Release Date: March 24th, 2021 (Asian markets)
Directed by: Adam Wingard
Written by: Eric Pearson, Max Borenstein, Terry Rossio, Michael Dougherty, Zach Shields
Based on: Godzilla by Toho, King Kong by Edgar Wallace, Merian C. Cooper
Music by: Tom Holkenberg
Cast: Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Kyle Chandler, Demián Bichir, Lance Reddick, Zhang Ziyi (scenes cut), Jessica Henwick (scenes cut)
Legendary Pictures, Warner Bros. Pictures, Toho, 113 Minutes
“The myths are real. There was a war. And they’re the last ones standing.” – Ilene Andrews
*There be spoilers here! No, seriously, I spoil the shit out of stuff in this one.
My review of the previous film in the MonsterVerse series ended with:
The moral of the story review is:
Monsters punching monsters: Good!
Human family drama and storytelling: Bad!
That still holds true for this movie but one half of the human story was really good and the best use of human characters, thus far, in this series, which has now made it four films deep.
This is also the best film out of the four, as it found a really good balance between action and storytelling and seemed to have fixed some of the biggest criticisms of the series. Well, except for the human characters but it did get that half right, as I already stated.
Looking at the human stories first, I’ll start with the bad.
This brings back the daughter and father of the family with all the drama from Godzilla: King of the Monsters. With that, it primarily focuses on Millie Bobby Brown’s character and just uses Kyle Chandler pretty sparingly. Honestly, it felt like Chandler probably filmed all of his scenes in a day or two. Also, this isn’t a knock against these actors, it’s just a knock against how they’re used, especially Brown.
In this movie, Brown’s Madison teams up with Julian Dennison, the fat kid from Deadpool 2, and Brian Tyree Henry, who plays a really annoying conspiracy theory podcaster that I can only describe as a male Leslie Jones. Basically, he’s loud, awkward and unfunny while trying so hard to be the comedic relief in a movie that doesn’t need any.
Anyway, this odd trio easily break into high tech, high security facilities and somehow end up in Hong Kong and just accidentally stumble upon MechaGodzilla. When it comes to them stepping up to the plate to save the day, they more or less fail, but then somehow short out an evil supercomputer with booze from a mini flask.
Needless to say, everything that happens around these characters is stupid, convenient and if they were completely edited out, it wouldn’t disrupt the main story and it’d actually be a much better movie.
Now on the flipside, we get the second group of human characters, who were f’n excellent! It’s almost like their scenes were written by someone else than the other group. The stark contrast between the quality of these two different human plot threads is kind of astounding and baffling.
This other group consists of Alexander Skarsgård, a guy I’ve always liked, as well as Rebecca Hall and the orphaned deaf girl she cares for, played by Kaylee Hottle, who ended up giving the best performance out of any human being in these movies.
Hottle’s Jia is a native of Skull Island and she’s the only person that Kong trusts, as they’ve developed a way of communicating with each other, secret from the adults on the island. Jia is the voice of Kong throughout the film and she is also his conscience at times. Frankly, it’s a really beautiful relationship that was crafted exceptionally well. It’s impossible not to get wrapped up in the emotion of their bond and the pain and love they share throughout the picture.
Additionally, Skarsgård and Hall are absolutely perfect in this and if any characters come back for future films again, I sincerely hope its these three.
Now on to the monsters!
As should be expected, both Godzilla and Kong were great in this. Every single battle was visually incredible and it far exceeds what has been done in the previous movies. Plus, we get to see MechaGodzilla show up to the fight in the last twenty minutes of the film.
The special effects in this are just superb. There were even moments where I almost thought that the CGI was a practical effect, that’s how good some shots were. The big final battle in Hong Kong is, hands down, the best action sequence that this film series has given us, thus far. Granted, I hope that now that they’ve really found their footing, it’s just a taste of what could come.
Something I wasn’t expecting and was thoroughly impressed by was the Hollow Earth stuff. Kong and the humans I like in the movie return to Kong’s true home and Kong even sits on the throne of his long dead ancestors. This part of the film also shows us a lot of cool creatures and we see Kong mix it up with some of them.
As far as the story goes, it’s simple, pretty easy to follow but I felt like it left me with a lot of questions that I hope are Easter eggs to be answered in the future. Especially, in regards to the Hollow Earth stuff and the mythos around Kong’s ancestors and their seemingly advanced kingdom.
I honestly feel like this would’ve deserved an 8 out of 10 or possibly higher but that bad human subplot really takes you out of the film when it pops up. I honestly wish all that crap would’ve been wiped from the script and freed up more pages to develop the story and the good characters more. But I think that Brown and Chandler had contracts that had to be honored, regardless of what that meant for the total package of this motion picture.
Still, everything else is so good that I really, really enjoyed this movie. I just hope someone does an edit, removing the bad parts at some point because I’d like to see it and I think it’d make the plot flow better and wouldn’t detract from the movie’s strengths.
I know that nothing is currently announced, following this film, but Warner Bros. needs to get moving on a follow up. Honestly, this is really the only good thing the studio has going for them after they’ve squandered the DC film universe.
Pairs well with: the Legendary Pictures’ King Kong and Godzilla films before this, as well as the original Japanese films King Kong vs. Godzilla and King Kong Escapes.
Also known as: Iron Man Three (original title), Caged Heat (fake working title)
Release Date: April 12th, 2013 (Munich premiere)
Directed by: Shane Black
Written by: Drew Pearce, Shane Black
Based on: Iron Man by Stan Lee, Larry Lieber, Don Heck, Jack Kirby
Music by: Brian Tyler
Cast: Robert Downey Jr., Don Cheadle, Gwyneth Paltrow, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale, Jon Favreau, Ben Kingsley, Paul Bettany (voice), Ty Simpkins, William Sadler, Miguel Ferrer, Dale Dickey, Corey Hawkins, Mark Ruffalo (cameo), Bill Maher (cameo), Joan Rivers (cameo), Chris Gethard (uncredited)
Marvel Studios, Walt Disney, 130 Minutes
“A true story about fortune cookies. They look Chinese. They sound… Chinese. But they’re actually an American invention. Which is why they’re hollow, full of lies, and leave a bad taste in the mouth.” – The Mandarin
Iron Man 3 is the third and final Iron Man movie. Granted, one could make the argument that Captain America: Civil War is also Iron Man 4. And he does continue to appear in other films that are a part of the larger Marvel Cinematic Universe. But this is the last true solo Iron Man picture.
This is also the first film in the Iron Man pocket of the MCU to not be directed by Jon Favreau. Although, he does still appear on screen as his character Happy Hogan. He would also appear after this film too.
This chapter mostly deals with Tony Stark having to deal with his past demons and facing the consequences of certain decisions he made long before he was Iron Man. Also, it deals with anxiety and PTSD, brought on by Tony’s involvement in the big battle at the end of The Avengers. It takes these things pretty seriously and doesn’t pussyfoot around them. Tony Stark is very troubled and even though he’s matured and grown as a person, the past is still there to haunt him and stand in his way where he needs to move forward.
Sure, Tony’s personality and snarky sense of humor is still very present but you now start to see it as more of a defense mechanism against his own fears and insecurities. You also get to see him come out of his shell and embrace those he truly cares for: Pepper Potts, Happy Hogan and the young kid that becomes his sidekick in this film. Tony’s personal defense is let down and he stops trying to be the coolest guy in the room and shows the world that he’s a human being and not just some super powerful godlike figure.
This is the most personal Iron Man story and it succeeds because it doesn’t show Tony bullshitting his way through every situation. For one, he can’t bullshit his way out of this. Two, he’s exhausted and emotional like he never has been before. Three, the stakes have never been higher and he’s never been challenged to the core like he is here.
The film is pretty well written in regards to Tony Stark the character.
Some of the other writing is a bit shaky, especially in regards to the handling of the villain, The Mandarin. However, even though I was originally annoyed by how this part of the movie played out, it really doesn’t matter to the bigger scheme of the picture’s narrative.
A real threat existed, regardless. That threat had to be neutralized. But being a big fan of the comic and awaiting the eventual arrival of the Mandarin on the big screen, it was a real disappointment when the character’s true identity was revealed.
Granted, I still loved Ben Kingsley’s performance on both sides of the Mandarin’s coin. His comedic charm makes up for the shocking twist to some degree. And in retrospect, I enjoy it much more, five years removed from my first time seeing this movie.
I generally like Guy Pearce and was excited to see him in this but as the villain, he was pretty vanilla. He had a cool backstory and they tried to humanize him but it ultimately didn’t work out and he wasn’t as tragic of a figure as he could have been.
Another positive though, is that we get to see Tony Stark duke it out with bad guys without the advantages of having his full armor suit. I liked this approach, it showed Tony as truly heroic and not a guy hiding behind his gadgets. It showed his intelligence, his creativity and his ability to persevere when the deck is stacked against him.
Iron Man 3 is a better movie than what a lot of its detractors would have you think and when this came out, the naysayers took to the Internet in droves. I think it also plays better know within the context of the larger MCU.
Pairs well with: Iron Man, Iron Man 2, The Avengers, Captain America: Civil War.