Comic Review: The Flash: Rebirth

Published: October 8th, 2013
Written by: Geoff Johns
Art by: Ethan Van Sciver

DC Comics, 158 Pages

Review:

I love Geoff Johns work at DC Comics and I have always loved his collaborations with artist Ethan Van Sciver. Their work on Green Lantern got me back into comics during a time when I had sort of faded away from the medium due to no longer being as engaged by it.

Green Lantern: Rebirth was one of my favorite comic book stories of all-time. It made me love Hal Jordan and I was pulled in by Johns’ writing and Van Sciver’s wonderful art. Since I also liked Johns’ Flash stuff, I figured that The Flash: Rebirth would be something that I would also love. But sadly, it just didn’t do it for me.

The biggest problem that I have with Flash stories is the damn Speed Force. Also, in recent years, the Flash pocket of the larger DC universe is overloaded with too many characters with the same lame set of powers. There are so many damn speedsters that it’s really f’n redundant.

In an era where people are screaming for diversity, even though it has existed in comics for decades, maybe there should be a call for diversity in powers in the Flash titles. I mean, if you’re going to cram a dozen heroes and villains into a plot, why are they all similar? And why is that exciting? And to be frank, this is why I lost interest in The Flash TV show, which I loved when it started.

Anyway, the art in this is damn good but Van Sciver hits the right note stylistically speaking when it comes to how this era of DC felt. He was a premiere architect in DC’s visual style from 2007-2014 or so. This book lives up to the standard one should expect from his work but apart from that, there wasn’t much here for me to enjoy.

The premiere villain is the Reverse Flash, another f’n speedster. And really, this is all about the weird, mystical Speed Force that is capable of anything a writer needs it to do. I don’t know, Speed Force heavy stories bore me to tears and they’re hard to keep up with because it’s all pseudo-science mumbo jumbo made up on a whim to explain random ass shit. I prefer stories where one Flash takes on one of his many awesome rogues that aren’t speedsters.

This is probably really good if reading about a dozen speedsters and Speed Force stuff is your thing. For me, it numbed my brain and made it hard to get through.

And fuck… this had so many damn cameos. I felt like it partially existed just to wedge in as many characters as possible.

Rating: 5.5/10
Pairs well with: The Geoff Johns era of The Flash, as well as his era of Green Lantern.

Comic Review: Dark Nights: Metal

Published: June 12th, 2018
Written by: Scott Snyder
Art by: Greg Capullo

DC Comics, 204 Pages

Review:

I didn’t read this as it came out. I also was much more frugal about how much I spent on comics at the time. I’m less frugal now, as I’m spending more time reviewing them. And to be honest, while this is $30 for the collected edition at my local comic shop, I found this on a brief Comixology sale for $5.99. So at that price, I figured I’d give it a go. If I ended up really liking it, I would’ve gone back to buy the single issues. But I didn’t really like it all that much. I’ll explain.

To start, I typically like Scott Snyder’s writing, especially in regards to anything with Batman in it. As far as Greg Capullo goes, he is one of my favorite artists of the last few decades. So seeing them reunite for this was definitely a selling point, even if what I knew about the project’s story didn’t peak my interest.

The biggest problem with Metal is the same problem with most mega events in comics, it is chock full of so many characters that the plot loses fluidity and the story seems to placate more to wedging in as many cameos as possible, as opposed to keeping the train on the rails.

This wasn’t a bad idea for a story but it should have been kept fairly simple. People just kept showing up on nearly every page, though, and it becomes distracting. New twists and turns are thrown in as often as characters and this just loses its focus. It also introduces a whole horde of villains, most of whom will just be one-offs in this story anyway. But this reads more like a sketchbook than a coherent story. What I mean by that, is that this feels like Capullo trying to fit in every cool design that he wasn’t able to wedge into Spawn throughout his run on the book in the ’90s.

Another thing I didn’t like was how wordy this was. While there are good action scenes, sometimes these characters felt like they weren’t surrounded by villains but instead, were surrounded by word balloons, trying to wedge their way into the panels and asphyxiate the characters. The word balloons were the real villains of the story. At least, that should be a twist whenever this gets a sequel.

I did like how the ending looked into the future as a way to tell you what stories would be coming out from DC Comics over the following year. But, at the same time, this was disappointing to some degree, as a main reason why I picked this up was to see the introduction of DC’s “New Age of Heroes”. I always see mentions that this is where they debuted but their appearance here is limited to one panel where we see into the future.

Anyway, this at least kept my attention over the six issues, even if they felt like twelve due to the dialogue and having so much detail to drink in. I wouldn’t say that this is a waste of time and I can see where this will be a lot of people’s cup of tea. It just wasn’t my cup of tea, really. But I also don’t regret reading it simply because I liked seeing Capullo have fun and get really creative with the art and character design.

Rating: 6/10
Pairs well with: Any other DC Comics mega event of the last decade or so.

TV Review: Young Justice (2010- )

Also known as: Young Justice: Invasion (Season 2), Young Justice: Outsiders (Season 3)
Release Date: November 26th, 2010 – current
Created by: Brandon Vietti, Greg Weisman
Directed by: various
Written by: various
Based on: characters from DC Comics
Music by: Kristopher Carter, Michael McCuistion, Lolita Ritmanis
Cast: Stephanie Lemelin, Jesse McCartney, Danica McKellar, Nolan North, Khary Payton, Jason Spisak

DC Entertainment, Warner Bros. Animation, 46 Episodes (so far), 22 Minutes (per episode)

Review:

*Written in 2015.

I didn’t watch Young Justice while it was on. I only got into it once it was on Netflix and even then, it was clicked on mainly out of boredom. I wasn’t aware that it was a somewhat beloved show by many.

I was glad I discovered it on my own without a bunch of hype built around it. I was surprised with the quality and how adult the themes of the show were.

The animation is damn good, the story arcs are fantastic and the characters are all cool and likable.

The show follows the sidekicks of DC Comics’ most famous heroes and puts them together on a team where they are sort of a junior squad to the Justice League. It is sort of like Teen Titans but not as adolescent feeling, which is probably why it wasn’t a new Teen Titans show.

The first season is solid but the second season is excellent. The beginning of season two is slow and interest started to wane but after about four episodes, I was hooked. The season two story arc is one of the best sagas ever told in a DC animated series.

Young Justice is a quick watch. The episodes fly by at 22 minutes. There are also only twenty or so episodes per season.

The DC cinematic universe could learn a lot from the tone and style of this show. I hope that once they get into making the Aquaman film, they take their cue from how the Atlanteans are handled on this show.

Sadly, the show was cancelled after the second season but there are rumors that it could find new life on Netflix. I think that’s a stretch, being that they are in bed with Marvel, but you never know.

Update:

After fan support the show was resurrected and there will be more episodes in the future, even though there’s been a big gap in time by this point.

Rating: 8.5/10
Pairs well with: Recent Teen Titans animated features, as well as other DC Comics animated films.

Comic Review: Nightwing: The New Order

Published: March 8th, 2018
Written by: Kyle Higgins
Art by: Trevor McCarthy

DC Comics, 144 Pages

Review:

This came highly recommended from several people who have pretty good taste in comics. However, high recommendations usually lead to me feeling underwhelmed. This doesn’t underwhelm though, at least it didn’t for me.

Nightwing is a murdering fascist prick in this story, which is essentially an Elseworlds tale, even though DC Comics doesn’t have that imprint anymore. Well, DC should resurrect it. I love stories from alternate realities and how the regular rules don’t apply.

The main part of the story takes place in 2040 but even the flashbacks are in the future, as they are twelve years in the past from the main story. Nightwing took it upon himself to use a device that took the powers away from Earth’s superheroes. This caused a major event where many heroes and villains died as a result. Nightwing did a dark and dirty thing in order to save the Earth, as he felt that he needed to. Years later, his identity is public and as Dick Grayson, he is the face of the government agency that keeps the superpowered population of America in check. He’s a total Orwellian fascist that constantly has to justify his evil decisions and actions.

However, Dick’s whole world comes crumbling down when it is discovered that his son has powers. Dick in a typical “holier than thou/the rules don’t apply to the rulers” hypocritical turn, sees his agency turn on him in an effort to bring in his son. Dick goes on the run from the law that he established, getting more and more woke to the reality of the world he created.

We get to see the Titans of the future show up, we even get Lois Lane as a Blue Lantern and see Superman and Lex Luthor working together for a better future. We get to see what Tim Drake and Alfred are up to as well. Plus, there are cameos by the John Stewart Green Lantern and Mr. Freeze; both of them work for the fascist government. But the main person hunting Dick Grayson is the former Batwoman, Katherine Kane. Kane is now the head of Dick’s fascist agency and she is a stone cold tyrant.

I liked the story, I thought it was mostly executed well, even though Dick seemed to change his mind too quickly and always seemed like a fish out of water once he got in over his head. He sort of just got pulled along for the ride by the midpoint of the story and things happened around him even though it was all directly related to his story.

The real high point was the art. Trevor McCarthy did a fabulous job, there was great detail and this didn’t feel like many of the other modern comics where lazy artists use an overabundance of 3D models and Google Images run through a filter. I’m not saying that McCarthy didn’t do this but it certainly wasn’t noticeable.

Nightwing: The New Order reminded me a lot of the great Elseworlds tale Superman: Red Son, which is really high praise. There were some similar themes and the tone was very dystopian.

I’m glad that I picked this up, as Nightwing has been a favorite character of mine since I was a child that regularly read Batman and Teen Titans comics in the ’80s.

Rating: 8/10
Pairs well with: Superman: Red Son. As well as the Nightwing and Titans series since the start of DC’s Rebirth era.

TV Review: Supergirl (2015- )

Original Run: October 26th, 2015 – present
Created by: Greg Berlanti, Ali Adler, Andrew Kreisberg
Directed by: various
Written by: various
Music by: Blake Neely
Cast: Melissa Benoist, Mehcad Brooks, Chyler Leigh, Jeremy Jordan, David Harewood, Calista Flockhart, Chris Wood, Floriana Lima

Berlanti Productions, DC Entertainment, Warner Bros., 42 Episodes (so far), 45 Minutes (per episode)

Review:

*originally written in 2016.

After the success of other DC shows like Arrow, The Flash and Gotham, CBS wanted to get into the mix. So, they gave us Supergirl.

I really wanted to like this show, in the same way I love The Flash and also really like Arrow. It seemed to have that lighthearted essence of The Flash but after seeing it, it is missing the soul.

Melissa Benoist is cute and entertaining and even though I care about her version of the character to a degree, I just don’t care about everything else that is happening around her. Also, she can go from pretty stellar acting in one scene to completely being off the mark in the next. Also, her narration is pretty awful and that is mainly due to her monotone delivery and strange annunciation.

The other characters on the show are pretty generic and don’t have much to do other than giving Supergirl someone to talk to while she figures out her own drama. Her sister, played by Chyler Leigh is an okay character but for as bad ass as she is supposed to be, she really does nothing. Jimmy Olsen is played by Eggs from True Blood and anyone who was a fan of that show rejoiced when he died – he was terrible. Granted, he’s much better here. Calista Flockhart also accents the show as Supergirl’s boss and like Benoist, is sometimes on point and other times, pretty far off point.

Also, the show relies a lot on Kara/Supergirl’s relationship with her cousin, Superman. The problem is that their relationship is told over text messages and then when Superman shows up, he is just an obscured blur and not clearly seen on camera. It is laughably bad.

One cool thing is that Dean Cain (Superman from Lois & Clark) and Helen Slater (1984’s film version of Supergirl) play her adopted parents.

The show tries to have heart but it doesn’t. That doesn’t mean that it isn’t trying to convince the audience of that. Ultimately, Supergirl is too cutesy for its own good.

I will finish out the first season, as I am already more than halfway but something miraculous would have to happen for me to care about season two. This is the worst DC Comics television show out of the current batch.

Update:

Since writing this review, the show has found its groove and it has improved significantly. I may rewrite this review after the season concludes. But if you want to start watching it, be prepared for about ten really mediocre episodes before it starts to improve.

Update 2:

I write this update after completing two seasons. The show does find its footing, it figures out where it fits in the scheme of things and improves drastically, especially after leaving CBS and moving over to the CW where it shares continuity with The FlashArrow and Legends of Tomorrow. Benoist and the rest of the cast get really good and develop a solid chemistry. Looking back, I was probably too hard on the show, initially.