Also known as: The Masses (working title)
Release Date: February 5th, 1936 (Rivoli Theatre, New York City premiere)
Directed by: Charlie Chaplin
Written by: Charlie Chaplin
Music by: Charlie Chaplin
Cast: Charlie Chaplin, Paulette Goddard, Henry Bergman, Tiny Sandford, Chester Conklin
United Artists, 87 Minutes
“[from the Telescreen in the restroom to the factory worker] Hey! Quit stalling, get back to work! Go on!” – President of the Electro Steel Corp.
I’m going to start this by saying that Modern Times is one of my two favorite Charlie Chaplin films. The other is City Lights and it’s hard to put one of these over the other. But this may have a bit of an edge, as I think the factory worker sequences are Chaplin’s best.
This film covers a lot of ground, narratively speaking, for something that’s less than 90 minutes. But in the time that this came out, it’s much longer than most of the Chaplin films before it.
It starts with the Tramp character working in a factory, as the film rolls on, we see him start to break down and eventually go a bit crazy. He’s institutionalized, gets cured and then hits the streets trying to rebuild his life. Along the way, he meets Paulette Goodard’s Ellen, a bit of a troublemaker but her shenanigans are because she’s trying to feed her hungry siblings.
A romance develops and the chemistry between Chaplin and Goddard is pretty natural but maybe we were seeing them actually fall in love, as the two were married for a few years after this picture.
Chaplin really does give one of his best performances here and the stunts were some of the most creative and impressive. While it seems to be going for more of a straight comedy route with the gags than trying to wow us with Chaplin’s resilient physicality, it doesn’t feel like that stuff is lacking. And his routines here are still impressive.
For instance, the balcony roller skating scene is more nerve wracking than physically impressive. But stuff like this isn’t less effective or more effective than Chaplin’s more physical slapstick. I guess that he proved that he didn’t need to beat himself up to still get audiences to love him. Plus, by 1936, that stuff may have been taking a real toll on his body.
Modern Times is a sweet movie that features one of the most beloved film characters of all-time. What’s not to love? This is one of Chaplin’s greatest films and for good reason.
Pairs well with: Chaplin’s greatest works: City Lights, The Great Dictator and A King In New York.