Published: 2005-2006 Written by: Geoff Johns Art by: Phil Jimenez
DC Comics, 241 Pages
I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.
It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.
DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.
If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.
Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.
Rating: 5/10 – because of the art more than anything else. Pairs well with: other massive DC Comics events that are overloaded with characters.
Published: 1985-1986 Written by: Marv Wolfman Art by: George Perez
DC Comics, 359 Pages
Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.
But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.
The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.
In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.
Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.
Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.
This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.
The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.
The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.
Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.
I really hoped that this was going to pleasantly surprise me but it hurt my head.
It was too much, too big and too long.
Rating: 4/10 Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.
Published: October 25th, 2016 Written by: various Art by: various
DC Comics, 394 Pages
I love when DC Comics puts out massive compilations like this that celebrate big moments from the entire history of a character. Being that I never really read a lot of really old Aquaman stuff made this a big treat.
This goes all the way back to the earliest stories and gives us a good selection of tales from just about every era and decade since.
There are modern stories here but this focuses mostly on the old stuff. Especially first appearances (or very early appearances) of key characters from the Aquaman mythos. We see the debuts of the original Aquagirl, Aqualad, Ocean Master, Mera and some very early encounters with Oceanus and Black Manta.
We also get a lot of cameos from Aquaman’s Justice League allies from different eras. This has lots of cameos but all the stories are very Aquaman-centric, as opposed to wedging in Justice League stories where Arthur Curry isn’t the primary focus.
This is a thick, solid volume. It’s a bit pricey but I got the digital version of it really cheap during an Aquaman sale on Comixology. I think I paid less than $5, which to me, was an absolute steal.
If you want to know more about the Aquaman character’s history, this is a great starting point.
Rating: 9/10 Pairs well with: other recent DC Comics compilations celebrating milestone anniversaries.
Release Date: November 26th, 2018 (London premiere) Directed by: James Wan Written by: David Leslie Johnson-McGoldrick, Will Beall, Geoff Johns, James Wan Based on:Aquaman by Paul Norris, Mort Weisinger Music by: Rupert Gregson-Williams Cast: Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen II, Nicole Kidman, Temuera Morrison, Djimon Hounsou, Julie Andrews (voice), John Rhys-Davies (voice)
Warner Bros. Pictures, DC Films, The Safran Company, Cruel and Unusual Films, Mad Ghost Productions, 143 Minutes
“You think you’re unworthy to lead because you’re of two different worlds? But that is exactly why you are worthy!” – Mera
People talked this movie up quite a bit when it came out but I didn’t see it in the theater because the holidays are busy for me and this is not a Tolkien movie.
But I had high hopes as several people I tend to trust told me that I’d like it. Well, they were wrong. I mean, I didn’t hate it and if you are comparing this to the other DCEU films, it’s actually the second best. However, that’s not a high threshold to try and beat.
First off, I like Jason Mamoa and I like Jason Mamoa in this movie. However, he’s basically playing Jason Mamoa and not Arthur Curry a.k.a. Aquaman. Well, at least not how Aquaman has been written for decades. And couldn’t he have gone blonde? He could’ve kept the long hair and beard, as Aquaman has had that look before but I guess Arnold Schwarzenegger did a good job of once playing Conan without brunette locks.
But the thing is, he doesn’t feel like Aquaman and he really just feels like a badass buff dude with similar powers to Aquaman.
I thought that Amber Heard was pretty on point as Mera, though. She needs a bit more confidence if she’s to be the tough as nails future queen but this was a good start, assuming they make more of these, which they probably will.
Most importantly, though, Mamoa and Heard had damn good chemistry and that’s what had to carry this movie and it was certainly a strength when everything else around it felt like aquatic Candyland.
Other than a handful of good actors, mainly Willem Dafoe, Nicole Kidman, Dolph Lundgren, Patrick Wilson and Temuera Morrison, the rest of the film was pretty lackluster and underwhelming.
It had action, it was fun for the most part, but a lot of the film felt too dragged out once you got to the middle. It had really good pacing for about 45 minutes but then the plot just seemed to be a mixture of different genres and this didn’t have a clear identity as to what it was. Some of these genre twists seemed like they were more in conflict with the film as a whole than being a collection of interesting ingredients there to make the dish taste better.
I didn’t like how Black Manta was handled and he’s just sort of a henchman and an afterthought in this film. He’s much more badass than that. Read Dan Abnett’s first few story arcs on his run of the Aquman comic. There, Black Manta was a dangerous terrorist that had Aquaman and Atlantis in the palm of his hand. I know that they introduced him in this film to build him up for later but I just don’t feel like they did it effectively and it’ll be hard to take him seriously as the big baddie when he was just portrayed as Mr. Laserface and then get knocked down a cliff. Plus, with his helmet on, the effect they used on his voice mixed with the actor’s line delivery, reminded me of Dark Helmet from Spaceballs.
Patrick Wilson was pretty good as the Ocean Master but the way he was written was confusing. He’s willing to do pure evil to maintain his throne but he doesn’t seem to commit to the bit and he just sort of accepts his fate when his mom shows up and tells him to love his brother.
This film is an example of something being fun and entertaining but not being good and not being something that I particularly like. I don’t think I’ll ever watch it again and that goes for all the films in the DCEU. But that also doesn’t mean that I won’t watch the sequel, I probably will but I doubt I’ll see that one in the theater either.
Rating: 5.75/10 Pairs well with: other recent DC Comics movies within the same shared universe.
Published: October 8th, 2013 Written by: Geoff Johns Art by: Andy Kubert
DC Comics, 166 Pages
This is the best Flash event that I’ve ever read. Granted, I’m not a hug Flash fan in the comics and I haven’t read a lot of his big events but this wasn’t bogged down by too much Speed Force bullshit, which is typically a bone of contention with me, as it’s used to explain every random ass weird thing that happens in modern Flash stories. It’s also why I lost interest in the TV show, which started out pretty damn good.
The Speed Force does play a factor here but it doesn’t make this a mental clusterfuck like the plot of The Flash: Rebirth.
And while The Flash does fight another speedster, this isn’t just about a guy with speed fighting another guy with speed because that shit also gets tiresome and is another reason why I stopped watching the show.
There are a lot of characters and the fact that this takes place in an alternate reality where things are different enough to make the world interesting, makes this feel different than the standard Flash event.
Granted, I wish this featured more of the regular rogues that aren’t speedsters but when most of those villains have become jokes, that was probably for the best. At least we get small cameos from Captain Cold and the Pied Piper, even if they don’t have much to do with the story.
The thing that makes this so good, is that it just grabs you and holds on. It’s a quick read, as it takes place over just five issues but there is a lot to absorb. But in the end, this will hit you in the feels from a few different angles and frankly, that took me by surprise. But the final moments in this made this whole journey worth it.
Geoff Johns is one of my favorite writers of the last decade or so and this is the first Flash story that I felt was on the same level as his best Green Lantern work. Plus, Andy Kubert’s art was incredible and it wasn’t too far of a departure from the style I’ve come accustomed to seeing in Johns’ biggest stories, which were mostly drawn by Ethan Van Sciver.
Flashpoint is an action packed and legitimately emotional ride through two men’s tragic journeys. It was well executed and a visually stunning piece of work.
Rating: 9/10 Pairs well with: the Geoff Johns era of The Flash, as well as other major Flash events.
Published: Octoberber 17th, 2018 – November 28th, 2018 Written by: Scott Snyder, Dan Abnett, James Tynion IV Art by: various
DC Comics, 224 Pages
This was a big crossover event that was used to give us a cool and epic Aquaman story just as his first movie was set to hit theaters. It’ts spread over multiple titles in a similar style to the recent Wonder Woman/Justice League Dark: The Witching Hour event.
The plot deals with some Atlantean deities coming to Earth and drowning the planet with magic water that turns everyone into fish zombies. No, seriously, that’s the premise.
That being said, it still plays out really cool and as bonkers as it sounds, the writers commit to the bit and the story is just as fun as it is nuts. It’s also pretty damn intense, as the surviving heroes try their damnedest to not get wet while working to save the planet.
However, there isn’t much here that seems to hold any real weight over the DC universe, apart from how it effects just Aquaman and where his comic will go, as it moves forward with a new creative team.
This will probably be remembered for its insanity but other than that, it isn’t an event that will be remembered as anything more than a cash grab and promotional tool for the upcoming Aquaman movie.
It had a solid creative staff and is certainly better than DC’s current mega event Heroes In Crisis but this massive extinction level event went down and now everyone, except Aquaman, is fine and has moved on. In fact, most of the other DC titles didn’t even seem effected by this other than a few casual mentions of people being turned into fish zombies.
I did like tracking down all these issues, nonetheless. I’ll always think of it fairly fondly, simply because it was a wild ride and mostly exciting.
Rating: 7.75/10 Pairs well with: other Aquaman stories leading up to this, as well as the recent crossover The Witching Hour. This also ties back to Dark Nights: Metal.