable pretty early on but it’s still fun to watch the absurdity of the story unfold.
Ultimately, I loved Walken in this and being that he’s one of my all-time favorite actors of his generation, I could see this bad movie becoming one of those guilty pleasure flicks that I feel compelled to revisit every few years or to show others that come over for a movie night that want some solid cheese and over-the-top Walkenisms.
Most people may be bored shitless with this movie. But those are the type of people I don’t talk to about film.
Rating: 5.75/10 Pairs well with: other crime thrillers from the era.
*instead of the trailer, I’ll just share this scene, one of the best in Christopher Walken’s decades-long career.
Also known as: Ghoulies Go to College (video title), Ghoulies III (France) Release Date: August 19th, 1991 (Germany) Directed by: John Carl Buechler Written by: Brent Olson Based on: characters by Luca Bercovici, Jefery Levy Music by: Michael Lloyd, Reg Powell Cast: Evan MacKenzie, Kevin McCarthy, Eva LaRue, John R. Johnston, Patrick Labyorteaux, Billy Morrissette, Hope Marie Carlton, Jason Scott Lee, Matthew Lillard, Marcia Wallace, Dan Shor, Kane Hodder (uncredited), Richard Kind (voice)
Lightning Pictures, Taurus Entertainment Company, Vestron Pictures, 94 Minutes
The Ghoulies movies only work for a certain type of film aficionado. I know that these are bad movies but for fans of horror, comedy, practical effects and the right kind of ’80s and ’90s cheese, these movies just seem to hit all the right notes.
I haven’t seen this chapter in the franchise since it came out on video in 1991. It sort of disappeared and was out of print for a really long time. I believe you can get it on DVD now but I checked it out on Amazon Video.
I was surprised to discover that I actually liked this one better than the original. However, it’s a tad bit lower on the scale than Ghoulies II, which stands as my favorite in the series. But what’s most amazing is that over the first three films, this series pretty much maintained its status quo quite well.
This came out when there were a slew of college comedies. Maybe it was at the end of that era, which peaked in the ’80s, but it fits nice and snugly in the college sex comedy subgenre.
The Ghoulies themselves are larger in this movie but not as big as whatever the hell those troll things were in the fourth film. They also talk in this one. Strangely, Richard Kind provided the voice for one of these creatures.
Another neat addition to the series is that they actually make the toilet matter in this one. Some people incorrectly remember the Ghoulies as little monsters that come up through the toilet because of the imagery used in the previous movies’ posters and because there was one toilet scene in each of those films. This is the first movie where the toilet is more central to the plot, as it’s their portal into our world.
Apart from Richard Kind, who I mentioned earlier, this also has some other notable actors. It is the first film appearance of Matthew Lillard and also features another well-knwon ’90s actor, Jason Scott Lee. Marcia Wallace, most known for sitcom and comedy work and for providing the voice of Edna Krabappel on The Simpsons, appears in this as well. It’s also worth mentioning that Kane Hodder appears too, although he is uncredited and used for the stunt where the janitor is riding in the mop bucket.
This is a really enjoyable, mindless horror film. The jokes and the absurdity work. The terrible and hokey soundtrack is perfect in its own way. Frankly, I can’t say anything bad about this really, without having to peer intently through a more academic lens. But this isn’t a movie that deserves the same kind of examination as a Kubrick or Fellini film. Just enjoy it for what it is and what it is, is a fuck ton of fun.
Rating: 6.25/10 Pairs well with: The other three Ghoulies films, the Munchies films, Hobgoblins and Sorority Babes In the Slimeball Bowl-O-Rama.
Release Date: October 28th, 1994 Directed by: Roland Emmerich Written by: Roland Emmerich, Dean Devlin Music by: David Arnold Cast: Kurt Russell, James Spader, Jaye Davidson, Viveca Lindfors, Erick Avari, John Diehl, French Stewart, Richard Kind, Djimon Hounsou
Centropolis Film Productions, Carolco Pictures, Metro-Goldwyn-Mayer, 121 Minutes
“Give my regards to King Tut, asshole.” – Colonel Jonathan “Jack” O’Neil
This is the first time that I have watched Stargate since the movie theater in 1994. I was a sophomore in high school when it came out and while I wasn’t blown away by it, at the time, I still thought it was a fun blockbuster that probably should have been a summer movie.
I think that other people had a much stronger impression of it than I did, as it would go on to spawn three sequel television series: Stargate SG-1, Stargate Atlantis and Stargate Universe, as well as two other movies related to the TV shows: Stargate: The Ark of Truth and Stargate: Continuum. Not to mention a web series, an animated series and lots of books and comics.
Because of how big this franchise has gotten and because I do enjoy Roland Emmerich’s work before 1998’s Godzilla, I figured I’d give this a watch again with the possibility of me finally giving the television shows a shot in the near future (assuming I can stream them for free somewhere).
Stargate was really enjoyable. While it does feel a bit dated, it’s a solid ’90s sci-fi action flick. It had a decent story that was interesting and really set the stage for something that needed to be much larger than this self-contained film. I guess it’s a good thing for the hardcore fans of this movie that it was expanded out into other forms of media.
Kurt Russell is a true man’s man and James Spader is always great to watch. Seeing them come together and having a big contrast in personalities here was a lot of fun. Spader didn’t play his typical role and was pretty much just a very brave scientist that often times jumped into the water without checking for sharks. Russell usually had to pull Spader’s ass out of trouble but it was a treat to watch.
I loved how this gives a sci-fi explanation for ancient Egyptian culture and the Egyptian styled aliens were just badass. The backstory was pretty simple but awesome and I really liked how this was just a simple tale with a lot of emphasis on action.
Emmerich did a great job of writing this alongside Dean Devlin. But his eye for style and his execution of action, while he sat behind the camera, was terrific. I really wish that Emmerich’s mojo didn’t get sucked out of him after Independence Day.
I also really enjoyed the film’s score. It was heavy handed but in the right way and frankly, I miss powerful scores like this in my blockbusters.
This is just a rollercoaster ride of a bunch of guys having fun in an alien desert, fighting stylish aliens with cool technology. What’s not to love? There’s even a bit of a love story but I was too captivated by the testosterone and the Egyptians with lasers to care about that.
Rating: 7.75/10 Pairs well with:Independence Day, The Mummy and the various Stargate TV shows and related films.
Original Run: September 22nd, 2014 – current Created by: Bruno Heller, Danny Cannon Directed by: various Written by: various Music by: Graeme Revell Cast: Ben McKenzie, Donal Logue, David Mazouz, Zabryna Guevara, Sean Pertwee, Robin Lord Taylor, Erin Richards, Camren Bicondova, Cory Michael Smith, Victoria Cartagena, Andrew Stewart-Jones, Anthony Carrigan, John Doman, Jada Pinkett Smith, Morena Baccarin, BD Wong, James Frain, Jessica Lucas, Chris Chalk, Drew Powell, Nicholas D’Agosto, Michael Chiklis, Maggie Geha, Benedict Samuel, David Zayas, Cameron Monaghan, Richard Kind, Natalie Alyn Lind, Peyton List, Crystal Reed, Alexander Siddig
Primrose Hill Productions, DC Entertainment, Warner Bros. Television, 66 Episodes (thus far), 42 Minutes (per episode)
*originally written in 2015, near the end of season 1, plus additional updates written later.
I was going to wait until the end of the first season before reviewing this show, as I do with most new shows. I just can’t get that far and don’t think that waiting till the season ends will change my assessment. I’ve tried desperately to get this to work for me. I’ve tried a hell of a lot harder than most of my friends and Batman fans, who all gave up on this a long time ago. I saw some promise here and there but this show fails in just about every way. In short: it is pretty goddamned awful (*note: I no longer feel this way as revealed in the final update).
There are actually only a few things that this show has going for it but I’ll get to those shortly.
If you barely know anything about the Batman mythos and you find pleasure in watching mediocre cookie cutter detective shows, I can see where you might find this watchable. However, if you are a Batman fan and love and respect the franchise, this is a very painful experience.
On one hand, the producers are trying to spoon feed the audience with fan service in every episode but it is forced, poorly executed and unnecessary. In fact, it feels as if the producers read a couple Wikipedia articles about Batman and thought they had an intimate grasp. And the way they handle certain characters, goes to show that they don’t understand them at all. At times it just feels like a cruel joke and it is Fox trolling the shit out of their audience.
For instance, Edward Nygma doesn’t need to speak in riddles every scene, Harvey Dent doesn’t need to display a split personality every other appearance, you don’t need to have constant Joker teases across multiple unrelated scenarios, you don’t need to show a little ginger girl playing with plants every time she’s on screen and Selina Kyle doesn’t need to parkour off of every object whenever she makes an entrance. I also don’t need to be reminded every five minutes about how Jim Gordon is a good cop and every other cop on the force is tainted by something. It is fucking overkill.
The acting is questionable, the writing is more often than not atrocious and despite the over abundance of horribly executed fan service, the show is just plain stupid on its own. It is an obvious attempt at being a cash cow and a ratings grabber and somehow it has worked in that regard, as it is coming back for a second season.
The whole premise of the show makes it a failure from the get-go.
To start, the worst part about most live-action superhero adaptations is the origin. The audience usually finds themselves roughing it through the early bits in an effort to get to the comic book action. Also, how many times has Batman’s origin been told? Now we are given a show that is an overly extended version of the lamest part of Batman’s tale. Who knows how long this could stretch: ten seasons, maybe? Hell, one has been enough.
The other main part of the show, is Jim Gordon trying to “save the city” and destroy corruption. Well, he’s doomed to fail because if he were to succeed, why would Gotham City need the Batman?
As far as characters, Bruce Wayne is okay and I like him being a little shit challenging authority and taking on the evil adults of his world but it isn’t enough to anchor a need for him on this show. Selina Kyle is awful and pretty much a caricature that just happens to look like a young Michelle Pfeiffer. The Poison Ivy character is unimportant and so far useless. All the villains who show up are poorly done and easily defeated. Barbara Kean is the worst character on television. Where did Renee Montoya go? Fish Mooney is sometimes great but mostly terrible. However, I don’t blame these actors, I blame the atrocious writing.
When it comes to positives, Robin Lord Taylor is amazing as the Penguin. In fact, at first, I hated that he was way too skinny to be the Penguin but he’s so good in the role that I don’t care. He is by far, the most interesting part of the show. Almost as good as Taylor is Donal Logue as Harvey Bullock. Then again, when isn’t Logue anything short of great? Ben McKenzie does a solid job as Jim Gordon and I do like Cory Michael Smith as Nygma, the man who will become the Riddler – even though the writers force riddles into every situation he finds himself in. Lastly, Sean Pertwee makes a fine Alfred Pennyworth and is my favorite live action incarnation of the character. Pertwee also looks a lot like his father in his older age and seeing him in action reminds me of the Third Doctor from the classic Doctor Who series.
The show is often times too distracted by its own mess and diverts away from characters with potential to focus on too many small parts in a machine that is too large for its own good. When the show is at its strongest is when the Penguin is on screen, Alfred is kicking ass or when it focuses more heavily on the crime families of Gotham City. The episodes pitting Sal Maroni against Carmine Falcone with a little Fish Mooney and the Penguin mixed in are the best that this series has offered up so far.
I still watch this show because I want to buy into it, I just can’t. The good parts keep me engaged but they are too far and few between. I don’t believe that the show will get better but there is enough good stuff to expand on and save it from being the generally uninteresting mess it is currently. But I probably won’t watch the second season on a weekly basis, as I do now. I’ll wait a year for it to be over with and then binge watch it over a weekend. If it picks up steam and corrects itself, consider me reinvested. If not, I’ll find better ways to spend my time.
Season 2 of Gotham has been infinitely better than the first. The shows is finding its footing and it now knows what it is trying to be. I like that it is creating its own world and veering away from being trapped by the expectations from an already established Batman mythos. The show is doing its own thing and honestly, at this point, I wouldn’t be surprised if Bruce Wayne is killed off before even becoming Batman.
At the end of Season 3, the show has corrected a lot of its early mistakes.
Cameron Monaghan, who plays Jerome Valeska, who may or may not be the Joker but is probably the Joker, is the best version of Batman’s greatest villain I have ever seen in a live-action story. The kid is magnificent and really captures the magic of the comic book version of the legendary character better than anyone I have ever seen. Yes, he’s better than Heath Ledger and he has the same spirit as Mark Hamill who has voiced the character for decades.
Additionally, the show just becomes more interesting as it rolls on, even though it has some dumb plot threads. But when you don’t take this show seriously and just embrace its insanity, it works.
Most of the villains have evolved solidly, especially the Penguin and the Riddler. I also really liked the Mad Hatter story, as well as the plots that focus on Hugo Strange.
Gotham is far from a perfect show but it bounced back, in my opinion. It also works if you just take it for what it is and don’t try to force it into the box that is the already established comic book mythos. I see it now as an Elseworlds Tale, which is a title DC Comics gives to their stories that take place in different realities.
I’m glad I stuck with it as long as I did. For others who have, their dedication has paid off.