Release Date: June 2nd, 1989 (New York City premiere) Directed by: Mary Ann Fisher Written by: Howard R. Cohen, Daryl Haney Music by: Jim Berenholtz Cast: Bradford Dillman, Priscilla Barnes, Daryl Haney, Roger Corman (uncredited)
For a movie that came out in 1989, this looks like something that was made in 1981. Plus, it is a cheap Roger Corman produced ripoff of 1989’s blockbuster hit, The Abyss.
While I love the Roger Corman films of the ’50s and ’60s, regardless of their flaws, this 1989 production doesn’t have any redeeming qualities. It’s pretty damn dreadful on every level and doesn’t have someone as talented as Vincent Price or Jack Nicholson to make it work.
This wet turd was featured on the latest season of Mystery Science Theater 3000 and the only known actor in it is Priscilla Barnes, who is still most famous as the replacement of Suzanne Somers on Three’s Company. She was also in Mallrats and The Devil’s Rejects and had a small role in Licence to Kill, the 1989 James Bond picture.
I guess one neat thing about this though, is that Roger Corman actually acts, albeit briefly and just in a few scenes as a corporate executive talking through a television monitor. But even with his voice distorted and his cold stare, he put in a more lifelike performance than the entire cast apart from Barnes, who actually wasn’t terribly bad. Maybe she directed herself.
The special effects here are deplorable and they’re way below Corman’s own standard by the time this was made. His 1980 movie Battle Beyond the Stars has better effects and that’s almost a decade older.
The alien creatures in this were so terrible that they look like some sort of papier-mâché hood ornament for a high school parade float.
Lords of the Deep is bad, really bad. And sometimes I enjoy bad but this was like getting your teeth pulled in slow motion without drugs or booze.
Rating: 2.25/10 Pairs well with: other very low grade ’70s and ’80s sci-fi pictures.
Also known as: House of 1000 Corpses 2, House of 2000 Corpses (working titles) Release Date: July 22nd, 2005 Directed by: Rob Zombie Written by: Rob Zombie Music by: Tyler Bates Cast: Sid Haig, Bill Moseley, Sheri Moon, Matthew McGrory, Ken Foree, William Forsythe, Leslie Easterbrook, E. G. Daily, Geoffrey Lewis, Priscilla Barnes, Kate Norby, Lew Temple, Danny Trejo, Diamond Dallas Page, Brian Posehn, Michael Berryman, P.J. Soles, Deborah Van Valkenburgh, Mary Woronov, Tyler Mane, Tom Towles (cameo)
Cinelamda, Lionsgate, 109 Minutes
“I am the devil, and I am here to do the devil’s work.” – Otis Driftwood
This was a film that I had in constant rotation for a few years after it came out. It has been quite a long time since I’ve seen it, however.
Most of what I remember is that I love the characters of Captain Spaulding and Otis and that they made it a fun experience. Granted, I recently revisited House of 1000 Corpses, so I was reminded of my appreciation for these characters. But they are played by Sid Haig and Bill Moseley, so why wouldn’t they be fantastic?
In the years since this was released, I was disappointed every single time that Rob Zombie made a new movie. Each one seemed to get worse and he showed himself to be a one trick pony. In fact, I gave up and I think I’ve missed a couple of his pictures now.
That being said, this is Rob Zombie’s best movie, as I assume that even the last couple don’t measure up, based off of what I’ve read about them.
This takes the world of House of 1000 Corpses, a decent homage to slashers and the “creepy family in the woods” shtick, and turns it into something else entirely. Where the first film feels like a combination of Texas Chainsaw Massacre and Friday the 13th, this film is more like Natural Born Killers. This takes the three main characters from the crazy killer family and puts them on the run from the law. And the law is led by a cop that turns out to be just as insane as the killers.
The most interesting thing about this picture is that it flips the script on the bad guys. The ones who tortured and murdered countless people end up in the victim’s chair when the sadistic cop finally has them in his possession. The hunters become the hunted and really, this is a film full of nothing but shitty people doing shitty things to one another. But it is still a neat little experiment to experience.
Sid Haig and Bill Moseley really take their game to a whole new level here and both were fantastic, charismatic and entertaining. Unfortunately, Sheri Moon, Rob Zombie’s wife that he always puts front in center in all of his movies, is pretty terrible. She sort of just exists to be some psychotic eye candy that spends more time showing her butt to the camera than doing anything worthwhile. I’ve also always found her voice to be annoying. Sorry, she just sticks out like a sore thumb in the worst way possible in everything that she is in. This film is no different.
One things this film does well, is it utilizes a lot of old school horror legends in good ways. The characters played by Ken Foree and Michael Berryman are entertaining and add a lot of depth to the film, as just following the three main characters starts to wear thin. Foree really comes in at the right time, diverting some attention away.
The film also has a cool bounty hunter duo played by Danny Trejo and Dallas Page. I liked them a lot and actually wish they got some sort of spin off. They had good chemistry, were enjoyable in their roles and probably have some other stories worth telling.
The most impressive performance, however, was by William Forsythe, who played the psycho sheriff hell bent on revenge against the killer family that murdered his brother in the previous movie. Forsythe was sick and twisted but had a badge and police force to back him up.
The Devil’s Rejects is far from a perfect film but it is better than House of 1000 Corpses and certainly a lot more polished than that film was.
Apparently a sequel is coming, even though the family gets gunned down in the final moments. I’m not looking forward to it though, as this was a good ending to the story and Zombie’s track record since this picture has been terrible.
Rating: 7.5/10 Pairs well with: Its predecessor House of 1000 Corpses.
Release Date: June 13th, 1989 (London premiere) Directed by: John Glen Written by: Richard Maibaum, Michael G. Wilson Based on: characters by Ian Fleming Music by: Michael Kamen Cast: Timothy Dalton, Robert Davi, Carey Lowell, Talisa Soto, Anthony Zerbe, Frank McRae, Everett McGill, Wayne Newton, Benicio del Toro, Anthony Starke, Priscilla Barnes, Robert Brown, Desmond Llewelyn, Caroline Bliss, Cary-Hiroyuki Tagawa, Christopher Neame
Eon Productions, United International Pictures, Metro-Goldwyn-Mayer, 131 Minutes
“Señor Bond, you got big cojones. You come here, to my place, without references, carrying a piece, throwing around a lot of money… but you should know something: nobody saw you come in, so nobody has to see you go out.” – Franz Sanchez
Timothy Dalton was my favorite James Bond. I know that makes me strange and weird but he was the first Bond on the big screen for me and his movies had a bit more gravitas than those cheesy Roger Moore outings. They also had more gravitas than those later Brosnan films because those went back towards the route of cheese and eventually killed the franchise until Daniel Craig came along and stopped smiling.
Licence to Kill is a very divisive Bond film but then Dalton is a very divisive Bond. The film takes a turn for realism nearly two decades before the Daniel Craig starring Casino Royale. In 1989, that rubbed most people the wrong way. This was the first Bond film to get a PG-13 rating due to that realness and its use of violence. Some people also felt that the more violent bits were too much but I felt that it reflected a Bond franchise that was about to enter the ’90s.
The film boasts some solid action sequences. All the Key West stuff was fantastically shot and looks great by modern standards. The Mexico material also looks incredible, especially the Olympatec Meditation Institute scenes, which were filmed at the Centro Cultural Otomi. The cinematography was pretty standard but the locations didn’t need much razzle dazzle. They really only needed explosions, which there were plenty of.
Robert Davi plays the villain and I can’t think of another actor that could have played the role as well as he did. He had the right look, the right level of intensity and had a predatory presence like a reptile. His top henchman was played by Benicio del Toro in only his second film role.
We also get to see Wayne Newton in a role greater than just a cameo and honestly, I love Newton in this. The film also boasts a collection of other talented actors in supporting roles: Frank McRae, Everett McGill, Anthony Zerbe, Anthony Starke and Priscilla Barnes.
I thought that the Bond Girls were a mixed bag in this film. Carey Lowell was pretty badass and held her own. I liked her a lot and think that she doesn’t get enough credit as one of the great Bond Girls. She certainly had more to offer than the standard “damsels in distress” of the classic Bond pictures. Talisa Soto, however, was more like a useless damsel but to the nth degree. I thought Soto was fine with the material she was given but she didn’t serve much purpose other than being a pretty gold digger that probably deserved to be in a drug kingpin’s web. I don’t think that she was a character that anyone could relate to and really, wouldn’t care about because she’s a greedy woman that lays around all day.
The thing is, I love Timothy Dalton’s Bond. This is the better of his two pictures but sadly, we wouldn’t get anymore with him. Not because no one else liked him but because the James Bond franchise went into a state of limbo for six years, as the rights to the material were being battled over in court. By the time things were settled and GoldenEye was slated for a 1995 release date, Dalton decided to step away.
Licence to Kill is rarely on people’s lips when naming favorite Bond movies. But when someone else mentions it, it usually comes with a fist bump and a stoic, confident nod of admiration because I know that I just met someone with real taste.
Rating: 8.75/10 Pairs well with: The only other Timothy Dalton James Bond movie, The Living Daylights.