Comic Review: Batman R.I.P.

Published: October 8th, 2013
Written by: Grant Morrison
Art by: Tony S. Daniel, Lee Garbett

DC Comics, 213 Pages

Review:

I’m pretty sure I liked this when I read it back when it was current, about a decade and a half ago. However, I found it just weird and wonky this time around. But I’ve also aged quite a bit and in that time, read some truly incredible comics.

I was probably really into this, as it came out at the height of my Grant Morrison love. Plus, back then, I was more into weird shit and experimental storytelling. However, I don’t feel like any of that necessarily benefits the most mainstream of all mainstream comic book titles.

Having now recently read a good amount of Grant Morrison’s Batman run, my opinion on it has soured quite a bit. It’s stuck in this weird limbo where it’s too weird to feel like it fits within the top Batman title and it isn’t weird enough to truly feel like Grant Morrison, unrestrained. 

This feels like watered down Morrison and by trying to sit on the fence between mainstream acceptance and Morrison’s typical narrative style, it’s really just a boring, baffling dud of a comic.

The art is good, damn good. However, that’s not enough to save it from how disappointing it is, overall. Besides, this is a story from the pages of the most popular comic book in the medium and if the art isn’t up to snuff, DC Comics should close up shop.

This kind of wore me ragged, honestly. I don’t want to read anymore of Morrison’s Batman work and I consider it to be overrated, at this point. I also say that as someone that once liked it.

In the end, Morrison shouldn’t have his hands creatively tied but he also shouldn’t be allowed to go into Batman with reckless abandon. That’s what DC’s Elseworld Tales are for and frankly, that’s where Morrison’s Batman work should be.

Rating: 5/10
Pairs well with: the rest of Grant Morrison’s Batman run.

Comic Review: Batman: The Resurrection of Ra’s Al Ghul

Published: August 28th, 2012
Written by: Grant Morrison, Paul Dini, Fabian Nicieza, Keith Champagne, Peter Milligan
Art by: Ryan Benjamin, Don Kramer, Adam Kubert, David Lopez, Jason Pearson

DC Comics, 248 Pages

Review:

Since I just read the first big collection of Grant Morrison’s Batman work, I also wanted to revisit this story, which tied to his larger body-of-work, and brought the characters to the Batman R.I.P. milestone event, which I will review in the very near future, as well.

This plot crossed over with several Batman titles, though, so it wasn’t just written by Morrison. It also features some work by the great Paul Dini, Fabian Nicieza, Keith Champagne and Peter Milligan.

Overall, it was a good story that built off of the Batman and Son arc, which brought Damian Wayne, a future Robin, into Bruce Wayne’s life.

This also brings back one of the more popular Batman villains, Ra’s al Ghul. I like how Ra’s pretty much just looks like a mummy in a green cloak the whole story. It kind of reminded me of Mumm-Ra, the primary villain of the ThunderCats franchise.

The art was also handled by multiple people due to this being spread out over several titles. Pretty much all of the art is really good and it reminded me of why I got back into reading comics in this era, when I had dipped out for nearly a decade around the mid-’90s.

This is a good, enthralling story that made some good, permanent changes to the mythos. It also shows that Morrison had a unique vision for the character and those around him.

Rating: 7.5/10
Pairs well with: the other stories arcs within Grant Morrison’s Batman run.

Comic Review: Batman and Son – Deluxe Edition

Published: November 3rd, 2009
Written by: Grant Morrison
Art by: Andy Kubert, J.H. Williams III

DC Comics, 350 Pages

Review:

The Deluxe Edition of Batman and Son features all of Grant Morrison’s Batman run up to Batman R.I.P., although it excludes The Resurrection of Ra’s al Ghul, which I will also review shortly.

It’s a hefty but surprisingly quick read, as it has a good, quick pace and is mostly pretty good. I actually read it in one sitting and found it kind of refreshing, as I haven’t liked many Batman stories within the regular continuity since Morrison’s era. Granted, I did enjoy some of Scott Snyder’s work.

I also loved Andy Kubert’s artwork and I feel like he doesn’t get enough credit as one of the premiere Batman artists. It was this era of Batman that got me reading the comic again after a several year hiatus and Kubert’s art had a lot to do with that.

This edition features a couple of story arcs. I liked the first one the best, as it is the debut of Damian Wayne, Batman’s son. It had been a long time since I read these issues but it was fun to revisit.

All in all, this was the start of one of the best runs in the last few decades and it didn’t disappoint. While it might not be as strong as my memories of it, it was still much better than most of the stuff that came after it.

Rating: 7.5/10
Pairs well with: the other stories in the Grant Morrison Batman run.

Comic Review: Gotham City Sirens: Book Two

Published: May 5th, 2015
Written by: Tony Bernard, Peter Calloway
Art by: Andres Guinaldo, Jeremy Haun

DC Comics, 288 Pages

Review:

Well, losing Paul Dini as the series’ writer was a bit of a blow to Gotham City Sirens, as this second book doesn’t live up to the pretty solid first one.

Still, this is mostly a decent read and it carries on the story Dini started. Although, it does feel like it knew it was going to be wrapping up, as the bond between these three women seems to dissolve just as fast as it gelled.

I guess the most interesting parts within this are the ones dealing with Harley Quinn and how she’s processing her issues with The Joker and their very abusive, one-sided relationship.

But I’m glad that this presents Harley well unlike the more modern comics with her that have turned her into a one-dimensional joke character that has evolved into DC’s half-assed attempt at trying to make their own Deadpool.

Compared to the first book, this is almost forgettable other than the Harley stuff.

The art is really good, however, and it helps carry this series as it quickly loses steam and sort of just whimpers away because DC Comics had to reboot their universe for the umpteenth time.

Rating: 7/10
Pairs well with: the first book in the Gotham City Sirens series.

Comic Review: Batman: A Lonely Place of Dying

Published: 1989
Written by: Marv Wolfman, George Perez
Art by: Jim Aparo, Tom Grummett

DC Comics, 116 Pages

Review:

This story arc came out not too long after A Death In the Family and it serves as a sort of resolution to it, as it shows how Batman has been much harsher in the streets and how the possibility of a new Robin starts to help him overcome his grief after losing the second Robin, Jason Todd.

While this isn’t the first appearance of Tim Drake, that happened in the previous arc – Year 3, this is where he enters the lives of Bruce Wayne, Alfred Pennyworth and Dick Grayson.

This story also crossed over with The New Teen Titans and involved some of those characters as a minor supporting cast for Dick Grayson/Nightwing’s part in the story.

We also see Batman, Nightwing and Tim Drake unofficially playing Robin try to take down Two-Face, a villain with major ties to the deceased Jason Todd. We even get to see a brief appearance of The Joker, the person who murdered Jason, and how he’s involved with this story’s plot.

The action and the crime solving in this aren’t anything great but they serve as a good framework to tell the more important story here, which is pulling Batman out of the darkness and allowing him to love those around him once again. It also serves to establish who Tim Drake is and why he might be better suited for the Robin role than Jason Todd was.

The writing was solid and I also loved the art by Jim Aparo, who will always be one of my favorite Batman artists because he was one of the top guys drawing these books when I first started buying them regularly.

Rating: 8/10
Pairs well with: Batman: A Death In the Family and Batman: Year 3.

Comic Review: Gotham City Sirens: Book One

Published: October 28th, 2014
Written by: Paul Dini
Art by: Guillem March

DC Comics, 314 Pages

Review:

I didn’t know much about this series but I really like Paul Dini’s Batman work, especially what he did on the near perfect Batman: The Animated Series. I also like how he wrote Harley Quinn and Poison Ivy on that show and thought that Dini gave them a fantastic dynamic, as well as superb chemistry.

This series adds Catwoman to that mix and since Dini did well with her character on that animated show, it just seemed like another reason to give this a shot.

Even though I anticipated liking this, I was still surprised by how good it is!

This brings the three women together as roommates, as they try and keep each other on the straight and narrow path, trying to be reformed criminals doing a little good in the world. Of course, things can’t be that simple.

The Riddler also plays a big role in this, as he helps the women where he can. That is, until he feels betrayed and personally hurt by them towards the end of this volume.

This is a pretty thick collection of stories, as it includes the first thirteen issues of the ongoing series. Within that, it features several story arcs, all of which are pretty good. There isn’t a dull moment in this run of issues and I actually really liked the standalone Christmas story that saw Harley return to see her family.

Dini gives us a lot of info on the backstory of all these characters and shows how some of their stories had some overlap at different times, whether they knew that then or not. For instance, the moment Harley met Ivy, she also met The Joker. Both characters would have an immense effect on her life.

So much happens in this and all of it is good. I dug the hell out of it much more than I thought I would. I’m sure I’ll read and review the second volume in the very near future.

Rating: 9/10
Pairs well with: other Paul Dini Batman-related comics.

Comic Review: Nightwing: The Target – One-Shot

Published: July 25th, 2001
Written by: Chuck Dixon
Art by: Scott McDaniel, Aaron Sowd, Dave Stewart

DC Comics, 48 Pages

Review:

I read this just after finishing another Nightwing one-shot by Chuck Dixon: Our Worlds at War.

This also came out just a few weeks after that other one yet it doesn’t seem tied to it at all but I guess I should read the collected editions and see how it all comes together.

Still, this was written by Chuck Dixon and it was a damn entertaining, self-contained story. Unlike Our Worlds at War, I didn’t feel like I was missing a big chunk of the story.

In this, Dick Grayson is a cop when he’s not Nightwing. He gets framed for a murder caused by the police brutality he tried to stop. The dirty cops frame him but obviously they don’t know he’s Nightwing and pretty damn resourceful. Grayson takes on a new superhero personality: The Target.

As The Target, Grayson investigates his own case in an effort to clear his name and to bring the hammer of justice down on the murderous, dirty cops.

This also features a cameo by Batman but it is a Nightwing story and Dick Grayson takes it upon himself to set the record straight and to get justice for the victims.

In the end, I enjoyed this a lot and I thought The Target persona was really cool. But I also feel like this could have been stretched out over a longer story arc. It’s short and sweet but I felt like more could’ve been explored and it might have been cool to see Dick as The Target for much longer.

Rating: 7.5/10
Pairs well with: other Chuck Dixon era Nightwing and Batman comics.

Comic Review: Nightwing: Our Worlds at War – One-Shot

Published: July 11th, 2001
Written by: Chuck Dixon
Art by: Rick Leonardi, John Lowe, Noelle Giddings, Jae Lee (cover)

DC Comics, 36 Pages

Review:

While this was released as a one-shot comic book, it is tied-in to a larger story arc. Therefore, working as its own story, it kind of falls flat, as I wasn’t privy to the details and didn’t have the context to fit this into.

It’s pretty enjoyable though for those who like the relationship between Nightwing and Oracle. They’ve been my favorite semi-romantic pairing in comics since it was first teased and they’ve always had good chemistry when written well. Thankfully, this benefits from having Chuck Dixon as the writer, as he really gets both characters and their bond.

And ultimately, this story is carried by that bond.

Other than that, this sees our heroes traveling backwards through time in an effort to arrive at a place where the story’s unseen villain can’t touch them and thus, alter their present and future.

This is pretty short but we do get to see several different scenarios of the heroes coming into a new time and having to immediately deal with the threats waiting for them. In the end, they have to find a way to outwit the villain who is orchestrating these traps.

I wasn’t aware that this was tied to a larger plot and it probably would’ve read better had I known that beforehand and actually read the whole arc. However, there is still enough to sink your teeth into and it just further solidifies why these two characters are two of the most beloved in DC Comics lore.

Rating: 6.5/10
Pairs well with: other Chuck Dixon era Nightwing and Batman comics.

Comic Review: Batman: The Complete Hush

Published: October 8th, 2013
Written by: Jeph Loeb
Art by: Jim Lee

DC Comics, 298 Pages

Review:

Batman: Hush is highly regarded as one of the best Batman stories of its era and honestly, it doesn’t disappoint. I hadn’t read it for over ten years but after recently watching the animated film adaptation, I wanted to give the source material a read again.

I’m happy to say that this lived up to my memories of it, as it’s just a great, well-layered story, where even if you figure out the big mystery, it doesn’t wreck the plot because there are so many surprises still woven in.

This features a lot of characters from both sides of the law but it doesn’t become bogged down by it and everyone truly serves a purpose with how they’re all tied to the main plot.

It shouldn’t be a surprise that this is good, simply because Jeph Loeb wrote it and he teamed up with the great Jim Lee, who provided some of the best and most iconic art of his career for this tale.

Hush is a solid comic book on every level. Saying too much about the plot might ruin things and this is a book that I definitely recommend. I’d rather people read it and discover its greatness for themselves.

Rating: 9/10
Pairs well with: other major Batman story arcs from the late ’90s and early-to-mid ’00s.

Comic Review: Batman: War Games: Book Two

Published: 2004-2005
Written by: various
Art by: various

DC Comics, 628 Pages

Review:

While this does read better than the first volume in this two part epic series, it is still kind of a mess in that it jumps all over the place and doesn’t seem to follow any sort of logical narrative path. In short, it’s hard to follow and it’s not all that exciting to begin with.

I’m not sure why some people have made a big deal about the War Games epic. Sure, most of the art is solid and I mostly like the parts written by Ed Brubaker but this is such a mixed bag as a total package that the low points and drastically different art styles just pull you right out of the story.

This is overloaded with characters, which typically isn’t a bad thing for a large Batman story. However, this reads more like a massive DC mega event in that it’s so overloaded that there isn’t anything that one can fully connect to. Even if you’re interested in a certain plot thread, sometimes you get distracted for a really long period of time before coming back to it.

This was pretty poorly organized and executed.

Rating: 6.25/10
Pairs well with: other Batman stories of the late ’90s and early ’00s.