Release Date: August 9th, 1985
Directed by: Carl Reiner
Written by: Mark Reisman, Jeremy Stevens
Music by: Alan Silvestri
Cast: John Candy, Karen Austin, Kerri Green, Joey Lawrence, Rip Torn, Richard Crenna, John Larroquette, Richard Herd, Lois Hamilton
St. Petersburg Clearwater Film Commission, Paramount Pictures, 87 Minutes
“I love you Scully. That’s not the booze talkin’ either.” – Jack Chester
This was one of those movies I used to watch a lot as a kid. I hadn’t seen it in years though but after recently revisiting The Great Outdoors, I wanted to give this similar movie some love.
Sadly, it’s nowhere near as good as I remembered it being. But that’s not to say that it isn’t amusing and funny. It is, but that’s mainly due to how charming and lovable John Candy is regardless of the quality of the production he finds himself in.
The story follows a guy who is forced to take a vacation so he packs up the family and heads to Florida for the summer. Once there, a series of mishaps happen and the vacation is turned into a bit of a nightmare but ultimately, he has to come to look at the silver lining and reconnect with those he loves most while also challenging himself in a new way in an effort to succeed at something important to him.
This is a lighthearted positive film and it feels like a relic because there are few movies like this anymore, which is kind of sad. But even with all the shit that is thrown at John Candy’s Jack Chester, he tends to find a way to get over it and be optimistic.
Apart from Candy, I really liked Rip Torn as his buddy that teaches him how to sail and helps inspire him to win a sailing race against the town’s rich asshole.
That asshole is played by Richard Crenna, who I also liked a lot in this, as he isn’t playing his typical tough guy role but is instead playing a pompous old yuppie that gets to ham it up and have fun. In fact, he and Candy made such good rivals in this, I’m surprised Crenna didn’t get more similar roles following this film. But then again, this just did okay in theaters and was critically panned at the time.
Summer Rental isn’t the best John Candy movie, by any means, but it still showcases the guy’s magnetic charm and it makes you want to root for him and his family.
Pairs well with: other vacation comedies of the ’80s, most notably The Great Outdoors, also with John Candy.
Also known as: Rambo: First Blood Part III (Malaysia)
Release Date: May 25th, 1988
Directed by: Peter MacDonald
Written by: Sylvester Stallone, Sheldon Lettich
Based on: character by David Morrell
Music by: Jerry Goldsmith
Cast: Sylvester Stallone, Richard Crenna, Kurtwood Smith, Marc de Jonge
Carolco Pictures, TriStar Pictures, 102 Minutes, 87 Minutes (heavily cut VHS version)
“Yeah, well, there won’t be a victory! Every day, your war machines lose ground to a bunch of poorly-armed, poorly-equipped freedom fighters! The fact is that you underestimated your competition. If you’d studied your history, you’d know that these people have never given up to anyone. They’d rather die, than be slaves to an invading army. You can’t defeat a people like that. We tried! We already had our Vietnam! Now you’re gonna have yours!” – Colonel Trautman
While I will love any Rambo movie by default, there are some that aren’t as good as others. From memory, this one was my least favorite but I also hadn’t seen it in about fifteen years. Now that I’ve seen it again, it is pretty damn awesome even if it is the worst of the original trilogy of films. But out of the three, someone had to lose.
That being said, it is a damn solid ’80s action movie that is unapologetic, out to splatter the balls of lesser men and just a great conclusion to the Rambo story arc. Well, that is until we were allowed to check in on him twenty years later with 2008’s Rambo, a film no one ever really anticipated, as Hollywood wasn’t resurrecting everything under the sun by that point.
Anyway, this movie shows us that John Rambo has been living in Thailand where he is a pit fighter that whips ass for money. Granted, he gives the money to the nice monks that let him live in their monastery, where he also does some handyman work. Colonel Trautman then shows up with a new mission that will help free a region of Afghanistan from a Soviet tyrant who is pretty damn sadistic.
After September 11th, 2001, this plot was looked at as somewhat controversial, as Rambo aided the mujahideen, a group that was associated with Osama bin Laden in the real world. The ending of the film even had a blurb of text that said the film was dedicated to “…the brave mujahideen fighters of Afghanistan.” Since 2001, the film has been altered to say that it’s dedicated to the “…gallant people of Afghanistan.”
Apart from that issue, which really isn’t an issue when you consider the history of the United States, the Soviet Union and the politics of the Soviet-Afghan War, this is one badass movie. In fact, once Rambo gets going in this flick, he is a killing machine and the action only stops long enough to give you a breather a few times.
My only real gripe about the film is that it takes too long to really get to the good stuff. There is a great action sequence early on, which sees the Soviets in a Hind-D helicopter attack an Afghan buzkashi match but after that, there is a lot of talk, planning and scenes of Trautman (and later Rambo) in Soviet custody. The film isn’t overly slow in the first two acts but they probably could’ve lobbed off ten or fifteen minutes and made it flow at a better pace.
Out of the original three films, however, this has, hands down, the best climax. We get to see Rambo, driving a tank, play a game of chicken with the Soviet Hind-D helicopter. It’s fucking glorious and is one of the most masculine moments in the history of cinema. While the final sequence here doesn’t beat out the final sequence of Death Wish 3, it has made me develop a theory that the big finale of the third film in action franchises will always be tremendous. Ignore Lethal Weapon 3, though, otherwise it destroys my theory like a balsa wood house in a fire… like the one in the final fight in Lethal Weapon 3.
Rambo III is a spectacular action flick, a product of its time (a great time, mind you) and it stars one of the best actors of the action genre, in his prime, playing his second greatest character. Seriously, what’s not to love, here?
Pairs well with: the other Rambo movies, as well as other ’80s and early ’90s Stallone movies.
Also known as: Rambo II (unofficial title), Rambo (shortened title)
Release Date: May 22nd, 1985
Directed by: George P. Cosmatos
Written by: Sylvester Stallone, James Cameron, Kevin Jarre
Based on: characters by David Morrell
Music by: Jerry Goldsmith
Cast: Sylvester Stallone, Richard Crenna, Charles Napier, Steven Berkoff, Julia Nickson, Martin Kove, George Cheung, Voyo Goric, Jeff Imada (uncredited)
Estudios Churubusco Azteca S.A., Anabasis N.V., TriStar Pictures, 96 Minutes
“Pressure? Let me just say that Rambo is the best combat vet I’ve ever seen. A pure fighting machine with only a desire to win a war that someone else lost. And if winning means he has to die, he’ll die. No fear, no regrets. And one more thing: what you choose to call hell, he calls home.” – Trautman
The first Rambo movie, First Blood, is and will always be the best of the Rambo films. Frankly, it’s really hard to top but this one does comes pretty close while being a very different kind of movie.
At their core, both films are action flicks with a one man army fighting for survival against man, the wild and every other dangerous thing that arises.
However, the first picture was more about making a statement regarding the treatment of Vietnam veterans returning from war to a home that didn’t want them while this film was much more about balls out action and fun.
That’s not to say that this chapter in the franchise doesn’t have a message, it does. It sees John Rambo return to Vietnam in an effort to rescue some of the P.O.W.s that were left behind by their own government. The film critiques the U.S. government’s handling of the P.O.W. situation and shows that the government wasn’t actually too keen on getting them out. Rambo is essentially set up to fail but he blasts his way through the dangerous jungle, falls in love, loses love, rescues some soldiers, kills several evil men and then exposes his own government for spitting in the faces of the men that lost their lives and sanity for a government that abandoned them.
There are actually a lot of similarities between this movie and Chuck Norris’ Missing In Action film series. As much as I love those movies, this just feels like a better, more polished version of what those movies were. That being said, Missing In Action was actually rushed out and released in 1984 to avoid a lawsuit, as it was based off of a story treatment that James Cameron wrote for this film.
Out of all the Rambo films, this one features my favorite cast. Alongside Stallone, Crenna gets a bigger role here and then you’ve got the great Martin Kove, who I wish had a bit more screen time, Charles Napier, Steven Berkoff and Julia Nickson, who I will always remember most for her part in this film and how it inspired and gave hope to John Rambo that there could be life beyond war. Additionally, Voyo Goric is in this and while his name might not be known to most people, he was in several action flicks of the time and always played a good, intimidating and convincing heavy.
As an adult, I know and recognize that First Blood is better. However, as a kid, this was my Rambo film, as it was so over the top and action heavy that it made my young mind explode with excitement and wonder. It felt like a G.I. Joe character come to life and it was just violent and cool in a way that makes it a near perfect ’80s action picture. It feels like a Cannon Films movie with a bigger budget and a bigger star. Granted, it could’ve used a few ninjas.
One thing that makes this picture work so well is the pacing. For example, I love Rambo III but it isn’t as good as this one because it has a slow pace that hinders it. I’ll talk about that more when I review it. The pacing here though is perfect, the film keeps moving forward, a lot happens but you don’t get stuck in a spot of fixated on some plot point. Rambo blasts or punches something just about every five minutes.
Some may accuse this of being a mindless action movie, it’s not. It has a message and a point to make but it also doesn’t let that message get in the way of what’s most important: action, muscles, bullets, explosions and heavy machinery.
Pairs well with: the other Rambo movies, as well as other ’80s and early ’90s Stallone movies.
Also known as: Rambo (Argentina, Austria, Colombia, Croatia, Czech Republic, France, Germany, Hungary, Italy, Japan, Mexico, Peru, Portugal, Romania, Slovenia, Venezuela), Rambo: First Blood (informal title)
Release Date: October 22nd, 1982
Directed by: Ted Kotcheff
Written by: Michael Kozoll, William Sackheim, Sylvester Stallone
Based on: First Blood by David Morrell
Music by: Jerry Goldsmith
Cast: Sylvester Stallone, Brian Dennehy, Richard Crenna, David Caruso, Bill McKinney,
Anabasis N.V., Elcajo Productions, Orion Pictures, 93 Minutes
“I could have killed’em all, I could’ve killed you. In town you’re the law, out here it’s me. Don’t push it! Don’t push it or I’ll give you a war you won’t believe. Let it go. Let it go!” – Rambo
I wanted to see Rambo: Last Blood in the theater. But when it came out, I had a lot going on and next thing I knew, it was out of my local cinema. It’s out digitally now but before finally watching it, I thought I’d start way back at the beginning and work my way through the franchise, as I haven’t watched any of these in at least a decade.
First Blood is the best film, at least from my memory. But my opinion doesn’t really seem to be that different from the general consensus. And after revisiting it, I think the other ones have their work cut out for them, as this still holds up and hits the same notes it did when I first saw it, a few decades ago.
This is the most serious and dramatic of the films and Stallone is pretty damn stellar in this. He carries the entire film on his back and shows why he was one of the biggest action movie stars of all-time. People will always debate who was better between Sylvester Stallone and Arnold Schwarzenegger but this film, like the original Rocky, shows that Stallone was the better actor.
The story here is simple, Rambo is a Vietnam veteran that just happens to be traveling on foot through a small town. He draws the attention of a bigoted sheriff that thinks it’s wise to fuck with Rambo. Both men push each other back a little bit and it escalates into the police going on a manhunt for a legitimately deadly soldier that knows how to use his wild environment to his extreme advantage.
What sets this film apart from the other Rambo movies is that this one has a clear message that really resonated at the time that it was released. It’s a straight up action movie, for sure, but beyond that, it examines the treatment of Vietnam veterans by their own country once they got home from the hell that was the Vietnam War.
The film conveys its message quite well and Stallone’s final moments in this film really show the audience the horrors and the effects of war on those who are closest to it. You sympathize with Rambo, you feel what he’s feeling in your gut and its hard not to truly feel his emotion and pain as he breaks down in the arms of his former commander.
In regards to the bulk of the film, which is action, everything is wonderfully shot and executed. I love the look of this picture, the choice of using the Pacific Northwest and how it becomes Rambo’s real weapon against a corrupt, power mad sheriff and his police force.
I also like the final act of the film which brings Rambo back into town for a showdown with the sheriff. Speaking of which, Brian Dennehy was pretty good as the slimeball sheriff and this is the role that helped to give him a pretty solid and respectable career.
One thing that really takes this movie to the next level is the Jerry Goldsmith score. It’s pretty perfect, especially in how it gives extra energy to the spectacle of the action heavy sequences.
First Blood is still a damn good motion picture to watch and it carries a message that is still relevant while not being too heavy handed, allowing the movie to still entertain you. Modern Hollywood could learn a lot from First Blood in that it doesn’t sacrifice story and character to force feed its audience an agenda. It presents its message and allows you to digest it, think on it and then do what you will with it.
Pairs well with: the other Rambo films, as well as Chuck Norris’ Missing In Action movies.
Release Date: August 28th, 1981
Directed by: Lawrence Kasdan
Written by: Lawrence Kasdan
Music by: John Barry
Cast: William Hurt, Kathleen Turner, Richard Crenna, Ted Danson, J. A. Preston, Mickey Rourke, Kim Zimmer, Jane Hallaren, Lanna Saunders
The Ladd Company, Warner Bros., 113 Minutes
“I’m really disappointed in you, Racine. I’ve been living vicariously off of you for years. You shut up on me now, all I have is my wife.” – Peter
Lawrence Kasdan is probably most known for being one of the writers that worked alongside George Lucas on the original Star Wars trilogy, as well as Raiders of the Lost Ark. But here, he not only writes but he directs. And it was his working relationship with Lucas that helped him get this film produced. In fact, Lucas put up some of the money himself, even though he’s not officially given a producer credit.
It’s interesting that Kasdan’s directorial debut was something so different than what audiences had known him for, which were primarily high adventure pictures. But Kasdan made a very true to form film-noir picture. But maybe it was too close and that worked against it; I’ll explain.
Kasdan’s story for Body Heat drew inspiration from the 1944 film-noir classic Double Indemnity. In fact, there are some pretty stark similarities but Body Heat is not a complete rehash and it certainly stands on its own, despite having very similar cues.
The film is really carried by the strong performance by William Hurt. Kathleen Turner stars alongside him as the typical femme fatale and while she’s pretty good, she comes off as more of a caricature of the femme fatale archetype than feeling like she is giving a genuine performance. But I don’t think that’s on her, as she’s proven how capable she is. I think it could be a combination of Kasdan’s direction and writing, as he was possibly trying to squeeze her into an image he had, as opposed to letting her put more of herself into the role.
Still, Hurt offsets the awkward clunkiness of Turner and the rest of the cast between Richard Crenna, Ted Danson, Mickey Rourke and everyone else, keeps the ship moving in the right direction.
The story is pretty good but it’s not anything new, especially if you’re a fan of the noir genre. Despite a few good twists and turns throughout this labyrinthine plot, nothing that happens is shocking and it is kind of predictable in retrospect. In fact, even though I enjoyed this, it didn’t give much of anything new to the genre it emulates.
In regards to it being a modernization of classic film-noir, it isn’t the first film to do that either. But if this is anything, it’s Lawrence Kasdan’s love letter to film-noir and for the most part, it’s a nice love letter that makes its point rather well.
Body Heat certainly isn’t forgettable but it’s a long way off from redefining what noir could be like Blood Simple and The American Friend did. But strangely, I did enjoy this a hair bit more than Blood Simple.
Pairs well with: other neo-noir films of the era: Blood Simple, The American Friend and the remake of The Postman Always Rings Twice.
Also known as: Marooned (original title), Abandonados en el espacio (Argentina)
Release Date: November 10th, 1969 (Washington D.C. premiere)
Directed by: John Sturges
Written by: Mayo Simon
Based on: Marooned by Martin Caidin
Cast: Gregory Peck, Richard Crenna, David Janssen, James Franciscus, Gene Hackman, George Gaynes
Columbia Pictures, 134 Minutes
“Okay Buzz you’re right. To hell with waiting for a bunch of slide-rule jockeys. We used to fix the airplanes we flew with paperclips. Lets get into our hard suits and fix this bird.” – Jim Pruett
This is probably the most critically acclaimed film ever to be featured on Mystery Science Theater 3000, as it is the only picture out of the 200-plus that won an Academy Award. In the case of this movie, it won for visual effects.
That being said, this is still a movie worth riffing, as it is dreadfully boring, slow and despite being full of some good actors, none of the performances really hit their mark.
Originally titled Marooned in 1969, this movie was re-released on VHS around 1990 as Space Travelers. The VHS version is the one that I saw, as it’s the version that MST3K showcased.
I’m not sure if there’s much difference between the two versions of the film but MST3K didn’t have time to fit in a 134 minute picture, so what I did see was edited down. As boring and as slow as this was, I couldn’t imagine watching a version that would be 44 minutes longer than the roughly 90 minutes I saw. But maybe that extra time made the story more interesting.
Still, this is a real dud that wasn’t saved by its good effects, even for its time.
Maybe this was fairly original in the late ’60s and being that it came out during the height of the space race era, it could’ve connected with audiences that were still dreaming about space travel and exploration. But this did come out a year after 2001: A Space Odyssey and I find it hard to believe that even in 1969, that this film would even be in conversations with that one as far as being a top notch sci-fi adventure.
Pairs well with: other Space Race era movies about space travel.
Release Date: March 17th, 1989
Directed by: George P. Cosmatos
Written by: David Peoples, Jeb Stuart
Music by: Jerry Goldsmith
Cast: Peter Weller, Richard Crenna, Amanda Pays, Daniel Stern, Ernie Hudson, Michael Carmine, Hector Elizondo, Lisa Elbacher, Meg Foster
Filmauro, Metro-Goldwyn-Mayer, 103 Minutes
“Talk about having a bad day.” – Justin Jones
Leviathan is hardly a unique movie. But that’s not necessarily a bad thing, considering that most movies are just rehashes of things we’ve seen before.
This film is a hybrid of Ridley Scott’s Alien and John Carpenter’s The Thing. But there were a lot of films like this in the 80s; films that took a crew, isolated them and then had them face some sort of terrifying monster. In fact, there was a very similar film to this, which was also released in 1989, Deep Star Six. Out of the two, this is the superior picture.
This film benefits from having a really solid ensemble cast.
Peter Weller, Robocop and Buckaroo Banzai himself, is the crew leader. Then you have Richard Crenna a.k.a Col. Trautman from the Rambo movies, Daniel Stern, Ernie Hudson, Hector Elizondo, Amanda Pays from the original Flash TV series, Meg Foster from a ton of cool movies and Michael Carmine, who was charismatic and entertaining in Michael Mann’s Band of the Hand and Steven Spielberg’s Batteries Not Included.
The creature effects in this film were handled by Stan Winston’s people. While the creature and the effects are pretty good, they do get a bit cheesy when you see the man-eating fish-mouthed tentacle. Still, most of the film was comprised of solid work by Winston’s crew.
Peter Weller did a superb job pretty much playing a normal character and not a cyborg cop or an uber cool 80s superhero. He’s always been an accomplished actor and would do Naked Lunch a few years after this picture, which was some of his best work. Here, he shows signs of greatness but is bogged down by his surroundings, a better than decent but almost throwaway sci-fi horror spectacle. But this is a movie with a cast whose talent level probably deserved a better script that emphasized more suspense and less in your face scares.
Despite some of the film’s hokiness, the sets and effects feel pretty real and this is a good looking film for 1989 and for being limited by its budget, as it was produced by an Italian studio. It had the backing of the De Laurentiis family, who weren’t necessarily known for quality but were often times able to make chicken salad with chicken shit.
I have always liked Leviathan. The fact that it stars a lot of people I adore might have something to do with that but it still plays out well and is better than most of the Alien and Thing clones. There were a lot of these types of films back in the 1980s. Hell, they still knock those movies off today, almost forty years later. But Leviathan, is still, one of the better ones.