Comic Review: X-Men: Second Coming

Published: June 22nd, 2011
Written by: Craig Kyle, Christopher Yost, Matt Fraction, Zeb Wells, Mike Carey
Art by: David Finch, Terry Dodson, Ibraim Roberson, Greg Land, Mike Choi, Rachel Dodson, Sonia Oback

Marvel Comics, 360 Pages

Review:

I went into this thinking that I would like it for the most part. The events that precede it were pretty good reads. What I didn’t expect was to be blown away. But in the end, I have to say, this was one of the absolute best X-Men crossover events that I have ever experienced. Seriously, this was nothing short of superb.

More than anything, this story made me love Cable more than ever and it got me to love Hope Summers, who I would say is one of the best characters to come out of the last decade, even though she previously appeared as a baby before this in Messiah Complex.

This had a lot going on in the story but there was room for it all. Plus, all the key players were well balanced throughout and it gave most of the top characters a real purpose and mission.

There are real consequences in this story, as some key X-Men figures die. Granted, one could argue that those consequences are never real because no one truly dies in comics and the two biggest victims of this story are already alive and well, once again. But despite that, it felt like a real blow within this narrative. It didn’t lose its impact knowing that they’d eventually be back.

Second Coming carries all the doom and gloom of Messiah Complex over and it brings more doom and gloom but it ends in a way that finally sees a glimmer of “hope” appear in the darkest time of the X-Men franchise. I don’t want to spoil too much because I’d rather people give this a read.

Being that this is a crossover event, there is a mix of art styles. All of it works for me though, even if there are noticeable style shifts from chapter to chapter. Ultimately, the tone stays about the same from beginning to end.

This is a fairly long read but none of it is boring or filler. It moves at a brisk pace, keeps you engaged and makes you cheer for these heroes in a way that you haven’t since the early ’90s.

Rating: 10/10
Pairs well with: the stories that precede it: Avengers Disassembled, House of M and X-Men: The Messiah Complex, as well as the one this leads up to: Avengers Vs. X-Men.

Comic Review: X-Men: Inferno

Published: 1988-1989
Written by: Chris Claremont, Louise Simonson, various
Art by: Marc Silvestri, Walter Simonson, various

Marvel Comics, 600 Pages

Review:

This was actually the first big X-Men crossover event that I ever read. Unfortunately for me back in 1988 and 1989, I wasn’t able to get every single issue in this massive event. But I do own them all now, so I wanted to revisit this huge story in its entirety.

It is really good but it also has some problems.

In regards to the positives, the writing is pretty solid. The bulk of this event is written by Chris Claremont and Louise Simonson with other writers contributing to some of the tie-ins. The art is also great, most of which is done by Marc Silvestri and Walter Simonson.

The story sees Mr. Sinister unleash literal Hell on Earth with many weapons at his disposal: Madelyne Prior, S’ym, the evil version of Polaris, the Marauders and the big bad demon, N’Astirh.

Sinister also finds ways to trick the X-Men and X-Factor into fighting amongst themselves and manipulates the stage to pit brothers Cyclops and Havok against each other.

There is a lot at stake here and it changes many of the characters going forward. One of my favorite characters, Magik, dies here. Granted, we all know she comes back because she’s basically a demon queen of the underworld but the weight of it is very heavy and at the time, we didn’t know if the young heroine could return.

This crossover also includes the New Mutants and the X-Terminators. The story serves to merge those two teen teams into one. This set the groundwork for what was to come once Rob Liefeld came into The New Mutants and gave us Cable, Deadpool and eventually, the hugely successful X-Force.

What I love about this story is that it merges superhero Marvel with fantasy Marvel. Like the Magik miniseries a few years earlier, this takes Marvel’s mutant heroes and makes them deal with fantastical and occult evil but on a much grander scale. Also, Mr. Sinister was damn cool in this period of X-history.

Looking at the negatives, my only real issue is that the story drags out in places. That could be due to me also reading all of the tie-ins apart from the main body of the central story. Some of it felt really unnecessary and it also felt poorly organized. The New Mutants issues were on the orbit of the main story but with the death of Magik and how that effected her brother Colossus, I feel like that should have happened within the framework of the stories actual main chapters.

Shaky narrative flow aside, this is still a better crossover event than what the Big Two comic book publishers give us in modern times.

Inferno was my first big crossover event. It’s not the best but it’s still a lot of fun and it came out in a time where the X-titles were at their absolute creative peak.

Rating: 8.5/10
Pairs well with: other big X-Men crossover events of the late ’80s and early ’90s like X-Tinction Agenda and X-Ecutioner’s Song.

Comic Review: X-Men: X-Tinction Agenda

Published: November, 1990 – January, 1991
Written by: Chris Claremont, Louise Simonson
Art by: Jim Lee, Marc Silvestri, Rob Liefeld, Jon Bogdanove, Rick Leonardi, Guang Yap

Marvel Comics, 299 Pages

Review:

I have wanted a collected version of this story for decades. I have a lot of the single issues but have always been missing a few and haven’t had much luck being able to complete the set over the years (mainly because of the highly sought after New Mutants issues). Plus, the trade paperback version was out of print for a really long time and good copies of it got pretty expensive. But, I was able to get this off of a sale on Comixology for around $5. I think the regular price, even for digital, was a whopping $25 or so.

Anyway, I’m glad that I got this version because it has a whole four issue prologue to the actual X-Tinction Agenda event. The first third of this book is a four issue story arc that happened in The Uncanny X-Men a few years before X-Tinction Agenda and it helps set the stage nicely. Plus, that story was heavy on using Wolverine and Rogue, which are two great characters from that era. You even get some Carol Danvers Ms. Marvel before anyone even really cared about the character.

The main part of this story deals with the X-Men, X-Force and the New Mutants returning to Genosha where mutant genocide is taking place. The villain of the story is Cameron Hodge, considered long dead since Archangel decapitated him with his wings several years earlier. Hodge is such a good villain and frankly, this is my favorite version of the character and the one I experienced first. He hasn’t had the staying power of Magneto, Apocalypse or Mister Sinister but he is, by far, one of the most formidable adversaries any X-team has ever faced.

This has been one of the all-time classic tales in X-Men lore. It was a huge event when I was a kid. And it may not be talked about as much in modern times but this was really where I jumped on to all the other X-books outside of the standard X-Men title. It also set the stage for a lot of major changes to all the books and teams going into the ’90s.

I could talk about the art and the artists that worked on this crossover event but just look at the credits I posted above. Look at those names. This book sells itself just on the merits of that talent level. Add the fact that this is written by both Chris Claremont and Louise Simonson is also pretty f’n incredible.

Rating: 9/10
Pairs well with: Other major X-Men related events of the era: X-Cutioner’s Song, Mutant Massacre, Fall of the Mutants, Muir Island Saga, etc.

Film Review: X-Men: Apocalypse (2016)

Release Date: May 9th, 2016 (London premiere)
Directed by: Bryan Singer
Written by: Simon Kinberg, Bryan Singer, Michael Dougherty, Dan Harris
Based on: X-Men by Stan Lee and Jack Kirby
Music by: John Ottman
Cast: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn, Lucas Till, Hugh Jackman (cameo), Caleb Landry Jones (archive footage)

Marvel Entertainment, TSG Entertainment, Bad Hat Harry Productions, Kinberg Genre, The Donners’ Company, 20th Century Fox, 144 Minutes

Review:

“[sends the world’s nuclear weapons into space] Always the same, and now all this. No more stones. No more spears. No more slings. No more swords. No more weapons! No more systems! No more! No more superpowers… So much faith in their tools, in their machines. You can fire your arrows from the Tower of Babel, but you can never strike god!” – Apocalypse

At this point, the X-Men films don’t give a crap about continuity and I don’t care that Days of Future Past was used to try and fix that. Fox still dismisses a lot of what’s happened and just does what works well for each movie as a standalone picture. Because you can’t have Angel appear as a late teen in a 2006 movie and then have him in his twenties in 1983, regardless of whatever Doctor Who timey wimey shenanigans you try to pull. But truthfully, I don’t care at this point. I sort of just see each film as its own reality where each movie just shares some similarities. Sorry, I’ve got to make it make sense for my brain or I have to just dismiss the absurdity of it.

That being said, I don’t hate this chapter in the X-Men movie franchise. In fact, I liked it quite a bit in spite of its flaws, continuity hiccups and the underwhelming way that they presented Apocalypse.

What made this film work for me was the evolution of Magneto, who is the best character in these films and who seems to be handled with great care. I don’t care so much about all the teens and the constant influx of new characters every time I blink my eyes. It’s the core characters that matter in these movies. That being said, I think McAvoy’s Charles Xavier is damn good too.

When I first saw this film in theaters, my initial reaction was worse than it is now. Having time to digest and reflect on Apocalypse, it really isn’t as bad of a movie as I thought it was at first glance. It is the weakest of the newer generation of pictures but it is certainly better than 2000’s X-Men and 2006’s X-Men: The Last Stand. Don’t even get me started on X-Men Origins: Wolverine, as I find it less enjoyable than a piranha enema.

The plot in this is a bit rushed and shaky. Apocalypse, one of the most powerful forces in the entirety of the Marvel Universe just shows up, learns all about human history by touching a TV and starts taking over the Earth and brainwashing other mutants to be his “Four Horsemen”. It was interesting that Oscar Issac played Apocalypse because it wouldn’t have really mattered who played him, as he was just a dry, one note tyrant. Frankly, he should have been the X-Men‘s version of Thanos, at least in their movie universe.

The sequence with Wolverine is, by far, the high point of the movie. Hugh Jackman only shows up for about ten minutes but it is some of the best Wolverine action ever put to celluloid. Granted, Hollywood is allergic to celluloid now.

This is an epic film but it doesn’t feel as grandiose as its predecessor. It isn’t as good as its predecessor either and I think that is why I was disappointed with it initially. But the main players in the cast add more to their stories in a good way and ultimately, this enriched the modern X-Men movie universe.

I can’t say that I’m excited about the upcoming X-Men: Dark Phoenix movie but I’ll still see it because these films still have more positives than negatives. But really, it’s just time for the X-Men movies to get a much needed reboot and join the larger Marvel Cinematic Universe.

Rating: 7.75/10
Pairs well with: The current crop of X-Men movies since James McAvoy and Michael Fassbender took over the lead roles. Also, the last two Wolverine pictures.