Release Date: September 8th, 1993 (Los Angeles premiere) Directed by: Tony Scott Written by: Quentin Tarantino Music by: Hans Zimmer Cast: Christian Slater, Patricia Arquette, Dennis Hopper, Val Kilmer, Gary Oldman, Brad Pitt, Christopher Walken, James Gandolfini, Bronson Pinchot, Samuel L. Jackson, Michael Rapaport, Saul Rubinek, Conchata Ferrell, Chris Penn, Anna Thomson, Victor Argo, Tom Sizemore, Kevin Corrigan, Michael Beach, Ed Lauter (uncredited)
August Entertainment, Davis-Films, Morgan Creek Entertainment, 119 Minutes (theatrical), 121 minutes (unrated Director’s Cut)
“If there’s one thing this last week has taught me, it’s better to have a gun and not need it than to need a gun and not have it.” – Clarence Worley
Since I just revisited Natural Born Killers, a film written by but not directed by Quentin Tarantino, I figured that I’d also checkout the other one.
True Romance was directed by Tony Scott using a script that Tarantino sold in an effort to get enough money to make Reservoir Dogs. That being said, out of the two scripts he sold, this is the one that was translated to screen the best. Also, Tarantino doesn’t disown this film, as he does Oliver Stone’s Natural Born Killers.
I think that Scott’s directorial style mixed with Tarantino’s writing was a pretty good match. Granted, this also benefits from having an incredibly talented ensemble cast and one of Hans Zimmer’s most unique but incredibly effective musical scores.
Christian Slater and Patricia Arquette are f’n dynamite in this and despite the insanity of the circumstances they created, they were pretty believable, had superb chemistry and you really wanted these two kids, who had just found true love in each other, to make it though and have that “happily ever after” ending. They luckily succeed. Although, maybe they don’t but I’ll get into that towards the end of the review.
Beyond the two leads you’ve got so many notable people, many of which are in small roles or in the case of Val Kilmer, completely obscured to the point that you don’t even know that it’s him. The real standout scene in the film doesn’t even star the leads, though, it stars Dennis Hopper, who is only in a handful of scenes and Christopher Walken, who is only in this one iconic scene. And man, it’s one of the greatest scenes of Walken’s career. It happens midway through the film and it leaves you with a legitimate sense of dread, making you understand just how much trouble the young lovers are actually in.
The second most iconic scene in this is where Patricia Arquette enters her motel room alone to find James Gandolfini sitting in a chair clutching a shotgun. It’s an unnerving and extremely f’d up scene, as Gandolfini brutalizes Arquette. It’s a scene that Hollywood wouldn’t have the balls to do today due to how brutal it is. However, Arquette does get the upper hand in this ultraviolent fracas and makes Gandolfini pay in an even more brutal way.
That being said, this is an exceptionally violent film but those who have experienced Tarantino’s work, should know what they are getting into, even if the material is brought to life by another director.
So watching this film for the first time in a long time, I was left wondering about the ending. We see the young lovers leave behind the craziness that became their life for a bit. The closing moments show them on a beach with a child. All seems well and good.
However, I doubt that Christopher Walken’s very driven and cold mobster character isn’t just going to stop looking for them, especially after the crew he sent to catch and kill them were all taken out in a blaze of violence in the film’s finale. So there’s that bit of worry in the back of my head and it does leave the movie open for a sequel. However, I’d leave this alone and never attempt that. By this point, that ship has most definitely sailed, anyway.
True Romance is a great film, top-to-bottom. It’s built up a legitimate cult following over the years and being that Arquette’s Alabama is directly tied to Harvey Keitel’s Mr. White from Reservoir Dogs sets it in the same universe as that film and Pulp Fiction and just adds to the picture’s mystique and coolness.
Release Date: August 21st, 2020 Directed by: David Darg, Price James Music by: Dimiter Yordanov, Matt Glass, Will Patterson Cast: David Arquette, Patricia Arquette, Rosanna Arquette, Richmond Arquette, Courteney Cox, Ric Flair, Dallas Page, “Jungle Boy” Jack Perry, Luke Perry, RJ Skinner, Ken Anderson, Coco Arquette, Eric Bischoff, Colt Cabana, Mick Foley, Jerry Lawler, Christina McLarty Arquette, Kevin Nash, Vince Russo
One Last Run Productions, Kidz Gone Bad, Carbon, 91 Minutes
I was fairly excited for this when the trailer dropped, months ago. I was never mad at David Arquette for his stint in the wrestling business and I honestly just blamed it on the shit creative that was killing World Championship Wrestling, at the time. Funny enough, the company ceased to exist the following year.
I also know that Arquette has loved and respected the professional wrestling business since he was a kid and that he truly felt bad about how people perceived his small run in it, which led to him becoming the WCW World Heavyweight Champion for a few weeks back in 2000.
People viewed this as destroying the prestige of the World Title but it was devalued immensely before Arquette ever got his hands on it. Plus, Vince Russo winning it after the Arquette debacle showed that WCW creative were absolute imbeciles that deserved their fate.
Anyway, I get why David Arquette wants to repent and doesn’t want to be perceived as a joke or some Hollywood opportunist asshole that came in and took a shit on the business.
However, his path to redemption was a terribly misguided one that just made me feel even worse for the guy and made me realize that he was taken advantage of and poorly directed by the modern “hardcore” sect in wrestling a.k.a. the outlaw mudhsow ass hats that should never have their version of the business reach the mainstream. Granted, wrestling is pretty fucking dead in my eyes, anyway, so who’s to say what kind of stupid horeseshit is going to get over with the thirteen fans that still go to live shows in crossfit warehouses.
David Arquette, for a guy that loves the business, doesn’t seem to really know enough about it to avoid the people that put him in the ring, where he nearly got killed just to make this film. He didn’t need to redeem himself by fighting the most “hardcore” shitheads in the business, he needed to go to wrestling school, a real one, and learn the basics, work hard, get put on a decent show and work his way up.
His objectives in this were never really clear but he seemed to just have this idea that he needed to be severely punished for his sins more than he needed to become a legitimate wrestler that could stand proudly next to other former WCW World Champions.
I was severely disappointed by this, overall. I was rooting for the guy and hell, I still really like him. But this isn’t what he needed to do to absolve himself of the immense guilt he’s felt for twenty years. I left this feeling even worse for him but I guess if he believes he succeeded than who am I to piss in his coffee.
Rating: 4.5/10 Pairs well with: other recent wrestling documentaries.
A Nightmare On Elm Street was my favorite horror film series, as a kid. Today, it still ranks up there and I consider it to be the best of the big horror franchises of the 80s. Sure, Friday the 13th, Halloween, Hellraiser and several others are great but nothing is as imaginative and as creative as the world Freddy Krueger lives in.
Freddy Krueger is a force of nature, in the films and in reality. He went on to be a pop culture icon and even had the highest grossing independent film of all-time.. twice!
In this review, I will cover the first three films in the franchise.
A Nightmare On Elm Street (1984):
Release Date: November 9th, 1984 Directed by: Wes Craven Written by: Wes Craven Based on: characters by Wes Craven Music by: Charles Bernstein Cast: Robert Englund, John Saxon, Ronee Blakley, Heather Langenkamp, Amanda Wyss, Nick Corri, Johnny Depp, Robert Shaye (voice, uncredited)
New Line Cinema, Media Home Entertainment, Smart Egg Pictures, 91 Minutes
The original film was written and directed by the series creator, Wes Craven. This is the film that cemented Craven as a horror maestro. While he had some solid successes before A Nightmare On Elm Street, this film was his first massive hit.
Being created during the height of practical effects, this film features some technical marvels from a filmmaking standpoint. Craven and his crew used several rotating sets to achieve a few different effects and it turned out to be pretty stellar. Also, they were very inventive on how to achieve things visually on a film with such a small budget. This film is a must-see for any film student just for the special effects alone.
In regards to the horror, this is the scariest film out of any of the Elm Street movies. It is dark, it exudes terror and Freddy is a lot more sinister in this. He gets funnier as the series rolls on and almost becomes a twisted anti-hero.
In the first film, he is still frightening. Robert Englund was the perfect actor for the role of Freddy Krueger and he would get more comfortable with the character in each installment. But whether it was Englund not being too comfortable yet, Craven’s direction or both – the character of Freddy is on a different level of dread in this chapter.
Heather Langenkamp was great as Nancy and was always a delight every time she showed up in one of these movies. Johnny Depp was pretty decent as Glen and this was his first film. Amanda Wyss did good in the role of Tina. The film also featured John Saxon, formerly from Bruce Lee’s Enter the Dragon and the Canadian slasher film Black Christmas, as Nancy’s dad and the top cop on the Springwood police force.
While this film is a technically savvy and paved the way for a lucrative franchise, I found the ending to be odd and kind of pointless. Nancy basically wins by telling Krueger that she takes away any power she gave him and he disappears into a cloud of dissipating photons.. or something. Her mother then sinks into her bed as a skeleton, waving goodbye. It was probably fine for the time but it plays horribly today. It just feels obvious that Craven hadn’t really thought the ending through before shooting it. Besides, Nancy defeating Freddy by ignoring him wasn’t really effective, as we got five more sequels in the regular series, A New Nightmare, Freddy vs. Jason and a remake years later.
A Nightmare On Elm Street 2: Freddy’s Revenge (1985):
Release Date: November 1st, 1985 Directed by: Jack Sholder Written by: David Chaskin Based on: characters by Wes Craven Music by: Christopher Young Cast: Robert Englund, Mark Patton, Kim Myers, Robert Rusler, Clu Gulager, Hope Lange, Marshall Bell, Lyman Ward, Robert Shaye (uncredited)
New Line Cinema, Smart Egg Pictures, Heron Communications, 85 Minutes
Freddy’s Revenge or as it should be retitled, Freddy’s Big Gay Hilarious Gangbang, is a bizarre movie. It ignores the rules established in the first film in an effort to be completely different and to not retread the same story. While I respect the filmmakers’ efforts in not making a clone film, all it did was create a lot of confusion about the established rules and mythos.
The main character is Jesse Walsh (played by Mark Patton). Jesse is a loner and an outcast but weirdly, the hot ginger girl in school likes him.. a lot. In fact, she deals with way too much of his shit and Freddy’s shit just over her high school crush. Besides that, Jesse wants to spend more time with his new guy friend, Ron. He even runs away to Ron’s house after he freaks out about the girl being ready to bang him.
Many consider this to be the gayest horror film of all-time and rightfully so. It is amazing at just how gay it is and that’s not a knock, it is actually pretty fucking cool.
From Jesse and Ron wrestling each other’s pants off, to Jesse’s flamboyant sexual dance while cleaning his room, to the leather bar, to the school coach getting murdered while being tied to shower pipes as his ass is repeatedly slapped by a towel, to Jesse constantly whining about Freddy being “inside him”, to Jesse wanting to sleep in Ron’s room, to Jesse screaming like a girl, to Freddy emerging from Jesse’s body during one of the most obligatory gay exchanges in cinematic history, this is certainly a pretty gay but extraordinarily fabulous movie. Wikipedia has more information on the homoerotic subtext here.
The film lacked almost everything that made the first film scary. However, it had some of the best effects. For instance, the aforementioned scene where Freddy emerges from Jesse’s body was insane and still plays pretty well today. Even if Jesse’s body was replaced by a robotic dummy, it was there, on the set, and it looked more real than anything modern CGI can do.
Freddy’s Revenge is a bizarre installment to the series but the bizarreness is what makes it special, unique and definitely worth a watch.
A Nightmare On Elm Street 3: Dream Warriors (1987):
Release Date: February 27th, 1987 Directed by: Chuck Russell Written by: Wes Craven, Bruce Wagner, Frank Darabont, Chuck Russell Based on: characters by Wes Craven Music by: Angelo Badalamenti, Dokken Cast: Robert Englund, Heather Langenkamp, Patricia Arquette, Laurence Fishburne, John Saxon, Priscilla Pointer, Craig Wasson, Ken Sagoes, Rodney Eastman, Jennifer Rubin, Bradley Gregg, Ira Heiden, Penelope Sudrow, Dick Cavett, Zsa Zsa Gabor
New Line Cinema, Smart Egg Pictures, Heron Communications, 96 Minutes
Dream Warriors is my favorite film in the series. Wes Craven came back to write the story, which was then tweaked and fleshed out by Frank Darabont (The Walking Dead, The Shawshank Redemption, The Green Mile, The Mist, The Young Indiana Jones Chronicles and so many other projects).
This chapter pretty much ignores the second film, it goes back to the rules and mythos of the first movie and expands on it. It brings back old characters, introduces new characters and blends them together well. You care about the old, you care about the new and there is almost perfect harmony with the cast.
This is my favorite group of teens out of any of the films. Actually, they are my favorite group of any teen group from any horror film ever. They were all unique, interesting and had a great dynamic.
The film introduced us to Patrica Arquette as the lead heroine Kristen. It also brought back Heather Langenkamp and John Saxon as Nancy and her father. Laurence Fishburne shows up in this as an orderly at the rehab center where the teens are.
This movie introduces the concept of being able to control dreams in an effort to combat Freddy. Each teen also has a special power or skill set that makes their interactions with Krueger more interesting.
The one thing this film did, that set the stage for every film after it, is that the dream sequences got really elaborate and a lot more creative. We didn’t just have some guy taking teens to a boiler room in their mind in an effort to slash them to bits. We now had Freddy using their fears and things about them to torture them in unique ways. You like puppets? Well, you get strung up by your tendons like a puppet. You like TV? Well, you get killed by a TV. You like titties? Well, titties lure you to Freddy.
Dream Warriors is the perfect Elm Street film. It has everything and it also stars the most iconic characters in the series and opens the door for the future of the franchise.
Release Date: September 23rd, 1994 (New York Film Festival) Directed by: Tim Burton Written by: Scott Alexander, Larry Karaszewski Based on:Nightmare of Ecstasy by Rudolph Grey Music by: Howard Shore Cast: Johnny Depp, Martin Landau, Sarah Jessica Parker, Patricia Arquette, Jeffrey Jones, Bill Murray, Lisa Marie, Max Casella, George “The Animal” Steele, Juliet Landau, Ned Bellamy, Mike Starr, Vincent D’Onofrio, Korla Pandit, G.D. Spradlin, Carmen Filpi
Touchstone Pictures, Buena Vista Pictures Distribution, 127 Minutes
“Visions are worth fighting for. Why spend your life making someone else’s dreams?” – Orson Welles
Ed Wood is a magnificent film. It is also the greatest thing Tim Burton has ever directed, which says a lot considering his massive body of work. I have also never enjoyed Johnny Depp and Martin Landau more. Additionally, the film features one of the best roles of Bill Murray’s career.
Shot in black and white, to mimic the time that Edward D. Wood Jr. lived in and the films he made, Ed Wood boasts some fantastic cinematography. It doesn’t just feel like a period piece shot in black and white as a gimmick, it actually has warmth, depth and is a character itself, within the film. It gives the movie a perfect tone and it is also matches up to the actual filmmaking work of Ed Wood, the director. When we see scenes being filmed for Plan 9 From Outer Space, Bride of the Monster and Glen or Glenda?, Tim Burton’s sets and visual tone match those films pretty flawlessly.
Martin Landau won the Oscar for Best Supporting Actor for his role in Ed Wood, as horror legend Bela Lugosi. It was a fantastic performance and the best of Landau’s storied career. While it was great seeing him recognized and this film as well, I feel like it was deserving of other nominations. It did also win for makeup, the only other category it was nominated for.
Everyone in the cast, top to bottom, gave some of the best performances of their careers. Johnny Depp was absolutely captivating and charismatic as the title character. He brought real life to the legendary persona of Wood. He connected with the audience, as well as long-time Wood fans and gave an exciting identity and character to the maestro of bad cinema. He was sympathetic and you wanted nothing more than for Wood to succeed, despite the odds being stacked against him and the limitations of his abilities. Depp’s Wood had passion and heart.
Bill Murray plays Wood’s friend, a transvestite wanting to be transsexual named Bunny Breckinridge. Breckinridge was a collaborator with Wood and played a role in his most famous film Plan 9 From Outer Space. Murray did a fine job with the part, committed to Bunny’s flamboyant personality and strong desire to become a woman. This is my favorite of Murray’s more serious roles. Granted, he still brings an element of comedy but this is the first real dramatic role I remember seeing him play. He had panache and delivered his dialogue brilliantly.
Jeffrey Jones was a perfect casting choice for the psychic conman Criswell. He looked the part, acted the part and conveyed him as a real showman. Sarah Jessica Parker and Patricia Arquette both did good as the leading ladies: Parker for the first half of the film, Arquette for the latter. For the role of Tor Johnson, there really was no better choice than George “The Animal” Steele. Lisa Marie was a good Vampira and Max Casella was a nice addition to the cast, as he is a really good actor that I feel is still underutilized. Lastly, Juliet Landau plays a small role but she really nails it. She was quirky, smart and pretty mesmerizing.
Ed Wood is a film about imagination and creation. It is also about passion. While this is a very romanticized version of the director’s life and work, it makes one want to be a dreamer and to follow those dreams, despite the world standing in the way. It also shows Wood’s struggles with his identity and who he is and how it should be okay to embrace who you are and not be scrutinized for it. While Wood wasn’t a great filmmaker, he was still a man ahead of his time. Ed Wood, the man, shows that you can have artistic and creative brilliance, even if it isn’t executed in the best way. He is a hero for those with a creative intelligence that have a hard time cultivating it into something spectacular.
This is a great period piece and a stupendous showbiz biopic. It was some of the best work of every talented person involved in the picture. Ed Wood is a true classic and a perfect homage to the man, his life and his work. And frankly, it is one of my favorite films of all-time.