Film Review: Brain Dead (1990)

Also known as: Paranoia (alternative title), Lobotomie (Canada, French title)
Release Date: January, 1990 (Avoriaz Fantastic Film Festival)
Directed by: Adam Simon
Written by: Charles Beaumont, Adam Simon
Music by: Peter Rotter
Cast: Bill Pullman, Bill Paxton, Bud Cort, George Kennedy, Nicholas Pryor, Patricia Charbonneau

Concord Pictures, New Horizons, 85 Minutes

Review:

“My brains are individuals – they’re special – they’re unique.” – Dr. Rex Martin

This film stars two of my favorite Bills but I had never seen it until now. I remember seeing the VHS box art at my local video stores though. It just never appealed to me back in the day and my appreciation for Bills Pullman and Paxton hadn’t completely blossomed in 1990.

Overall, this was a decent picture. I liked seeing both Pullman and Paxton in it, along with Bud Cort, who stole the scenes he was in, and the great George Kennedy. I also enjoyed Patricia Charbonneau, who I mostly only know as the kind scientist from RoboCop 2 but I was crushing hard on her in that movie when I was a wee little lad.

Anyway, this is a weird, trippy movie with a lot of mystery. Mostly, the story is a slow burn that builds up at the right speed but delivers just an okay conclusion.

This is one of those mindfuck movies though and they were really common at the time but unfortunately, this doesn’t come close to the better ones like Jacob’s Ladder or From Beyond.

The plot follows a neurosurgeon (Pullman) that specializes in brain malfunctions that cause mental illnesses. His high school buddy (Paxton), a yuppie businessman from a company called Eunice, asks for help in delving into the brain of a genius mathematician that turned into a psychotic. Really, they are trying to pry into his brain to reveal corporate secrets but the neurosurgeon starts to be effected by the horrors in the mind of the mathematician.

I wouldn’t call the ending satisfactory but the story was interesting enough to keep one engaged up to that point. But most of these mindfuck movies never really deliver anything profound and usually flounder at the climax.

This is a film that steadily builds suspense but comes up short in its final delivery. There’s nothing profound here and really nothing new either.

But this is carried by the performances of its leads and for that, it’s probably worth a watch for fans of this genre.

Rating: 5.75/10
Pairs well with: Altered States, From BeyondRe-Animator and Jacob’s Ladder.

Film Review: RoboCop 2 (1990)

Also known as: RoboCop II (working title)
Release Date: June 22nd, 1990
Directed by: Irvin Kershner
Written by: Frank Miller, Walon Green
Based on: characters by Edward Neumeier, Michael Miner
Music by: Leonard Rosenman
Cast: Peter Weller, Nancy Allen, Dan O’Herlihy, Tom Noonan, Belinda Bauer, Gabriel Damon, Robert DoQui, Felton Perry, Willard E. Pugh, Frank Miller, John Glover, Fabiana Udenio, Patricia Charbonneau (uncredited)

Tobor Productions, Orion Pictures, 117 Minutes

Review:

“Sometimes we just have to start over, from scratch, to make things right, and that’s exactly what we’re going to do. We’re going to build a brand-new city where Detroit now stands – an example to the world.” – The Old Man

Do you remember that time that RoboCop showed up on a WCW pay-per-view to rescue Sting from the Four Horsemen? Well, that was a stunt to promote this movie. That being said, it would have been a better stunt to promote the third film, as this one wasn’t quite as cheesy as that terrible professional wrestling segment. Spoiler alert: the third movie is terrible but I’ll review that one at a later date.

RoboCop 2 is no RoboCop but it is still a pretty solid sequel, all things considered, and it is still to this day the second best RoboCop film.

Now this isn’t, by any means, a classic. It is, however, a pretty good example of a sequel that can expand on an already established mythos and expand on it in a new way, enriching the world these characters live in and giving us new material that isn’t simply just a retread of the already proven formula.

Peter Weller is still excellent and I was glad that we got to see more of him playing off of Nancy Allen. They have a nice chemistry, which existed in the first movie but didn’t really flourish until the end of it. Sadly, this would be the last time they’d share scenes together, as Weller dropped out of the series before RoboCop 3 was filmed.

The real scene stealer in this film is Tom Noonan, who just plays creepy bad guys so damn well. This was the first time that I remember seeing him but he went on to be one of my favorite character actors of his day. Although, the scenes with the young Gabriel Damon, who plays the child gangster Hob, were pretty f’n great too. The villains here aren’t as great as Kurtwood Smith and Ronny Cox in the first RoboCop but they are still fantastic foils and gave RoboCop two new types of threats that he didn’t face in the first movie.

I also liked the girl, Angie, and the top level henchman that looked like a cross between Joe Bob Briggs and Elvis.

Additionally, I love that Tom Noonan’s Cain is made into a new cyborg, appropriately called “RoboCop 2”. This was the first time that we got to see RoboCop fight a big villain that was similar to himself and not just a human meatbag. Granted, he has two run ins with ED-209 in the first film but those were relatively easy confrontations for him.

I liked that they really embraced the dark humor a bit more in this film too. The use of kids as legitimate juvenile delinquents in an almost post-apocalyptic Detroit was damn cool. Especially when I saw this as a kid.

A real standout for me though was Willard E. Pugh. I talked about him a bit when I reviewed the severely lackluster The Hills Have Eyes, Part 2 because he stood out in that film and was pretty funny and the same can be said here. In this film, he plays the mayor of Detroit and he’s just so enjoyable that it’s almost a crime that he didn’t come back for RoboCop 3. Other than this film, he is probably most famous for playing Trustus Jones in CB4.

My only real complaint about this film is that the score was all new. Basil Poledouris did not return so I guess they didn’t use his iconic themes. The score here is decent but it lacks the extra gravitas that the original RoboCop theme had. Poledouris would return for RoboCop 3, however.

RoboCop 2 is a sequel worthy of following its predecessor. It’s hard to capture lightning in a bottle twice, or so they say, but this was much better than other sequels to sci-fi classics.

Rating: 8.25/10
Pairs well with: the first RoboCop movie and the first two Terminator movies.