Release Date: December 15th, 2020 Directed by: Taylor Morden Written by: Zeke Kamm Cast: Lauren Lapkus (narrator), Kevin Smith, Doug Benson, Ron Funches, Adam Brody, Samm Levine, Paul Scheer, Brian Posehn, Jamie Kennedy, Ione Skye, Lloyd Kaufman, various
September Club, Popmotion Pictures, 1091 Pictures, 86 Minutes
I stumbled across this on Netflix and I was definitely interested in checking it out but it had Kevin Smith’s mug all over it and in the 2020s, that’s a big turnoff for me. That dude’s usually crying and drooling these days and it’s creepy and f’n weird. But luckily, he wasn’t a weeping, insufferable asshole in this and he’s also not in it too much. He’s just one of about a dozen celebrities who popped up to tell their personal stories about Blockbuster Video.
So this is a film about the last Blockbuster store in existence, which runs independently now, and it’s also about the history of video stores in the US from the original mom and pop shops to the mega chains like Blockbuster. In just under 90 minutes, this surprisingly covers a lot.
As I stated in the first paragraph, this also features about a dozen celebrities who talk about what Blockbuster meant to them and a few of them worked in one or simply spent a lot of time in the store.
Overall, this was a solid, fun and positive experience. You come to know the woman who runs the last store, her family, her employees and what the store means to its community and the community’s history.
You also see what it takes to run the store in an era where it’s not as easy to acquire DVDs and Blu-rays because we now live in an age of streaming. We also learn that to use the Blockbuster name, the store has to get permission, annually, from the large corporation that still holds the trademark on the brand.
I think the real highlight for me was hearing the stories from the dozen or so people that were interviewed. For those who visited the last Blockbuster, it was great seeing them overcome with joy, stepping into a legitimate time capsule.
Whether you were a big fan of Blockbuster or just video stores in general, this will definitely give you a hearty helping of warm nostalgia.
Rating: 7/10 Pairs well with: other recent documentaries about retro pop culture things.
Release Date: September 10th, 2011 (Toronto International Film Festival) Directed by: Morgan Spurlock Written by: Jeremy Chilnick, Morgan Spurlock, Joss Whedon Music by: Jeff Peters Cast: Joss Whedon, Guillermo del Toro, Kevin Smith, Stan Lee, Kenneth Branagh, Eli Roth, Seth Rogen, Thomas Jane, Seth Green, Edgar Wright, Corey Feldman, Paul Scheer, Todd McFarlane, Matt Groening, Frank Miller, Gerard Way, Grant Morrison, Paul Dini, Joe Quesada, various
Mutant Enemy, Thomas Tull Productions, Warrior Poets, 88 Minutes
“I think the fans are the most important thing in the comic book business. And I might add, in any form of entertainment. I feel… you gotta be nice to the fans because without them… you’re nothing.” – Stan Lee
Here we go, these nerdy fan documentaries are a dime a dozen but I guess this one got some recognition for being well produced and for featuring a slew of famous nerd-centric personalities.
I didn’t know that this was a Morgan Spurlock film until I was already watching it. Had I known that, I probably wouldn’t have watched it. Reason being, I think the guy’s a f’n hack and disingenuous. His most popular film Super Size Me was unwatchable to anyone that can see through a ruse, which it was. It wasn’t science, it wasn’t a real test to see how fast food effects you, it was one man’s entertaining mockumentary, sold as a legit documentary and damnation of the fast food industry. His documentary series on FX was also mostly a big bullshit endeavor where he went into everything with a bias then cherry picked info and edited everything down to the narrative he wanted. He’s the reason behind the modern alteration to an old phrase, “No shit, Spurlock!”
Anyway, this is exactly what you’d think it is. A bunch of famous nerdy types talk about their nerdy shit and their love for the San Diego Comic Con, which is barely about comic books at this point and isn’t anywhere near as cool as it once was. You missed the boat by a decade or so, Spurlock.
The only thing I really liked about this was seeing the behind the scenes stuff on cosplay. I don’t normally give a shit about cosplay but it was interesting to see, nonetheless.
As far as the interviewees, the only one that stuck with me was Stan Lee. Everything else was edited so choppy that the vast majority of comments could have been things out of context and then just thrown together for Spurlock to manufacture whatever narrative he was going for. Stan Lee’s bit was heartwarming though but that’s because he’s Stan Lee and he always has eloquent shit to say.
You’d probably be alright if you never watched this. It doesn’t do anything to inspire you to go to San Diego Comic Con. If anything, it told me to stay away because I like comics and don’t give a crap about massive celebrity panels or Joss Whedon publicly ranting about lefty hysteria.
Rating: 5/10 Pairs well with: any of the dozens of other documentaries about nerd conventions or nerdy hobbies, there are so many.
Also known as: Kingfisher (working title) Release Date: September 11th, 2018 (Internet) Directed by: Austin Vesely Written by: Austin Vesely Music by: Nathan Matthew David, Ludwig Göransson Cast: Chance Bennett, Zazie Beetz, Chris Parnell, Paul Scheer, Rae Gray, Joe Keery, Hannibal Buress
Frëhand, N2ition Cinema, A24, 83 Minutes
“Looks like I’m going on a wolf hunt tonight.” – Astrid
I was pretty hyped for this movie when I first saw a trailer for it. It looked low budget and cheesy but it also looked really creative and fun and I’m really liking Zazie Beetz after seeing her in Deadpool 2. Plus, this has Joe Keery in it and he’s my favorite person from Stranger Things.
But sadly, it was a big disappointment.
The film is a comedy horror story but if the comedy doesn’t work, you’ve got one big dud of a movie. Just nothing in this was all that funny and most attempts at trying to be funny where all pretty cringe worthy. It felt like a really stale CBS sitcom without the laugh track.
I mean, sure, it was bloodier than a CBS show with some decent slasher moments but this was poorly written grade school humor that was beneath the talents of most of the people in it. Paul Scheer can be great or he can be terrible but it’s based off of the material he’s given. And really, the same goes for Chris Parnell, whose scenes with the witches were like the worst shit that Saturday Night Live has pumped out in the modern era.
I really wanted to like this because on paper, this very much should have been my cup of tea. Instead, it was a luke warm cup of piss.
Some of the effects were good but it certainly doesn’t live up to the basic standard of what CGI should be in 2018.
Chance Bennett was really the high point of the film but by the time he takes the reins, in the second half, this cat turd was already dried up and ready to be scooped into a bag.
I guess I now know why this got a one night theater run on only a few screens.
If you have to see this, wait till it’s streaming free somewhere. I want my $5 back.
Rating: 4.25/10 Pairs well with:Summer of ’84, Blood Fest and Arizona.
Release Date: August 20th, 2010 Directed by: Alexandre Aja Written by: Pete Goldfinger, Josh Stolberg Based on:Piranha by John Sayles Music by: Michael Wandmacher Cast: Elisabeth Shue, Adam Scott, Jerry O’Connell, Ving Rhames, Jessica Szohr, Steven R. McQueen, Christopher Lloyd, Richard Dreyfuss, Kelly Brook, Riley Steele, Dina Meyer, Paul Scheer, Eli Roth, Ashlynn Brooke, Bonnie Morgan, Genevieve Alexandra, Gianna Michaels
The Weinstein Company, Atmosphere Entertainment, Chako Film Company, Intellectual Properties Worldwide, Dimension Films, 88 Minutes
“Kelly, trust us. It’s never cheating if it’s with another chick.” – Andrew
Well, this was pretty much exactly what I thought it would be: nothing more, nothing less.
There are killer fish, boobies (but not enough), gore (but it’s mostly CGI bullshit), bad science and insane characters. There’s also Elisabeth Shue and she’s a sheriff and well, I love a woman in uniform.
For the most part, this was just a hair above being boring and mundane. The story is weak and it completely misses the social commentary that was worked into the script of the original Joe Dante Piranha movie from 1978.
Okay, I guess there is some commentary here but it is mostly just about how party people are dopey meat heads, figuratively and literally, as they become fish food.
The overabundance of CGI in this film is disappointing. The original worked so well in its use of practical effects. All you need in these sort of films is some bubbly water, a person screaming and fake blood being released all around them. It’s pretty easy to create. But Alexandre Aja, a director I’ve never been a fan of anyway, would rather have people flail around and scream in the water and then just plug in some computerized fish in post-production with effects that reveal how limited the film’s budget really is.
The highlight for me was that the film had cameos by Christopher Lloyd and Richard Dreyfuss but both of their contributions were minimal and didn’t enhance the movie very much.
This just had a terrible script and frankly, a film like this isn’t hard to write. You don’t have to come up with Oscar caliber dialogue or write in a bunch of character development for people that will just get eaten but you should come up with a solid string of action sequences or chaos that keep this film afloat.
Honestly, after about 30 minutes for setup, the remaining two-thirds of the film should have been insanity mixed with gore and boobs. And good gore, not just CGI fish burping up a CGI penis for cheap laughs that didn’t even get laughs. All we got with this film was ten minutes of Spring Break chaos and then a lame sequence of the teen hero trying to save his annoying girlfriend from a sinking yacht.
Making a Piranha movie shouldn’t be rocket science, especially in the 2010s. And the problem is, this wasn’t a bad movie but it also wasn’t a good one. It’s in that sort of limbo that I hate where I can’t praise the film and I can’t enjoy trashing it.
I’ll probably check out the sequel though because I heard its worse and in the case of this emotionless and creative dud, worse would be better.
Rating: 5/10 Pairs well with: Any of the Piranha movies: original series, remakes, sequels, etc. However, nothing tops the greatness of the original Joe Dante film.
Release Date: March 12th, 2017 (SXSW) Directed by: James Franco Written by: Scott Neustadter, Michael H. Weber Based on:The Disaster Artist: My Life Inside The Room, the Greatest Bad Film Ever Made by Greg Sestero, Tom Bissell Music by: Dave Porter Cast: James Franco, Dave Franco, Seth Rogen, Alison Brie, Ari Graynor, Josh Hutcherson, Jacki Weaver, Zac Efron, Hannibal Buress, Sharon Stone, Melanie Griffith, Paul Scheer, Jason Mantzoukas, Megan Mullally, Christopher Mintz-Plasse, Bob Odenkirk, Bryan Cranston, Judd Apatow, Zach Braff, J. J. Abrams, Lizzy Caplan, Kristen Bell, Keegan-Michael Key, Adam Scott, Danny McBride, Kate Upton, Kevin Smith, Ike Barinholtz, Randall Park
New Line Cinema, RatPac-Dune Entertainment, Good Universe, Point Grey Pictures, Rabbit Bandini Productions, Ramona Films, A24, 103 Minutes
“No, no! Very necessary. I need to show my ass to sell this picture.” – Tommy Wiseau
This was one of the most anticipated film sf 2017. It wasn’t just anticipated by me, though. Anyone who had seen Tommy Wiseau’s 2003 cult classic The Room was probably in line on opening night. Plus, it was directed by and stars James Franco, a guy with a deep personal connection to Wiseau who probably still doesn’t get enough credit for his talents.
The film also stars little brother, Dave Franco, as Greg Sestero, Tommy’s best friend and the author of the book this is based on, also titled The Disaster Artist. The book is a pretty exceptional look into The Room and into Wiseau’s life and if you haven’t read it yet, you should. Because even though I did like this film, the book has so much more that Franco couldn’t fit into a two hour movie.
In fact, there are a lot of things in the book that I wish had made it into the movie but I understand why time wouldn’t permit it. I really would have liked to have seen Sestero’s experience working on a Puppet Master film or all the stuff in the book surrounding The Talented Mr. Ripley and how Mark in The Room was named after Matt Damon but Wiseau mistakenly called him “Mark”. But the fact that we got the James Dean bits, was pretty cool.
Both Franco brothers did a great job of bringing Wiseau and Sestero to life. While James will get most of the acting props in this film for his portrayal of Wiseau and how he mastered his accent and mannerisms, I want to be the one person to actually put the focus on Dave. You see, Dave was the actual glue that held this picture together and made it work. He is the real eyes and ears of the audience and we really take this journey with him, as we did in the book. Dave Franco put in a better performance here than he has in his entire acting career. That isn’t a knock against his other work, it’s just great to see him evolve as an actor and display that he has the skills his older brother does. Hopefully, this leads to bigger and better things for the younger Franco and I assume it will.
This film is littered with a ton of celebrity cameos. Bryan Cranston even plays himself back when he was still working on Malcolm In the Middle, before his big breakout on Breaking Bad. The one cameo I loved and had actually hoped to see more of, as the character was more prominent in the book, was Sharon Stone’s portrayal of Iris Burton, Sestero’s agent. I also loved Megan Mullally as Sestero’s mother but who doesn’t love Mullally in everything?
You also get a lot of other celeb cameos, as they introduce the movie. Having known about it and having read the book, I didn’t need the intro but it serves to educate people going into this film blindly and it was still nice hearing some famous people talk about their love of The Room and its significance.
The Disaster Artist serves the story of the book well and the film was a delight. It didn’t surprise me in any way and it was pretty much exactly the film I anticipated. That’s neither good or bad, as Hollywood biopics are usually very straightforward.
Even though there weren’t surprises in the film, this is a fantastic story, that at its core, is about a man not giving up on his dream and forging his own path against those that held him back and told him “no”. The real story behind it all, is that Wiseau’s tale is an underdog tale and it’s a true story, not a Hollywood fabrication. Wiseau did something incredible and although the reception he got might not have been what he initially wanted, he did rise above all the adversity and became a star in an arena where he wasn’t welcome.
The lasting power of The Room isn’t just about how incredibly bad it is, it is that once people know its story, it is hard not to feel an intimate connection to Tommy Wiseau, a guy that should serve as an inspiration in spite of his bizarre personality and tactics.