Also known as: Border, Ripper (alternative German titles)
Release Date: May 16th, 1984 (Cannes)
Directed by: Abel Ferrara
Written by: Nicholas St. John
Music by: Dick Halligan, Joe Delia
Cast: Tom Berenger, Billy Dee Williams, Jack Scalia, Melanie Griffith, Michael V. Gazzo, Rossano Brazzi, Rae Dawn Chong, Janet Julian, John Foster, Maria Conchita Alonso, Joe Santos, Ola Ray, Tracy Griffith, Jan Murray
Rebecca Productions, Zupnik-Curtis Enterprises, Twentieth Century Fox, 95 Minutes
“[as Rossi drives off] There’s nothing I hate more than guineas in Cadillacs.” – Al Wheeler
I never saw this film but man, it was pretty damn cool. But when it stars Tom Berenger and Billy Dee Williams as two badasses at odds but hunting the same scumbag, why wouldn’t it be pretty damn cool?
It also stars Melanie Griffith during the best era of her career, just before things took off for her. The reason I like this era for her is that she did a lot of really cool flicks between this, Brian De Palma’s Body Double and the dystopian cyberpunk delight, Cherry 2000.
Griffith plays a stripper being hunted by a slasher type serial killer but she’s also joined by other good up-and-coming actresses also playing her stripper pals. Alongside her we get to see Rae Dawn Chong and Maria Conchita Alonso, two women that would go on to have a pretty good run throughout the ’80s and into the early ’90s.
At it’s core, this is a slasher flick. However, it’s not really a horror movie, as much as it is a crime thriller. It’s directed by Abel Ferrara, who previously directed the cult classic Driller Killer but would later go on to do The King of New York and Bad Lieutenant. This movie actually feels like a natural bridge between his gore littered slasher flick and his more serious crime dramas. Honestly, it mixes the best of both worlds and in my opinion, is probably Ferrara’s best movie even though most people have slept on it – myself included, until now.
If I’m being completely honest, I’ve actually never been a big fan of Ferrara’s work but this film is pretty solid. Granted, I need to revisit The King of New York, as it’s been a few decades since I’ve seen it.
Fear City is just energetic, provocative and ballsy. That’s what I love about it. It’s similar to the tone of a lot of the action movies that Cannon Films was putting out in the ’80s. It has that unapologetic grittiness to it with just a thick layer of cool.
I wish Abel Ferrara had made more movies like this.
Release Date: October, 1984 (Chicago International Film Festival)
Directed by: Aaron Lipstadt
Written by: Don Opper
Music by: Mitchell Froom
Cast: Darrell Larson, John Stockwell, Kim Cattrall, Rae Dawn Chong, John Diehl, Don Opper, Pamela Ludwig, Tony Plana, Dean Devlin, James Earl Jones, Kane Hodder
Film Ventures International (FVI), Island Alive, Sho Films, Atlantic Releasing, 86 Minutes
“If you kill me, someone just like me – or worse – will become my replacement. I am inevitable!” – Carver
How the hell did James Earl Jones fall so low that they got him to agree to be in this movie just a year after Return of the Jedi? Sure, he bounced back but I can’t imagine many actors bouncing back after this film. Maybe he just had the benefit of no one seeing this.
This also had Kim Cattrall and Rae Dawn Chong but this was before either of them got more famous going into the late ’80s. It also features John Diehl, a guy I loved on Miami Vice until they ruined the show by killing him off, and a small role for Kane Hodder, who would become the longest running Jason Voorhees actor just a few years later.
City Limits was written by Don Keith Opper, who also has a small role in the film. He didn’t write a very good script here but he would follow this up with the Critters film series, which has had some longevity over the years since the first one came out and it even spawned a new television series just this year.
This is a post-apocalyptic film, one of probably hundreds in an era where these things were being made faster than McDonald’s can print Monopoly game pieces. It’s a genre and formula I like but this is like most of those films, unfortunately, a boring, bland dud that borrows so heavily from other places that it doesn’t have an identity of its own.
City Limits was featured on Mystery Science Theater and for good reason. It’s also probably one of the MST3K films that featured a pretty well known cast. It’s a film rife with material for riffing though.
As bad and vanilla as this is, it’s certainly not the worse that the post-apocalyptic genre has to offer. It’s pure ’80s, low budget, sci-fi schlock but it’s a bit endearing because of that. However, City Limits will probably only be enjoyed by people that are into that sort of thing.
Pairs well with: other early to mid ’80s post-apocalyptic schlock.
Release Date: October 4th, 1985
Directed by: Mark L. Lester
Written by: Steven E. de Souza, Jeph Loeb, Matthew Weisman
Music by: James Horner
Cast: Arnold Schwarzenegger, Rae Dawn Chong, Alyssa Milano, Vernon Wells, James Olson, David Patrick Kelly, Bill Duke, Dan Hedaya, Bill Paxton, Drew Snyder
Silver Pictures, 20th Century Fox, 90 Minutes
“These guys eat too much red meat!” – Cindy
Commando is the quintessential 80s Schwarzenegger flick. This is the standard bearer for any motion picture featuring Arnie, where he isn’t a Terminator or a barbarian. It is straight up action with the right balance of Arnold’s style of comedic delivery. I mean, you could really even make the argument that this is a comedy – not to take away from the fact that it is balls to the wall bad ass.
Arnold Schwarzenegger plays John Matrix, a swollen and hard manly man that is a purebred killing machine. However, Matrix loves his daughter, the very young Alyssa Milano – before she was every 80s boy’s crush on the sitcom Who’s the Boss?
Matrix’s home is attacked and his daughter is kidnapped by bad men that have ties to his past. The bad men want Matrix to carry out an assassination. However, Matrix doesn’t take any shit whatsoever and he evades the bad guys and starts picking them off, one by one, in a race against time to save his daughter before the baddies discover that he didn’t carry out his mission.
What we get with this film is a big beefy charming bad ass with great one-liners and an arsenal that would make the Punisher weep in shame. In fact, just about everything in this movie explodes. Even Rae Dawn Chong, his cutesy fish out of water sidekick, gets to fire a rocket launcher a few times.
This movie also has a plethora of great actors. The evil and very homoerotic Bennett is played by Australian heavy Vernon Wells, probably most known as Wez from Mad Max 2 a.k.a. The Road Warrior and a parody of Wez in John Hughes’ Weird Science. You also have Bill Duke, who got to star alongside Schwarzenegger as Mac in Predator. Then there is the always enjoyable David Patrick Kelly, the leader of the bad guys in The Warriors and known for his time on Twin Peaks. The cast also includes Dan Hedaya, a guy who never gets enough props, and a small role by a young Bill Paxton.
Commando has just about everything you want in an 80s action flick without a lot of the stuff you don’t want. It isn’t an artistic masterpiece, per se. That is, unless you consider an intense crescendo of exploding buildings and flying bodies to be fine art: I friggin’ do. If that’s the case, this is true art in a classical sense that rivals the Sistine Chapel. Director Mark L. Lester is Michael-friggin’-angelo and Arnold is Adam reaching out to touch the finger of God.
The film is also only ninety minutes, so a bunch of boring character development and filler doesn’t get in the way of Schwarzenegger waving his peen around like a lasso trying to capture the hearts of 80s action fans.
The plot is simple, that is all you need to blow up an island fortress. Movies today try to get overly complicated and seem to have a guilty conscious about gratuitously shooting bullet holes in everything and everyone. Commando doesn’t have time for that horse shit. It throws its dick on the table and says, “Yeah, let’s fuckin’ rage!”
Commando was the perfect template for all Schwarzenegger movies going forward. Predator took it and added in a bad ass alien killer. The rest of his movies fell a bit short and tried to fill up the running time with annoying things like plot and character development.
If you watch Commando and you don’t have a fun time, we probably can’t be friends. Growing up in the 80s, this is one of the greatest things that ever happened to me that didn’t involve Harrison Ford or ninjas. It is actually a good thing that this didn’t have Harrison Ford or ninjas because it would have literally shattered the Earth’s crust with its intensity and the weight of its gargantuan gravitas.