Also known as: Truth or Dare (working title) Release Date: January 1st, 2013 (Russia) Directed by: Steven Brill, Peter Farrelly, Will Graham, Steve Carr, Griffin Dunne, James Duffy, Jonathan van Tulleken, Elizabeth Banks, Patrik Forsberg, Brett Ratner, Rusty Cundieff, James Gunn, Bob Odenkirk, Steve Baker, Damon Escott Written by: Steve Baker, Ricky Blitt, Will Carlough, Tobias Carlson, Jacob Fleisher, Patrik Forsberg, Will Graham, James Gunn, Claes Kjellstrom, Jack Kukoda, Bob Odenkirk, Bill O’Malley, Matthew Alec Portenoy, Greg Pritikin, Rocky Russo, Olle Sarri, Elizabeth Wright Shapiro, Jeremy Sosenko, Jonathan van Tulleken, Jonas Wittenmark Music by: Christophe Beck, David J. Hodge, Leo Birenberg, Tyler Bates, Miles Moon, William Goodrum Cast: Elizabeth Banks, Kristen Bell, Halle Berry, Leslie Bibb, Kate Bosworth, Gerard Butler, Josh Duhamel, Anna Faris, Richard Gere, Terrence Howard, Hugh Jackman, Johnny Knoxville, Justin Long, Christopher Mintz-Plasse, Chloë Grace Moretz, Liev Schreiber, Emma Stone, Jason Sudekis, Uma Thurman, Naomi Watts, Kate Winslet, Dennis Quaid, Greg Kinnear, Common, Charlie Saxton, Will Sasso, Seth MacFarlane, Mark L. Young, Fisher Stevens, Beth Littleford, Julie Ann Emery, Chris Pratt, J.B. Smoove, Kieran Culkin, Bobby Cannavale, Patrick Warburton, Seann William Scott, Stephen Merchant, Snooki, Emily Alyn Lind, Julianne Moore (scene cut), Tony Shalhoub (scene cut), Bob Odenkirk (scene cut), Anton Yelchin (scene cut)
“Excuse me, I’m gonna go do some Batman-ing.” – Fake Batman
I never wanted to see this movie and that was before I heard how bad it was when it came out. Also, the few people who seemed to like it were people that have historically had terrible recommendations in not just movies but just about everything in life.
Recently, I was told to watch it and I kind of just said fuck it because part of me was curious and wanted to know if this was as bad as I had heard it was.
In fact, I can confidently say that this is the biggest waste of talent I have ever seen in a motion picture.
It’s so bad that it’s beyond atrocious. So much so, that I find it not just baffling that this film attracted so many big stars but I find it really unnerving.
Who greenlit this fucking thing? And how many terrible agents are there in Hollywood? Fire all of them!
Anyway, I had to start asking myself some questions while trying to work this film’s existence out in my brain:
Is everyone in Hollywood actually insane?
Do the Hollywood elite want all of us to commit seppuku?
Do the Hollywood elite think that sucking their own assholes is a good use of time?
Did this movie somehow leak over from a parallel dimension where Earth actually is Hell?
Did all of these “artists” commit some unspeakable crime and this was secretly some sort of punishment for said crime?
Did all of these people lose a bet?
Was this movie actually the result of a writing contest for mental patients?
Is this what people mean by “anti-humor”?
Did the person who put up the money have some sort of Brewster’s Millions deal where they had to throw away money to get their full inheritance?
Was this produced to debut on an earlier, failed attempt at CBS trying a streaming service?
I mean, those are all legitimate questions. In fact, I’d say that they’re more legitimate than this film.
This is the worst movie I’ve seen that was made for less than thirty dollars.
The film was full of crude jokes, none of which landed, and it offered up a bunch of gross out moments that just come across as Hollywood trying so hard to be edgy when in reality, they haven’t had their fucking balls in a long time.
Honestly, seeing how “politically correct” and “apologetic” the Hollywood elite have become since SJWs emerged and Cancel Culture took hold, this film feels like them desperately trying to get all the edgy shit out of their system before they all started their “I’m sorry, I’ll strive to do better” world tour.
Additionally, none of these gross out moments are all that effective if you’ve been a fan of ’70s and ’80s horror. Go watch Society and try again. Better yet, you shouldn’t have tried at all.
I think that film critic Robbie Collin said it best in his review of the movie:
“I was immediately overcome with a sudden rush of emotion: not amusement, anger or even mild irritation, but a profound and faintly tragic sense of pity.”
Speaking of reviews, let’s look at what all the big sites think. IMDb gives it a 4.3/10, Rotten Tomatoes gives it 5 percent from critics with 24 percent from the audience, Metacritic gives it an 18 percent and Richard Roeper referred to it as “the Citizen Kane of awful.”
In closing, I’ll simply state:
Rating: 0/10 Pairs well with: bad cavities and genital warts.
Release Date: October 2nd, 2017 (London premiere) Directed by: Lisa Downs Written by: Lisa Downs Music by: Toby Dunham Cast: Sam J. Jones, Melody Anderson, Brian Blessed, Topol, Peter Wyngarde, Richard O’Brien, Deep Roy, Brian May, Peter Duncan, Howard Blake, Barry Bostwick, Martha De Laurentiis, Richard Donner, Lou Ferrigno, Rich Fulcher, Sean Gunn, Jon Heder, Stan Lee, Ross Marquand, Josh McDermitt, Jason Mewes, Mark Millar, Robert Rodriguez, Michael Rooker, Alex Ross, Patrick Warburton, various
Strict Machine, Spare Change Films, 94 Minutes
This documentary has been in my queue for a bit but I wanted to revisit Flash Gordon first before checking this out. Luckily, I recently found my DVD of the original film and was able to watch it and review it a week or so ago.
Now that the 1980 film was fresh in my mind again, as I hadn’t seen it in years, I felt like I could go into this with more familiarity, context and creative reference.
Overall, this was pretty good and it was intriguing listening to Sam J. Jones’ story about how his career sort of fizzled out and the reasons behind that. Luckily, this is a Hollywood story with a positive outcome, as the guy is now doing well and on the right track, personally and career-wise.
This spends a lot of time talking about Jones but it also delves into the film’s production, history and features interviews with many of the people who were involved in it. I especially liked seeing Brian Blessed in this, as I’ve always loved that guy.
Life After Flash also explores the fandom a bit, as it interviews super fans and collectors but also allows them to show off their cool shit and talk about their love for the film.
I dug this documentary quite a bit, as I feel like the 1980 Flash Gordon doesn’t get enough love and has sort of been forgotten by modern audiences.
Rating: 7/10 Pairs well with: other recent documentaries about filmmaking and specific fandoms.
Original Run: September 10th, 2017 – current Created by: Seth MacFarlane Directed by: Seth MacFarlane, various Written by: Seth MacFarlane, various Music by: Bruce Broughton, Joel McNeely, John Debney, Andrew Cottee Cast: Seth MacFarlane, Adrianne Palicki, Penny Johnson Jerald, Scott Grimes, Peter Macon, Halston Sage, J. Lee, Mark Jackson, Jessica Szohr, Victor Garber, Chad Coleman, Norm Macdonald, Jason Alexander, Patrick Warburton, Rob Lowe, Robert Picardo, Larry Joe Campbell, Kelly Hu, Rachael MacFarlane (voice)
Fuzzy Door Productions, 20th Century Fox Television, Fox, 12 Episodes (so far), 44 Minutes (per episode)
I’ve heard nothing but good things about The Orville. I intended to watch it last year, after the first season wrapped up, but life throws curveballs and I didn’t get to it until the current, second season, started.
I wasn’t sure what to expect from a show that looked to be a parody of Star Trek from the man behind Family Guy. I’m not a big fan of that show but I also don’t really dig animated comedies, at least since the earliest days of South Park.
This doesn’t reflect the same sort of humor style or tone of Family Guy, however. It’s just really f’n clever and beyond the comedy, this show is written in a way that makes it very clear that Seth MacFarlane truly is a fan of Star Trek and most notably, Star Trek: The Next Generation.
It feels as if it most directly parodies TNG and some of Voyager. But I can’t really call it a parody, even if it seemed to start out that way.
Yes, there is a lot of humor but it is almost secondary and as the show progresses, it learns to balance itself better between comedy and real drama. In fact, the comedy is used perfectly in how it eases tension and emotions in the right moments.
As of now, having seen about 15 episodes of this show, I can say that it is the best version of Star Trek since Deep Space Nine left the air in 1999, twenty years ago. The Orville is more Star Trek than modern Star Trek. It understands the source material it borrows from better than any of the film or television writers that have tried to resurrect it over the last two decades.
Everything about The Orville just feels right. If it maintains its momentum, I’ll have to adjust the rating and make it higher. I’m skeptical that it can maintain this trajectory over the long haul but I also don’t think that it’ll ever devolve into something terrible.
Thus far, I love this show and I can’t thank Seth MacFarlane enough for plugging a large hole in my fanboy heart.
Rating: 8.75/10 Pairs well with:Star Trek: The Next Generation and Star Trek: Voyager.
I was a senior in high school when the first Scream came out. It was huge, especially due to kids my age. Well, mostly kids who were never really into horror or girls who were too terrified to watch something actually scary. This isn’t me taking shots at the film, it is just the reality of it.
Scream changed the horror genre forever. The problem, is that it essentially ruined it. I’ll explain more as I go on but let me get to my thoughts on each film.
Release Date: December 18th, 1996 (Los Angeles premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich, Drew Barrymore, W. Earl Brown
Woods Entertainment, Dimension Films, 111 Minutes
“What’s your favorite scary movie?” – Ghostface
I didn’t like this film the first time I saw it when it came out. I thought it was cheesy, not scary and full of too many recognizable stars. Although, everyone else in the theater seemed to be terrified when Drew Barrymore got murdered in the beginning. But then, the audience for Scream is not the real horror fan audience. At least not by 70s, 80s and 90s standards.
The problem with having recognizable stars in horror, as well as a decent budget, is that it feels less real and authentic. It is similar to the use of bad CGI for blood splatter and monster effects in horror now. It separates you from the film by constantly reminding you that you are watching a production. I’m going to feel more for some girl I’ve never seen before, who I have only witnessed going through the horror on screen, than I will some girl that was whiny and moody on Party of Five for several years before this movie came out. Or a cast member of Friends who I would’ve loved to see killed off, yet somehow she survived to be in all four films.
Ghostface, the slasher in these films, is not scary. Maybe he was to the teen audience of 1996 but being a teen at that time, I thought he was shit. The mask is goofy, the cloak looks like it was stolen from the Spencer’s Halloween display and the wavy knife looked like something gimmicky that came with a 80s G.I. Joe toy.
The film was too polished, and just looked too Hollywood. Craven, before this, had been known for his grittiness.
The slasher genre and horror, in general, were pretty much ruined when the characters started discussing the rules of slasher films. The film parodied the genre it was in and put on blast the unspoken rules of horror. Maybe perceived as smart and cool at the time, and maybe it was just Craven’s way of saying “fuck you” to his competition, this approach killed horror going forward. Yes, Wes Craven, a guy who modernized horror in the 70s and 80s, killed it in the 90s.
Due to its success, Scream went on to kill horror even further. It was mimicked by every studio, horror was now free of sex, gore was minimal, it became PG-13 to pull in more teens, known stars were cast, budgets swelled and the rest is history.
Today, I don’t hate Scream. Even with how it altered everything, it is better than the modern horror films we’re stuck with. While Scream was the start of something bad, year after year, that bad has gotten worse. And that wasn’t Craven’s intention. I think he was really just focused on an idea and a concept. That concept ended up bringing an end to his own career, other than pumping out Scream sequels that got worse as time went on.
Scream 2 (1997):
Release Date: December 10th, 1997 (Hollywood premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Sarah Michelle Gellar, Jamie Kennedy, Laurie Metcalf, Jerry O’Connell, Jada Pinkett, Liev Schreiber, Rebecca Gayheart, David Warner, Omar Epps, Portia de Rossi, Luke Wilson, Heather Graham, Tori Spelling, Joshua Jackson
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 120 Minutes
Scream 2 was a step down from the original but I like that Liev Schreiber got to be a bigger character. I was also glad they killed off Jamie Kennedy. And Aunt Jackie from Roseanne is in it.
The problem with Scream 2, which is made more than obvious in the opening scene, is that it feels like it has to compensate for its lack of black actors in the first film. In fact, the first film really featured no black actors and was thus, accused of being another “whitewashed” slasher picture.
Some people have criticized Jada Pinkett’s monologue about race in slasher films but I enjoyed it. She wasn’t wrong. And at least Craven put it in there to address some of these issues that were brought up after the success of the original film. Although, it did feel like overcompensation.
The film isn’t as good as the first. The reveal of who the killer is this time, is pretty underwhelming. The formula ran it’s course in the first movie and we were stuck with a picture where we were treading the same water without any new scenery. The ending brings with it a twist but it is more of a head-scratcher than a shocking reveal. It also starts the trend of building up a bigger backstory that isn’t necessary.
Neve Campbell’s mom was a slut and her sluttiness is a key factor into why her daughter and her friends have to suffer. And in the third film, her legacy of sluttiness goes back even further.
Scream 3 (2000):
Release Date: February 3rd, 2000 (Westwood premiere) Directed by: Wes Craven Written by: Ehren Kruger Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Patrick Dempsey, Scott Foley, Lance Henriksen, Matt Keeslar, Jenny McCarthy, Emily Mortimer, Parker Posey, Deon Richmond, Patrick Warburton
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 117 Minutes
The third film ended the trilogy. Well, it was supposed to be a trilogy, where the fourth film years later, was to be the start of a second trilogy. The second trilogy never happened, so we ended up with a single quadrilogy. But, at the time, this was treated as the third and final act.
This was also, by far, the worst movie in the series. It takes the parodying itself shtick to the max. It takes place mostly on a Hollywood set where it gives you a movie within the movie, which is a tactic that is more annoying than clever.
Scream 3 adds the awful Jenny McCarthy to the cast, the typically cool Patrick Dempsey and the indy sweetheart Parker Posey. I almost feel bad seeing Posey plying her trade in this shit picture.
The killer reveal is stupid. It fleshes out the backstory more than anyone needs in a slasher film and the bad guy’s motivations are recycled horror trope schlock. There is nothing imaginative or original about any of this.
This film also loses sight of its whole purpose. In trying to be a clever series in constantly referring to the rules of horror, this one breaks its own rules – or it just doesn’t truly understand them. Especially in regards to what they say about the final film in trilogies, Scream 3 proves that these films have no balls. This is obvious when characters establish that “all bets are off” and “no one is safe”, yet for the third consecutive film, every major character survives. Additionally, the horror gore factor it tries to sell in the film is minimal, the sex factor in horror that this film constantly makes reference to, is nonexistent and everyone who understands the rules, continues to make the same dumb mistakes.
And the sole black character is reduced to a caricature but at least they didn’t “whitewash” this one after meeting their quota in part two.
Scream 4 (2011):
Release Date: April 11th, 2011 (TCL Chinese Theatre premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Emma Roberts, Hayden Panettiere, Anthony Anderson, Alison Brie, Adam Brody, Rory Culkin, Marielle Jaffe, Erik Knudsen, Mary McDonnell, Marley Shelton, Nico Tortorella, Anna Paquin, Kristen Bell
Oh, there’s Emma Roberts! Why’s she in every thing horror-esque, lately? I don’t dislike her but I’m getting tired of seeing her play the same roles again and again. She’s actually okay and I’m certainly not as sick of her as I am of her Aunt Julia.
Anyway, here we go, years later. The main cast is still alive. Surprise, they live through the end because again, the Scream franchise has no balls.
There’s a bunch of false curveball beginnings to the film, all movies within the movie, which has gotten tiresome with the Scream series. I mean, fuck, has Wes Craven completely run out of ideas? Hire new writers, bro.
This film tries to establish the “new” rules of horror, as it takes place a decade after the previous film. Except, everyone knows that the new rules post-Scream are horrible and the genre has gotten awful.
The killers are predictable. More so than previous films, actually. The two killer formula has been used to death in this series and was only somewhat effective the first time around.
Also, from what I remember, no black people in this one. But there is the reference to gay people surviving horror movies and then a bad in-movie joke where a character being stabbed to death, claims he’s gay in hopes of getting a free pass. I’m not standing on a politically correct soapbox here but Craven isn’t doing himself any favors trying to branch out beyond his audience of straight white teens. I get the attempt at humor but it was juvenile and not that funny.
I’m getting tired of talking about these movies now.
In the end, this film sucks. Although it doesn’t suck as bad as Scream 3.