Comic Review: Vigilante by Marv Wolfman, Vol. 1

Published: 1983-1984 (original single issues run)
Written by: Marv Wolfman
Art by: Keith Polland, George Perez, various

DC Comics, 318 Pages

Review:

I remember seeing copies of the Vigilante on shelves and in long boxes back in the day when I used to spend every dollar of my allowance on comics. I never knew much about the character other than he always had comics with striking covers. At the time, I think I just assumed he was one of a million Punisher or Deathstroke ripoffs and never really gave him a shot. But now that I am an adult with some disposable income, I wanted to see what was beyond the great covers that always adorned this comic book series.

Seeing that Marv Wolfman created the character and wrote this series was a big selling point, as this came out when Wolfman was writing some of his best work. I’m primarily talking about his run on The New Teen Titans, which is also where Vigilante debuted – in the second annual, to be exact.

This collection starts with that first appearance and then collects the first 11 issues of the Vigilante comic.

I guess the thing that’s most cool about Vigilante is that while the hero is a gun carrying vigilante out for justice in an effort to correct a flawed system, his backstory certainly isn’t cookie cutter. While he loses his family in a similar way to Frank Castle a.k.a. The Punisher, it’s almost as if he is a cross between Castle and Harvey Dent. Although, he luckily avoids getting half of his face melted off with acid.

The Vigilante is Adrian Chase, an attorney that has tried to stop the mob for years but constantly sees a corrupt legal system fail, again and again. The murder of his family is the final straw. But his origin, once you get to that issue, is really weird and even has some mystical elements to it.

The Vigilante is probably the best good guy out of all the other characters that embody the “vigilante” trope. While he breaks the law, trying to uphold the law, he is often times at odds with himself and second guessing his tactics. After the first 11 issues of his series, he’s still not settled on what way is the right way or if he’s even doing what’s best for society.

There are a lot of layers and Marv Wolfman gave us a really dynamic series here. Frankly, this is vastly underappreciated and sadly, mostly forgotten.

Adrian Chase got new life in modern times as a character on the TV show Arrow but that incarnation was called Prometheus and he was a straight up villain out to make Green Arrow suffer.

If you like these type of characters, this will most assuredly be a refreshing read for you. It is not a retread of dozens of similar characters. It’s a unique take on the genre and it’s much more intelligent than most of the titles you can compare it to.

Plus, the art is strikingly beautiful and the Vigilante has a really cool costume that’s one part retro and two parts badass.

Rating: 8.5/10
Pairs well with: Marv Wolfman’s run on The New Teen Titans, as well as ’80s stories featuring Deathstroke.

Comic Review: The New Teen Titans, Issue #2 – First Appearance of Deathstroke

Published: November 30th, 1980
Written by: Marv Wolfman
Art by: George Perez, Romeo Tanghal, Adrienne Roy

DC Comics, 26 Pages

Review:

If you’ve been reading Talking Pulp for awhile, it’s no secret that I’m a big fan of Deathstroke. That being said, I have never read his first appearance. The main reason is because this single issue is pretty expensive nowadays, as Deathstroke has gone on to get more and more popular over the years. Especially, after appearing in live action form in the Arrow TV series as well as the recent Justice League movie.

I read this digitally. This single issue is still on my bucket list for comics I want to own before I die but I really wanted to read this simply because it was the first time the world got to see Deathstroke, the Terminator.

On a side note, it also features Grant Wilson’s first time out as Ravager. He is the son of Deathstroke, which isn’t much of a spoiler, as this story is almost 40 years old.

Anyway, this adds a lot of background context to the events of the more famous New Teen Titans story arc, The Judas Contract. We understand more about Deathstroke’s motivations because of this first appearance.

Like The Judas Contract, this story was written by Marv Wolfman and the art was done by George Perez. They were one of the best tandems in comics history and it’s pretty apparent that they were writing this story with the long game in mind.

Perez designed Deathstroke in the same year that he designed Taskmaster for Marvel in Avengers issues 195 and 196. I mentioned in my review about that story arc that the two characters have very strong design similarities. Also, both are at the top of my list as favorite characters under the banner of their publishers.

This was a really exciting read for me. I have a strong bias towards Deathstroke but Wolfman wrote some of the best team superhero comics ever. Perez’s art is fluid and mesmerizing. The two together are pure dynamite.

This issue also reminds me of a time when single issue comics could tell a self contained story with limited space but cover a lot of ground.

Rating: 7.75/10
Pairs well with: other Teen Titans stories from the Marv Wolfman and George Perez era.

Film Review: Batman Ninja (2018)

Release Date: March 24th, 2018 (Anaheim premiere)
Directed by: Junpei Mizusaki
Written by: Kazuki Nakashima
Based on: Batman by Bob Kane, Bill Finger
Music by: Yugo Kanno
Cast: Tony Hale (English dub), Tara Strong (English dub), Kōichi Yamadera, Wataru Takagi, Ai Kakuma, Rie Kugimiya, Hōchū Ōtsuka

DC Entertainment, Kamikaze Douga, Yamatoworks, Barnum Studio, Warner Bros., 85 Minutes

Review:

“This is madness.” – Batman

Yes… yes it is, Batman.

The only reason I checked this out is that it’s on the DC Universe app, which I now have and am trying out. Other than that, I didn’t have much interest in this.

However, some of the character designs looked cool and I thought that this might just be bonkers enough to be enjoyable. The problem is that I only made it about twenty minutes into the film before I regretted hitting the play button.

Cool and interesting character designs don’t mean much outside of a sketchbook of conceptual art. You have to apply these cool looking characters in an engaging and dynamic way and this anime fails to do just that.

This movie is a clusterfuck of biblical proportions and I’m pretty sure that the creators behind this had no idea what the hell they wanted to do apart from throwing a bunch of cool looking shit on screen just for the sake of throwing a bunch of cool looking shit on screen.

The story is all over the place, makes little sense, I can’t tell what the hell is happening through most of the film and there’s a big mecha battle because this is Japanese and it can’t exist without a big mecha battle.

This is a bunch of cool, unrelated shit thrown into a blender without little care as to whether or not it would blend well and be enjoyable, let alone remotely palatable. I had an uncle that had throat cancer and for awhile, he had to blend up every meal. His face while drinking his meals was similar to mine while trying to drink in this movie.

Batman Ninja is abhorrent and it should not have been made. It’s existence reminds me of the most famous of all of Dr. Ian Malcolm’s quotes: “Your scientists creators were so preoccupied with whether they could, they didn’t stop to think if they should.”

Rating: 3.75/10
Pairs well with: terrible to subpar anime.

TV Review: Titans (2018- )

Also known as: Teen Titans (informal title)
Original Run: October 3rd, 2018 (New York Comic Con) – current
Created by: Akiva Goldsmith, Geoff Johns, Greg Berlanti
Directed by: various
Written by: various
Based on: characters from DC Comics
Music by: Clint Mansell, Kevin Kiner
Cast: Brenton Thwaites, Anna Diop, Teagan Croft, Ryan Potter

Weed Road Pictures, Berlanti Productions, DC Entertainment, Warner Bros. Television, 11 Episodes (so far), 40-50 Minutes (per episode)

Review:

I finally got DC Universe, as it became available on the Amazon FireStick after months of dealys. So that being said, I have now checked out Titans, the streaming service’s first big attempt at original content.

While this wasn’t a total waste of time and shows some promise, it was still a pretty drab attempt at getting me excited for spending $7.99 per month on yet another video-on-demand service.

The biggest issue for me is that the characters don’t really act like the characters in the comics. Dick Grayson a.k.a. Robin a.k.a. Nightwing just straight up murders people the first time we see him confront some thugs. Then everyone else in the show kills or maims people pretty quickly and it’s fairly easy to see what we have here, which is another live action DC Comics property giving itself fully over to their gritty, edgy boy formula that only worked for Christopher Nolan, ten years ago, and Zack Snyder once with Watchmen, also ten years ago.

Also, Gotham does a good job of being gritty but it takes tremendous creative liberties and took awhile to really find its footing.

So Titans could definitely improve, as Gotham did. In fact, there are signs of better things within this first season. However, there isn’t much here to make me care about the main characters. Dick and Rachel, who will become Raven, are emo to the point of cringe but at least Starfire is interesting and Gar, who will become Beast Boy, is charismatic and could potentially be the best thing on the show.

The real problem with Titans is that the best episodes are the ones where the title characters aren’t the focal point. My two favorite chapters out of the eleven here are the one that’s all about introducing Doom Patrol and the one that serves as the origin story for Hawk & Dove. So what does it say when I’m more interested in secondary characters with minor screen time or characters who are getting their own spinoff?

I’m actually excited about Doom Patrol based off of what I saw here. And if I’m being honest, I’m not all that interested in a second season of Titans, even though I will watch it in hopes that things improve.

The season also suffers from not telling a good, self contained story. We get the season’s cliffhanger ending in the second to last episode and then the final episode, which should have been a resolution to the ten episodes before it, is nothing but a hallucination that ends leaving us exactly in the same spot that the previous penultimate episode did. It’s an absolutely terrible conclusion to a mostly mediocre season.

On the positive side, at least this moves more briskly than the Netflix Marvel shows and even though it has its filler episodes, they at least have action and progress the story in some way.

Rating: 6.5/10
Pairs well with: the upcoming live action DC Universe shows, as well as the DC Comics shows on the CW and Fox’s Gotham.

Comic Review: Batgirl: Year One

Published: September 3rd, 2000 – December 31st, 2000
Written by: Scott Beatty, Chuck Dixon
Art by: Javier Pulido, Robert Campanella

DC Comics, 203 Pages

Review:

Batgirl: Year One has been paired up in a trade paperback format with Robin: Year One in some releases and for good reason.

Mainly, this is done by the same creative team and it has a similar tone, art style and narrative structure.

This was released a year before Robin: Year One and is equally as good, if not a wee bit better. Reason being, this has a threat that feels larger, a plot that’s more cohesive over the multiple issues, as well as more characters that come into the story in ways that really help to flesh out Barbara Gordon’s origin.

Scott Beatty and Chuck Dixon wrote a body of work that is close to being a masterpiece and is one of the best Batgirl stories ever produced, hands down.

Just like with Robin: Year One, which I already reviewed, I absolutely love the art of Javier Pulido and Robert Campanella. It has a pristine look while also looking retro for the time where this is set. It has a similar feel to Jeph Loeb and Tim Sale’s Batman epics, also from the same time period, and it even kind of channels elements from Batman: The Animated Series, which was still very fresh in people’s minds in 2000.

If you know Barbara Gordon, this book just feels right. Contrary to a lot of her more modern stories, this is the Batgirl I want to read about. I have loved this character since first experiencing her on the ’60s Batman TV show. While that was campy as hell, Barbara always resonated with me and I always loved when she showed up alongside the Dynamic Duo.

Batgirl: Year One is a classic in my opinion. It isn’t something that I hear a lot of people reflect on but it was a real high point in the careers of all the creators involved and for the character.

Rating: 9.25/10
Pairs well with: Robin: Year One, as well as the Batman related books by Jeph Loeb and Tim Sale.

Comic Review: Nightwing: Knight Terrors

Published: October 3rd, 2018 – January 9th, 2019
Written by: Benjamin Percy
Art by: Travis Moore, Christopher Mooneyham, Klaus Janson, Tamra Bonvillain, Nick Filardi

DC Comics, 184 Pages

Review:

So I was reading Nightwing like a good, long-time Dick Grayson fan, enjoying the story that wrapped up in issue 49 and then all of a sudden, I picked up issue 50 and felt completely lost. Somewhere between the issues, in another comic title that isn’t Nightwing, our title hero was shot in the head, lost his memory, quit being Nightwing and changed his name to Rick because the editors were sick of fans making Dick joke memes.

Color me lost.

Regardless, I said “fuck it” and kept Nightwing added to my pull list because I figured that I’d still give it a shot. I mean, I’ve been a fan of the character my whole life and sometimes a little change is good.

…and then sometimes it isn’t.

This hurt my head, probably even more than that bullet hurt Dick Rick Grayson’s head. Wait… it’s “Ric”? I guess DC’s gotta make him edgy and shit.

So this story is about Dick walking around feeling sorry for himself, treating those who love him like total shit and then being all smuggy and douchey about it like some Millennial communist that hates his rich ass parents because they embarrassed him by picking him up from an Occupy rally in the family Porsche.

Anyway, while Dick is busy sucking at life and starting a career of cab driving in the hood, some actual heroic people find his old stash of Nightwing suits and decide to put them on and take up the mantle. So this new but inexperienced team of four Nightwings end up in over their head, thanks to Scarecrow. The real Nightwing ends up having to step in and save them, even though he’s still just Dick being a dick.

This was a damn challenge to get through but I wanted to believe that this was going to build to something worthwhile. After this seven issue story arc, I’m done. Nightwing is off of my pull list, as one of the best DC Comics titles has been reduced to canary cage liner.

Well, at least I have twenty-plus years of back issues I can revisit where Dick isn’t an insufferable asshole and he does a lot more than just mope and bitch like a petulant toddler.

Rating: 2.75/10
Pairs well with: some douchebag teen’s private diary about their fucked up suburban parents.

Comic Review: Robin: Year One

Published: September 3rd, 2000 – December 31st, 2000
Written by: Scott Beatty, Chuck Dixon
Art by: Javier Pulido, Robert Campanella

DC Comics, 203 Pages

Review:

I loved this miniseries when I first read it back when it was collected into a trade paperback form around 2001. I actually pick it up every few years because it just hits the right notes for me and I’m a lifelong fan of Dick Grayson.

I absolutely love the art style here by Javier Pulido and Robert Campanella. It fits the story well and it also gives it a similar tone to the classic Batman events that Jeph Loeb and Tim Sale were doing in this era: The Long HalloweenDark Victory, Haunted Knight and Catwoman: When In Rome.

This was also written by Scott Beatty and Chuck Dixon. Beatty had worked on a few Batman related books and Dixon was one of the top Batman writers of the ’90s with his massive Knightfall arc and the creation of Bane, Birds of Prey and Stephanie Brown.

The story is exactly what it implies, it follows Dick Grayson in his first year as Robin. It does a great job of examining the struggles he faces with his new life, responsibility and how bringing a child into the crime fighting world weighs heavily on Batman, Alfred and James Gordon.

This is comprised of four double sized issues. Each issue works as a standalone story with its own tale. However, it still forms a larger arc, as we see all the key crime fighting heroes evolve due to Robin’s inclusion in their lives.

We get to see Robin go up against several notable villains, the biggest of which is Two-Face, who pops up in more than just one of the four issues.

I really liked the first chapter though, which saw Robin take on the Mad Hatter, one of my favorite villains and one that always seems to be underutilized or just used as an easy, humorous foil that is typically taken down with ease.

We also get to see Mr. Freeze and some lesser known villains but the story really takes a turn towards more serious stuff when Robin leaves the Bat-life behind and starts training under Shrike.

This is such a good series and while it is very much centered on a young Robin, it’s a story every Batman fan will probably love.

Rating: 9/10
Pairs well with: Batgirl: Year One, as well as the Batman related books by Jeph Loeb and Tim Sale.