Release Date: March 18th, 1948 (Detroit premiere)
Directed by: John Farrow
Written by: Jonathan Latimer
Based on: The Big Clock by Kenneth Fearing
Music by: Victor Young
Cast: Ray Milland, Charles Laughton, Maureen O’Sullivan, George Macready, Rita Johnson, Elsa Lanchester
Paramount Pictures, 95 Minutes
“White clocks, yellow clocks, brown clocks, blue clocks. Oh, Miss York, where are the green clocks of yesteryear?” – George Stroud
This is one of those noir films that many consider to be one of the top. I hadn’t seen it until now but I’m using the month of Noirvember to work through a lot of the films I’ve missed in the noir style.
Being that this stars Ray Milland also made me bump this one up on my list.
For the most part, this was pretty standard fare as far as noir pictures go. Milland gave it a little extra flourish, as did Elsa Lanchester in the few bits she was in.
I also thought that the setting was unique, especially how they used the big clock within the film itself. But this also used clocks as a motif throughout the entire picture. Which makes sense, as it was a race against time and it featured big business where time is money.
The story was decent but there wasn’t much in it that I found surprising. In fact, there really isn’t a mystery to solve or any shocking plot twists. The audience knows what’s happening and it is really just a journey about a man trying to clear his name and finger the true villain.
I thought that most of the film was just okay. The minutes before the big finale is where it actually kind of picks up. The story’s villain does end up dying a pretty terrible but fitting death and I did find that satisfying.
The Big Clock was solid and quite competent on nearly every level. It just didn’t tap into that dark, noir part of my brain as much as I would’ve liked.
Pairs well with: other classic noir pictures like Nocturne, This Gun for Hire, Thieves’ Highway, Criss Cross, Trapped and Clash by Night.