Comic Review: Batman R.I.P.

Published: October 8th, 2013
Written by: Grant Morrison
Art by: Tony S. Daniel, Lee Garbett

DC Comics, 213 Pages

Review:

I’m pretty sure I liked this when I read it back when it was current, about a decade and a half ago. However, I found it just weird and wonky this time around. But I’ve also aged quite a bit and in that time, read some truly incredible comics.

I was probably really into this, as it came out at the height of my Grant Morrison love. Plus, back then, I was more into weird shit and experimental storytelling. However, I don’t feel like any of that necessarily benefits the most mainstream of all mainstream comic book titles.

Having now recently read a good amount of Grant Morrison’s Batman run, my opinion on it has soured quite a bit. It’s stuck in this weird limbo where it’s too weird to feel like it fits within the top Batman title and it isn’t weird enough to truly feel like Grant Morrison, unrestrained. 

This feels like watered down Morrison and by trying to sit on the fence between mainstream acceptance and Morrison’s typical narrative style, it’s really just a boring, baffling dud of a comic.

The art is good, damn good. However, that’s not enough to save it from how disappointing it is, overall. Besides, this is a story from the pages of the most popular comic book in the medium and if the art isn’t up to snuff, DC Comics should close up shop.

This kind of wore me ragged, honestly. I don’t want to read anymore of Morrison’s Batman work and I consider it to be overrated, at this point. I also say that as someone that once liked it.

In the end, Morrison shouldn’t have his hands creatively tied but he also shouldn’t be allowed to go into Batman with reckless abandon. That’s what DC’s Elseworld Tales are for and frankly, that’s where Morrison’s Batman work should be.

Rating: 5/10
Pairs well with: the rest of Grant Morrison’s Batman run.

Comic Review: Batman: The Resurrection of Ra’s Al Ghul

Published: August 28th, 2012
Written by: Grant Morrison, Paul Dini, Fabian Nicieza, Keith Champagne, Peter Milligan
Art by: Ryan Benjamin, Don Kramer, Adam Kubert, David Lopez, Jason Pearson

DC Comics, 248 Pages

Review:

Since I just read the first big collection of Grant Morrison’s Batman work, I also wanted to revisit this story, which tied to his larger body-of-work, and brought the characters to the Batman R.I.P. milestone event, which I will review in the very near future, as well.

This plot crossed over with several Batman titles, though, so it wasn’t just written by Morrison. It also features some work by the great Paul Dini, Fabian Nicieza, Keith Champagne and Peter Milligan.

Overall, it was a good story that built off of the Batman and Son arc, which brought Damian Wayne, a future Robin, into Bruce Wayne’s life.

This also brings back one of the more popular Batman villains, Ra’s al Ghul. I like how Ra’s pretty much just looks like a mummy in a green cloak the whole story. It kind of reminded me of Mumm-Ra, the primary villain of the ThunderCats franchise.

The art was also handled by multiple people due to this being spread out over several titles. Pretty much all of the art is really good and it reminded me of why I got back into reading comics in this era, when I had dipped out for nearly a decade around the mid-’90s.

This is a good, enthralling story that made some good, permanent changes to the mythos. It also shows that Morrison had a unique vision for the character and those around him.

Rating: 7.5/10
Pairs well with: the other stories arcs within Grant Morrison’s Batman run.

Comic Review: Batman and Son – Deluxe Edition

Published: November 3rd, 2009
Written by: Grant Morrison
Art by: Andy Kubert, J.H. Williams III

DC Comics, 350 Pages

Review:

The Deluxe Edition of Batman and Son features all of Grant Morrison’s Batman run up to Batman R.I.P., although it excludes The Resurrection of Ra’s al Ghul, which I will also review shortly.

It’s a hefty but surprisingly quick read, as it has a good, quick pace and is mostly pretty good. I actually read it in one sitting and found it kind of refreshing, as I haven’t liked many Batman stories within the regular continuity since Morrison’s era. Granted, I did enjoy some of Scott Snyder’s work.

I also loved Andy Kubert’s artwork and I feel like he doesn’t get enough credit as one of the premiere Batman artists. It was this era of Batman that got me reading the comic again after a several year hiatus and Kubert’s art had a lot to do with that.

This edition features a couple of story arcs. I liked the first one the best, as it is the debut of Damian Wayne, Batman’s son. It had been a long time since I read these issues but it was fun to revisit.

All in all, this was the start of one of the best runs in the last few decades and it didn’t disappoint. While it might not be as strong as my memories of it, it was still much better than most of the stuff that came after it.

Rating: 7.5/10
Pairs well with: the other stories in the Grant Morrison Batman run.

Comic Review: Gotham City Sirens: Book Two

Published: May 5th, 2015
Written by: Tony Bernard, Peter Calloway
Art by: Andres Guinaldo, Jeremy Haun

DC Comics, 288 Pages

Review:

Well, losing Paul Dini as the series’ writer was a bit of a blow to Gotham City Sirens, as this second book doesn’t live up to the pretty solid first one.

Still, this is mostly a decent read and it carries on the story Dini started. Although, it does feel like it knew it was going to be wrapping up, as the bond between these three women seems to dissolve just as fast as it gelled.

I guess the most interesting parts within this are the ones dealing with Harley Quinn and how she’s processing her issues with The Joker and their very abusive, one-sided relationship.

But I’m glad that this presents Harley well unlike the more modern comics with her that have turned her into a one-dimensional joke character that has evolved into DC’s half-assed attempt at trying to make their own Deadpool.

Compared to the first book, this is almost forgettable other than the Harley stuff.

The art is really good, however, and it helps carry this series as it quickly loses steam and sort of just whimpers away because DC Comics had to reboot their universe for the umpteenth time.

Rating: 7/10
Pairs well with: the first book in the Gotham City Sirens series.

Comic Review: Batman: A Lonely Place of Dying

Published: 1989
Written by: Marv Wolfman, George Perez
Art by: Jim Aparo, Tom Grummett

DC Comics, 116 Pages

Review:

This story arc came out not too long after A Death In the Family and it serves as a sort of resolution to it, as it shows how Batman has been much harsher in the streets and how the possibility of a new Robin starts to help him overcome his grief after losing the second Robin, Jason Todd.

While this isn’t the first appearance of Tim Drake, that happened in the previous arc – Year 3, this is where he enters the lives of Bruce Wayne, Alfred Pennyworth and Dick Grayson.

This story also crossed over with The New Teen Titans and involved some of those characters as a minor supporting cast for Dick Grayson/Nightwing’s part in the story.

We also see Batman, Nightwing and Tim Drake unofficially playing Robin try to take down Two-Face, a villain with major ties to the deceased Jason Todd. We even get to see a brief appearance of The Joker, the person who murdered Jason, and how he’s involved with this story’s plot.

The action and the crime solving in this aren’t anything great but they serve as a good framework to tell the more important story here, which is pulling Batman out of the darkness and allowing him to love those around him once again. It also serves to establish who Tim Drake is and why he might be better suited for the Robin role than Jason Todd was.

The writing was solid and I also loved the art by Jim Aparo, who will always be one of my favorite Batman artists because he was one of the top guys drawing these books when I first started buying them regularly.

Rating: 8/10
Pairs well with: Batman: A Death In the Family and Batman: Year 3.

Comic Review: Red Hood: The Lost Days

Published: June 28th, 2011
Written by: Judd Winick
Art by: Jeremy Haun, Pablo Raimondi

DC Comics, 145 Pages

Review:

I went into this with zero expectations but I’ve got to say, I was pretty enthralled with the story and it didn’t just fill-in the blanks between Jason Todd’s death and his reappearance as Red Hood but it gave so much extra context and meaning to the character.

Additionally, I loved how this tied into the Hush story arc and serves to set the stage for that epic tale while also leading into the Under the Hood plot, which saw Jason Todd come back into Batman’s life in a pretty badass way.

I wouldn’t read this story first, though. I’d save it for last because even if it is a prequel, I think it’ll read better with the knowledge obtained from the other two stories. Also, this might spoil those stories if you haven’t read them.

From  beginning to end, this was really engaging and it added new layers to Jason Todd’s redemption arc. It shows how he struggles with his new reality and how he is used and exploited in an effort to become a weapon against Batman. However, it also shows how well the character can adapt and how he doesn’t follow the paths that others have tried to lay our for him.

Additionally, the art in this was really good and it just added an extra sizzle to this already wonderful steak.

Rating: 9/10
Pairs well with: the other early Red Hood stories, as well as his solo titles of the last few years.

Comic Review: Batman: The Complete Hush

Published: October 8th, 2013
Written by: Jeph Loeb
Art by: Jim Lee

DC Comics, 298 Pages

Review:

Batman: Hush is highly regarded as one of the best Batman stories of its era and honestly, it doesn’t disappoint. I hadn’t read it for over ten years but after recently watching the animated film adaptation, I wanted to give the source material a read again.

I’m happy to say that this lived up to my memories of it, as it’s just a great, well-layered story, where even if you figure out the big mystery, it doesn’t wreck the plot because there are so many surprises still woven in.

This features a lot of characters from both sides of the law but it doesn’t become bogged down by it and everyone truly serves a purpose with how they’re all tied to the main plot.

It shouldn’t be a surprise that this is good, simply because Jeph Loeb wrote it and he teamed up with the great Jim Lee, who provided some of the best and most iconic art of his career for this tale.

Hush is a solid comic book on every level. Saying too much about the plot might ruin things and this is a book that I definitely recommend. I’d rather people read it and discover its greatness for themselves.

Rating: 9/10
Pairs well with: other major Batman story arcs from the late ’90s and early-to-mid ’00s.

Comic Review: Batman: War Games: Book Two

Published: 2004-2005
Written by: various
Art by: various

DC Comics, 628 Pages

Review:

While this does read better than the first volume in this two part epic series, it is still kind of a mess in that it jumps all over the place and doesn’t seem to follow any sort of logical narrative path. In short, it’s hard to follow and it’s not all that exciting to begin with.

I’m not sure why some people have made a big deal about the War Games epic. Sure, most of the art is solid and I mostly like the parts written by Ed Brubaker but this is such a mixed bag as a total package that the low points and drastically different art styles just pull you right out of the story.

This is overloaded with characters, which typically isn’t a bad thing for a large Batman story. However, this reads more like a massive DC mega event in that it’s so overloaded that there isn’t anything that one can fully connect to. Even if you’re interested in a certain plot thread, sometimes you get distracted for a really long period of time before coming back to it.

This was pretty poorly organized and executed.

Rating: 6.25/10
Pairs well with: other Batman stories of the late ’90s and early ’00s.

Comic Review: Batman: War Games: Book One

Published: 2004-2005
Written by: various
Art by: various

DC Comics, 515 Pages

Review:

This is one of the giant Batman sagas I hadn’t yet read. So I was pretty stoked to pick it up but ultimately, I was left pretty disappointed, as it’s slow, dry and honestly, not that exciting.

Being that I am a fan of Stephanie Brown a.k.a. Spoiler, I did like her parts in this, as it is a major turning point for her character and because it helped to fill in some of the blanks I had with her character’s development. I really dug the hell out of her time as Batgirl before they took it away from her and gave the identity back to Barbara Gordon.

This collection doesn’t feel much like a large cohesive story. There are plot threads that stretch the duration of the book but it is mostly a few short arcs stuffed into a massive volume to collect the tales of the era.

I guess the main common thread is that this mostly focuses on combating Gotham City’s street level crime but this book sort of just sets the stage for what I assume will be a more action heavy second book.

For the most part, I liked the art but some of the stories felt like a waste of time. But I guess I’ll have to see how things play out in the second and final volume of this “saga” before being too harsh.

Rating: 6/10
Pairs well with: other Batman stories of the late ’90s and early ’00s.

Comic Review: Infinite Crisis

Published: 2005-2006
Written by: Geoff Johns
Art by: Phil Jimenez

DC Comics, 241 Pages

Review:

I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.

It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.

DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.

If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.

Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.

Rating: 5/10 – because of the art more than anything else.
Pairs well with: other massive DC Comics events that are overloaded with characters.