Release Date: June 25th, 1962 (UK) Directed by: Terence Fisher Written by: John Elder Based on:The Phantom of the Opera by Gaston Leroux Music by: Edwin Astley Cast: Herbert Lom, Heather Sears, Edward de Souza, Michael Gough, Thorley Walters, Patrick Troughton
Hammer Films, 97 Minutes
“I am going to teach you to sing, Christine. I am going to give you a new voice! A voice so wonderful that theatres all over the world will be filled with your admirers. You will be the greatest star the opera has ever known. Greater than the greatest! And when you sing, Christine, you will be singing only… for me.” – The Phantom
My memories of this film were much fonder than they probably should have been. Granted, I love Hammer horror, especially the films directed by Terence Fisher. Plus, this had Michael Gough in it and that guy’s typically fantastic.
I still like this film and I thought that the look of it was great and akin to what one would expect from a Hammer horror movie of this era. I also love the look of The Phantom and thought that his mask is one of the best the character has ever had in this story’s long history and countless adaptations.
My biggest issue with this film, though, is that it is really slow and kind of boring, as some segments just drag along at a snail’s pace.
Also, the alterations to the plot didn’t really seem to benefit the story and I have to question why this deviated so much. I mean, that’s something that Hammer did often, as they wanted to tell their own story while using these famous literary characters but The Phantom of the Opera is already a pretty one-note story with a pretty one-note monster. This is probably why there weren’t a slew of Phantom sequels in the classic horror runs of Universal Studios and Hammer Films, which saw several Dracula, Frankenstein and Mummy movies.
Still, this is a good, competent film. It’s just not Hammer or Fisher’s best and it sort of feels like it was half-assed at the production stage. Maybe Hammer kept striking oil with all of Fisher’s other films based on classic monsters and all parties involved just phoned this one in.
I used to think of this as one of my favorite film adaptations of the story but it doesn’t hold a candle to the Lon Chaney or Claude Rains versions.
Rating: 6/10 Pairs well with: other Hammer films of the late ’50s through early ’70s, especially those directed by Terence Fisher.
Release Date: April, 1974 (Paris Festival of Fantasy Film) Directed by: Terence Fisher Written by: John Elder Based on:Frankenstein by Mary Shelley Music by: James Bernard Cast: Peter Cushing, Shane Briant, David Prowse, Madeline Smith, John Stratton, Patrick Troughton, Bernard Lee
Hammer Film Productions, AVCO Embassy Pictures, Paramount Pictures, 99 Minutes
“[after operating eyeballs onto the creature] Now, in approximately one hour, when the narcosis wears off… we shall see.” – Baron Victor Frankenstein
This is the final picture in Hammer Film’s Frankenstein series. I have now revisited and reviewed all of the films that star Peter Cushing. I need to go back and revisit the other one that stars Ralph Bates but that one is a semi-parody and not as serious as the Cushing installments.
As a kid, I always loved this one and I still like it a lot but having now seen it so soon after watching the others, I’d have to say that this one is the slowest. In fact, it drags out in parts and is a little bit boring.
It still has its fair share of excitement and I love that Frankenstein’s monster in this chapter is a “neolithic man”, which just equates to the monster being a massive, hulking brute, covered in lots of fur with an ape-like face. It’s also worth noting that the monster was portrayed by David Prowse, who would go on to be Darth Vader and thus, this was a film with both Vader and Grand Moff Tarkin, three years before their more famous pairing in Star Wars – Episode IV: A New Hope.
Prowse was also in a lot of Hammer pictures. Certainly not as many as Cushing but this wasn’t a new type of role for him.
The film also stars Shane Briant and Madeline Smith, who many probably remember as Miss Caruso from the James Bond film, Live and Let Die. Patrick Troughton, the Second Doctor of Doctor Who fame also has a small role, as does Bernard Lee, the actor who played M in the James Bond movies of the ’60s and ’70s.
I like the setting of this film, which is an asylum. Frankenstein has taken on another identity and works in secret within the asylum, where there isn’t a shortage of bodies to experiment on and brains to steal.
Frankenstein is obviously still evil but he is nowhere near as dastardly as he was in the previous film, Frankenstein Must Be Destroyed. But that’s the thing with the Hammer Frankenstein pictures, there just isn’t any real consistency and every film is sort of self-contained. It’s a stark contrast to how they managed their Dracula franchise where most of the films led right into the next chapter.
Being that this is a later Hammer movie, it does have a bit more of a gore factor than their earlier pictures. It isn’t overly gory but there are some scenes that still come off as pretty intense. For instance, there is a scene where the patients within the asylum literally tear someone apart with their bare hands. It happens off screen but we see meat and fluids flying, as well as what’s left of the poor soul after the savage attack.
This is one of the weakest installments of the film series but I still enjoy it quite a bit. The thing is, Hammer was running out of gas by 1974 and there was more competition in the UK from studios like Amicus, who also produced movies in a very similar style to Hammer.
I wouldn’t call this a worthy finale to the film series but The Satanic Rites of Dracula wasn’t a good finale either.
Rating: 6.25/10 Pairs well with: other Hammer Frankenstein films, as well as the Hammer Dracula and Mummy series.
Release Date: November 23rd, 1983 Directed by: Peter Moffatt, John Nathan-Turner, Richard Martin, Pennant Roberts Written by: Terrance Dicks, Terry Nation, Douglas Adams Music by: Peter Howell Cast: Peter Davison, Patrick Troughton, Jon Pertwee, Richard Hurndall, Tom Baker (cameo), William Hartnell (archive footage), Anthony Ainley, Janet Fielding, Mark Strickson, Carole Ann Ford, Nicholas Courtney, Elisabeth Sladen, Lalla Ward (cameo)
Australian Broadcasting Corporation (ABC), British Broadcasting Corporation (BBC), 90 Minutes (television), 102 Minutes (extended edition)
“A cosmos without the Doctor scarcely bears thinking about.” – The Master
While this was not a theatrical movie, it was a feature length special episode of Doctor Who and treated like a feature length production when it came out. It was created to celebrate the show’s twentieth anniversary and for only the second time in history, it teamed up multiple incarnations of the Doctor. This was also the biggest Doctor team up of all-time.
I want to treat all these feature length special episodes as films as opposed to just episodes mixed into the long running show. There are several of these and I want to review them separately, as their own bodies of work.
I was fortunate enough to see this one on the big screen, courtesy of RiffTrax. Now while it was a riffed version with hilarious commentary from some of the former cast members of the original Mystery Science Theater 3000, it was still an amazing experience seeing classic Doctor Who on a thirty foot screen. Especially a story that featured five Doctors.
While this isn’t particularly great as a film on its own, it fits beautifully within the Doctor Who mythos and is one of my favorite Doctor Who stories of all-time. Sure, it really only features three actual Doctors, as the First Doctor is not portrayed by William Hartnell, except in the intro as archive footage, and the Fourth Doctor really just has a brief one scene cameo and is really left out of the story. But all five of the Doctors are represented in some fashion.
The bulk of the acting duties falls on Davison (the Fifth), Pertwee (the Third), Troughton (the Second), Hurndall (as the new version of the First), Ainley (The Master), as well as some of the Doctor’s most famous companions: the Brigadier, Sarah Jane, Susan Foreman, Tegan and Turlough. Lalla Ward’s Romana II also cameos alongside Baker’s Fourth Doctor.
The story is a bit strange but that’s sort of the norm for old school Doctor Who, back in the days before the franchise had any female fans. But any excuse to bring multiple Doctors into an adventure, always works for me. Essentially, there is a big conspiracy and all the Doctors have to work together in order to save themselves. Each Doctor also has a companion from their runs as the character.
The special effects are on par with what was the standard for television show. It is low budget British television science fiction, so one has to sort of look passed the imperfections and hokiness and fill in the blanks with their imagination a bit. But this is always what I loved about classic Who. As a kid, it introduced cool concepts, with cheesy effects and it made my imagination run wild.
This story also features the Cybermen, a Dalek, the Time Lords and the super dangerous Raston Warrior Robot, who is a dude in a silver leotard and helmet that dances around, teleports and shoots spears.
The Five Doctors is far from perfect but it is a hell of a lot of fun for those who are fans of the original Doctor Who series, way before the 2005 revival. This is also my favorite of the multiple Doctor stories.
This is a hard list to compile, as I haven’t disliked a single Doctor in the long history of Doctor Who. However, some were better than others and this is my attempt to quantify that in some fashion.
Just because someone ranks in at the bottom spot, doesn’t mean they weren’t worthy of the role. The people behind the show have always done a great job in finding people that fit The Doctor.
Some of the ones at the bottom are also only there because they made only a few appearances and didn’t have the time to really shine in the role over a season or more.
1. Fourth Doctor (Tom Baker)
2. Tenth Doctor (David Tennant)
3. Third Doctor (Jon Pertwee)
4. Twelfth Doctor (Peter Capaldi)
5. Fifth Doctor (Peter Davison)
6. Seventh Doctor (Sylvester McCoy)
7. Eleventh Doctor (Matt Smith)
8. Second Doctor (Patrick Troughton)
9. Ninth Doctor (Christopher Eccleston)
10. Sixth Doctor (Colin Baker)
11. First Doctor (William Hartnell)
12. Movie Doctor (Peter Cushing)
13. Eighth Doctor (Paul McGann)
14. War Doctor (John Hurt)
I already covered the first four films in this series. So now on to the final four.
Taste the Blood of Dracula (1970):
Release Date: May 7th, 1970 (UK) Directed by: Peter Sasdy Written by: Anthony Hinds Based on:Dracula by Bram Stoker Music by: James Bernard Cast: Christopher Lee, Geoffrey Keen, Gwen Watford, Linda Hayden, Madeline Smith, Michael Ripper, Ralph Bates, John Carson
Hammer Film Productions, Warner-Pathé Distributors, Warner Bros., 95 Minutes (UK), 91 Minutes (USA)
This is one of the darkest of the Hammer studios Dracula films. Actually, I would say that it is the darkest.
The opening scene sees a greedy salesman stumble upon Dracula dying, as this scene is edited together with the closing moments of the previous film. When Dracula dies, this man takes all of his belongings and even collects his blood, which is now in a powder form.
The main group of characters, at least in the first half of the film, are these rich eccentric men and “model citizens” who have a secret club where they dabble in seedy behavior because they are bored with their seemingly humble and moral lives. When they get tired of brothels and their typical seediness, they meet a somewhat insane and possessed young man who leads them to Dracula’s belongings and most importantly, the vampire’s blood. The men are grossed out at the thought of drinking the evil Count’s blood but the crazed young man takes a swig, causing him to cry out in pain as the freaked out rich men beat him to death. In this mayhem, Dracula begins to resurrect.
The rest of the story follows Dracula seeking revenge on the three rich men for some reason. He also fancies all the women and one of their beaus has to become the hero.
I love the plot of this film but after a great setup, the last act is a bit anti-climactic.
Scars of Dracula (1970):
Release Date: November 8th, 1970 (UK) Directed by: Roy Ward Baker Written by: Anthony Hinds Based on:Dracula by Bram Stoker Music by: James Bernard Cast: Christopher Lee, Patrick Troughton, Dennis Waterman, Jenny Hanley, Michael Gwynn, Michael Ripper
Hammer Film Productions, EMI Films, 20th Century Fox, MGM-EMI, 91 Minutes
They didn’t waste time making this film, as it came out just about six months after the previous installment.
This chapter in the series is infamous for being the most violent entry. It isn’t full of stomach-churning gore but it is much more bloody and intense than any other film in the series. I feel like Hammer thought that they had to up the ante somehow and more gore and more blood was the easiest route.
Scars of Dracula reintroduces us to the religious protagonist once again, after we got a break from the formula in the last movie. Although his role is pretty limited to just a few scenes. The religious hero is played by Michael Gwynn. The main protagonist is a young man looking for his missing brother, who finds himself protecting his love. Classic Doctor Who fans should love the fact that the Second Doctor, Patrick Troughton, plays Count Dracula’s servant.
This is a solid film in the series. Really, none of these movies are bad. It actually does amaze me though, that the quality is still there six films deep.
Dracula A.D. 1972 (1972):
Release Date: September 28th, 1972 (UK) Directed by: Alan Gibson Written by: Don Houghton Based on:Dracula by Bram Stoker Music by: Mike Vickers Cast: Christopher Lee, Peter Cushing, Caroline Munro, Stephanie Beacham, Christopher Neame
Hammer Film Productions, Columbia-Warner Distributors, 96 Minutes
This film freshens things up a bit by bringing Dracula into what was then the modern world. It also brings Van Helsing back to the series (played by the great Peter Cushing once again) as he plays two versions of the character. He plays the original version of Van Helsing in 1872 and then plays his great-grandson, in 1972. Both amazingly look exactly the same.
The story follows a Dracula disciple named Johnny Alucard (“Dracula” spelled backwards) and his attempt to raise the evil count and exact revenge on the Van Helsing family by sacrificing the professor’s niece to the dark lord.
I actually enjoy this film a lot and think that the 1972 setting was great. The teens in the film weren’t annoying and actually were all pretty likable and cool characters. Even the villain, Johnny Alucard had a great presence and is still, to this day, one of my favorite vampire characters in film history. His death was a little bizarre though.
The film also features Caroline Munro as Dracula’s first sacrifice. She was a Bond girl in The Spy Who Loved Me, a few years, later and she is one of my all-time favorite girls in that film series. Here, she was a bit younger, just as beautiful and really captured the scenes she was in.
Christopher Lee didn’t get as much screen time as I would like but he still owned the scenes he was in and it was nice seeing Dracula and Van Helsing facing off once again.
The Satanic Rites of Dracula (1973):
Release Date: November 3rd, 1973 (UK) Directed by: Alan Gibson Written by: Don Houghton Based on:Dracula by Bram Stoker Music by: John Cacavas Cast: Christopher Lee, Peter Cushing, Joanna Lumley, Michael Coles, Freddie Jones
Hammer Film Productions, Warner Bros. Pictures, 87 Minutes
This is the final film in the Hammer Dracula series. It is also the weakest.
For the most part, this film is enjoyable because it features Christopher Lee as Dracula and Peter Cushing as Van Helsing and it is their final showdown. And frankly, I’ll watch any film with either man in it and especially any film with both of them in it.
Taking place in the modern era, like the previous film, this one misses its mark somewhat. Where its predecessor was campy and fun, this one was extremely dark, fairly gorey and was the first film in the series with lots of gratuitous nudity. In fact, I don’t think there was nudity at all in any of the previous Hammer Dracula movies.
Now I am not one to complain about nudity but the use of it in this film doesn’t really fit the vibe and style of the series. And where I would let kids watch most of the other films, I’d have to keep this one hidden on a higher shelf in my DVD library.
I feel like they should have ended the series with the previous film. This just felt forced and neither Cushing nor Lee looked all that interested in this picture when they were on screen. At least the film before this had some charm.
*There is another film with Peter Cushing as Van Helsing. It is “The Legend of the Seven Golden Vampires”. Dracula is also in the film but he is not played by Christopher Lee. Also, this isn’t a straight up Hammer Horror film, it is actually a co-produced horror/kung-fu flick that was a collaboration between Hammer and Shaw Brothers (a prominent kung-fu studio at the time). I will review this at some point, I’m sure.