Film Review: Ant-Man and the Wasp (2018)

Also known as: Ant-Man 2 (alternate title), Cherry Blue (fake working title)
Release Date: June 25th, 2018 (El Capitan Theatre premiere)
Directed by: Peyton Reed
Written by: Chris McKenna, Erik Sommers, Paul Rudd, Andrew Barrer, Gabriel Ferrari
Based on: Ant-Man by Stan Lee, Larry Lieber, Jack Kirby; Wasp by Stan Lee, Ernie Hart, Jack Kirby
Music by: Christophe Beck
Cast: Paul Rudd, Evangeline Lilly, Michael Peña, Walton Goggins, Bobby Cannavale, Tip “T.I.” Harris, Judy Greer, David Dastmalchian, Michael Douglas, Hannah John-Kamen, Abby Ryder Fortson, Randall Park, Michelle Pfeiffer, Laurence Fishburne

Marvel Studios, Walt Disney Studios, 118 Minutes

Review:

“I do some dumb things, and the people I love the most – they pay the price.” – Scott Lang

It feels like Infinity War just happened but we’ve already got another Marvel movie within the MCU continuity. But then, I felt like Infinity War was way too close to Black Panther.

I wasn’t a massive fan of the first Ant-Man. I did like it quite a bit but it wasn’t really in the upper echelon of my mental ranking of Marvel movies. This one isn’t either but I did enjoy the hell out of it and I loved the humor and the overall tone, after coming off of such a somber ending in Infinity War.

First and foremost, this has Walton Goggins in it, who is a guy I will watch in anything. Goggins is a f’n master whether he’s doing drama, comedy or just needs to play some sort of eccentric badass. He’s a little bit of all those things in this movie but sadly, he just isn’t in it enough. But that’s okay, he survives to return at a later date and this movie’s story had to wedge a lot in.

That being said, the writers did a good job covering a lot of bases while still having the movie’s pace and multiple threads flow smoothly.

There are a few things I didn’t like about the film but they weren’t big enough to ruin it.

I thought that the lab was ridiculous. The fact that they can shrink it down to the size of a box and then run around with it and nothing inside of the structure gets damaged or destroyed, is pretty fucking dumb. Has anyone that worked on this picture ever seen a Godzilla film? What happens when giants come into contact with buildings? Them shits crumble! Could Godzilla run around with a building under his arm or yank it away from King Kong or toss it to Anguirus? No, that shit would get torn to bits like a gingerbread house at an elementary school Christmas party.

And then the whole thing where they hide the lab building in plain sight throughout the city is also pretty stupid. I’m sorry but if I drive a specific route to work everyday, I’m going to notice that there’s some ten story building that just popped up out of nowhere.

Alright, the Incredible Shrinking Lab is really my biggest gripe but I just rolled my eyes, exhaled heavily and got over it so I wouldn’t be fixated on it to the point that it ruined the whole movie.

I liked the Ghost character. I thought her backstory was good, even if it was a bit generic. It did give me a bit of the feels though. She wasn’t a cookie cutter villain and offered up something really cool for the heroes to play off of. It’s nice seeing heroes in an MCU film not fight a villain that’s just an evil version of themselves with the same power set. This was really refreshing and it allowed for more creative confrontations. Plus, her suit was fucking cool and I really liked Hannah John-Kamen in the role. I hope she goes on to have a bigger footprint in the larger MCU. And really, she deserves a redemption story after the events of this film. Good job, Marvel! Usually your villains are shit. But the villain front has been looking better lately between Ghost, Killmonger, Thanos and Walton f’n Goggins.

Paul Rudd was Paul Rudd, Evangeline Lilly was a goddess and Michael Douglas was a badass MFer per usual. l loved Pfeiffer as Janet van Dyne and I can’t wait to see more of her. The rest of the returning cast was fun too. I’ve always liked Judy Greer and I have a new level of respect for Bobby Cannavale after seeing how incredible he was last year in the third season of Mr. Robot.

The scene where Michael Peña is telling a story and his voice is dubbed over the other actors is hysterical, by the way. I haven’t laughed out loud at something in a Marvel movie like I did during this scene probably ever.

Ant-Man and the Wasp isn’t Marvel at its best but it’s a much needed breath of fresh air after feeling the weight of the universe come down on you following Infinity War. This gave the MCU audience a lighthearted break from the doom and gloom of Thanos’ major victory.

Rating: 8/10
Pairs well with: Everything else in the MCU but it should be pointed out that this film happens alongside Avengers: Infinity War.

Film Review: Halloween 6: The Curse of Michael Myers – The Producer’s Cut (1995)

Release Date: September 29th, 1995
Directed by: Joe Chappelle
Written by: Daniel Farrands
Based on: characters by John Carpenter, Debra Hill
Music by: Alan Howarth, Paul Rabjohns
Cast: Donald Pleasence, Paul Rudd, Marianne Hagan, Mitch Ryan

Miramax Films, Nightfall Productions, Trancas International, Dimension Films, 88 Minutes (theatrical), 95 Minutes (Producer’s Cut)

Review:

“I’ve wanted to believe it. But I’ve felt Michael’s presence, behind these walls, just like all those years ago. Plotting, staring, Staring. Waiting for some signal. I can’t go through this again, not alone. Please, as my colleague, as my friend. Help me.” – Dr. Loomis

For those that don’t know, there are two different versions of the film Halloween 6: The Curse of Michael Myers. There was the theatrical cut and then there was a producer’s cut, which was lost and never to be released.

In the late 90s, The Producer’s Cut started to circulate at horror conventions on a crappy bootleg VHS tape. The quality was generally poor on every copy in circulation but the fans who did get to see it, considered it a far superior version of the film.

Recently, it was released commercially as an added bonus to the Halloween Blu-ray box set. After demand increased and people didn’t want to have to buy all the movies again, just to access The Producer’s Cut, it was released on its own. I was able to rent it on Amazon.

So is it truly “a masterpiece” as some have said?

No, not really. It is an enjoyable slasher flick if you are a fan of the genre and especially if you like Michael Myers. The problem with it, is that the gist of the plot that made up the theatrical version is still intact. In fact, this version expands on it further. What I’m specifically referring to is all the stuff surrounding Michael’s origin and the cult that commands him.

Yes, apparently Michael Myers has been controlled by a cult all this time. I’m not really sure how it all works and the film attempted to explain some things but it did a poor job of it.

What makes these films work is the mystery of who Michael Myers is. We know he killed his sister when he was 6 years-old and we know he shows up on Halloween to murder his family members but we didn’t need an over bloated explanation. Knowing how the trick works destroys the magic.

I thought that the approach and story they wanted to tell was ambitious and maybe it could have actually added something good to the mythos. The execution was just bad in either version of the film. Yes, I love the Halloween mythos and you have to try and offer up something new with each picture. I’m not against the cult idea, I just don’t like how it panned out.

It was interesting to see a very young Paul Rudd in this film, his debut, but with the stardom he has now reached, he becomes more of a distraction in this tale. But at least you get to see Ant-Man versus Michael Myers – a dream match no one asked for.

The ending in both versions of the film are different. They are also both pretty bad. At least the theatrical film ended with some action, where The Producer’s Cut ended with (*spoiler alert*) Paul Rudd dressing up like a warlock and putting runes on the floor, which basically just turned Michael Myers off – allowing the good guys to escape. I thought Michael Myers was really just Rain Man and he was counting runes like Dustin Hoffman counted toothpicks.

Additionally, The Producer’s Cut has less gore than the theatrical version. I don’t really care about that either way but the studio wanted an overabundance of violence and that was added to the film after re-shoots. Also, the character of Jamie Lloyd lived longer and had more of a story in The Producer’s Cut.

It was cool to finally see this version of the film but it wasn’t the over-hyped magnificent Michael Myers magnum opus that horror snobs who saw it, bragged about. I was left disappointed by what I was anticipating but pretty satisfied with what the film was overall. And, at least, it is better than any Halloween film that came after it, except for H2O, which is better than I remembered but I’ll review that one next.

Film Review: Ant-Man (2015)

Release Date: June 29th, 2015 (Dolby Theatre premiere)
Directed by: Peyton Reed
Written by: Edgar Wright, Joe Cornish, Adam McKay, Paul Rudd
Based on: Ant-Man by Stan Lee, Larry Lieber, Jack Kirby
Music by: Christophe Beck
Cast: Paul Rudd, Evangeline Lilly, Corey Stoll, Bobby Cannavale, Michael Peña, Tip “T.I.” Harris, Anthony Mackie, Wood Harris, Judy Greer, David Dastmalchian, Michael Douglas

Marvel Studios, Walt Disney Studios, 117 Minutes

Review:

*Originally written in 2015.

Ant-Man is the next film in a long line of Marvel films that are a part of the Avengers universe. Ant-Man being one of the original Avengers means that this film is long overdue. In fact, I had hoped that it would have happened in Phase One of the Avengers film line and not as the last film in the Phase Two set of movies. Regardless, it is nice to finally have Hank Pym in the Avengers fray. Oh wait, I mean Scott Lang.

Yes, Scott Lang (played by Paul Rudd) is the hero here even though Hank Pym (played by Michael Douglas) is in the film. Pym however, is Lang’s mentor and the original Ant-Man, who we knew nothing about until now. Janet van Dyne, the original Wasp, is also shown in costume via flashbacks. There is kind of a nice set up, in the film’s intro, that shows us a very young Michael Douglas (thanks to CGI) bantering with Howard Stark and Agent Peggy Carter in 1989.

Scott Lang is one of the more unique characters to be on the Avengers roster, even though he hasn’t achieved that status yet, in this film. He is a thief turned hero – on a quest for redemption in order to have a normal relationship with his young daughter. The Scott Lang character kind of takes the best parts of Hawkeye’s character in Avengers: Age of Ultron and magnifies them much more. You care about Scott, his daughter and their relationship probably more intimately than the relationship of any other characters in the Marvel movie mythos except for Steve Rogers and Peggy Carter.

Paul Rudd and Michael Douglas do a superb job in bringing life to this long overdue Marvel character. Evangeline Lilly is also great, as the daughter of Pym and the Wasp. Corey Stoll was okay as the villain who eventually becomes Yellowjacket. Although, Yellowjacket isn’t a villain in the comics, he is just another alias of Hank Pym.

Yellowjacket being the villain just seems half-assed. He is essentially the same thing as Ant-Man except he can fly and shoot lasers. Ant-Man has the advantage in that he can summon armies of ants. I’m sorry, but an army of ants against a tiny guy with lasers isn’t going to bode well for the tiny guy with lasers. What could one guy with a laser gun do against an army of ravenous orcs? This also goes back to a recent comment George R.R. Martin made about how Marvel too often pits its heroes against villains with the same set of powers and it isn’t as interesting as heroes matching up with something that is a contrast to their abilities. I couldn’t agree with Martin more.

Despite the villain issue, this film is better than that mess Avengers: Age of Ultron. When I stated in my review of that film that the solo Marvel films are better due to story, character development and not being forced to fit too much into one movie, Ant-Man just solidified that point for me even more. It is more fluid, more organic and tells a human story, unlike those massive CGI-littered Joss Whedon action fests.

To be honest, Ant-Man is one of the best Marvel films to date. It is better than both Avengers, both Thor films, the first Captain America, the second and third Iron Man, that one Hulk film with the other actor and whatever else there is except for Guardians of the Galaxy, Captain America: Winter Soldier and the first Iron Man film.

It isn’t a picture without flaws though. At times, it got a bit too hokey. The humor was great for the most part and I loved the comedic characters, especially Lang’s crew played by Michael Peña, T.I. and David Dastmalchian (the one with the Russian accent), who you might remember as the Joker’s henchman that Harvey Dent abducted in The Dark Knight.

The film felt rushed at times and the editing was a bit shaky. Like other Marvel films, things feel like they got left on the cutting room floor. Where some characters felt well developed, others were lacking. Corey Stoll’s role just seemed disjointed at times, as his motivations were never all that clear and his slip into insanity just kind of happened. It just didn’t feel like an organic metamorphosis.

Additionally, the sound editing was problematic. When Lang is taking direction from Pym in his helmet, it sounds like voice over work and doesn’t sound natural. Other Marvel films have had similar problems. Also, when Lang is ant-sized, in some scenes he can’t be heard by normal-sized characters but in others he can. I’m not sure if this was explained and I missed it or if it is just some Marvel-sized plot hole.

Judy Greer is also in this film, which makes me wonder how many more summer blockbusters will she cameo in? And using her for a minor role was a waste of her talent, unless they have plans for her later on. I feel like she could have been used for a bigger Marvel role than the 14th Avenger’s baby mama.

I liked this film. Be sure to wait for the mid-credits scene and then for the post-credits scene. We get two special bonuses with this film. Granted, they don’t necessarily lead to anything profound but they put in motion the next steps in the Ant-Man branch of the Avengers franchise family tree.

Film Review: Captain America: Civil War (2016)

Release Date: April 12th, 2016 (Dolby Theatre premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: Captain America by Joe Simon, Jack Kirby
Music by: Henry Jackman
Cast: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, Daniel Brühl

Marvel Studios, Walt Disney Studios, 147 Minutes

captain_america_civil_warReview:

The last time a bunch of Avengers got together on the big screen, the result was pretty lackluster. Actually, I could say it was pretty shitty. So, was Captain America: Civil War any better?

Well, it is based off of one of Marvel’s biggest events in the comic books over the last few years. It sees things come to a breaking point and it pits two groups of heroes against one another: one team led by Captain America and the other led by Iron Man. I was pretty happy with the comic series, so I had a bit of hope that the cinematic interpretation of that plot would generate a worthwhile film.

The biggest criticism I have, is the same criticism I’ve had with the Avengers films, there are too many people and they aren’t handled well in an ensemble. Sure, we get little bits of character development in some areas but ultimately, some of these characters, who don’t have their own solo films, would benefit more if they were to have their own two hour outing. I mean, hasn’t Scarlett Johansson earned a Black Widow movie yet? Or just put her with Hawkeye and two of the original Avengers can actually have some room to breathe on their own. Black Panther is getting his own movie but I doubt the Scarlet Witch is because she doesn’t have a penis.

Another criticism, is the gigantic fonts every time the film had to announce what location they were in. It was overwhelming on the big screen. Glad I didn’t see this in 3D because I would’ve been punching the air. I get that each Marvel film is different, and that’s good, but it made the visual style feel noticeably inconsistent with the other movies.

One thing I hate in films, these days, are action sequences where the camera cuts to a new shot for every punch, kick, throw, jump or any stunt, really. Mix that in with the shaky camera effect during the action and it is hard to tell what the hell is going on. It just looks like someone edited together a bunch of one second clips from high school lunchroom fights on YouTube. It also takes away from the stunts themselves and doesn’t really show the hard work of one of the most thankless jobs in Hollywood. As I mentioned style inconsistency before, this also fits into that, as the earlier Marvel films were more crisp and fluid and didn’t try to come off as some uber realistic gritty street fight.

This really wasn’t a Captain America film, it was an Avengers film. I will say that it was the best of the Avengers flicks but it was the worst of the Captain America ones.

The movie was too damn long, a lot of unnecessary shit was drawn out. I’d rather the film focus on building the newer characters than having half of the pointless shit that I had to sit through. It could’ve been an hour less and it wouldn’t have made much of a difference, other than improving the picture.

Another major problem with this film, which plagues everything that Marvel does on the film front, is it wasted its villains and it made them generic and not memorable at all.

When I first heard that Baron Zemo was in this film, I was excited. He’s been one of my favorite Marvel villains for years. He’s cool as hell and he got even more awesome when he started leading the Thunderbolts team. He had a great mask, a great style and was just a fantastic bad guy. In this movie, he’s some Colonel from that country the Avengers destroyed in the last movie and he just wears normal clothes. No cool mask, no endless supply of money, no cool pistol, nothing interesting or cool whatsoever. He looked like my friend French Kevin’s dad. Anyone could’ve played Zemo and just showed up to work in flip flops and a wife beater and Marvel would’ve just been like, “Looks great! This guy is seriously a credible threat!”

Crossbones showed up to. Well, he was in the previous Captain America film. In this movie, he has a cool outfit and looks Crossbones-esque. But then he gets beat up and blows himself up. So, one of Captain America’s best villains, is wasted in ten minutes. Kind of like how they did Baron Von Strucker in the last Avengers movie.

Marvel can’t do villains. If they actually treated them like they did their heroes, they could be great. But what we get, is awesome heroes fighting French Kevin’s dad in every movie. And Thanos is still coming, right? Because we haven’t seen him in a while. Or are the Avengers just going to fight an angry P.T.A. that has taken over an elementary cafeteria in the next movie?

I will say that Black Panther was cool but I’m not totally sold, Winter Soldier was great but he always is and Spider-Man was refreshing. Granted, I can’t judge Spidey until I see his own film but Tom Holland seems like a great casting choice. The kid just feels right.

In the end, this certainly did not live up to the hype. It was nowhere as iconic as the Civil War that happened in the comic books. It didn’t feel nearly as important as that. Although, Tony Stark did embrace the fascist dickbag persona, at least for awhile, as Disney was too cowardly to just make him the villain of the story, outright. And their cowardice was also apparent when there were no real prices to pay at the end of this thing. No one died. I’m not saying that is necessary but the weight of the collateral damage and human wreckage in the comic books, is really what made Civil War so impactful.

I’m just glad that Tony Stark got his ass kicked in by Captain America. Freedom. Mother. Fucker.