Published: October, 2020 Written by: Richard C. Meyer Art by: Kelsey Shannon
Splatto Comics, 24 Pages
Overall, this was my least favorite comic that Richard C. Meyer has done. It ties to his recent PANdemIC comic and both of them tie-in to a larger release, soon to come.
I did enjoy PANdemIC but if I’m being honest, this one felt kind of rushed.
I felt that the story just wasn’t there and each situation was pretty predictable despite each development being shocking to those within the story.
I think that it might have read better if Meyer hadn’t spilled the beans about the character and his actions while describing the comic on multiple videos he put out. But the twist is really the only plot that there is, despite this happening in current year where city streets have been overtaken by riots, looting and general unrest.
Kelsey Shannon is a damn solid artist but I felt like his work was rushed here, too. I get it though, they wanted to get this out there and in people’s hands while these things were still topical and because there is a bigger crossover thing happening but I was pretty underwhelmed by it visually, as well.
I certainly don’t have buyer’s remorse or anything and I’m looking forward to seeing what the bigger plan is with this new group of titles Meyer is working on.
Rating: 5.5/10 Pairs well with: other comics by Richard C. Meyer, specifically those that will be tied to this story.
Published: October, 2020 Written by: Richard C. Meyer Art by: Renzo Rodriguez, Jason Johnson (cover)
Splatto Comics, 24 Pages
I was surprised to see this show up in my mailbox the other day, as I wasn’t aware that it had started shipping and because I hadn’t seen a dozen other people on Twitter posting pictures of it. Usually, others start getting their crowdfunded comics a week or two before mine show up.
I jumped into this pretty quickly, though, and it was an entertaining, quick read that did the job it set out to do while laying the foundation for a bigger story and some other tie-ins that I’m now excited for.
Initially, I wasn’t sure how this would go, as it is the first comic I’ve gotten from Richard C. Meyer (a.k.a. Ya Boi Zack) that wasn’t a Jawbreakers or Iron Sights title. It’s very different from the work he usually does but it still has the energy he’s known for and wastes no time getting to the point and throwing us into the action and excitement.
First and foremost, even though I barely know this character, I like her. That’s a far cry from what’s the norm in comics lately but Meyer did a superb job in establishing who she is, even if, right now, it’s just on a minute level due to this being a one-shot the size of a standard floppy comic book.
This is also tied to what is going on in the world right now with the COVID-19 pandemic but this doesn’t get political and just sort of exists in current year. Sure, it shows that there is some sort of conspiracy afoot and that this will lead to bigger things in the future but it’s lack of trying to take some sort of partisan stance is refreshing, especially in a year where one can’t escape the narrative spin of everything going on in 2020.
Beyond the story, the art is really good. I was impressed by Renzo Rodriguez’s work and since I’m currently looking for an artist to work on a comic book I’ve written, he’s now a guy that’s on my list.
Overall, this was a worthwhile purchase and it has me pretty stoked for what’s to come. It’s short, sweet, badass and most importantly, fun.
Rating: 7.75/10 Pairs well with: other comics by Richard C. Meyer, specifically those that will be tied to this story.
Published: June, 2020 Written by: Mike S. Miller Art by: Mike S. Miller. J. Nanjan Jamberi Based on:Jawbreakers by Richard C. Meyer, Graveyard Shift by Mark Poulton, Jon Malin
Blacklist Universe, 24 Pages
I never really wanted to back the original Lonestar comic, as Mike S. Miller rubbed me the wrong way. Eventually, I relented and backed it after hearing his sob story and because it was pushed pretty heavily by Ethan Van Sciver on his YouTube show, Comic Artist Pro Secrets.
I was fairly surprised by it though and I gave it a pretty positive review. I wasn’t 100 percent sure if I’d back the second volume but I did want to back this project, as it was a crossover one-shot featuring characters from different creators within the Comicsgate circle. Well, that is until Mike S. Miller had his forty-third emotional meltdown and left the group because his grapes were sour and his neighbor had kumquats he needed to steal.
You get what you pay for, though, and I knew that this was a soulless cash grab where Mike wanted to ride on the coattails of his peers with more success. I only bought it because it used characters from these other creators. It also took an ungodly amount of time for this to reach my mailbox.
The final result, is a comic that looks good but falls flat and underwhelms. It doesn’t really add anything to any of the franchises it mashes up. It only added pity dollars and swindle duckets to Mike’s bank account.
I wanted to see beyond the disingenuous shuckster that ran this campaign and I wanted this to be as cool as my initial feelings back when Image and Valiant came out with the Deathmate crossover in the early ’90s. This ended up being more of a disappointment than that one though, as it really just throws these characters together, kind of aimlessly, sees them fight a bunch of monsters and then abruptly ends.
In all fairness, I think Mike was limited in how he could use these characters, as they’re all in their own series doing their own thing and this couldn’t really explore them as characters.
Honestly, this just felt kind of weird and sloppily thrown together. Yes, the art is really good and it’s some of the best I’ve seen from Miller but it quickly became obvious that this was what I feared it would be and that’s just a cash grab, piggyback project by a dishonest opportunist.
Rating: 5/10 Pairs well with: the other comics featuring Lonestar, the Jawbreakers and characters from Graveyard Shift.
Published: May, 2020 Written by: Richard C. Meyer, Carlos I. Silva Art by: Ibai Canales, Kelsey Shannon (cover)
Splatto Comics, 100 Pages
I really dug the first Iron Sights, which upset some of the sensitive, snowflake types that are out to “cancel” Richard C. Meyer just because he criticized a dying comic book industry full of talentless shitheads.
Anyway, I’m happy to say that I enjoyed this sequel even more. Meyer had a few issues with his writing in his earliest books but he’s definitely improved quite a bit in the less than two years since he’s been publishing his own comics on a regular basis.
That being said, unlike his detractors, Meyer listens to criticism and learns from it, which is apparent after seeing how he’s improved over his last two releases.
Overall, I enjoyed this story a lot, even more so than the first and it has some interesting surprises that makes me enthused about the eventual third book. I don’t want to spoil any of the plot details but if you are a fan of neo-western films of the last decade or two, this will most assuredly be your cup of tea.
Additionally, the artist, Ibai Canales received a lot of criticism over the first Iron Sights. While his style wasn’t for everyone, I liked it. However, in this second story, the guy has vastly improved over his previous work. It gives me hope for the future, as I see the guy only getting better, as he keeps working at his craft. Seriously, he’s made really noticeable improvement here and I’m glad that Meyer kept him on and gave him the opportunity to keep working on this series.
At it’s core, this is a hard-edged, action packed crime saga that goes for the gusto and succeeds at building off of what came before it while keeping the reader excited about what could be next.
Rating: 7.75/10 Pairs well with: it’s predecessor, as well as Richard C. Meyer’s Jawbreakers comics.
Published: December, 2019 Written by: Richard C. Meyer, Chuck Dixon Art by: Aaron Alfeche, Charlie Snogans, Renzo Rodriguez, Ethan Van Sciver (cover), Kyle Ritter (cover)
Splatto Comics, 96 Pages
I gotta say, color me impressed over the fact that the wait for this book was minuscule compared to the wait for the first one. But first campaigns are learning experiences and Ya Boi Zack really refined how he does things.
But I’ve also got to say that this book was an improvement over the first one, which goes to show that Meyer listened to the criticism of his readers and used that as fuel to get better instead of having a public meltdown on Twitter like many comic book pros.
While I liked Jon Malin’s art in the first Jawbreakers, I like Aaron Alfeche’s more in this volume. He really captures these characters well and going forward, I hope that he is the regular Jawbreakers artist.
I’m not sure if I enjoyed the overall plot of this more than the first one, though, but it was still good, intense and it showed that these characters live in a universe where the dangers are real and actions come with real consequences. But I won’t spoil anything for those of you who haven’t read this yet.
Honestly, I think I like both stories about the same. The only real difference is that this one flows better, has better transitions from panel to panel and it just felt like it had more energy.
This trade paperback actually features four stories with the GØD-K1NG story taking up at least half of the book. After it, there are two extra Jawbreakers related stories and then a sneak preview of a project that Chuck Dixon is working on.
Overall, this was an improvement over the first book and I feel like the creative team that was assembled for this round were firing on all cylinders. Everything seemed to click well and this one made me excited for its eventual followup.
Side note: the bonus story with the art by Charlie Snogans looks dynamite. I love that guy’s art and I hope to see more from him in the future.
Rating: 7.5/10 Pairs well with: Richard C. Meyer’s Jawbreakers – Lost Souls, as well as Iron Sights.
From Literature Devil’s YouTube description (Part 1): The favorite weapon of those in charge has always been to censor “rogue thinkers.” And let’s not kid ourselves…a Republican may be in the White House…but the far left is not only still in charge, but they’re actively shutting down competing opinions. And there have been few better examples of the left-wing censor in action…than what happened during the Jawbreakers fiasco.
From Literature Devil’s YouTube description (Part 2): Let’s take a journey into the marvelously malicious mind of a madman.
From Literature Devil’s YouTube description (Part 3): How do you think Meyer v Waid will go? Let’s take a look. (Yes – I got that idea from the Hugbox Chronicles. Watch and you’ll know what part I’m talking about)
This is from back in October of 2018 but when there were a lot of developments regarding the lawsuit between Richard C. Meyer and Mark Waid, I was making a parody G.I. Joe comic about it. YouTube commentator Douglas Ernst brought it up in a video. Talking Pulp is mentioned starting around 4:07.
Published: February, 2019 Written by: Richard C. Meyer Art by: Jon Malin, Brett R. Smith, Eric Weathers, Simon Bennett (Book One), Kelsey Shannon (Book Two), Ethan Van Sciver (cover), Kyle Ritter (cover)
Splatto Comics, 120 Pages
Well, after a very long wait, Richard C. Meyer’s Jawbreakers – Lost Souls has finally arrived. It took awhile to come out but Meyer has kept people clued in every step of the way due to all the roadblocks and challenges that popped up during this comic’s creation to it finally getting in the consumers’ hands.
I’m glad that I finally got it, as I’ve wanted to review it for a long time.
Full disclosure, I’m not a Comicsgater but I get lumped into that label by people who don’t like those of us who question things or criticize the comic book industry. Also, when I reviewed Meyer’s Iron Sights, I upset a lot of those who lean in a direction opposite of Meyer and most of his supporters. But I liked Iron Sights, despite its issues, and gave that one a 6.75 out of 10.
That being said, Jawbreakers is a step up from Iron Sights but I still have some issues with it, overall.
For the most part, the art in the Lost Souls story is pretty good. Jon Malin is talented but I’m not always a fan of his characters. Everything looks very sleek and his characters seem a bit slender and elongated in certain poses. Still, he’s much better than the average bear and he’s only getting better with more high profile projects under his belt. I’m pretty excited about his Graveyard Shift comic, which are now hitting mailboxes.
Brett R. Smith’s colors are absolutely fantastic though. I also love the cover by Ethan Van Sciver and Kyle Ritter.
This release also features two “remastered” versions of older Jawbreakers stories. One is drawn by Simon Bennett while the other is done by Kelsey Shannon, who also did the Iron Sights cover. These two additions to this release don’t look as good as Malin’s work. Bennett’s parts need more refinement. Shannon’s are better but I’m not a huge fan of the style he uses here and it’s not as polished as his Iron Sights cover, which was actually stunning.
I thought the story was decent, as it is similar to a G.I. Joe story with a kaiju thrown in. I love both of those things, so mixing them is a cool idea. However, this isn’t G.I. Joe. I’d say it’s better than what IDW Publishing has done with the actual G.I. Joe franchise in the years since Chuck Dixon stopped writing it but this feels a bit thin.
If I’m being honest, I need to know something about the characters’ backstories. Here they are thrown into a situation and you just go along for the ride. Meyer needs to develop these characters a bit more but since he has plans to use these characters in the future, maybe we’ll get to know them better. Right now, they feel like generic placeholders or those G.I. Joes that would pop up into a story because they had an action figure but they weren’t popular enough to get more than a minor cameo.
This might sound harsh and I don’t mean it to be but G.I. Joe had a lot of toy companies that knocked them off with toylines like The Corps! and X-Troop. Right now, this feels more like The Corps! than G.I. Joe. It is kind of generic but again, that’s probably because these characters need more depth. I need to care about them and I don’t just off of this story.
I do like that this just gets to the action and it’s pretty much balls to the wall from start to finish. But over time, we’ll need more than that. I can excuse the lack of depth being that this is, right now, a one-off action story.
Jawbreakers is a good start to something but it will take some time to turn it into a brand. The problem with that though, is that crowdfunded comics take a long time to create and distribute. This is one of my criticisms of doing comics this way when I’ve lived in a world where my favorite heroes and teams hit my pull box on a monthly basis. It is much easier finding yourself invested in characters and stories that come out with some regularity. I don’t know if crowdfunded comic franchises in the making can succeed in that way. Plus, people lose interest in things when there’s a long wait.
But for now, I did enjoy this. I certainly don’t have any sort of buyer’s remorse. This was a cool experiment and the end product mostly delivers.
Rating: 7/10 Pairs well with: Richard C. Meyer’s Iron Sights.
Published: September, 2018 Written by: Richard C. Meyer, Carlos Ivan Silva Art by: Ibai Canales, Kelsey Shannon (cover)
Splatto Comics, 120 Pages
This wasn’t the first of Richard C. Meyer’s projects that I backed but it was the first to be released. I’m still looking forward to getting his graphic novel Jawbreakers – Lost Souls, which should be out shortly.
This project was done as a sort of test for Meyer to best figure out how to print and fulfill these projects. In the end, unlike many other crowdfunded creators out there, Meyer delivered and this is the proof.
Iron Sights was exactly as Meyer described it on it’s Indiegogo page:
…a hard-boiled action drama set on the border…told in the trashy tone and fun style of a 1990s Straight-To-Video DVD!
If you like Quentin Tarantino crime flicks, John Woo Heroic Bloodshed movies or modern films like NO COUNTRY FOR OLD MEN, HELL AND HIGH WATER or SICARIO, then you’ll love IRON SIGHTS!
This book was overloaded with testosterone to the point that even the lightest of feminists would be foaming at the mouth over this massive level of “toxic masculinity”. This isn’t for the cutesy “safe” fellow that asks, “Could you please pass the almond milk?” This is for the guy that demands, “Pass me that fucking hammer!”
You see, this is the type of badass shit that is missing in comic books in 2018. Comics are escapism and entertainment, they’re not real. And they certainly don’t need to be some sort of medium that’s bastardized for political and social statements that most normal people think are exhausting.
Iron Sights isn’t for those that hold their Moscow mules with both hands, it’s for those of us that snort Wild Turkey 101 through both nostrils. Those of us that can hit the bullseye with a dart while blindfolded. Those of us that think we could take down Chuck Norris if we got in a lucky shot. Those of us that know what an Allen key is. Those of us that wear a king cobra as a fucking belt.
Okay, okay… I’m being overly sarcastic. And I’m only pointing that out because no one has a sense of humor or the ability to laugh at themselves anymore.
But all that being said, how does this actually measure up?
It’s entertaining. Meyer and Silva crafted a solid crime story that feels like a balls to the wall neo-western.
I liked the characters, I liked their camaraderie and their banter. I also liked the character of Esme but I don’t want to spoil anything in regards to her. But chances are, if you bought this, you already read it at this point. So I’ll just point out that I like when the damsel in distress trope is really just a red herring.
Meyer has come under a lot of criticism by his haters over his writing. To be frank, this is better than I thought it would be, as I’m skeptical of anyone that’s really new to the medium.
Ibai Canales has also faced a lot of criticism over his art. While this isn’t what I would call “the big league standard”, it looks okay for what this project is. It’s supposed to be raw, gritty and not overly refined. This isn’t the type of story that needs the art style of a maestro. Iron Sights was a good opportunity for Canales to expand on his talent and to work on something that fits his style. He hits the tone in the right way even if I feel like he still needs to get better and work on his craft, especially character design. If I’m being completely honest, he may not have been ready for this big of a project but I didn’t find his style or lack of refinement to be distracting.
I’ve also got to point out that the cover art by Kelsey Shannon is a perfect marriage between badass and beautiful. I don’t give a shit about posters or anything like that but I’d hang it on my wall.
Anyway, Meyer should be proud of this book and those of us that backed it should be pleased with the end result. Richard C. Meyer delivered on his project unlike so many other comic book pros that have taken money from fans and haven’t delivered on crowd funded projects from years ago.
Rating: 6.75/10 Pairs well with: the films Meyer used to describe this and I’m assuming his upcoming Jawbreakers comic.
Somewhere along the way, people went fucking nuts.
I mean, this shit has been simmering for awhile now but Donald Trump winning the presidency (a guy I didn’t vote for, by the way) has turned the lefties into a fucking maelstrom of hate and madness.
I used to write about politics and economics and dealt with my fair share of craziness from people on both sides of the political spectrum because I don’t wholeheartedly agree with either side.
During that time, primarily from 2010 through 2013, I wrote a lot about Donald Trump because no one took him seriously but I saw the writing on the wall. I knew that Barack Obama would defeat Mitt Romney in 2012 and that Donald Trump would win in 2016, as a response to eight years under strong Democratic Party rule. This is how it goes, power shifts back and forth from party to party in a two-party system. Especially, when third party candidates have the deck stacked against them to where they can’t get their foot in the establishment door.
Point being, the Democrats will have their day in the sun again, whether that makes you happy or that upsets you. The pendulum continues to swing: sometimes quickly, sometimes a bit slower.
The writing is always on the wall but, as of late, it seems that the average person is either ignorant of history, often times by choice, or they have the emotional control of a two year-old on Mountain Dew and Smarties. Nothing is ever settled in politics. Neither side is ever going to win and be done with it. It’s always going to be a battle and there will always be the other side of the coin, chipping away at whatever you feel your side of the coin has built up.
Writing about that stuff for a long time and engaging with hostile people all over the damn place was why I had to walk away from it. You are either preaching to the choir or your wasting time and energy on vile people that refuse to listen to logic, reason or just a difference of opinion. Sometimes you reach someone and alter their worldview but open mindedness, acceptance and challenging oneself are things that seem to scare the crap out of people in 2018.
The reason I’m even talking about this is because I now find myself in a similar situation and I’ve stayed away from the political world. But I guess with the madness that has a strong hold on society, this has become unavoidable.
How is it effecting me? How has this bullshit found a way back into my life on a nauseatingly large scale?
Through comic books. Yes, fucking comic books.
Are we this fucking petty now? Is America so far gone that I have to bare witness and be forced to participate in some sort of wackadoo culture war that is happening in one of my favorite forms of escapism?
One side points to the SJW (social justice warrior) takeover of mainstream and indie comics. The other side calls its critics racist, misogynist, homophobic Nazis. One side seems fairly rational, even if some within their ranks are shit stirrers, there will always be shit stirrers. The other side attacks like rabid animals, parroting the same tired and vicious talking points, again and again.
I’ve been aware of the Comicsgate versus SJW war for awhile now but I didn’t really want to involve myself because I hate Twitter and social media in general. Also, I don’t have the time to give a shit or waste time trying to convince other people that their worldview might be wrong.
The thing is, I hate groups and movements and I’ve always been a lone wolf because groups and movements come and go. More people join, movements get co-opted by outsiders, they lose their original intended purpose and then they splinter into other groups or just cease to exist. Just in recent years, I’ve seen this happen with the Tea Party and the Occupy Movement: two groups on opposite ends of the spectrum but both ruined by the same sort of bullshit. History is full of examples like this and nothing truly lasts.
But that doesn’t mean that the ideals and tenets don’t remain in the hearts of a movement’s originators. People with Tea Party or Occupy principles continue to exist and to maintain those original ideals. I tend to stand alongside individuals who share the ideas and worldview that I have, as opposed to joining groups that will run their course and most likely won’t fulfill their intended purpose and often times grow into the antithesis of themselves.
My personal ideals and tenets are more in line with Comicsgate. I agree with their core principles. In saying that, the other side of the coin will just label me a whole bunch of nasty shit that isn’t true because they can’t have an intelligent or even rational discussion about it because either they can’t formulate an intelligent thought, won’t even consider evidence contrary to their beliefs or they are too scared to disagree for fear of also being labeled horrible things. Plus, for these sociopaths, competing for the most likes from other sociopaths on Twitter is more important than being a human fucking being.
These people have become the Westboro Baptist Church of the comic book industry and by denouncing you with hate and venom, they believe that this somehow deplatforms you. Strangely though, words like “Nazi” and “bigot” have lost their impact. And frankly, it goes to show how stupid and bigoted these people are when they want to compare someone critical of a character in a comic book to a fascist empire that murdered millions of people simply because they were Jewish. It’s the SJWs that obsess over race, sexual preference and gender all the time. Most normal people don’t give a shit. But these angry creatures have never experienced real racism or hatred. But everything is offensive to them and context isn’t something that their brains can even seem to calculate. Nor can they detect humor in any of its many forms.
You see, I didn’t want to be Comicsgate and I certainly didn’t want to be an SJW. However, just by being critical of SJWs and their influence on a creative medium I enjoy, makes them categorize me as Comicsgate. Just because I follow a few people on Twitter, as I’m open to hear their opinion, doesn’t mean that I am 100 percent on their side and playing for their team. But that doesn’t matter in an era of extremes where you are guilty by association, even though that doesn’t make sense when I follow liberals and conservatives.
But I see other people like me out there. People that don’t want to be in the fight but they keep getting pulled in. The thing is, Comicsgate isn’t forcing people to ride or die, it’s the SJWs that do that. You’re either with them or you’re fucking Hitler.
This isn’t to say that Comicsgate doesn’t have its fair share of shitheads and problems, it does, and that’s why I haven’t picked a side. Or I haven’t until now.
The shit really hit the fan for me when I saw three things this past week.
The first incident was how Peter Simeti of Alterna Comics was treated by the SJW zealots who wanted to make an example of him because all he did was mind his business and interact with all of his customers, regardless of politics or where they stood in this stupid fucking war. Peter was slandered in the media, slandered all over Twitter and attacked vehemently just because he didn’t want to play the SJW game. It broke my heart to read his words, watch his stream about the situation and to see what he went through in real time, just as an observer on Twitter. I’ve dealt with mental health issues my whole life and I know, first hand, the dark places a mind can go. The fact that Peter was made to feel like this over comic books is fucking disgusting and inexcusable.
The next thing was seeing Mitch Breitweiser’s tweet about how hard this has been on his wife Bettie and how everyday is an emotional whirlwind. Both of them have worked in the comic book industry for awhile now but they have been attacked, constantly, for two years, just because of a political drawing. While I don’t know them personally, I, like many others, have gotten to know them through their live streams and through their involvement in the Comicsgate community. There aren’t two nicer and sweeter people than the Breitweisers but SJWs just see targets to dehumanize and to make an example out of because their own lives are miserable. I supported the Breitweisers’ project Red Rooster and it’s something that I am incredibly excited for because it looks fantastic. But every single day, these people are attacked online and even had to cancel a convention appearance over threats of violence.
The third thing came from Richard C. Meyer a.k.a. Zack a.k.a. Diversity & Comics a.k.a. SJW Public Enemy #1. After a year and a half of combating these people, he looked like he was going to leave Twitter. I don’t blame him, as I want to leave Twitter about six times per day. But the thing is, Richard is a guy that can take it and has taken it for a very long time. Yes, he said some things in the past that were infuriating to SJWs but it doesn’t matter that he has over a thousand other videos, he will always be attacked because of one video from over a year ago. These SJWs just don’t have the ability to understand forgiveness. They don’t have empathy, compassion, a sense of humor and always need an enemy. There’s just something to be said about seeing one of the champions against them get to the point where he’s just over it.
And these are just three recent examples. This has been going on for far too long and again, this is over fucking comic books!
That being said…
I didn’t chose the Comicsgate life, the Comicsgate life chose me.
Or the SJWs did by their actions, their rhetoric and their inability to see beyond their uncontrollable hatred. Plus, they’ll just brand me with the Comicsgate label because they can’t wrap their brains around individuality.
I don’t want to play the game. And those that don’t want to play shouldn’t be forced to. But that’s what’s happening.
The SJWs are the group that have a “white male problem”. They’re the group that promotes hatred and negativity. They’re the ones who are always on the attack. They are the harassers, the hardcore shit stirrers and they use mob rule to intimidate and dehumanize people with nothing more than a difference of opinion.
Yes, some Comicsgate associated people suck too but I would rather spend my time with those who have fun, enjoy life and try to bring something new and positive to the table. Plus, Comicsgate is a much more diverse group of people despite what those SJW white boys wants you to think.
I think Comicsgaters should stop engaging these sociopaths. Stop sharing their tweets and making them five minute famous. You can mute or block people on social media; I do. It works better than a massive fucking block chain. Hell, I mute Comicsgate people if they’re shit stirrers or do nothing but get into Twitter wars 24/7.
I am an individual, I don’t like labels, I detest groupthink but I do agree with the core of what Comicsgate says they stand for. If that changes… and eventually it will, I’m still just me. And if anyone in Comicsgate says I have to use a hashtag or a label and tries to forcibly draft me into their fight, I won’t stand for that either because that goes against the core principles that I agreed with in the first place.
I don’t know, I like peace and solutions to problems, as opposed to always holding a magnifying glass up to them.