Comic Review: Nightwing, Vol. 2: Back to Blüdhaven

Published: June 20th, 2017
Written by: Tim Seeley
Art by: Minkyu Jung, Marcio Takara, Marcus To

DC Comics, 169 Pages

Review:

I’ve heard great stuff about Tim Seeley’s run on Nightwing. After reading the first collection, I really wanted to jump into this. And while the first wasn’t great, it left me feeling as if it was building towards something solid. This, however, really took the wind out of the sails of Seeley’s run, in my opinion.

This focuses on Dick Grayson a.k.a. Nightwing going to Blüdhaven for the first time (in this new continuity that I’ll never get used to). He wants to mark out his own path and be a hero without the support system he’s always had. He even takes a social worker job to pay his rent, as he wants no help from Bruce Wayne.

This then introduces us to a whole slew of new characters that Seeley created. Nightwing teams up with some ex-villains who are trying to redeem themselves as heroes. These ex-villains are comprised of characters that Nightwing, back when he was Robin, helped bring to justice. So he feels somewhat responsible for helping their rehabilitation and allowing them to truly have a second chance.

The problem is, all these characters seem really generic and destined to be thrown away fairly quickly.

One thing I really didn’t like about this, which I enjoyed in the first volume, was that Nightwing and Batgirl’s budding relationship is put on hold. Dick falls for the Defacer, one of the ex-villains that debuts here. Having read later in this series, past the Seeley stuff, I know that Dick and Barbara Gordon still aren’t together but it was nice seeing them explore the option. They have a moment here but it’s kind of sad, as I’m not too keen on Seeley’s Defacer character.

Anyway, this just didn’t resonate with me like I hoped it would. It’s not terrible but it also didn’t make me want to pick up the third volume. So, I guess this series is on hold for me now, as I read some other stuff in the meantime.

Rating: 6/10
Pairs well with: the ongoing Nightwing series, as well as BatgirlRed Hood and the OutlawsDetective Comics and Titans.

Comic Review: Nightwing, Vol. 1: Better Than Batman

Published: January 31st, 2017
Written by: Tim Seeley
Art by: Javier Fernandez

DC Comics, 164 Pages

Review:

I’ve been reading Nightwing for about a year now but I was behind on all the Rebirth era stuff because I was tired of DC Comics hitting the reboot button every few years. But I heard pretty good things about this series and started reading them. Now I want to go back and get all the previous stories in the Rebirth era to help give context to the newer chapters.

This collection has two story arcs in it but they’re both very connected, as they deal with the character of Raptor and his relationship with Nightwing a.k.a. Dick Grayson.

Also, this story starts on the heels of Dick leaving the Spyral organization where he was known simply as Agent 37.

This first arc sees Dick become Nightwing once again, as he is pulled into the Parliament of Owls to help protect Damian Wayne, the current Robin and son of Batman. Nightwing is forced to work with Raptor but the two have their own agenda and we see them work towards defeating the Owls. The story also brings in the Kobra organization and deals with their rivalry with the Owls.

I’m not as versed on the Court/Parliament of Owls stuff as I should be but I did enjoy the story and what it meant for all parties involved. However, the real emotional weight and the real story doesn’t happen until the final two issues collected in this volume. This is where Raptor’s intentions become clear and where Dick discovers that the two men have personal ties to one another.

I’ve enjoyed Tim Seeley’s work for quite awhile. I was an avid fan of his Hack/Slash comic series and I’ve reviewed all five omnibuses already. He just seems to be having fun writing Nightwing and he understands the difference between Dick Grayson and Batman, as well as all the other Robins.

One of my favorite parts about this series is the evolution of Nightwing and Batgirl’s relationship. Seeley does a fine job of working in the romantic stuff without it being in the way of the story. This may actually be one of the best handled romances in modern comics, even if the two can never seem to get together or be on the same page at the same time. It’s certainly more interesting than whatever the hell happened with that Batman and Catwoman wedding fiasco.

I’m glad that I’m working my way through this series and anticipate picking up the second volume as I catch up to where I am now, around issue 50 or so.

Rating: 7/10
Pairs well with: the ongoing Nightwing series, as well as BatgirlRed Hood and the OutlawsDetective Comics and Titans.

Comic Review: Batman: White Knight

Published: October 9th, 2018
Written by: Sean Murphy
Art by: Sean Murphy

DC Comics, 224 Pages

Review:

Spoiler alert: this gets a perfect score.

The reason why this gets a perfect score is that you just don’t read comic book stories this great anymore. It almost feels as if we don’t deserve something this good in this day and age. And, I guess, one could say that maybe its greatness is magnified by an industry that is struggling to put out exceptional work but I don’t think that it is. I think that White Knight, regardless of what era it came out in, is a true masterpiece of the comic book medium.

Sure, time will tell how this holds up over the years but I don’t need time to tell me that this most certainly will be held in the same regard as Batman classics The Long HalloweenThe Dark Knight Returns and Year One. In fact, I would say that this beats two out of those three.

Sean Murphy weaved a tale that exists in its own continuity but at the same time, he wrote a Batman story that was respectful to the franchise and all the characters within it. I love when someone can find a way to utilize all the major villains and Murphy did just that, without having this become a convoluted mess. His idea in how to include them all here was actually kind of genius.

This also does a fine job in breaking down the dichotomy that is Batman and the Joker and asks the question, “Is there even a dichotomy?” Delving deeper than just that, this examines the Joker, Batman and Harley Quinn’s psyche in new ways that really make this book smarter than the average bear while making these old characters feel fresh. Basically, Murphy found a way to explore these well-known characters and brought something new and intriguing to the table.

Finishing the story, it’s hard to pinpoint who the big bad is here. Is it the reformed Joker? Is it Harley pulling strings? Is it the new villain: Neo Joker? Is it Batman? Is it the GCPD? Is it Gotham City itself? There is a lot to interpret here and there isn’t a clean answer any which way you could go.

Murphy also gives back a lot of fan service in including certain characters from other mediums and beloved Batmobiles of yesteryear, among other things. But it’s never fan service just to get brownie points, he created the right sort of situation where all of it just works really well.

I loved the idea of the GTO (Gotham Terrorist Oppression Unit) and how Nightwing and Batgirl were used. I loved how the story worked for the entire Bat-family, especially the stuff regarding Alfred. All the Mr. Freeze material was also wonderful. There is just so much to digest and dissect here but all of it is good.

Sean Murphy also did the art and I loved his work. All in all, this really is his creation and it’s a damn fine creation at that.

This limited comic series is pretty close to perfect. There’s nothing I would change or alter about it and frankly, I want to read it again.

Rating: 10/10
Pairs well with: the best of the best classic Batman stories: The Long HalloweenDark VictoryYear OneThe Dark Knight Returns, etc.

Comic Review: The Flash: Rebirth

Published: October 8th, 2013
Written by: Geoff Johns
Art by: Ethan Van Sciver

DC Comics, 158 Pages

Review:

I love Geoff Johns work at DC Comics and I have always loved his collaborations with artist Ethan Van Sciver. Their work on Green Lantern got me back into comics during a time when I had sort of faded away from the medium due to no longer being as engaged by it.

Green Lantern: Rebirth was one of my favorite comic book stories of all-time. It made me love Hal Jordan and I was pulled in by Johns’ writing and Van Sciver’s wonderful art. Since I also liked Johns’ Flash stuff, I figured that The Flash: Rebirth would be something that I would also love. But sadly, it just didn’t do it for me.

The biggest problem that I have with Flash stories is the damn Speed Force. Also, in recent years, the Flash pocket of the larger DC universe is overloaded with too many characters with the same lame set of powers. There are so many damn speedsters that it’s really f’n redundant.

In an era where people are screaming for diversity, even though it has existed in comics for decades, maybe there should be a call for diversity in powers in the Flash titles. I mean, if you’re going to cram a dozen heroes and villains into a plot, why are they all similar? And why is that exciting? And to be frank, this is why I lost interest in The Flash TV show, which I loved when it started.

Anyway, the art in this is damn good but Van Sciver hits the right note stylistically speaking when it comes to how this era of DC felt. He was a premiere architect in DC’s visual style from 2007-2014 or so. This book lives up to the standard one should expect from his work but apart from that, there wasn’t much here for me to enjoy.

The premiere villain is the Reverse Flash, another f’n speedster. And really, this is all about the weird, mystical Speed Force that is capable of anything a writer needs it to do. I don’t know, Speed Force heavy stories bore me to tears and they’re hard to keep up with because it’s all pseudo-science mumbo jumbo made up on a whim to explain random ass shit. I prefer stories where one Flash takes on one of his many awesome rogues that aren’t speedsters.

This is probably really good if reading about a dozen speedsters and Speed Force stuff is your thing. For me, it numbed my brain and made it hard to get through.

And fuck… this had so many damn cameos. I felt like it partially existed just to wedge in as many characters as possible.

Rating: 5.5/10
Pairs well with: The Geoff Johns era of The Flash, as well as his era of Green Lantern.

Comic Review: Deathstroke Vs. Batman

Published: April 4th, 2018 – September 5th, 2018
Written by: Christopher Priest
Art by: Carlo Pagulayan, Jason Paz, Jeremy Cox, various

DC Comics, 166 Pages

Review:

I was really looking forward to this six issue story arc that ran from Deathstroke issues 30 through 35. I have been reading Deathstroke since this current series started and have loved the writing of Christopher Priest.

Being that I really wanted to immerse myself in this story and wanted to binge it in one go, I didn’t read each issue, as they came out. Instead, I waiting till all six were in my hands and then sat down and made an evening out of it.

While I did enjoy the story, it also didn’t live up to the hype I gave it in my mind. Maybe the slow burn of the long wait was responsible for that but anytime Deathstroke and Batman share the same space, the ante has been upped for both characters.

The premise has to deal with who is the true biological father of Damian Wayne, the current Robin. This was a scheme used to pit Batman and Deathstroke against one another and I’m not going to spoil the reveal but it wasn’t as big of a deal as the setup made it to be. Also, some of the covers are a bit misleading, especially issue 33. But covers don’t really mean much as far as the actual story, they’re just a hook to lure you in.

Anyway, I loved the exploration of Deathstroke and Batman’s roles as fathers in the past. I also love how this really puts some focus on Damian Wayne and uses that to delve back into the tragedy of Tim Drake and the life of Jericho. There were a lot of cool parallels made between several characters all sharing the same theme.

Ultimately, this was still a good, solid read. I like where it takes Batman, Deathstroke and Damian.

I also really enjoyed the art but all the Priest Deathstroke stories have been top notch in both writing and art.

Rating: 7.75/10
Pairs well with: Deathstroke: Defiance and earlier Deathstroke stuff by Christopher Priest.

Comic Review: Dark Nights: Metal

Published: June 12th, 2018
Written by: Scott Snyder
Art by: Greg Capullo

DC Comics, 204 Pages

Review:

I didn’t read this as it came out. I also was much more frugal about how much I spent on comics at the time. I’m less frugal now, as I’m spending more time reviewing them. And to be honest, while this is $30 for the collected edition at my local comic shop, I found this on a brief Comixology sale for $5.99. So at that price, I figured I’d give it a go. If I ended up really liking it, I would’ve gone back to buy the single issues. But I didn’t really like it all that much. I’ll explain.

To start, I typically like Scott Snyder’s writing, especially in regards to anything with Batman in it. As far as Greg Capullo goes, he is one of my favorite artists of the last few decades. So seeing them reunite for this was definitely a selling point, even if what I knew about the project’s story didn’t peak my interest.

The biggest problem with Metal is the same problem with most mega events in comics, it is chock full of so many characters that the plot loses fluidity and the story seems to placate more to wedging in as many cameos as possible, as opposed to keeping the train on the rails.

This wasn’t a bad idea for a story but it should have been kept fairly simple. People just kept showing up on nearly every page, though, and it becomes distracting. New twists and turns are thrown in as often as characters and this just loses its focus. It also introduces a whole horde of villains, most of whom will just be one-offs in this story anyway. But this reads more like a sketchbook than a coherent story. What I mean by that, is that this feels like Capullo trying to fit in every cool design that he wasn’t able to wedge into Spawn throughout his run on the book in the ’90s.

Another thing I didn’t like was how wordy this was. While there are good action scenes, sometimes these characters felt like they weren’t surrounded by villains but instead, were surrounded by word balloons, trying to wedge their way into the panels and asphyxiate the characters. The word balloons were the real villains of the story. At least, that should be a twist whenever this gets a sequel.

I did like how the ending looked into the future as a way to tell you what stories would be coming out from DC Comics over the following year. But, at the same time, this was disappointing to some degree, as a main reason why I picked this up was to see the introduction of DC’s “New Age of Heroes”. I always see mentions that this is where they debuted but their appearance here is limited to one panel where we see into the future.

Anyway, this at least kept my attention over the six issues, even if they felt like twelve due to the dialogue and having so much detail to drink in. I wouldn’t say that this is a waste of time and I can see where this will be a lot of people’s cup of tea. It just wasn’t my cup of tea, really. But I also don’t regret reading it simply because I liked seeing Capullo have fun and get really creative with the art and character design.

Rating: 6/10
Pairs well with: Any other DC Comics mega event of the last decade or so.

Comic Review: Nightwing: The Bleeding Edge

Published: May 2nd, 2018 – August 1st, 2018
Written by: Benjamin Percy
Art by: Christopher Mooneyham, Nick Filardi, Jordie Bellaire, Declan Shalvey, various

DC Comics, 111 Pages

Review:

I’ve been reading the ongoing Nightwing series for almost a year now but this is the first story arc that I have reviewed. I think I’m going to go back and read the earlier collected editions and work my way forward reviewing those as well.

Anyway, The Bleeding Edge is a four issue arc that just wrapped up. It is covered in Nightwing issues 44 through 47. However, it ends on a bit of a non-ending cliffhanger, which alludes to the story becoming broader but it is unclear if it will continue here, in Nightwing, or if it will go on in one of the many other Batman-related titles, as the threat in this story goes on to target Gotham City.

Overall, this had a decent plot. It had a lot of good twists and turns and it was fun. It also brings Batgirl into the story, which was cool, especially considering the recent developments in her and Dick’s relationship.

The threat here, is a technological one. Dick Grayson is sucked into a virtual reality world but at least this isn’t a pile of shit like those Lawnmower Man movies. The villain here has a grand scheme and even though Nightwing and Batgirl swoop in and save the day while getting the villain to see the error of his ways, the tech threat takes on a larger life of its own and moves on to a bigger target.

I liked the art, the colors were especially good. The final issue in the arc had a cool bit where it flipped back and forth between the virtual reality view of things and actual reality and it was pretty cool.

I also really liked the minions of this tech-based enemy.

All in all, pretty enjoyable but not all that memorable unless this is leading to something actually bigger and greater.

Rating: 6.75/10
Pairs well with:  The NightwingBatgirl and Titans series since the start of DC’s Rebirth era.