Comic Review: Wolverine – Epic Collection: Madripoor Nights

Published: December 10th, 2014
Written by: Chris Claremont, Peter David
Art by: John Buscema, Gene Colan

Marvel Comics, 495 Pages

Review:

As big of a Wolverine fan as I am, I have never read his earliest solo stories that revolved around his time in Madripoor when he was going by the name of “Patch”. I knew enough about this era but nothing is ever as good as reading it for yourself.

I read this on Comixology after buying it pretty cheap during a Wolverine sale. Normally, it’s like $30 but I know I got it for less than $10 and it was well worth that price tag.

This is a beefy collection that covers the first 16 issues of his solo comic, as well as the story that came out just before it and another comic that takes place within the same time frame. It makes for one nice long epic of Logan’s life in Madripoor. I’m not sure if he sticks around there after this collection and for how long but this really gives you the important stuff from that era.

I also knew that Jessica Drew a.k.a. Spider-Woman was around for some of this but I didn’t realize that she wasn’t Spider-Woman here and that she was pretty much just herself, as a ninja badass. I also didn’t realize that she was actually a big part of the Wolverine Madripoor stuff.

We also get a cool plot that teams Wolverine up with the Gray Hulk a.k.a. Mr. Joe Fix-It for the first time. It’s a pretty cool tale and it also fits well within the larger tapestry that sees Logan trying to fight the criminal underworld in this fictitious Asian island nation.

Almost everything here is written by the great Chris Claremont, who probably knows Wolverine the best. Some of this is also written by Peter David but he’s a legend too and he knows how to write a story with great energy.

Ultimately, this wasn’t close to being my favorite Wolverine story, and it may actually be a bit underwhelming because of that, but it is still damn entertaining and really reflects a truly unique time in the character’s mythos.

Rating: 7.5/10
Pairs well with: other Wolverine solo stories from the late ’80s into the early ’90s.

Comic Review: X-Men: Phoenix – Endsong

Published: December 14th, 2005
Written by: Greg Pak
Art by: Greg Land

Marvel Comics, 123 Pages

Review:

After reading the Grant Morrison Dark Phoenix story, I didn’t have much hope for this one, which follows it pretty closely. However, this was a big step up and I thoroughly enjoyed it.

The Phoenix Force comes back to Earth in an effort to rejoin Jean Grey but it discovers that Jean is dead. So it reanimates her corpse and poses as her, making for some painful moments with Wolverine and Cyclops. But this is also where Emma Frost has to step up and become a real leader on the X-Men team, after she had spent years as one of their greatest villains.

The thing that I loved most about this is that the stakes were real and you got a sense of the immensity of the terrible situation the heroes were in. However, the story stayed fairly small and close knit to a small group of X-Men members, as opposed to trying to make this a mega event that pulled in every character from the Marvel universe.

Greg Pak did a superb job in writing this and I’d say it’s my favorite story of his that I’ve read after the masterpiece that was Planet Hulk.

While Greg Land is a somewhat controversial artist that’s been accused of tracing photos, which there is actually a lot of evidence to back that up, I still really liked his art here and it felt top notch. I’m not as “offended” as some within the comic industry and its fans have been about the possibility of the man not being a “legit” artist. That’s because the finished product is still spectacular and he truly understands how to stage and set a scene, whether it’s slice of life moments or action. For more on Land, Comic Tropes did a good video on the guy here.

Overall, this was a really good, refreshing read that took the messy Phoenix story that preceded it and sort of fixed it. This was a satisfying conclusion to the string of Phoenix sagas that led up to this. Granted, it wasn’t the last Phoenix tale but this still brought things to a gratifying close for a short time, anyway.

Rating: 8.75/10
Pairs well with: other story arcs about Jean Grey as Phoenix.

Comic Review: X-Men: Phoenix In Darkness

Published: 2004-2005
Written by: Grant Morrison
Art by: Phil Jiminez, Marc Silvestri

Marvel Comics, 234 Pages

Review:

Well, this started out fairly interesting and strong but then it tried to go out with an explosion but instead, came out like a bathtub fart.

Written by Grant Morrison, a legend, with some of the art done by Marc Silvestri, another legend, this was pretty underwhelming and far from the best work that either man can do.

The story taps into the Phoenix Force, a plot device that was already done to death before this came out, and it doesn’t really offer up anything all that worthwhile to try and justify bringing it back into an X-Men story.

In fact, I actually enjoy Phoenix tales when done well but just like it’s been overused in movies now, it’s been overused in comics for a lot longer.

This story was a disjointed mess and in fact, it’s basically two different arcs collected into one book like it’s one plot. The first half was good and intriguing, the second half which shows a potential future for the X-Men was shit. And just like Phoenix-centric stories, potential X-Men futures have also been overused. In fact, it’s been overused and completely bastardized more than Phoenix plots.

Overall, this felt like a complete waste of time and the only real thing memorable to come out of it is that this appeared to be the start of the Cyclops and Emma Frost relationship.

Rating: 5/10
Pairs well with: other story arcs about Jean Grey as Phoenix.

Comic Review: X-Men: The Age of Apocalypse – The Complete Epic

Published: 1995-1996
Written by: Scott Lobdell, Jeph Loeb, John Francis Moore, Mark Waid, Warren Ellis, Fabian Nicieza, Larry Hama, Howard Mackie, Terry Kavanagh
Art by: Roger Cruz, Terry Dodson, Steve Epting, Andy Kubert, Adam Kubert, Carlos Pacheco, Joe Madureira, Tony Daniel, Salvador Larroca, Chris Bachalo, Ken Lashley, Steve Skroce, Ian Churchill, Joe Bennett

Marvel Comics, 1462 Pages

Review:

I’ve really only heard great things about The Age of Apocalypse storyline since it started back in 1995, an era where I wasn’t really reading comics for awhile, except for Dark Horse’s Star Wars stuff.

In fact, the last major X-Men related event that I had read before this was X-Cutioner’s Song, a pretty good epic. But shortly after that, I got pretty burnt out once the top Marvel guys went off to form Image and then those comics were constantly hindered by delays and irregular schedules.

Based off of all the praise I heard, I always wanted to read this but it was such a massive story, spread over multiple collected volumes that I never really wanted to fork out the over $100 it would cost to buy the whole shebang. So, all these years later, I took advantage of a massive X-Men sale on Comixology and got the entire saga with its prelude for about $20.

Now that I’ve read it, I’m glad I only spent $20 because like Game of Thrones, all my friends and all the critics lied to me about how great this was. It’s not, it’s a clusterfuck of biblical proportions showcasing a lot of the things that were wrong with mid-’90s comic book art from the major publishers.

I’ll start with the art and just come out and say that this was mostly an eyesore to look at. The biggest reason was the colors, which relied so heavily on what I assume are digitally created gradients and overly vibrant colors that this was like staring into the asshole of a tropical fruit salad for hours. Everything is too busy, every single issue collected is made to be overly grandiose and if everything is larger than life and overly vivid, then that becomes the norm and thus, makes everything kind of boring.

Additionally, there is such a mix of different artistic styles that it becomes jarring as these collections jump from issue to issue every twenty pages or so. Some of the artists had great pencils but many of them illustrated in a style that didn’t feel like Marvel and instead felt like the artists were trying to emulate indie comics from Image and Valiant. Besides, the stuff that was illustrated well, ended up being wrecked by the primitive gradients and crazy colors that looked like a giallo film puked all over a box of Prismacolor markers.

When it comes to the narrative side of this, that’s also a mess.

This suffers from trying to be way more ambitious than it needed to be. The whole story is comprised of about seven or eight different subplots that are and aren’t intertwined. Some of them merge towards the end into the bigger story but some stuff just happens within this new timeline. But the story jumps around so much that it makes the whole thing hard to follow as a singular body of work. This is the same problem I have, right now, with all the new X-Men related titles that are tied to a bigger narrative but don’t feel connected as much as they should. But this is what happens when you have a half dozen different titles and different writers, all of whom want to explore different territory in their own way while being trapped within a common framework.

In fact, the only plot I actually enjoyed was the one that dealt with the characters that aren’t tied to the X-Men.

There was a two issue miniseries called X-Universe, which focused on what other Marvel characters were up to during this event. We check in on this timeline’s version of Gwen Stacy, some of the Avengers, Fantastic Four, Doctor Doom and a few others. I found this more interesting and it showed me that this alternate timeline could provide the right sort of environment for cool and refreshing takes on old characters.

While I should probably feel the same way about all the X-Men related characters and their stories, it is hard to focus on any of them because of how this jumps around so much. When I got to the non-X-Men characters, it felt like a nice break from the X-clusterfuck I was pushing myself through.

Ultimately, I was really disappointed in this. I kept powering through it because I was hoping that all these subplots and characters would unify into something coherent that clicked at the end but that didn’t happen. We eventually get to a resolution but it’s not all that satisfying.

On a side note (and spoiler alert): the way that Magneto kills Apocalypse is pretty f’n badass.

Rating: 5/10
Pairs well with: other big X-Men crossovers of the ’80s through ’00s.

Comic Review: X-Men: The Fall of the Mutants

Published: 1988
Written by: Chris Claremont, Peter David, Louise Simonson, Steve Englehart, Mark Gruenwald, Ann Nocenti
Art by: Marc Silvestri, Todd McFarlane, Bret Blevins, June Brigman, Kerry Gammill, Jon Bogdanove, Kieron Dwyer, Keith Pollard, John Romita Jr., Walt Simonson

Marvel Comics, 803 Pages

Review:

This was a story so big that it was collected into two massive volumes. But I figured I’d read both and give the whole thing a single review, as one body of work.

But that may have not been the best approach, as this crossover doesn’t really crossover in a way that makes one big story. This is more like an anthology of events that were going on in all the different X-books at the same time. And weirdly, this isn’t collected in chronological order but as separate stories without much overlap or characters meeting.

This big event also has some short stories focused on Hulk, Captain America, Daredevil, Black Widow and the Fantastic Four. In those tales, it shows what they’re up to during the events of what is happening in some of the X-books.

The Fall of the Mutants takes place between Mutant Massacre and Inferno. It is also the last of the ’80s X-Men crossovers that I hadn’t read in its entirety.

Out of all the tales here, I thought the X-Factor one was probably the best as it concludes the Apocalypse and Angel storyline, as it introduces Archangel for the first time. Also, the X-Factor arc showcases Cameron Hodge turning on the team, revealing his true agenda to set up what would eventually be the superb crossover event X-Tinction Agenda.

The New Mutants part was the weirdest but it also featured Hodge’s heel turn and kind of sets things in motion for X-Tinction Agenda and Inferno. This is also where the New Mutants dump Magneto as their teacher and return to the ways of Charles Xavier.

Ultimately, this was kind of a mess when read as one body of work. But it does do a proper job of bridging the gap from Mutant Massacre and the next two big events to follow.

Rating: 5.5/10
Pairs well with: other major X-Men crossover events from the ’80s and ’90s.

Comic Review: Uncanny X-Force, Vol. 6 & 7: Final Execution – Books I & II

Published: April 10th, 2013, August 29th, 2013
Written by: Rick Remender
Art by: Mike McKone, Phil Noto, Julian Totino Tedesco, Jerome Opena, David Williams

Marvel Comics, 271 Pages

Review:

Well, I have finally reached the end of Rick Remender’s highly respected Uncanny X-Force run.

I’ve got to say that this end was fairly satisfying and that the series, as a whole, was good. However, I don’t quite feel the same about it as many of the others who hyped it up for me. I mean, I’ve only heard great things about it. But I wouldn’t call it great, I’d just call it good, sometimes solid but sometimes aimless. Or, at least, sometimes it felt aimless.

And I guess that some of what seemed aimless wasn’t but not all of those things were resolved and some of them didn’t really seem to have much of a point when looking at the whole picture.

The series, I thought, ended up putting so much emphasis on Psylocke that this didn’t feel like a team book. It felt like a Psylocke book with recurring side characters. That’s not to say that Wolverine, Archangel, Nightcrawler, Fantomex, Deadpool, etc. weren’t pretty involved in the proceedings but it’s to say that sometimes I forgot they were involved unless I was reminded by them showing up in a panel.

Ultimately, this is a neat series with an ending that tied up the important bits but I don’t feel like it adds much to the X-Men mythos and that it spent more time trying to be edgy and cool than actually trying to better the X-franchise.

Rating: 7.75/10
Pairs well with: the earlier volumes in Rick Remender’s Uncanny X-Force run.

Comic Review: New X-Men: The Quest for Magik

Published: June 19th, 2019
Written by: C.B. Cebulski, Craig Kyle, Christopher Yost
Art by: Giuseppe Camuncoli, Paco Madina, Skottie Young, David Finch (cover)

Marvel Comics, 385 Pages

Review:

I already read and reviewed the X-Infernus part of this large collection, so I’m omitting that and letting my previous review on it stand alone. The main reason, is that it’s pretty good where the rest of this collection is pretty monotonous.

Since I first started reading New Mutants as a young kid, I always loved the Magik character. She’s one of my favorite Marvel Comics creations. In fact, she might be my favorite out of the characters that debuted in my lifetime.

Having never read the majority of what’s collected here, I always felt that a large portion of her story was unknown to me. So I wanted to rectify that and fill in the blanks from the ’00s, as I kind of dipped out of comics for most of that decade.

The problem with this, is that I pretty much hate all the New X-Men stuff. I never liked the team, as almost every new mutant teen felt generic as hell and many of the stories felt like retreads of stuff from other teenage mutant books from the ’80s and early ’90s. I think the only character I really liked out of any of them was Rockslide.

So this is pretty heavy on New X-Men shit. To the point that a massive chunk of this collection, mostly the first half, doesn’t even feature Magik. I mean, this is titled The Quest for Magik but we’ve got to get through a boring four-part story before we even get to the subject matter that the book’s title implies.

Once we do get to Magik, everything feels off.

I also have to point out that some of the art is really good but then this collection jumps around to different titles that have a very different art style and in a collection, that can be jarring to the eyes. It goes from a serious, straightforward style, to a cheesy overly anime style, to using colors and gradients in a way that pop too much and make the illustrated work get lost in the colorful clusterfuck.

Overall, this is a disappointment. There were a few solid points and the X-Infernus four-part miniseries is still a good read but ultimately, I’ve got buyer’s and reader’s remorse.

Rating: 5/10
Pairs well with: other New X-Men collections.