Published: October 7th, 2014 Written by: Paul Tobin Art by: Joe Querio, Mike Mignola (cover) Based on:The Witcher novels by Andrzej Sapkowski
Dark Horse Comics, 137 Pages
I wasn’t sure what to expect from a Witcher comic book but I’m glad that this didn’t disappoint and was a pretty cool read.
While the cover was done by Mike Mignola, the interior art was not. However, it does have the same sort of vibes even if it is less stylized.
The story here was enjoyable and there’s a mystery to be solved. While things aren’t what they seem, the story isn’t predictable and the ending is pretty satisfactory.
Most of the story takes place in and around a haunted house but there are a few characters that come into this tale, as well as some neat monsters, many of which you’ll recognize from The Witcher games.
The story here was interesting and well written with fairly rich and well developed characters that you end up caring about.
All in all, if you are a fan of the franchise, this is definitely worth your time.
Rating: 8/10 Pairs well with: other Witcher comics.
I’ve always loved that H.P. Lovecraft never really gave a shit that other writers would tap into his Cthulhu mythos. In the case of Robert E. Howard, the two had become good friends whose work influenced each other. So, naturally Howard wrote some Lovecraftian tales and even merged some of his most famous characters with those existing in Lovecraft’s literary universe.
The first story in this anthology collection sees Howard’s Kull of Atlantis crossover into Lovecraftian horror. Granted, this also happened in some works featuring Conan the Cimmerian, as well.
My favorite story in the collection was the second one, which was originally a novella. The story is called “Skull-Face”. The story is about a British man who smokes opium, has weird visions and then discovers that there’s something real and sinister afoot.
As I was reading “Skull-Face”, I kept envisioning Peter Cushing as the main character and it read like something that could’ve been adapted greatly by Hammer Films in the 1960s.
The rest of the stories were also pretty solid but my mind kept drifting back to “Skull-Face”.
All in all, this was really neat to read as it merged two of my favorite fantasy authors’ worlds together. Sure, Lovecraft influenced Howard’s sword and sorcery tales but this thick volume went beyond just the stuff I’ve read involving Conan, Kull and Solomon Kane.
Rating: 7.75/10 Pairs well with: other works by Robert E. Howard, as well as the literary work of H.P. Lovecraft.
Also known as: Scarlet Friday (working title), Voodoo Child (Germany) Release Date: January 14th, 1970 Directed by: Daniel Haller Written by: Curtis Hanson, Henry Rosenbaum, Ronald Silkosky Based on:The Dunwich Horror by H.P. Lovecraft Music by: Les Baxter Cast: Sandra Dee, Dean Stockwell, Ed Begley, Talia Shire (as Talia Coppola)
Alta Vista Films, American International Pictures, 90 Minutes
“Come back, Old Ones… Princes of Darkness… and repossess the earth.” – Wilbur Whateley
Over Halloween weekend, I wanted to watch some Lovecraftian horror. So I figured, why not watch an actual adaptation of Lovecraft’s work. An adaptation that I both love and haven’t seen in a really long time.
So that thought brought me to The Dunwich Horror, a film put out by American International Pictures, which feels very close to their Edgar Allan Poe adaptations of the ’60s.
While this sadly doesn’t feature Vincent Price, I love Dean Stockwell and he made a great villain in this. Plus, he’s so damn young that it’s just cool seeing him this youthful.
The film also stars Sandra Dee, Ed Begley Sr. in one of his last roles, as well as a very young Talia Shire when she was still going by Talia Coppola.
The film has a tremendous atmosphere that feels like those Poe films but even more evolved and refined. I’m nowhere near as versed in director Daniel Haller’s work, as I am in Roger Corman’s, but he borrowed from Corman’s style while at AIP and gave us something that looked a little more pristine and as if he really took his time and didn’t rush through the production as quickly as Corman typically did.
The sets and the town in this look lived-in and genuine and even the stuff made on sets just fit well within the total presentation and came across as authentic locations.
I loved the lighting and how it almost has a giallo type feel in the more fantastical moments.
While this is far from perfect, it’s pretty well acted for a low budget horror movie and it tells an enthralling story that at least feels consistent with the tone of Lovecraft’s literary work.
Rating: 7.25/10 Pairs well with: the Edgar Allan Poe adaptations by Roger Corman for American International Pictures.
Also known as: The Time Killer (working title), Kolchak: The Night Strangler (long title) Release Date: January 16th, 1973 Directed by: Dan Curtis Written by: Richard Matheson Based on:The Kolchak Papers by Jeffrey Grant Rice Music by: Bob Cobert Cast: Darren McGavin, Simon Oakland, Jo Ann Pflug, Richard Anderson, Margaret Hamilton, John Carradine
Dan Curtis Productions, ABC Circle Films, ABC, 74 Minutes, 90 Minutes (extended syndication version)
“I just saw your “so-called killer” wipe up the street with your so-called police force!” – Carl Kolchak
In my last Kolchak related review, I talked about my love of the show but also mentioned that I had never seen the television movies that predated it. This is the second and final film and I’ve got to say that I liked it a hair bit better than the very entertaining and charming first one.
I guess the consensus is that they were pretty equal in quality but I felt like Darren McGavin and Simon Oakland were much more in-sync together, as well as more comfortable with their characters.
This story doesn’t see our crack reporter trying to take down a vampire, instead, he’s trying to stop an alchemist that is killing young women and using their blood to stay immortal. I guess the baddie is similar to a vampire, in a way, but he’s more like a Jack the Ripper type of killer with an extra twist.
The film also takes place in Seattle, after Kolchak was chased off from Las Vegas due to the events of the previous story. He’d also have to leave Seattle at the end of this where the heroes mention that they’re moving to New York City. The TV show that followed the next year put them in Chicago, however.
Anyway, this is solid, cool yet hokey ’70s fun and I like that it didn’t stay focused on vampires and allowed itself to be more open with weird monsters and phenomena. In fact, this franchise was a big inspiration on the creation and format of The X-Files, two decades later.
Rating: 7.75/10 Pairs well with: its predecessor The Night Stalker and the television show Kolchak: The Night Stalker.
Published: January 14th, 2020 Written by: Benjamin Truman, Tim Truman Art by: Joe Kubert, various Based on:Conan the Barbarian by Robert E. Howard
Dark Horse Comics, Marvel (reprinted), 464 Pages
These massive collections are kind of pricey, which up to this point was fine. But this one is probably my jumping off point, as it was such a big step down from the previous three Epic Collection releases Marvel has put.
These beefy trade paperbacks cover the span of Conan stories while they were being produced and published by Dark Horse after the original Marvel runs. Well, now that Conan is back at Marvel, they’re releasing two-to-three of these per year to fill in the void.
I guess the stories in this volume weren’t all that bad but the art was a big departure from what I had come to expect with the other volumes.
Additionally, the art was a mixed bag with contrasting styles that changed too often and just sort of made this collection feel really disjointed, where the others felt cohesive, uniform and consistent.
In fact, I’d say that this one made me appreciate the early volumes that much more.
I guess if you’re a Conan completist and you want all of these, have at it. For me, I’ll have to look through the next one before I just outright buy it.
Rating: 5.75/10 Pairs well with: other Conan comics from the Dark Horse era.
I dug the hell out of the Splatterhouse games way back in the day. However, other than recently playing and reviewing the first one, I hadn’t played them since the early ’90s.
This one wasn’t released on the TurboGrafx-16 like its predecessor. Instead, it was released on the 16-bit Sega Genesis (or Mega Drive for international readers).
Unfortunately, this chapter is just more of the same and doesn’t do much to improve upon the first one. In fact, I think it is slightly worse in just how repetitive it is, as well as how shitty the controls and mechanics are.
Plus, it doesn’t take much for you to die, which doesn’t make a lot of sense when you’re a Jason Voorhees looking character with a more ripped physique and a myriad of badass weapons to use.
Additionally, the baddies in the game are all just kind of generic looking and uninspiring.
This is a game that’s fun for about ten minutes until you say to yourself, “Okay… I get it.” and then move on with your day.
Rating: 5.5/10 Pairs well with: the other releases in this series.
Also known as: Death Mask (alternative international title), Halloween Night (US alternative title), The Damning (UK) Release Date: March 25th, 1988 (UK) Directed by: Jag Mundhra Written by: Dave Eisenstark (as Burford Hauser), Carla Robinson Music by: Greg Haggard (as Gregory T. Haggard) Cast: Hy Pyke, Gregory Scott Cummins, Carla B., Katina Garner
Spencer Films, 87 Minutes
This weird ass movie is a combination of being abysmally bad and kind of entertaining, when not mulled down by the really dull parts. The abysmally bad parts kind of win out, though.
Hack-O-Lantern is a Halloween-themed horror movie directed by an Indian guy that doesn’t seem to know much about Halloween. Also, he is relying on tropes and themes that were kind of played out by the time this was released. It’s like the guy watched Halloween nearly a decade earlier and said, “Let’s do that but crazy! Very, very crazy!”
The film is about an old grandpa that runs a Satanic cult while also featuring a slasher, who goes around killing teens. There’s also some weird rock and roll band subplot that sees music videos just kind of randomly appear out of nowhere. I guess it’s not even really a subplot. This is just an amalgamation of bonkers ass shit that makes little to no sense.
I only watched this because it was featured on The Last Drive-In. I can’t call it the worst movie featured on there, as it was at the very least, amusing in spite of its massive flaws.
I don’t think that I’ll ever watch this again or even recommend it but I didn’t hate it, so that’s something.
Rating: 3.5/10 Pairs well with: other Halloween-themed horror movies.
Published: June, 1983 Written by: Alan Zelenetz Art by: Ron Wilson Based on:Conan the Barbarian by Robert E. Howard
Marvel Comics, 37 Pages
I’m planning to review many of the classic What If? stories but in doing so, I wanted to start with the ones featuring Conan first. This is the second of the four Conan stories.
While Conan briefly crossed over with Peter Parker and Mary Jane Watson in his first What If? tale, it was just a small cameo by Spider-Man and his future wife and the characters didn’t actually interact. This story, however, is the first time that Conan actually has fisticuffs with an iconic Marvel character.
The comic also features Conan villain Thoth-Amon, a brief appearance by Loki and a strange, bonkers appearance by Crom, who shows that he just doesn’t have time for Thor’s shit.
The comic’s title is somewhat misleading, as Thor and Conan do actually battle but it’s pretty short and they start working together to try and figure out how to get Thor back home, as he’s trapped in Conan’s realm and time.
The setup for this is pretty basic. Thor follows Loki into a cave and ends up in a different time and place. Part of me was kind of hoping to see Loki team up with Thoth-Amon but that didn’t happen.
Overall, this was a pretty cool read but the scene with Thor meeting Crom felt really out of place, strange and as if the writer didn’t really know much about Conan lore. Crom isn’t like Odin, just chilling on a throne for anyone to confront and chat with.
This isn’t my favorite of the Conan What If? stories but none of them are bad and they’re all amusing and entertaining in their own unique way.
Rating: 7/10 Pairs well with: the three other What If? comics featuring Conan.
Release Date: February 16th, 1990 (Orlando premiere) Directed by: Nicolas Roeg Written by: Allan Scoot Based on:The Witches by Roald Dahl Music by: Stanley Myers Cast: Anjelica Huston, Mai Zetterling, Jason Fisher, Rowan Atkinson
Jim Henson Productions, Lorimar Film Entertainment, 91 Minutes
“Real witches are very cruel, and they have a highly developed sense of smell. A real witch could smell you across the street on a pitch-black night.” – Helga
While this film has grown into a cult classic over the last thirty years, I hadn’t seen it since it first appeared on VHS. Back then, no one really knew about it but I wanted to see it because Jim Henson worked on it. Plus, my mum wouldn’t take me to the theater to see it because she had some weird religious reason not to take me to anything “promoting witchcraft or Satanism.” Funny, as she ended up becoming a massive Harry Potter fan a decade later.
What really stands out about this film is how unique it is. Also, for a kid’s movie it’s damn dark. The director actually had to tone it down after he showed it to his own kid in order to get his reaction. As a kid, I wasn’t scared by it but the imagery was so haunting and over the top that it left a mark on my psyche.
My memory of the film was a fond one and I’m glad to say that my youthful opinion on the film still held up, seeing it now.
Anjelica Huston is pretty close to perfection in this and man, her performance is still damn effective. While this is adapted from a Roald Dahl children’s novel, it feels like the role was tailor made for her. It highlighted her strengths, her ability to intimidate and her intensity. She also got to ham it up and act over the top, which only benefited the movie and her role.
The kid actors are okay, nothing special, and the rest of the acting is fairly average but once the kids become mice, the film almost shifts into a state of otherworldly-ness and that’s after the incredible witch convention sequence.
The special effects in this are incredible from Anjelica Huston’s full witch makeup and prosthetics to the boys’ mice forms. Even knowing how talented Jim Henson was and how great his studio is, the effects work and puppetry still blew my mind for what they achieved here, thirty years ago.
I’m glad that this did become a cult classic, it deserves that status because of how good it is, how much craftsmanship went into it and for it’s uniqueness.
Rating: 7.5/10 Pairs well with: other children’s horror from the ’80s and ’90s.