Film Review: Hawk the Slayer (1980)

Release Date: November, 1980 (Paris Fantastic Film Festival)
Directed by: Terry Marcel
Written by: Terry Marcel, Harry Robertson
Music by: Harry Robertson
Cast: Jack Palance, John Terry, Bernard Bresslaw, Ray Charleson, Peter O’Farrell, W. Morgan Sheppard, Patrick Magee

Incorporated Television Company (ITC), Marcel/Robertson Productions Limited, Chips Productions, 90 Minutes

Review:

“Now this must stay a secret between you and me. Not only will I bring back the head of this Hawk, but I’ll have the gold as well. Then Voltan will see who is the lord of the dance.” – Drogo

This movie is equal parts bizarre and funky.

While that may sound like a strange description, it makes this a very unique sword and sorcery tale with a lot of style.

First of all, the movie has an incredibly energetic and cool score. Harry Robertson, who also was one of the picture’s writers, created some interesting music that at first, might not seem like it fits within the genre but once the film really gets going, it transforms it into something otherworldly in the best way possible.

Also, the film’s style is partially defined by the filmmakers’ love of glow-y things. There are a lot of neat lighting effects employed within the weapons throughout the movie, as well as magical items and other majestic things within the picture that apparently needed some sort of neon flourish. This flick looks like a bunch of medieval era people crashing through an ’80s candy store at the mall.

The acting is pretty much at the level one would expect from a film like this but Jack Palance definitely stands out and embraces the madness of his character. He could have looked a wee bit cooler but his performance isn’t too dissimilar to Frank Langella’s Skeletor from the 1987 Masters of the Universe live action film.

Patrick Magee also pops up in this in a minor role but he grabs onto you like he always does. He’s always got a certain kind of intensity and his role here is no different.

This isn’t my favorite sword and sorcery movie but it is still a really cool addition to the genre and certainly stands out on its own.

Rating: 6.5/10
Pairs well with: other sword and sorcery movies from the ’80s.

Film Review: Asylum (1972)

Release Date: November 17th, 1972
Directed by: Roy Ward Baker
Written by: Robert Bloch
Music by: Douglas Gamley
Cast: Peter Cushing, Britt Ekland, Robert Powell, Herbert Lom, Barry Morse, Patrick Magee, Charlotte Rampling

Amicus Productions, Cinerama Releasing Corporation, 88 Minutes

asylum_1972Review:

Amicus was kind of like the lesser known little brother to England’s Hammer Studios, who were the masters of 50s, 60s and 70s gothic horror. In their heyday, they made some horror anthology pictures. I have always been a bigger fan of full length horror pictures with one cohesive story but I like seeing some of the lighter ideas explored in anthology films. Sometimes an idea is good but it doesn’t need 90 minutes.

What drew me to Asylum initially was the fact that it “stars” one of my favorites, Peter Cushing. I put that in parentheses because he is barely in the film. That was pretty common in anthology pictures, however. He wasn’t even the main character of his story though, so it is somewhat disappointing.

The film also features Patrick Magee, who I have loved as an actor due to how great he was in A Clockwork Orange and also for his roles in Barry LyndonThe Masque of the Red Death and Dementia 13.

One story in the anthology features the always beautiful and alluring Britt Ekland and the greatly talented Charlotte Rampling, who is very young in this.

Some of the stories here are fairly creepy but overall, the film isn’t very good. It is a bit slow in some sequences and I found certain points to be boring, actually. The first story, which features crawling disembodied limbs, is the highlight of the film. Everything else goes downhill from there. The Ekland and Rampling story is interesting enough to hold your attention but it isn’t anything entirely new. The final twist ending also isn’t that fantastic, as it has been done a million times over. Granted, it may have felt fresh and unique in 1972.

Asylum is a good enough film to kill some time on a rainy day but it isn’t a classic, by any means. It fits well in the Amicus catalog but they did produce much better films.