Comic Review: Red Hood and the Outlaws, Vol. 4: Good Night Gotham

Published: November 6th, 2018
Written by: Scott Lobdell
Art by: Dexter Soy

DC Comics, 184 Pages

Review:

Good Night Gotham is a pivotal story arc in the Red Hood and the Outlaws series post-Rebirth. It is the story where Red Hood crosses a line and is kicked out of Gotham City by his former mentor and friend, Batman. The line he crossed was shooting Penguin in the face on live television.

Following this story, Red Hood went off on his own, once again, and the comic was then simply re-titled Red Hood: Outlaw.

What does kind of suck, is that I really enjoyed the trio that made up Red Hood’s Outlaws team. Along with Red Hood, you had Artemis and Bizarro, who throughout this title’s run, was actually a super genius. Well, a super genius with a catch, as he struggled to maintain his intelligence and feared reverting back to the lummox that he once was. Bizarro’s journey throughout this series has been great and we sadly see it come to an end for now, as Jason Todd a.k.a. the Red Hood, is forced to move on and his allies are stuck dealing with their own new problem.

This has consistently been one of my favorite DC Comics series that has come out in recent years. I’ve always loved Jason Todd and I feel like he was well represented in this book. This volume brings things to a new level of badass and Todd taps back into the hard edge that he’s been missing lately.

I love the art in this series but it’s the writing that has really yanked me in and kept me invested. In fact, I want to go back and read the three volumes before this one, once again, as it just hit all the right notes for me.

I also loved the story here between Red Hood and the Penguin and it was nice seeing the Penguin as a sinister presence, as opposed to the mostly lame side character he has been now for years. He feels like a true villain and a formidable foe, something that he hasn’t been for quite some time.

Good Night Gotham is high octane end of an era for the character of Red Hood, his team and also a good way to kick off the next phase of his life.

Rating: 7.75/10
Pairs well with: the other Red Hood and the Outlaws collections post-Rebirth. Also, the recent Bat-family titles: NightwingBatgirl and also the current runs on Suicide Squad and Deathstroke.

Comic Review: Dark Nights: Metal

Published: June 12th, 2018
Written by: Scott Snyder
Art by: Greg Capullo

DC Comics, 204 Pages

Review:

I didn’t read this as it came out. I also was much more frugal about how much I spent on comics at the time. I’m less frugal now, as I’m spending more time reviewing them. And to be honest, while this is $30 for the collected edition at my local comic shop, I found this on a brief Comixology sale for $5.99. So at that price, I figured I’d give it a go. If I ended up really liking it, I would’ve gone back to buy the single issues. But I didn’t really like it all that much. I’ll explain.

To start, I typically like Scott Snyder’s writing, especially in regards to anything with Batman in it. As far as Greg Capullo goes, he is one of my favorite artists of the last few decades. So seeing them reunite for this was definitely a selling point, even if what I knew about the project’s story didn’t peak my interest.

The biggest problem with Metal is the same problem with most mega events in comics, it is chock full of so many characters that the plot loses fluidity and the story seems to placate more to wedging in as many cameos as possible, as opposed to keeping the train on the rails.

This wasn’t a bad idea for a story but it should have been kept fairly simple. People just kept showing up on nearly every page, though, and it becomes distracting. New twists and turns are thrown in as often as characters and this just loses its focus. It also introduces a whole horde of villains, most of whom will just be one-offs in this story anyway. But this reads more like a sketchbook than a coherent story. What I mean by that, is that this feels like Capullo trying to fit in every cool design that he wasn’t able to wedge into Spawn throughout his run on the book in the ’90s.

Another thing I didn’t like was how wordy this was. While there are good action scenes, sometimes these characters felt like they weren’t surrounded by villains but instead, were surrounded by word balloons, trying to wedge their way into the panels and asphyxiate the characters. The word balloons were the real villains of the story. At least, that should be a twist whenever this gets a sequel.

I did like how the ending looked into the future as a way to tell you what stories would be coming out from DC Comics over the following year. But, at the same time, this was disappointing to some degree, as a main reason why I picked this up was to see the introduction of DC’s “New Age of Heroes”. I always see mentions that this is where they debuted but their appearance here is limited to one panel where we see into the future.

Anyway, this at least kept my attention over the six issues, even if they felt like twelve due to the dialogue and having so much detail to drink in. I wouldn’t say that this is a waste of time and I can see where this will be a lot of people’s cup of tea. It just wasn’t my cup of tea, really. But I also don’t regret reading it simply because I liked seeing Capullo have fun and get really creative with the art and character design.

Rating: 6/10
Pairs well with: Any other DC Comics mega event of the last decade or so.

Film Review: Batman Vs. Two-Face (2017)

Also known as: Batman and the Face of Crime (working title)
Release Date: October 8th, 2017 (New York Comic Con)
Directed by: Rick Morales
Written by: Michael Jelenic, James Tucker
Based on: Batman (the ’60s TV show) by William Dozier, Batman by Bob Kane, Bill Finger
Music by: Kristopher Carter, Michael McCuistion, Lolita Ritmanis
Cast: Adam West, Burt Ward, William Shatner, Julie Newmar, Lee Meriwether, Steven Weber, Thomas Lennon, Jeff Bergman, William Salyers, Wally Wingert

Warner Bros. Animation, DC Entertainment, Warner Bros., 72 Minutes

Review:

“I always knew you’d make an asp of yourself, Batboob.” – King Tut

I was really happy with the first film in this duology of animated features that have resurrected the Batman ’66 universe. So when I saw that there was a second film, that it introduced Two-Face and that William Shatner would be providing the voice, I was pretty stoked.

If you are a fan of the first film, Batman: Return of the Caped Crusaders, then this one shouldn’t disappoint. Plus, you don’t just get the addition of Two-Face, you also get Bat-villains Harley Quinn and Dr. Hugo Strange.

I love that the voice cast is comprised of the original actors. Sadly, Adam West passed away before this was released and that probably put the kibosh on a third film getting made, but this was a great final outing for him.

They also brought in Lee Meriwether, who was the original film version of Catwoman. She shares a few scenes here with the original TV Catowman, Julie Newmar. While Meriwhether doesn’t play her best known Batman character, there is a nice in-joke in the film where her character gets put into the cat suit and likes it.

One thing that is always fun about these modern versions of the Batman ’66 universe, whether in these films or the comics, is that they are able to dip really deep into the villain well and have a myriad of them in scenes together.

I was really excited to see Bookworm get his own sequence in the film, as he was my favorite villain created just for the classic television show. You also get King Tut, Egghead, the Clock King and a bunch of others.

William Shatner did a fine job as Harvey Dent a.k.a. Two-Face and I liked how they handled the character in this universe and I thought his big evil scheme was pretty good and entertaining, even though it wasn’t something wholly original.

These are just fun movies and much more family friendly than the other animated DC Comics features.

Rating: 7/10
Pairs well with: The film before this one: Batman: Return of the Caped Crusaders, as well as the 1960s Batman TV show and movie, the Batman ’66 comic and other DC Comics animated films of the last decade.

Film Review: Batman: Return of the Caped Crusaders (2016)

Also known as: Batman ’66 (informal title)
Release Date: October 6th, 2016 (New York Comic Con)
Directed by: Rick Morales
Written by: Michael Jelenic, James Tucker
Based on: Batman (the ’60s TV show) by William Dozier, Batman by Bob Kane, Bill Finger
Music by: Kristopher Carter, Michael McCuistion, Lolita Ritmanis
Cast: Adam West, Burt Ward, Julie Newmar, Steven Weber, Thomas Lennon, Jeff Bergman, William Salyers, Wally Wingert

Warner Bros. Animation, DC Entertainment, Warner Bros., 78 Minutes

Review:

“Quickly, Robin, to the crosswalk!” – Batman

It’s kind of cool to see the old ’60s Batman get some life again over the past couple years. There was the Batman ’66 comic series, I already reviewed all the collections, and then there were two of these animated features that were made just in time to use the voices of the original cast: Adam West, Burt Ward and Julie Newmar. Sadly, West recently passed away, so a third film in this series probably won’t happen.

But I’m here to talk about Return of the Caped Crusaders, which is the first of the two Batman ’66 movies. I’ll review its sequel at a later date.

I guess the thing that I liked best about this movie is that the tone and the humor were spot on. It really captured the spirit of the show and felt like it was written by people that cared about the source material.

I also liked that this could be much larger in scale than the show. It featured a dozen or so of the television series’ villains but had a larger focus on the big four from the series: Joker, Penguin, Riddler and Catwoman.

There is also a whole side plot where Batman turns evil and has to be saved from himself by Catwoman and Robin. If you remember the show, you probably remember the rivalry for Batman’s attention between these two characters. It just makes for some good, amusing moments.

This is a quick and action packed film like everything else DC Comics has been doing as animated features. But this one really stands out due to its style and how well it works without DC sticking to their regular animated formula.

Good, fun story and overall, a really awesome experience for fans of the old show.

Rating: 7/10
Pairs well with: The sequel to this film: Batman Vs. Two Face, as well as the 1960s Batman TV show and movie, the Batman ’66 comic and other DC Comics animated films of the last decade.

Comic Review: Batman/Teenage Mutant Ninja Turtles, Vol. 1

Published: July 25th, 2017
Written by: James Tynion IV
Art by: Freddie Williams II

IDW Publishing, DC Comics, 176 Pages

Review:

When this was first announced, I got pretty excited. But at the time, hunting down single issues of comics was hard for me, as my closest comic book shops are both 45 minutes in opposite directions. So I planned on waiting for it to be collected in a trade paperback format.

I mean, who doesn’t want to read a team up of Batman and the Teenage Mutant Ninja Turtles? On top of that, who doesn’t want to see Batman fight Shredder? Yeah, because that’s just about all I could think about when I first heard that this crossover was happening.

You get more than that though. You also get to see Shredder team up with Ra’s al Ghul and several Batman villains get exposed to mutagen and thus, turn into TMNT styled animal villains. The Penguin obviously becomes a penguin but my favorite was Mr. Freeze as a polar bear. You also get to see Casey Jones show up about midway through the story arc.

Overall, this was a lot of fun. I heard that the follow up wasn’t as good but I’ll read that once it’s complete. I think there are still issues coming out for that sequel run.

This comic is really just fan service done really well. It’s not an exceptional story but it doesn’t need to be. It just needs to take these two franchises and smash them together and let everyone loose.

One of the highlights for me was seeing Alfred interact with Michelangelo. That shit was comedy gold.

I can’t call this a great book but if you love both franchises this is certainly worth your ten or fifteen bucks.

Rating: 7.5/10
Pairs well with: Batman/Teenage Mutant Ninja Turtles, Vol. 2 and other recent TMNT crossovers.

Comic Review: Batman: The War of Jokes and Riddles

Published: December 19th, 2017
Written by: Tom King
Art by: Mikel Janin

DC Comics, 200 Pages

Review:

I haven’t been too keen on modern comics from the big publishers: Marvel and DC. I’m not wholly opposed to reading them, as there are a few titles I still like. However, modern writers seem to be trying to reinvent and alter things too much. Then there is the whole SJW movement in comics that are forcing change in a bizarre and unnecessary way, as oppose to creating new characters that can stand on their own.

The Batman Rebirth stuff doesn’t seem to be full of SJW meddling but it does make some drastic moves and alters the narrative in ways that don’t feel organic.

My biggest issue with this story, is that the Riddler, one of the main characters, is pretty much a murderous, blood thirsty psycho that carves question marks into his flesh and plays more of a mob boss with a penchant for green suits than the classic villain we all know and love. Also, he has sideburns, looks attractive and wears his dress shirts wide open like some sort of douchebag.

The Joker seems pretty much normal, even if he is drier and more bland than what one is used to. But his story starts with him not finding anything funny anymore. Sort of like the kid that takes his ball and goes home because the bigger kid keeps tackling him to the ground. The Joker has no energy here but I guess that’s the point of the story and how it plays out. Still, in no situation whatsoever, can my mind even imagine this sort of version of the character.

Then there is the relationship between Batman and Catwoman, which sees Batman turning a blind eye to Catwoman’s crimes as long as she grinds on his junk once in a while. Besides, she’s not a “sick” criminal. Regardless, Batman’s code seems to be thrown out the window as long as he gets to play “hide the churro” every few dozen pages or so.

And speaking of Batman’s code, he tries to kill the Riddler in cold blood, unprovoked in the moment, with a machete to the face. No, seriously. This is something that happens in this tale.

The problem with this story arc is maybe the same problem I have with modern comics. The writers and the creators either don’t have respect for the source material and want to put their own spin on things or they just don’t understand or know the source material. I’ve been reading Batman comics for over thirty years and this is the most un-Batman story I have ever come across.

The writer doesn’t understand these characters, tries to throw way too many into the story and then doesn’t even weave a good or engaging enough plot to give this any sort of point. The entire plot revolves around the Joker feeling gloom. The big reveal at the end shows that this was all an elaborate ploy by the Riddler to solve the biggest riddle of all: why won’t the Joker laugh.

I’ll tell you why the Joker won’t laugh. It’s because he’s lived for nearly eight decades and never has he been in a story as dull and as dumb as this one.

I really wanted to like this because it has been a long time since I’ve cared about Batman. Yes, I still read older stuff on a regular basis but the series has just been lost to me ever since the end of the Grant Morrison era.

On the positive side of things, the art is pretty damn good. I don’t like some of the new character designs but the book still looks nice.

Rating: 4/10
Pairs well with: Probably other Batman stuff in the Rebirth line but I doubt I’ll read anything else from this era.

Comic Review: Batman ’66, Vol. 5

Published: May 17th, 2016
Written by: Jeff Parker
Art by: Jonathan Case
Based on: Batman (’60s TV Series) by William Dozier, ABC

DC Comics, 184 Pages

Review:

This is it, the final collected volume in the Batman ’66 run of comics. It’s a sad, sad day. But, there are some crossover titles featuring Batman ’66 and other TV shows from that era, which I will have to read. But for now, let’s see if the final collection in the series was a worthy finale.

Well, one cool thing about this final volume, is that it introduces us to more classic Batman villains that weren’t originally a part of the Batman television show from the ’60s. In volume three we got Harley Quinn and in volume four we got Two-Face. Here we get even more: Solomon Grundy, Clayface, Poison Ivy, Bane, Scarecrow and Killer Croc.

The first story in this book is called The Short Halloween, which is a play on words of the famous story arc The Long Halloween. This tale is about two mean trick or treaters dressed as the Joker and the Penguin, who are going around robbing kids of their candy. A young boy and his little sister go out as Batman and Robin in an effort to stop the dastardly villains. It’s a very short but cute story where the real Caped Crusader and the Boy Wonder make an appearance at the end.

Following that story, we see the origin of the Batman ’66 version of Solomon Grundy, who is resurrected from beyond the grave by Hilda, the witch grandmother of Marsha Queen of Diamonds. After that is a third short story that takes Batman ’66 villain False Face and establishes him as Basil Karlo a.k.a. Clayface, who is a big time comic book villain that hadn’t yet appeared in any Batman ’66 related stories.

We then get a story revolving around Carolyn Jones’ Marsha Queen of Diamonds but Hilda isn’t there, probably because she had just been in the Grundy story. Then we get our second Harley Quinn tale in the Batman ’66 universe, which also has a one panel Cesar Romero Joker cameo. Then we get to see the Joker, the Frank Gorshin Riddler, the Burgess Meredith Penguin and the Eartha Kitt Catwoman team up and hold an advertising agency hostage in a story that just features Batgirl as the hero and parodies the television show Mad Men.

The next story is one of my favorite in the Batman ’66 franchise, it is the debut and origin story of Poison Ivy. The story started with the “murder” of Milton Berle’s Louie the Lilac, who you find out, is actually just in a catatonic state due to a poisonous plant concoction. Batman and Robin investigate and fall into the clutches of Ivy. The Ivy character is well written here and she is handled in a way that really fits the Batman ’66 style.

Next up, we are introduced to the Batman ’66 version of Bane, who is in league with the Riddler and comes to Gotham City as a lucha libre star. He crushes his opponents and believes that he breaks Batman’s back ala the classic Knightfall story arc. Bane returns to his home country as its ruler but Batman, Robin and Batgirl show up to change his plans.

We then get two shorter stories, each introducing us to two other classic villains yet to appear in the Batman ’66 franchise: Scarecrow and Killer Croc. Both are pretty straightforward and quick tales but it would have been cool to see them get more fleshed out had this series continued on.

Then we get a tale that features the first comic book appearance of Shelley Winters’ Ma Parker. Alongside her are a team of villains comprised of Killer Croc, Solomon Grundy and Killer Moth, in his only Batman ’66 appearance. The Julie Newmar Catwoman enters the story in the second half.

Lastly, we come to the grand finale of the entire Batman ’66 series with a story called Main Title. This awesome and incredible final issue is a recreation of the opening credits to the Batman show. So we get an actual narrative and see all (or most) of the Batman villains make a cameo as they try to overtake Batman and Robin. This whole fight takes place in a movie studio in a green screen room, explaining the green background in the classic show’s opening credits sequence. This was a pretty creative send off for this series and brought things full circle.

Initially, I thought that I wouldn’t like this volume in the series as much as the others because it had such a high emphasis on wedging in as many new villains as it could. However, every story was well crafted and served a purpose. This actually ended up being my favorite of the five volumes. As a fan of the 1960s Batman televison show, this was as perfect as a comic book can get featuring this particular pocket of the Batman universe.

Rating: 10/10
Pairs well with: The rest of the Batman ’66 comic collections.