Film Review: Star Wars: Episode IX – The Rise of Skywalker (2019)

Release Date: December 16th, 2019 (Los Angeles premiere)
Directed by: J.J. Abrams
Written by: Chris Terrio, J.J. Abrams, Derek Connolly, Colin Trevorrow
Based on: characters by George Lucas
Music by: John Williams
Cast: Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, Ian McDiarmid, Billy Dee Williams, Harrison Ford (uncredited), Billie Lourd, Greg Grunberg, Dominic Monaghan, Warwick Davis, Denis Lawson, Jeff Garlin, Kevin Smith, James Earl Jones (vocal cameo), Andy Serkis (vocal cameo), Ewan McGregor (vocal cameo), Alec Guinness (vocal cameo), Hayden Christensen (vocal cameo), Ashley Eckstein (vocal cameo), Freddie Prinze Jr. (vocal cameo), Olivia d’Abo (vocal cameo), Frank Oz (vocal cameo), Liam Neeson (vocal cameo), Jennifer Hale (vocal cameo), Samuel L. Jackson (vocal cameo), Angelique Perrin (vocal cameo)

Walt Disney Pictures, Lucasfilm, Bad Robot, 142 Minutes

Review:

*There be spoilers here!

“We had each other. That’s how we won.” – Lando Calrissian

Congratulations, Disney and Lucasfilm. You finally broke me to the point that I didn’t have the urge to see a Star Wars movie in the theater. Nope, I waited on this one because the previous few movies left such a bad taste in my mouth that I didn’t want to sit in a crowded theater with a bunch of normies clapping like seals every time there was a weak attempt at a cameo or minor victory. Also, people have been ruining the theater experience for awhile, so this film had that working against it already.

Now I figured I’d go see it once the buzz calmed down and the theaters cleared out a few weeks later but even then, it just wasn’t worth the trip or the money for me to make the effort.

Well, I finally watched it now that it’s available to rent and because this COVID-19 bullshit has us all trapped in our houses with nothing to do.

Anyway, as much as I anticipated not liking this, it was the best film of the three from the Disney produced Sequel Trilogy. Some of the more angry fans out there may think that’s crazy of me to say but I respect the effort of J.J. Abrams trying to fix the abortion that Rian Johnson created with The Last Jedi, especially with the weak skill set that Abrams has.

Honestly, they should have called this Star Wars: Episode IX – MacGuffins and Mystery Boxes but I guess that would require Abrams, Kathleen Kennedy, Bob Iger, Disney and Lucasfilm to actually understand humility and that they aren’t the great storytellers that they think they are.

Now this movie had a lot of weird shit that made certain sequences hard to get through. If I’m being honest, there aren’t really any sequences that didn’t have issues. I’ll list out some of my gripes from memory at the end of the main part of this review, as I did for some of my other Disney Star Wars reviews.

If I’m going to talk about what I liked about this film, I guess it’s that it tried really hard to give good fan service. Not so much, soulless, cheap attempts at winning me back but more like an admission that the series fucked up with the previous Rian Johnson stinker and that Abrams felt sorry and embarrassed that his larger vision for this trilogy was skull fucked in the eye by Johnson.

Rian Johnson cared more about his own ego and career than being the trusted custodian of something much larger than himself, which was created by others who were a lot more talented than he will ever be. If that’s harsh, I don’t care. Johnson didn’t care about the responsibility he signed up for, so he can deal with the repercussions of that from the fans who felt betrayed by his piss pigeon performance.

I’m glad that J.J. Abrams kicked Johnson in the nuts though. And his disdain for Johnson’s wreckage was made abundantly clear in the short scene where Luke returns, stops Rey from throwing her lightsaber away and states, “I was wrong.” Then he goes on to tell her what we all needed him to tell her in the previous film. For Luke Skywalker and Mark Hamill’s sake, I’m glad that the character didn’t go out like a weak piece of shit and was somewhat salvaged.

While on the subject of Rey, though, I still don’t understand how she is just simply the best at everything. She has an insanely weak character arc, hasn’t had anywhere near the level of adversity that Luke and Anakin had and you barely see her train at all and then she can barely deal with a fucking tiny laser drone. It’s like these modern filmmakers don’t think beyond what looks cool on the screen in a shot.

Anyway, this movie is a mess, narratively speaking. It’s really two movies wedged into one, as Abrams had to try and course correct while also coming up with a satisfying ending. That being said, he does okay in trying to achieve this but maybe this should have been longer or released as two parts. But I guess he is stuck with the numbering system and being tight within the framework of a trilogy.

Unfortunately, while we do get to see the main three characters spend some time together, it is hard to buy into their bond, as they spent the first two movies apart. I want to believe in it and I actually like the actors but this is something that needed to be done in every film. This is why people love the trinity of Luke, Leia and Han so much. But for whatever reason, Abrams, Kennedy and Iger don’t understand what worked about previous Star Wars films.

As much as my brain was picking things apart, I still found this to be the most palatable of the Disney Saga films. It’s hard to peg why but I think that Abrams genuinely wanted this to make up for the damage that’s been done and he did put his heart into it. But that also doesn’t mean that he was the right guy for the job way back when they announced him for The Force Awakens. He wasn’t and I had reservations about it back then.

In the end, I don’t know if I’ll ever watch any of these films again. If I do, it won’t be for a very long time. Maybe they’ll work better as a larger body of work but I doubt it with Rian Johnson’s big lame turd sitting smack in the middle of it. Honestly, it’s like a cat jumped on the table, took a shit in the middle of a mediocre pizza and you just decided to eat around it.

Assorted notes and gripes:

Watching the film, I was bombarded with a lot of WTF moments, these are the ones I remember. Maybe I should’ve taken notes.

-The opening crawl, immediately revealing Palpatine’s “resurrection” was cringe and the worst written opening crawl in the franchise.

-Who the fuck is manning all of Palpatine’s Star Destroyers?

-Why would the Star Destroyers break through thick ice to reveal themselves? There are hundreds of them and this seems like it would cause a lot of damage? And they’re already on a very hidden planet to begin with.

-Since Palpatine’s appearance isn’t explained but cloning is implied, am I just to assume that there’s only one Palpatine and not like 364?

-Lightspeed skipping? Really? And they land safely within a different planet’s atmosphere with every skip? Really? I’m no astrophysicist but I’d assume a planet’s atmosphere is a small percentage of a planet’s total structure and that planets themselves take up an insanely small amount of actual space in the universe, as a whole.

-“Hey Rose… you coming on the mission?” “Nah… I’m good, bro!”

-The group goes to outer space Burning Man… really?

-Don’t get me started on the jetpack trooper scene. That’s a clusterfuck of cringe and stupidity.

-I’m alright with the healing power but shouldn’t it drain Rey, even just a little bit. I mean, it fucking kills Kylo like two hours later.

-The Rey v. Kylo’s TIE Fighter scene was absolutely, unequivocally stupid. Just crush that shit with the Force, hoe!

-I guess Abrams views Droids as abused house pets.

-Gurl 1: “Not that you care but I think you’re okay.” Gurl 2: “I care.” Girl power! No lesbian kiss.

-So did C-3PO have red LED lights installed this whole time? Where were they when he was attempting to murder Jedi in Attack of the Clones?

-Rey doesn’t feel Chewie “die” on a ship that’s right in front of her. But then Rey feels that Chewie is alive when he’s much further away.

-Where’s Phasma? Is she really dead now? I thought she was Star Wars‘ version of Kenny from South Park.

-Are the Knights of Ren just laser sword thugs who don’t actually answer to Kylo Ren? Sith in training? Palpatine super soldiers? What the fuck are they?

-How does a billion year-old dagger line up with the wreckage of a Death Star that was built well after the dagger. And how was Rey lined up at the right angle and altitude to make it work? This was just a ripoff of the medallion from The Goonies and it was just stupid.

-I’ve lost count of the number of MacGuffins. I think there were five… maybe six? Is this a G.I. Joe miniseries from 1983? Nah… those were much better written.

-Weak as fuck lightsaber duels. Maybe the weakest in the entire franchise.

-Did Leia die because she called out to Kylo or was that just a perfect timing plot convenience?

-Harrison Ford? Why?

-Luke in 30 seconds was the Luke I wanted in the previous movie.

-Rey in a tiny X-Wing had to navigate through tight, dangerous, moving space corridors to reach the Palpatine planet but the Rebels’ big ass warships simply followed her path? It’s space, can’t they fly around that shit? What about the massive fucking armada of “regular people” that just shows up conveniently to win the war?

-Also, a militia of citizens overthrows a corrupt government by force. When did Hollywood become so blatantly pro-Second Amendment? I kid, Hollywood is just stupid.

-When they’re riding horses on the deck of a Star Destroyer, why doesn’t the ship just turn fucking sideways? It would’ve ended the war. One simple maneuver.

-The teleporting physical objects Force power is another lame plot convenience.

-What’s this random fucking Force Dyad thing? Abrams still thinks he’s making up stories with his toys in the bathtub.

-If Palpatine created Anakin and Anakin created Luke and Leia and Leia created Kylo Ren, all the while Rey is Palpatine’s granddaughter, isn’t their attraction kinda incest-y?

-I’d watch a Lando & Chewie in the Falcon movie.

-Why bury the lightsabers? A safe would be more secure.

-Why even take the Skywalker name and why did it take her so long to say it? Maybe because a part of her knew it was wrong to just take their name, their personal shit and Luke’s childhood home. Bitch, you ain’t in the will, that shit all goes to the state!

Rating: 6/10
Pairs well with: the other Disney era Star Wars movies.

Film Review: Conan the Destroyer (1984)

Also known as: Conan II, Conan: King of Thieves (working titles)
Release Date: June 29th, 1984
Directed by: Richard Fleischer
Written by: Roy Thomas, Gerry Conway
Based on: Conan the Barbarian by Robert E. Howard
Music by: Basil Poledouris
Cast: Arnold Schwarzenegger, Grace Jones, Wilt Chamberlain, Mako, Tracey Walter, Olivia d’Abo, Sarah Douglas, Andre the Giant, Pat Roach

Dino De Laurentiis Corporation, Universal Pictures, 101 Minutes

Review:

“How do you attract a man? What I mean is, suppose you set your heart on somebody. What would you do to get him?” – Princess Jehnna, “Grab him! And take him!” – Zula

I don’t think I’ve ever met a single person that prefers this film to its predecessor, Conan the Barbarian. That being said, this is still an enjoyable flick that’s pretty cool to revisit once or twice a decade.

The Conan character is cool and almost everything he’s been in has been good. This film fails to live up to the one before it but sequels rarely do. That doesn’t make it bad, it’s just a movie that was really lacking in overall quality and intensity because the studio realized that this character had young fans and thus, we got a PG movie instead of something with a solid R.

The special effects were a mixed bag. Some of it looked pretty bad but certain things, even if not spectacular, still had an enchanting allure about them. For instance, when the ghost-like dragon steals the princess, it’s a very dated looking effect but it has a real dreamlike quality to it that just works. Also, even though the mirror room sequence was shot under too many lights, it still felt otherworldly and mesmerizing.

The monster effects weren’t very good and I think having a bunch of bizarre creatures in this, sort of dragged down the rest of the movie. The picture tried to be more creative and ambitious than the first one, where the only real creature was a giant snake, but all the monsters looked rubbery, clunky and not very inspiring.

Also, the story is a mess. I’ve seen this film at least a half dozen times and I still don’t know what the hell is going on in half of the scenes. I feel like a lot of context and exposition was left on the cutting room floor.

What makes this film work for me though, is the cast. I pretty much like everyone in this film and the chemistry between Arnold Schwarzenegger and Grace Jones is stupendous. I wish they had done more movies together when they were both in the prime of their careers.

Tracey Walter was good in the film; he’s a character actor that popped up in a lot of stuff in the ’80s and ’90s. I also enjoyed Sarah Douglas, who I wish was in more movies back in the day. Olivia d’Abo did a decent job for this being her first movie. I think the only weak person in the main cast was basketball legend Wilt Chamberlain, who was never much of an actor but at least he gave it a shot.

This is directed by Richard Fleischer, who would also helm Red Sonja, a year later. He had a really interesting career, as he directed so many different styles and genres of film. He also directed 20,000 Leagues Under the Sea, Soylent Green, Fantastic Voyage, Tora! Tora! Tora!, Doctor Dolittle, Mandingo, Amityville 3-D, the 1980 version of The Jazz Singer and lots of classic film-noir pictures.

Basil Poledouris returned to score the movie but this one isn’t as memorable as the first film’s iconic music. This film’s theme isn’t as powerful and just lacks the extra oomph that Conan the Barbarian had.

If you enjoy the Conan franchise, you’ll probably enjoy this movie. I still feel compelled to revisit it from time to time and I’m always glad when I do.

Rating: 6.25/10
Pairs well with: Conan the Barbarian, the Conan the Barbarian remake, Red Sonja and the first Beastmaster.