Film Review: Freejack (1992)

Release Date: January 17th, 1992
Directed by: Geoff Murphy
Written by: Steven Pressfield, Ronald Shusett, Dan Gilroy
Based on: Immortality, Inc. by Robert Sheckley
Music by: Trevor Jones
Cast: Emilio Estevez, Mick Jagger, Rene Russo, Anthony Hopkins, Jonathan Banks, David Johansen, Esai Morales, Frankie Faison

Morgan Creek, Warner Bros., 110 Minutes

Review:

“Get the meat.” – Victor Vacendak

Freejack isn’t a good movie but it’s one of those cool ’90s action, sci-fi flicks that just hits the right notes for me. But you probably need to be a fan of these sort of films for this one to resonate.

It has a very Philip K. Dick style to it in plot and visual flourish.

I guess the coolest thing about the movie is that this has a really cool ensemble cast that features two rock and roll legends: Mick Jagger and David Johansen. But it also stars Emilio Estevez, Anthony Hopkins, Rene Russo, Jonathan Banks, Frankie Faison and the seemingly underappreciated Esai Morales.

Estevez stars as a Formula 1 driver that dies in a pretty spectacular crash. However, his body is plucked away just before the moment of death and he wakes up in the future, confused, lost and distraught. He is also being hunted by Mick Jagger and his posse, as Jagger has been tasked with capturing Estevez so that some rich guy can steal his body by uploading his brain into it.

The movie follows Emilio on the run where he finds out that he can’t trust any of his old friends. Overall, the film is action packed, high octane and balls out fun.

The chase sequence with Emilio driving a champagne delivery truck with Jagger following in a SWAT tank is pretty damn good. It’s accented by the great and booming score by Trevor Jones, who also provided good scores for The Last of the Mohicans, Labyrinth, The Dark Crystal, Cliffhanger, From Hell and Dark City.

For me the real highlight was Mick Jagger. The guy looked like he was having a great time filming this movie. Now I don’t know if he actually had fun but he certainly looked to be eating this film up. But the guy has infinite levels of charisma and he was entertaining as hell in this.

Anthony Hopkins, on the other hand, felt like he was dialing in his performance. He later went on to bash this film and maybe he had a sour taste for it when he was still making it.

All in all, this was actually better than I remembered. In fact, I wasn’t too enthused to revisit it but I wanted to watch something in this film’s style. I’m just glad that I was pleasantly surprised by it.

Rating: 6.25/10
Pairs well with: the original Total RecallThe 6th Day and Timecop.

Film Review: Avengers: Endgame (2019)

Release Date: April 22nd, 2019 (Los Angeles premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand, Jon Favreau, Marisa Tomei, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Linda Cardellini, Tessa Thompson, Rene Russo, John Slattery, Tilda Swinton, Hayley Atwell, Natalie Portman, Taika Waititi, Angela Bassett, Frank Grillo, Robert Redford, Ty Simpkins, James D’Arcy, Ken Jeong, Yvette Nichole Brown

Marvel Studios, Walt Disney Studios, 181 Minutes

Review:

“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos

*There be spoilers here! But I kept it as minimal as possible.

Here we are… the end.

Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.

But anyway, how was this film? The big, badass finale to a 22 movie franchise?

It was good but it wasn’t anything close to stellar.

My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.

Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.

The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.

I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.

Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.

Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.

Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.

Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.

Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.

Rating: 7.75/10
Pairs well with: Everything in the MCU before this film, as it all leads up to this one.

Film Review: Thor: The Dark World (2013)

Release Date: October 22nd, 2013 (London premiere)
Directed by: Alan Taylor
Written by: Christopher Yost, Stephen McFeely, Christopher Markus, Don Payne, Robert Rodat
Based on: The Mighty Thor by Stan Lee, Larry Lieber, Jack Kirby
Music by: Brian Tyler
Cast: Chris Hemsworth, Tom Hiddleston, Christopher Eccleston, Natalie Portman, Stellan Skarsgård, Idris Elba, Kat Dennings, Rene Russo, Anthony Hopkins, Ray Stevenson, Tadanobu Asano, Jaimie Alexander, Adewale Akinnuoye-Agbaje, Zachary Levi, Alice Krige, Chris O’Dowd, Benicio del Toro (cameo), Chris Evans (cameo)

Marvel Studios, Walt Disney Studios, 112 Minutes

Review:

“I will tell Father you died with honor.” – Thor, “I didn’t do it for him.” – Loki

Unlike the other films in the Marvel Cinematic Universe that I have revisited lately, Thor: The Dark World wasn’t as good as my memories of it.

I do remember being pretty fond of it when it came out but it just doesn’t seem to fit well within the overall MCU when you take what came after it into context. Sure, it gives us the red Infinity Stone but not much else here is all that important. But I guess seeing Thor and Loki play off of one another is always, at the very least, amusing.

In the end, this is the worst of the three Thor movies. But it is not all that bad. It’s certainly better than The Incredible Hulk and Avengers: The Age of Ultron. It’s just a film that wasn’t all that necessary. The relationship between Thor and Jane doesn’t matter after this movie, the secondary characters are sort of forgotten except for Dr. Erik Selvig (Stellan Skarsgård), who at least makes one more appearance.

This was just a movie where no one really seemed to be all that into it except for the actors playing Asgardians. Hemsworth was great as Thor, Hiddleston is perfection as Loki and Odin is a commanding Odin. Natalie Portman obviously didn’t want to be in this and acted as such. Christopher Eccleston, who I was excited about seeing as the villain, just dialed in his performance and is one of the most forgettable MCU villains to date.

The film was dry, mostly boring and even the fantasy worlds that they traveled to weren’t very imaginative or fun. Other than Asgard, all the other realms in this just looked as bland, dry and awful as a sand sandwich.

The Earth stuff was all overcast and rainy. I know that this takes place in London but c’mon… the magical realms were dark desert; Earth was grey industrial wetness. This isn’t an exciting film to look at.

While I guess it was about time for Marvel to introduce the Infinity Stones (or at least more than one), there are better ways this could have been done. Sure, I wanted a second Thor movie and it would have been a good place to bring in a new Stone but the execution here was lackluster. This whole thing should have been rewritten.

For a film about traversing through magical realms, outer space and battling fantastical shit, Thor: The Dark World felt very small and confined.

Rating: 6.75/10
Pairs well with: ThorThe Avengers and Thor: Ragnarok

Film Review: Thor (2011)

Release Date: April 17th, 2011 (Sydney premiere)
Directed by: Kenneth Branagh
Written by: Ashley Edward Miller, Zack Stentz, Don Payne, J. Michael Straczynski, Mark Protosevich
Based on: The Mighty Thor by Stan Lee, Larry Lieber, Jack Kirby
Music by: Patrick Doyle
Cast: Chris Hemsworth, Tom Hiddleston, Natalie Portman, Stellan Skarsgård, Colm Feore, Idris Elba, Kat Dennings, Rene Russo, Anthony Hopkins, Ray Stevenson, Tadanobu Asano, Josh Dallas, Jaimie Alexander, Clark Gregg, Samuel L. Jackson, Jeremy Renner

Marvel Studios, Paramount Pictures, 114 Minutes

Review:

“I never wanted the throne, I only ever wanted to be your equal!” – Loki

As I am reworking my way through all of the Marvel Cinematic Universe films in preparation for Avengers: Infinity War, in about a month, I was really looking forward to revisiting the first Thor.

While I thought that Thor: Ragnarok was maybe the best Marvel film to date, a part of me wanted to go back and watch the two Thor pictures before it. Sure, I knew they wouldn’t be as good as Ragnarok but I absolutely adore Hemsworth’s Thor more than any other hero in the larger Avengers franchise. And yeah, I’ve been a massive Robert Downey, Jr. fan my entire life.

It’s not just Hemsworth’s Thor that makes these films a really fun experience though. A lot of credit has to go to Tom Hiddleston’s Loki, who is, by far, the best villain in the Marvel Cinematic Universe. Granted, he’s not a total villain and may be more of an ally in the films now but he was certainly an evil force in the early films. No other villain has had his presence, his charisma and his longevity. Every other villain is essentially a one-off castaway. There’s a reason as to why Hiddleston doesn’t simply disappear like all the others.

The Thor movies also have an incredible ensemble of people. But then they also have Natalie Portman, who I’ve never been much of a fan of and frankly, she didn’t really enjoy doing these movies anyway and more or less didn’t want to do the second one and got herself written out of the third. But the loss of Portman also caused Kat Dennings to be written out. Really, she was more entertaining and probably would’ve worked better as Thor’s girl because the banter between the characters would have been more fun than the boring and lazy Portman.

Anyway, we see Thor banished from Asgard because he pissed off Odin, his father. He has to prove himself and his worth in order to be allowed back into his home realm. He meets Jane, a scientist, and her crew. Thor’s first mission is to retrieve his magic hammer, Mjolnir. He then must fight Destroyer and eventually confront his brother Loki, who has deceived him throughout the events of the story.

We get the return of Clark Gregg’s Agent Coulson, as well as a cameo by Sam Jackson’s Nick Fury and the debut of Jeremy Renner’s Hawkeye.

This feels like a smaller film than what Marvel puts out now. But I like the smaller feel. The world of heroes hadn’t yet expanded to where it would, a few films after this one. This is a cozy origin tale and really is a stark contrast to what we would all see in Thor: Ragnarok. Plus, the Asgard side of the story is broad enough to not feel like you have cabin fever sitting in a small desert town the entire movie.

Rating: 7.75/10
Pairs well with: Thor: Dark World and Thor: Ragnarok. Also, The Avengers, as that’s the next time that Thor would show up.

Film Review: Nightcrawler (2014)

Release Date: September 5th, 2014 (TIFF)
Directed by: Dan Gilroy
Written by: Dan Gilroy
Music by: James Newton Howard
Cast: Jake Gyllenhaal, Rene Russo, Riz Ahmed, Bill Paxton

Bold Films, Open Road Films, 117 Minutes

Review:

“What if my problem wasn’t that I don’t understand people but that I don’t like them? What if I was the kind of person who was obliged to hurt you for this? I mean physically. I think you’d have to believe afterward, if you could, that agreeing to participate and then backing out at the critical moment was a mistake. Because that’s what I’m telling you, as clearly as I can.” – Lou Bloom

Nightcrawler was a film that the critics loved. It was on several top ten lists at the end of 2014 and it even won the Academy Award for Best Original Screenplay. I went into it with a lot of enthusiasm because it was a modern noir-esque picture that had high praise and accolades and starred Jake Gyllwnhall, an actor, who when he is on his A-game, is one of the best working today.

Sadly, I was severely underwhelmed by the movie. It wasn’t due to bad performances, bad direction or lackluster cinematography; all that stuff was good. I just couldn’t connect with the film in the one aspect that was the most highly regarded: the story.

There is no one in Nightcrawler that I care about. Even the Riz Ahmed character sells his soul despite his moral compass and his reservations about his job and how truly evil his boss is. Rene Russo started out strong and was somewhat admirable but ultimately, she sells her soul too. Everyone sells there soul. And the puppet master pulling all the strings is Gyllenhaal’s Louis Bloom.

The thing that makes the narrative hard to digest or connect with is that you just see Bloom on the surface. He’s a selfish, despicable, greedy madman that doesn’t care what horrible actions he has to take, as long as he is the best at what he does and he makes a lot of money. I can deal with a character like this but there needs to be some sort of context, something beneath what’s immediately apparent by his actions. He’s a reptilian human being and this film exists as a sort of satirical commentary on the media and nightcrawlers in general but it is missing a soul and some meaning.

Maybe this works for the Hollywood types living in L.A., as they witness these nightcrawler vultures taking over the streets at night, in an effort to be nightly news paparazzi, capturing violent crimes and carnage in an effort to generate ratings and revenue. To someone that doesn’t live in a big city, a little more narrative meat is needed. Maybe people in L.A. are just okay assuming that the people who do this job are blood thirsty jackals and that’s all the context they need for this story to work. Still, it’s rather one-dimensional.

To me, this is a film that fails to capture any sort of real emotional connection. Sure, you feel the tension in the heat of the moment when some big action sequence is going down or when you’re sitting in the bushes with Bloom, waiting for something bad to pop off. It’s just that everything between these moments doesn’t establish anything worthwhile.

Gyllenhaal played the part as best as he could but I feel like the script, despite winning the biggest of all film awards, wasn’t worthy of the performance. Gyllenhaal deserved more and he should have had the narrative to tell us more. He conveys what is on paper well but its like he doesn’t have all the material he needs to make the character truly live.

The film is still incredibly well acted, especially the scenes between Gyllenhaal and Russo, as well as Gyllenhaal and Ahmed. It also has some incredibly cinematography thanks to the eye and style of Robert Elswit, who also worked on There Will Be BloodMagnolia and dozens of other pictures.

I can’t completely trash the film due to its great technical execution and the talent of its cast. I just don’t feel like it is something I would ever want to watch again.

Rating: 6.25/10