I really don’t think that there is a better book on punk music.
Please Kill Me is pretty unique. It is a large book full of compelling and eye-opening stories told first hand by the artists and people who were there. It is a piece of work that delves deeper into the history of punk rock more than anything else I’ve ever encountered in any medium. It leaves no stone unturned and gives you more insight than you would ever expect.
Each chapter focuses on a specific subject or era in time throughout early punk’s history and it is told orally, albeit written down, by dozens upon dozens of those who were in the thick of this iconic cultural movement. The highlights for me were the bits told by or about Iggy Pop. Dude, was an even more interesting character than I had realized.
Whether you are into punk or not, this is still thoroughly enjoyable. If you are just a big fan of music in general or that period of time, this book is an eye-opener. The words and tales of those in this book are like a time machine, bringing the reader back to that exciting and innovative time. I can’t recommend this book enough.
Rating: 8.75/10 Pairs well with: Other books on the history of punk and rock music: Richard Hell’s I Dreamed I Was a Very Clean Tramp, Meet Me in the Bathroom by Lizzy Goodman and Our Band Could Be Your Life by Michael Azerrad.
Release Date: February, 1984 (Berlin Film Festival) Directed by: Alex Cox Written by: Alex Cox Music by: Tito Larriva, Steven Hufsteter, Iggy Pop (theme) Cast: Harry Dean Stanton, Emilio Estevez, Tracey Walter, Olivia Barash, Sy Richardson, Susan Barnes, Fox Harris, Miguel Sandoval, Vonetta McGee, Helen Martin, The Circle Jerks
Edge City, Universal Pictures, 92 Minutes
“Some weird fuckin’ shit, eh, Bud?” – Otto
I don’t know what it is about this movie that makes it so f’n cool but it is unequivocally, one of the coolest movies ever made.
I mean, it has Harry Dean Stanton in it, who is one of the coolest actors that ever lived. It also has Emilio Estevez entering the height of his career during his years in the Brat Pack. It’s also a unique film that when looking at it within the context of the time it came out, had to have been a real artistic curveball. Frankly, I can see where many films that came out after this got some of their inspiration or just outright thievery.
It feels like it could be a David Lynch picture but it makes more sense and doesn’t get lost in its weirdness like many of Lynch’s pictures do. It also isn’t relying on its surreal dreamlike quality to propel the picture forward. It has a pretty easy to follow story where the strange bits just enhance the experience and don’t distract from the narrative.
Emilio Estevez put in a good performance as a punk rock kid fired from his menial job only to stumble into the repo man profession. His mentor is played by Stanton and the two immediately have a great chemistry that makes you care about their developing friendship. 1984 was a great year for Stanton between this and Paris, Texas.
The film also has small roles for Tracey Walter, who is a damn fine character actor that always brings something special to every role, and Vonetta McGee, best known for her roles in blaxploitation films in the 1970s.
Repo Man is a sort of punk rock fairy tale that feels like it is in a post-apocalyptic dystopian future but it really just takes place in what was modern Los Angeles in 1984. It’s a surrealist, absurdist fantasy that sees a bunch of strange people chasing after an old Chevy Malibu that has some really bizarre cargo in its trunk. The car changes hands a lot and and as the story progresses Estevez’s Otto gets in deeper and deeper where he is fending off his old punk rock gang and a government agency led by a woman with a metal hand.
If you were able to take punk rock and a science fiction B-movie, add in some comedy and smash them together, you’d get this film but even then, this is much better than the sum of its parts. This is a film that many have tried to knock off and failed and at first glance, Repo Man might be a turn off due to the shoddy nature of most of its imitators. But this is the real deal original and this is the reason why a legion of young filmmakers started making similar works in tone and style.
In truth, this is a hard film to describe and even to review. It’s unique and I don’t say that lightly. But it’s a beautiful picture in how it’s orchestrated, acted and directed. The cinematography and lighting are pretty stellar too and certain scenes almost remind me of some of Wim Wenders’ work from that same era. That makes sense though, as the cinematographer was Robby Müller, who worked with Wenders a lot and his work on The American Friend and Paris, Texas have a similar color palate to this picture.
If you’ve never seen Repo Man, you’ve done yourself a disservice. It’s cool, badass and colorful in all the right ways. Plus, it kicks off with a theme song by Iggy Pop.
Rating: 9.25/10 Pairs well with: Any early David Lynch films, as well as Sid and Nancy or any other Alex Cox movie.