Comic Review: Star Trek/Planet of the Apes: The Primate Directive

Published: September 9th, 2015
Written by: David Tipton, Scott Tipton
Art by: Rachael Stott
Based on: Planet of the Apes by Pierre Boulle, Star Trek by Gene Roddenberry

IDW Publishing, BOOM! Studios, 133 Pages

Review:

I read this right after coming off of the crossover between Planet of the Apes and Green Lantern. While I did enjoy this, I didn’t have the same level of fun and excitement that I felt while reading the other tale.

Still, this pits two of my favorite franchises against one another and seeing Charlton Heston duke it out on the Enterprise with James T. Kirk is just absolutely f’n badass no matter what their reasoning.

I guess my biggest problem with this was how talkie it was. I get that it is a crossover with Star Trek of the ’60s and it wanted to emulate the spirit of that show but what works for one medium doesn’t always work for another. This should have been more action heavy and when comparing it to the Planet of the Apes and Green Lantern crossover, the action was minimal.

Still, this was a well crafted story, the plot made sense, even if most of these crossovers have the same sort of premise, which involves a portal being open for nefarious means to see two universes collide.

The story also features classic Klingons, which I liked but they didn’t even feel necessary to the story other being used for the setup and to have a reason for a starship battle at the end. I think it would’ve been more interesting to see Kirk and crew marooned on the ape planet, having to fight in a more primitive way like Charlton Heston did in the original film.

If you like both franchises though, this is a decent read.

Rating: 7/10
Pairs well with: Other similar crossovers: Planet of the Apes/Green LanternPlanet of the Apes/Kong, as well as Star Trek/Green Lantern I and II.

Comic Review: Planet of the Apes/Green Lantern

Published: November 8th, 2017
Written by: Justin Jordan, Robbie Thompson
Art by: Barnaby Bagenda, Emilio Lopez, Ethan Van Sciver (covers)
Based on: Planet of the Apes by Pierre Boulle; Green Lantern by John Broome, Gil Kane

BOOM! Studios, DC Comics, 157 Pages

Review:

I can’t believe that this came and went and I never saw it. I was at a different comic book shop than my normal one, though, and that’s where I discovered some of the single issues of this series. They didn’t have all of them for me to grab so I got the digital version of the collection because I didn’t want to wait to read it. I’m just a massive fan of both franchises and seeing that they have now crossed over got me really excited, as both universes just fit really well together. More Planet of the Apes crossovers, please!

The way that these universes collide was also really well orchestrated. If you remember the original Planet of the Apes movies, all five of them, once all is said and done, become a time loop. This is due to the ending of part 3 and the events of part 4. Because of this, the Apes version of Earth has been locked away from the rest of time/space. So, at some point, a Universal Ring was created as a sort of master ring over all of the Lantern rings from all of the different color/emotional spectrums. This ring was hidden away on the Apes Earth as it was locked off from the rest of the multiverse.

Anyway, Sinestro wants the ring for obvious reasons. Hal Jordan confronts him but soon finds himself waking up on Apes Earth at the head of the Statue of Liberty, reminiscent of the closing scene of the original movie. A group of other Lanterns tracks him down with help from the Guardians. Guy Gardner brings Grodd with for assistance (not a good plan) and the Red Lanterns follow the Green Lanterns, once they open a gateway to Ape Earth because Atrocitus also wants the Universal Ring.

The premise may sound a bit convoluted but it isn’t hard to follow in the book and I loved it. And hell, maybe it’s created a plot device with the Universal Ring that could pop up again down the road.

I also really liked the art in this book. BOOM! Studios is doing a really good job producing quality indie comics. Hell, this looks better than most modern Marvel series and is on par with the better DC titles.

Additionally, I love that Ethan Van Sciver came back to do a few of the covers for this series.

If you love Green Lantern, especially the Geoff Johns era and everything after, you will probably love this too. If you also love the Planet of the Apes, this will be a fun read for you. If you love both, prepare for a rollercoaster of awesomeness and possibly the need to change your underwear after this book reaches its climax.

Rating: 8.25/10
Pairs well with: Other similar crossovers: Planet of the Apes/Star TrekPlanet of the Apes/Kong, as well as Star Trek/Green Lantern I and II.

Film Review: Dawn of the Planet of the Apes (2014)

Release Date: June 26th, 2014 (Palace of Fine Arts premiere)
Directed by: Matt Reeves
Written by: Mark Bomback, Rick Jaffa, Amanda Silver
Based on: characters created by Rick Jaffa, Amanda Silver, Pierre Boulle
Music by: Michael Giacchino
Cast: Andy Serkis, Jason Clark, Gary Oldman, Keri Russell, Toby Kebbell, Kodi Smit-McPhee, Judy Greer, Kirk Acevedo, James Franco (cameo)

Chernin Entertainment, TSG Entertainment, 20th Century Fox, 130 Minutes

Review:

*written in 2014.

“I always think… ape better than human. I see now… how much like them we are.” – Caesar

I was a little late going to see this one in the theater but I’ve had a lot going on. Regardless, here I am a week late with my two cents on Dawn of the Planet of the Apes.

To start, I know that this is a pretty profound statement, but this may be the best Planet of the Apes film to date. There have been seven films before this one and a television series but this film really captures the essence and the whole point of the franchise better than anything else before it. Sure, Charlton Heston fighting apes is a bad ass scenario and the focal point of the original film, unarguably a classic, but this movie trumps it in character, in story, in action and in soul.

The first film in this reboot series was a breath of fresh air after the mediocre Tim Burton attempt at a reboot a decade earlier. Dawn takes that story even further and with the origin already established, is able to throw it all on the line and just get down to business. From the opening scene all the way to the epic end, this film is action filled and drama filled. Both are perfectly balanced and very well executed. The drama gives you more than enough to truly care and the action gives you more than enough to pump your fist to.

The acting is superb but the greatest performance comes from Andy Serkis who plays the lead ape, Caesar. Serkis deserves an Oscar for this and really most of his performances, most notably Gollum from the Lord of the Rings and Hobbit films. Unfortunately, the Academy doesn’t yet recognize the performances of actors who play digital characters. However, they aren’t just digital characters, they are created by using motion capture technology – digitizing the actors’ movements and facial expressions. When you see Caesar’s body language and facial expressions, you know that you are looking at a great performance that brings a level of realism and humanity to what would otherwise be a flat digital creation. Hopefully films like this get the Academy to introduce an award for these performances.

Back to the topic of the film itself, director Matt Reeves made his best film to date. That makes me incredibly excited for the upcoming sequel, which he is also directing. Jason Clarke, Keri Russell and Gary Oldman did a phenomenal job as the three main humans in the film. Toby Kebbell, who played the ape Koba, performed on a level very close to Andy Serkis. Koba and Caesar’s interactions were very real and compelling.

As far as special effects, Dawn of the Planet of the Apes relies heavily on CGI over more practical effects but it doesn’t overemphasize it more than it needs to. The effects are also fluid and fine tuned to the point that you get lost in the story and the action, as nothing feels out of place or so artificial that it is really noticeable.

As good as X-men: Days of Future Past was, this may be the best film of the summer and possibly the year.

Film Review: War for the Planet of the Apes (2017)

Release Date: July 10th, 2017 (SVA Theatre premiere)
Directed by: Matt Reeves
Written by: Mark Bomback, Matt Reeves
Based on: characters created by Rick Jaffa, Amanda Silver
Music by: Michael Giacchino
Cast: Andy Serkis, Woody Harrelson, Steve Zahn, Judy Greer, Toby Kebbell

Chernin Entertainment, 20th Century Fox, 140 Minutes

Review:

“I did not start this war. But I will finish it.” – Caesar

I’ll be honest, I’ve never disliked a Planet of the Apes movie. Yes, I even found enjoyment in the Tim Burton one with Mark Wahlberg from almost two decades ago. The current series of films has also been pretty spectacular. I wouldn’t expect this one to be any different, especially after reading the great reviews and seeing how excited the fans were after checking it out. I’m a bit late with this review, as I was in Las Vegas for work all of last week, but I made this a priority once getting back to my normal schedule.

War for the Planet of the Apes is absolutely incredible. Nowadays, I try not to build up expectations in my head, before seeing a film, due to countless times where I have been massively disappointed. Truthfully, this picture exceeds whatever I could have anticipated.

I wasn’t really sure what to expect from the plot. Based off of the marketing, it seemed like it would be more of the same from the previous film but realistically, this is its own story and differs greatly from any Apes picture before it. It isn’t just all out war between apes and man, it is a story of one ape’s quest for justice against a lone man who just happens to lead an army. In a lot of ways, this plays more like a gritty spaghetti western than any other film genre.

I’m glad that the trailer didn’t really give the gist of the story away and it focused on the big action sequences. Granted, that is what gets asses in seats for summer blockbusters. It is just refreshing to see a film come out and still have some surprises and tricks up its sleeve without the trailer spoiling the whole thing.

One of the film’s many great aspects that I was really impressed with was the score. It was a real throwback to a time when films had powerful music and distinct themes. Blockbusters today have pretty generic and canned music that just doesn’t resonate or capture the imagination like the big films of the 1970s and 1980s. For example, you can probably remember the theme for Superman or Batman from that era but I bet you can’t even think of what Iron Man or Captain America’s themes sound like. Hell, do they even have distinct themes? The score done by Michael Giacchino for this film is astounding and it really encapsulated the spaghetti western vibe of the picture while still maintaining a consistency with the scores of the previous two Apes films. It did stick out like a sore thumb at times but that is due to how unbelievably good it was. It carried an instantaneous realization of just how mundane modern film scores are, which is only to show how powerful, meaningful and magnificent this film’s music is.

Additionally, the cinematography is utterly breathtaking. The huge shots of landscapes and wilderness are majestic. The snowy forests create a totally different tone as the film progresses and it sets it apart visually, from the previous two chapters in this Apes series. The film is cold and bleak but there is always that glimmer of hope, as if spring is just around the corner.

The CGI effects are some of the best I have ever seen. Where just a few years ago, CGI characters still didn’t fully look real and it could be a bit of a distraction, you never question the authenticity of what your seeing on screen. In fact, the apes in this picture are at the forefront more so than the previous two movies that relied on a bigger human element to propel the story forward.

War for the Planet of the Apes is the perfect end to this series of three films. It truly creates a three act trilogy that is powerful, moving and the best overall iteration of the Planet of the Apes franchise. Sure, the original 1968 movie is a classic but its sequels never quite lived up to it. With this series, each film progressively gets better. Granted, the door is left open for more movies but a fourth one will most likely have a clean slate after the events of this chapter.

This film, more than any other, really adds more credibility to the argument that the Academy Awards need to start recognizing the acting performances of those playing digital characters. Andy Serkis never disappoints and from an acting standpoint, this film is the greatest thing he has ever done and this statement comes from a guy who adored his role as Gollum form The Lord of the Rings and The Hobbit movies.

War for the Planet of the Apes is the best film in the entire franchise. The original was damn good and still holds up incredibly well but this new picture is truly exceptional. The acting, the direction, the cinematography, the score, the plot: all of it is as close to perfect as you can get in a film with so many fast moving parts. It has more emotional weight than any of the eight Apes pictures before it and it embodies the entire spirit of the series.

At this point in the year, War for the Planet of the Apes may be 2017’s best motion picture. And honestly, 2017 is panning out to be a much better year for film than I had anticipated or hoped for.