Release Date: Part I: ….ber ..th, 2012; Part II: ….ber ..th, 2012; Part III: ….ber ..th, 2013
Directed by: Toshiyuki Kubooka
Written by: Ichiro Okouchi
Based on: Berserk by Kentaro Miura
Music by: Shiro Sagisu, Susumu Hirasawa
Cast: Hiroaki Iwanaga, Takahiro Sakurai, Toa Yukinari, Marc Diraison, Kevin T. Collins, Carrie Keranen
Studio 4°C, Madman Entertainment, Viz Media, Kazé UK, Lucent Pictures, 76 Minutes (Part I), 91 Minutes (Part II), 107 Minutes (Part III)
“Heed my words, Struggler. Soon a rain of blood, the likes of which you cannot imagine, shall fall down upon you. It will be a storm of death. But take heed, Struggler. Struggle, endure, contend. For that alone is the sword of one who defies death. Do not forget these words.” – Skull Knight
Since I watched the anime television series that served as a sequel to this first, I had a very different perspective going into this trilogy of anime films.
Being that I knew where these characters would end up, actually made me a lot more interested in how they got there, which is a place very far from where they start at the beginning of the first movie in this trilogy.
I also now have all the context regarding the three main characters in these films and it’s made me want to go back and watch the anime series again, as I think it’ll have even more of an impact.
I guess whatever order you watch these in is up to you and you probably should watch the animated Berserk material in order. If you’d prefer to do it that way, you should start with the original animated series from the late ’90s, which I actually haven’t seen yet. But I’m going to watch it in the next week or two, coming off of the high of this.
As far as these three films go, they’re pretty fucking exceptional.
The story and the relationships of the three main characters is what made this so great. A lot happens in these three films and by the end of them, you’re left exhausted and emotionally overloaded. And to be honest, I didn’t expect this to end with such an emotional punch to the gut.
It’s fucked up, tragic and you find yourself pretty fucking angry over what a particular character ends up doing to those you assumed he loved. Especially, after everything they went through together over a pretty long passage of time.
The animation is also pretty damn stellar. Overall, this looks better than the show that followed it.
As these three films rolled on, I wasn’t sure how all of this would pan out and whether or not there’d be a grand, worthwhile payoff. This exceeded any expectations I could have had for it and from my perspective, I’d call the entire body of work a masterpiece.
Release Date: April 15th, 2002 (Netherlands – Fantastic Film Festival)
Directed by: Chuck Russell
Written by: Stephen Sommers, William Osborne, David Hayter, Jonathan Hales
Music by: John Debney
Cast: Dwayne “The Rock” Johnson, Steven Brand, Kelly Hu, Bernard Hill, Grant Heslov, Peter Facinelli, Michael Clarke Duncan, Tyler Mane (uncredited)
BT Film, Alphaville Films, Universal Pictures, 92 Minutes
“Let me tell you, after a hard day of looting and pillaging, there is no greater city than Gomorrah… except maybe Sodom.” – Arpid
This was the first ’90s Mummy-related movie that I didn’t see in theaters and that’s mainly because it just didn’t interest me, even though I love The Rock and I love sword and sorcery flicks.
I was just turned off from how bad the Scorpion King character was presented at the end of The Mummy Returns and the trailers for this looked terrible.
Visually, I thought that this looked more like a TV production that had more in common with The Beastmaster TV show than something epic and cool like 1982’s Conan the Barbarian or the original and awesome Beastmaster movie.
I wasn’t wrong, as the finished product does feel like a television level production and that’s just one problem with it.
Beyond that, the story is cookie cutter shit. You never care about any of the characters or their situations in the film and that’s kind of an amazing feat, as Dawyne “The Rock” Johnson is one of the most charismatic people on the entire f’n planet. But somehow, this made him come off as boring and uninteresting.
I also never liked Steven Brand as the villain, as he just didn’t look like a guy that could remotely be a threat to The Rock. In the movie, his character is smaller and he’s just a dude that’s really good with swords.
I truly wish that this would’ve been The Rock’s Conan and that we’d get sword and sorcery movies with him in it every few years. However, this is a dud in every way.
But hey, at least it was better than that third Mummy movie.
Also known as: The Mummy 3 (informal title), Untitled Rick O’Connell Adventure, The Mummy 3: Curse of the Dragon (working titles)
Release Date: July 24th, 2008 (Moscow premiere)
Directed by: Rob Cohen
Written by: Alfred Gough, Miles Millar
Based on: characters by Stephen Sommers, Lloyd Fonvielle, Kevin Jarre
Music by: Randy Edleman
Cast: Brendan Fraser, John Hannah, Jet Li, Maria Bello, Russell Wong, Liam Cunningham, Luke Ford, Isabella Leong, Michelle Yeoh
The Sommers Company, Relativity Media, Universal Pictures, 112 Minutes
“I hate mummies! They never play fair!” – John Carnahan
Fuck me. This was damn near unwatchable and getting through it was a hell of a challenge. But I wanted to complete the trilogy for the sake of reviewing them all.
This was so bad and weird that Rachel Weisz passed on it after reading the script and not wanting to play mother to a twenty-two year-old son. I guess Brendan Fraser came back after they threw like fourteen million dollars at him.
The only other returning cast member from previous films was John Hannah.
Somehow, Rick O’Connell has a kid that’s in his twenties, even though Rick looks the same as he did in the previous two movies. If you remember, the son was like seven years-old in the previous film and he wasn’t even born yet in the one before that. But whatever.
This time Evie is played by Maria Bello. Generally, I like Maria Bello but man was she poorly cast for this role. She doesn’t look like Evie, doesn’t act like her and it just breaks the movie. It’s a situation where the film would’ve been better off having the character omitted, whether that came from being an offscreen death or divorce.
In this story, the heroes go to China and we get a new mummy played by Jet Li. I hope Li got a fat paycheck too because this utilized him poorly.
Additionally, the special effects seem like they’re worse than they were in the previous movies.
Man, this just shouldn’t have been made. It’s absolute shit and I probably would’ve hated it more had I seen it in the theater back in 2008.
At least now, I can say that I’ve seen it, reviewed it and can go on to forget it.
Published: January 13th, 2016
Written by: Ann Nocenti, Mike Baron, Fabian Nicieza
Art by: John Romita Jr., Ron Lim, Steve Ditko, Whilce Portacio
Marvel Comics, 465 Pages
The first issue of Daredevil that I ever picked up came from his stretch, collected here. This also covers about the first half of Ann Nocenti’s incredible Daredevil run. A run that sold me on the hero and made his comics ones that I would pickup monthly for years.
Other than the Typhoid Mary-centered issues, this is the first time that I’ve really reread Nocenti’s Daredevil material since the late ’80s/early ’90s.
Overall, this era is fucking great and if I’m being honest, I actually like it on the same level, if not more, than the Frank Miller era before it. While this can read lighter than Miller’s run, it still gets really damn dark and stays true to the core of what Daredevil became because of Miller.
What makes this even better and also keeps the tone right is the art by John Romita Jr. Even though I didn’t know it in 1989, when I first got hooked, Nocenti and Romita Jr. were one of the best creative duos of the time and certainly a better combination of writer and artist than Marvel has put together in modern times.
In my opinion, this is still Romita Jr.’s best work and the legacy he should hang his hat on. And yes, I say that knowing that he still works, today.
As far as the stories go, this starts with the debut of Typhoid Mary, which I’ve reviewed on its own (see here), but it also goes into some follow up stories with her character. This also happens during the major Inferno crossover event and sees Daredevil tie-up with demons and even Mephisto. In fact, the Mephisto-centric issue is one of the greatest Christmas comics ever produced.
This is just great. It’s one of the best stretches of my favorite comic book series. Revisiting it now didn’t leave me disappointed.
While this isn’t the last of the Elric of Melniboné novels, it is the final one in the six-part Elric Saga. And with that, this is a pretty intense and satisfying finale.
I’ve enjoyed these books pretty f’n thoroughly. After spending the better part of a year reading through everything by Robert E. Howard I could get my hands on, switching over to Michael Moorcock’s stories of a hero that is essentially, Conan in reverse, was also a great experience. I do plan on reading more Elric books, as well as other non-Elric works by Moorcock.
As for this tale, I thought that it was the best since the first book. This is also the thickest of the series. But this is also because a lot happens here and this is the culmination of everything that has happened before it. Because it’s the last in the series, I don’t want to spoil any of the key details.
I will say that it packs a punch, wraps some things up pretty well and ultimately, leaves you sad that the “saga” is over while being very hungry for more.
Moorcock’s prose, as I’ve mentioned before, is just incredible and there’s almost this extra layer of confidence and familiarity in his writing, here, that it takes this to another level.
In the end, all I can do is hope that more people check out Moorcock’s work, especially the books in the Elric Saga.
Also known as: The Mummy 2 (working title)
Release Date: April 29th, 2001 (premiere)
Directed by: Stephen Sommers
Written by: Stephen Sommers
Based on: characters by Stephen Sommers, Lloyd Fonvielle, Kevin Jarre
Music by: Alan Silvestri
Cast: Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo, Oded Fehr, Patricia Velásquez, Freddie Boath, Alun Armstrong, Dwayne “The Rock” Johnson, Adewale Akinnuoye-Agbaje
Imhotep Productions, Alphaville Films, Universal Pictures, 130 Minutes
“[to Rick] My friend, there is a fine line between coincidence and fate.” – Ardeth Bay
Let me start by saying that this is not as good as its predecessor, 1999’s The Mummy. That’s probably not a shock, though, as generally everyone agrees with that, critics included.
However, I will also say that this was better than I remembered it being and I think that fun adventure movies were in such abundance in this era that I may have taken it for granted.
My only big gripe with this movie is how atrocious the CGI was on the Scorpion King character at the end of the film. It looks like they took The Rock straight out of WWF SmackDown! 2: Know Your Role for the PlayStation 1 and added pinchers to his hands. Man, I remember it being atrocious in 2001 and it looks even worse now. What’s really odd about it, is that most of The Mummy effects looked pretty good and held up fairly well. Even the worst CGI effects are still somewhat passable.
I thought that the story was just okay but I did like that Patricia Velásquez actually had a bigger role and I liked the material they came up with for her past connection to Rachel Weisz’s Evie. I also like that this allowed Evie to hold her own in the action sequences and that she was no longer just a typical damsel in distress.
I wasn’t crazy about the kid being added to the proceedings, as kid actors can wreck a movie and honestly, his scenes are mostly annoying. I’d hate to blame the kid, specifically, and I think it has more to do with the script and Stephen Sommers’ directing.
One takeaway from this and the previous movie, as well, is the fact that Oded Fehr’s Ardeth Bay is such a cool f’n character and even though The Rock became a massive star, I think that the producers should’ve probably given Fehr his own spinoff movie first.
Anyway, this is mostly more of the same but it does feel like it’s happening on a much larger scale. However, for some reason, when Imhotep is resurrected in this film, I guess the Ten Plagues of Egypt aren’t a factor anymore.
One doesn’t watch these sort of movies to be overly picky about details, though. This is just supposed to be fun, mindless escapism, which is something I praise a lot. This movie really works in that regard until the finale where we get PS1 graphics Dwayne Johnson.
Published: March 22nd, 2017
Written by: Rob Liefeld, Fabian Nicieza, Todd McFarlane, various
Art by: Rob Liefeld, Greg Capullo, Todd McFarlane, Mike Mignola, Mark Pacella, Darick Robertson, Terry Shoemaker, various
Marvel Comics, 463 Pages
Man, oh, f’n man… it’s been ages since I’ve read the Rob Liefeld era of X-Force. When I was a kid, I thought that this was the greatest new series Marvel had but I also think I was convincing myself of that, as Rob Liefeld was a hot commodity and I was also a fan of The New Mutants, which this was born out of. Besides, there was just so much hype at the time and I was at a pretty impressionable age.
Reading this now, I still found it really enjoyable and was surprised that I liked it as much as I did.
However, I also know that the story essentially came from Liefeld like bullet points and then it was handed to ace writer Fabian Nicieza, who actually wrote all the dialogue and massaged Liefeld’s notes into a usable script. After Liefeld left the series to co-found Image Comics, Nicieza stayed on as the writer and worked with other greats like Greg Capullo and Mike Mignola.
Now looking at the other side of this, creatively, the art isn’t great and even if I loved Liefeld when I was in 7th grade, I see the issues with his art much more clearly now. However, I don’t want to shit all over the guy like everyone else has done for years. I just notice the issues he has with anatomy and perspective.
It’s worth mentioning, though, that the art did improve once Liefeld stepped away, which happened about two-thirds into this collection.
As far as the story goes, I really got reinvested in this and want to keep reading it. Possibly beyond where I stopped when I was buying this month-after-month, which was about four or five years into the series.
Additionally, this also reminded me of how much I liked some of the long forgotten characters that were so cool in 1991. Characters like G.W. Bridge, Garrison Kane and the other people associated with them and Cable’s past.
This, the fifth of the six books in the Elric Saga was a step up from the previous couple for me. While I’ve enjoyed all the books, up to this point, this one had more energy to it and Michael Moorcock seemed like he was really hitting his stride, here.
The Bane of the Black Sword introduces us to, Zarozinia, the woman who would become the real love of Elric’s life, despite his intense feelings for the deceased Cymoril.
Also, Moorcock continues to expand his universe while building off of many of the things he’s established, thus far.
There are some bits in this that are slow but the good stuff makes up for that and the action and adventure are pretty solid, all around.
My only real gripe about this book, and the others as well, is that there always seems to be magical assistance that is too readily available to Elric. This has always been my issues with magic in fiction, in general. It should never be used as a “fix all”, as it diminishes the hero’s journey and their struggle.
However, this book has one hell of a payoff at the end, and it’s certainly full of a lot more positives than negatives.