Comic Review: Captain America: Winter Soldier, Vol. 2

Published: October 11th, 2006
Written by: Ed Brubaker
Art by: Steve Epting, Michael Lark, Mike Perkins

Marvel Comics, 136 Pages

Review:

This was a pretty good second half to the original Winter Soldier story. I liked the first half a bit more though. But I think that’s because reading this lacked tension, as I knew that Winter Soldier was actually Bucky and that he’d come around and start to see the light.

That lack of tension is my fault for taking so long to read this story. It’s certainly not Brubaker’s fault and I’m sure this was tense as hell for those that read it for the first time in 2006 without any knowledge of the Winter Soldier character.

I like that Brubaker does spend a good amount of time flashbacking to World War II and the Invaders era. The context was nice and the parallels between Cap and Bucky’s lives then and now was well done.

This story also adds in Falcon and Iron Man, which obviously influenced the MCU films that saw these two characters chime in on Cap’s relationship with Winter Soldier.

Like the previous volume, the art was really good and Brubaker truly benefits from having solid artists on his Captain America books, as they definitely enhance the atmosphere and tone of the plot in the right way.

For Cap fans who haven’t read the Brubaker run, you’re doing yourselves a disservice. Hell, for fans of just the movies, this is definitely worth checking out just to understand the depth of these characters’ bond.

Rating: 8.25/10
Pairs well with: the rest of Ed Brubaker’s Captain America run.

Film Review: Spider-Man: Far From Home (2019)

Also known as: Spider-Man: Homecoming 2 (informal title)
Release Date: June 26th, 2019 (Hollywood premiere)
Directed by: Jon Watts
Written by: Chris McKenna, Erik Sommers
Based on: Spider-Man by Stan Lee, Steve Ditko
Music by: Michael Giacchino
Cast: Tom Holland, Samuel L. Jackson, Zendaya, Cobie Smulders, Jon Favreau, J. B. Smoove, Martin Starr, Jacob Batalon, Marisa Tomei, Jake Gyllenhaal, Peter Billingsly, J.K. Simmons (cameo), Robert Downey Jr. (archive footage), Jeff Bridges (archive footage), Ben Mendelsohn (cameo)

Columbia Pictures, Marvel Studios, Pascal Pictures, Sony Pictures, 129 Minutes

Review:

“Don’t ever apologize for being the smartest one in the room.” – Mysterio

After Avengers: Endgame I don’t feel as invested in the Marvel Cinematic Universe as I was for the last eleven years. At this point, I feel like I don’t have to watch every movie Marvel puts out and I’m just going to see things based off of how I feel about the trailers on a film by film basis.

However, I liked the first Tom Holland starring Spider-Man film and I also like Jake Gyllenhaal and the character of Mysterio, so I wanted to give this movie a shot.

I’m glad that I did, as it exceeded any of the expectations I had for it and is a better film than its predecessor, Spider-Man: Homecoming, as well as the pretty lackluster and confusing Endgame. It’s also much, much better than Captain Marvel and is thus, the best MCU movie of 2019.

I know that Tom Holland has been criticized by some but I dig his Spider-Man. I also know that some have criticized his relationship with Tony Stark but I enjoy it, as he’s a kid that’s already dealt with a lot of loss in his life and he’s needed a father figure to look up to. Is it a bit over the top? Yeah, probably. However, it’s still believable and you can’t help but to be touched by their immense bond over the films where they shared scenes.

And that carries over really well here in how the whole plot is structured around Peter Parker evolving beyond just being Stark’s sidekick. He has to become a man here and the whole story is a test to see if he is actually worthy of Stark’s empire, as Stark believed he was.

On top of that, it was really refreshing to have Jon Favreau return as Happy Hogan to help Peter along the way. I feel as if the Hogan/Parker dynamic can and will evolve into something just as strong as what Peter had with Tony. But it’s probably a more mature bond, as Parker doesn’t idolize Hogan like he did Stark but instead bonds with him over the two men losing a dear friend.

Adding another layer to that is the inclusion of Quentin Beck a.k.a. Mysterio, who Parker tries to envision as his new Tony Stark. Obviously, things go sideways in that regard, as Mysterio is one of Spidey’s greatest villains but the scenes between Holland and Gyllenhaal’s Mysterio are really f’n good.

I’m still not keen on the other teenagers in the film but they serve their purpose and they don’t get in the way too much. MJ also evolves nicely and even if she is sort of a millennial hipster cynic, she finally lets Peter in and shows a more endearing side to her character.

The story is well structured and it flows at a perfect pace. While they alter Mysterio’s backstory, the alteration is somewhat of an improvement, as it makes more sense in the cinematic world that this Spider-Man lives in. And what’s best about the whole thing, is the new angle makes sense and it allows for Mysterio to be more powerful than he traditionally is in the comics. He’s smarter, more cunning and has Stark’s toys at his disposal.

We also get Nick Fury and Maria Hill back but there is a twist to that. Still, it’s good to see them and I wish that Marvel would use Cobie Smulders’ Hill more than they have over the last decade.

I wasn’t initially keen on the European setting, as Spider-Man is really in his element in New York City. However, it works for the story and the final act taking place in London made up for the lack of skyscrapers and architectural scale that was missing in the earlier parts of the film.

All in all, this was an energetic, emotional and fun movie. It hit the right marks and even though this is really fresh in my mind, I’d have to say that it’s the second best Spider-Man film ever made after 2004’s Spider-Man 2.

Rating: 8.75/10
Pairs well with: all the MCU films featuring Tom Holland’s Spider-Man.

Comic Review: Captain America: Winter Soldier, Vol. 1

Published: March 1st, 2006
Written by: Ed Brubaker
Art by: Steve Epting, Michael Lark, J.P. Leon

Marvel Comics, 167 Pages

Review:

At the start of Ed Brubaker’s historic Captain America run, I wasn’t paying attention to comics. I found my way back to them around the time that Cap died, a few years into Brubaker’s tenure. So I never got to read the original Winter Soldier story.

I’ve got to say, this pretty much lives up to the hype. However, I’m only speaking as someone that’s read the first part, as the story covers two volumes.

So I don’t know how this will conclude or where it will go in the immediate future but this was a damn fine setup.

This may be the best and the most human Steve Rogers has ever been written. This explores the layers to his character and it does a fantastic job of giving the reader the right context without just relying on them to know Cap’s backstory. Additionally, it also doesn’t just dwell on the past and act as a lengthy modernized recap of those events.

I also love the art. And honestly, it’s the evolution of comic book art that really brought me back to the medium. And one of the books that lured me in was Captain America.

Rating: 8.75/10
Pairs well with: the rest of Ed Brubaker’s Captain America run.

Film Review: Captain Marvel (2019)

Release Date: February 27th, 2019 (London premiere)
Directed by: Anna Boden, Ryan Fleck
Written by: Anna Boden, Ryan Fleck, Geneva Robertson-Dworet, Nicole Perlman, Meg LeFauve
Based on: Captain Marvel by Stan Lee, Gene Colan, Carol Danvers by Roy Thomas, Gene Colan
Music by: Pinar Toprak
Cast: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, Jude Law, Kelly Sue DeConnick (cameo)

Marvel Studios, Walt Disney, 124 Minutes

Review:

“You are Carol Danvers. You were the woman on that black box risking her life to do the right thing. My best friend. Who supported me as a mother and a pilot when no one else did. You were smart, and funny, and a huge pain in the ass. And you were the most powerful person I knew, way before you could shoot fire through your fists.” – Maria Rambeau

This was the first Marvel Cinematic Universe movie that I didn’t see in the theater. Frankly, it looked boring and unimaginative and it really has nothing to do with the controversies surrounding the film regardless of what side of the argument your fanboy/girl heart lies on.

Seeing it now, I wasn’t wrong.

This is a drab, mostly pretty boring film. Also, it looks cheap compared to other Marvel movies. This looks more like an episode of a CW superhero show than a film produced by Disney and Marvel. And it’s kind of underwhelming and depressing, really. Especially since this had its fair share of outer space stuff, which Marvel has handled exceedingly well with Thor: Ragnarok and both Guardians of the Galaxy outings.

I think part of the problem is that this film had too many creatives trying to steer the ship. It had two directors and five writers. Fuck, guys… just pick a team of a few people like your best movies and let them make the magic happen. Films made by committees rarely wow anyone.

In regards to Brie Larson, she is, as I’ve said in reviews of other films, a charisma vacuum. She makes charismatic actors around here give uncharismatic performances. Sam Jackson and Jude Law are typically very charismatic and fun to watch. Here, they’re about as entertaining as sleeping dogs.

Throughout this entire film, Brie was told that she’s too emotional yet she barely shows any actual emotion and just delivers her lines with a blank face in monotone. She also does this juvenile smirk all the time that just makes her look like a middle aged soccer mom thinking that she’s still youthful, cute and wishes she was still in high school so she could cozy up to the mean girls.

If this film wasn’t part of the larger MCU canon, it would have come and gone and been completely forgotten already. It’s not even bad to where people can talk for years about how much of a shitshow it was like Catwoman. But this is the future that Disney apparently wants and between this dead on arrival, boring ass film and the slapped together, clusterfuck that Avengers: Endgame was, makes me think that the MCU‘s expiration date was 2019, just a year after it celebrated it’s 10th anniversary.

Usually for a film of this caliber, I’d have a lot more to say. But there isn’t much to talk about with this one. It’s a waste of time, it carries an obvious agenda with it and like things that are trying to be political statements, it fails at conveying that message in a meaningful or genuine way.

Plus, everyone and their mother has torn this film apart already. I don’t think it’s as bad as many people do but it’s certainly a soulless, unemotional, pointless film more concerned with its place in history and trying to challenge societal ideals in the laziest way possible than it is trying to be a fun, escapist piece of entertainment.

But hey, this isn’t as bad as Joss Whedon’s Avengers: Age of Ultron, which still takes the cake as Marvel’s worst. I would put this in my bottom two or three though.

Rating: 5.5/10
Pairs well with: Everything else in the MCU, I guess.

Comic Review: Hank Johnson, Agent of Hydra – One-Shot

Published: August 26th, 2015
Written by: David Mandel
Art by: Michael Walsh, Amanda Conner (cover)

Marvel Comics, 22 Pages

Review:

Marvel is not good at comedy. Well, at least not in modern times and this comic was just a stark reminder of that. Modern Marvel’s comedy is about as cringe as Vince McMahon’s.

Anyway, I thought the premise sounded amusing, so I figured I’d give this a read, as it is just a one-shot.

The plot is about a guy who works for Hydra but this mostly shows his home life and how being an agent for Hydra conflicts with his duties as a husband and father.

The wife loves Hydra too but she’s annoyed by her husband’s life being ruled over by the organization. Their kids wear superhero t-shirts and go out on Halloween dressed up as heroes that made their father piss blood but that’s supposed to be funny.

We also get to see a funeral presided over by M.O.D.O.K., Madame Hydra sexually harassing the main character and Baron Zemo on stage emceeing a “guess how many marbles are in the fishbowl” game. Oh yeah, and Hydra kids have a little league game against S.H.I.E.L.D. kids because, you know, comedy.

This obviously exists in its own reality apart from the regular Marvel continuity but even as a standalone comedy, it doesn’t work. It’s way too absurdist and none of the jokes hit in the way that they are intended.

The art sucks too.

I’m glad I only wasted a buck on this.

Rating: 3/10
Pairs well with: I guess modern Marvel comics that try to be funny.

Comic Review: Avengers: Kree/Skrull War

Published: 1971-1972
Written by: Roy Thomas
Art by: Neal Adams, John Buscema, Sal Buscema

Marvel Comics, 205 Pages

Review:

I never read the original Kree/Skrull War storyline but I’ve heard it referenced my entire life. But with it being free on Comixology and with my desire to read a lot of the major old school comic book milestones, I had to finally give this a read.

So if I’m being honest, this really is a mixed bag.

Now when this is good, it’s damn good. However, the middle act of this large story feels like it gets off track before it all comes back together for the big finale, which is a space battle between two warring alien races and members of the Avengers team.

This story is at its best when both Ronan the Accuser and Annihilus are front and center. Other than that, it deals with the newer Avengers team screwing up and the original team having to come back and disband them. Ultimately, this leads to the newer Avengers redeeming themselves and it also showcases Rick Jones, a man without any powers, as a brave, courageous badass. Never mind that Ronan nearly slaps him to smithereens at one point though.

The only weak thing about this story besides the middle act, is that it was probably too drawn out. In fact, most of that middle act should have been whittled down. If that was fixed, this would have had better pacing and it would have been much, much better overall.

I really loved seeing old school Ronan and Annihilus though. Man, they’re such good villains when used correctly and not written as fodder for heroes. Most modern comic book fans probably don’t know how scary it was to see either of these guys show up, back in the day. Annihilus, especially, was a terrifying enemy.

Lastly, I have to mention that this was just great to look at. The art of Neal Adams, John Buscema and Sal Buscema was ’70s Marvel perfection.

Rating: 7.75/10
Pairs well with: other ’70s Marvel milestone events.

Film Review: Avengers: Endgame (2019)

Release Date: April 22nd, 2019 (Los Angeles premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand, Jon Favreau, Marisa Tomei, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Linda Cardellini, Tessa Thompson, Rene Russo, John Slattery, Tilda Swinton, Hayley Atwell, Natalie Portman, Taika Waititi, Angela Bassett, Frank Grillo, Robert Redford, Ty Simpkins, James D’Arcy, Ken Jeong, Yvette Nichole Brown

Marvel Studios, Walt Disney Studios, 181 Minutes

Review:

“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos

*There be spoilers here! But I kept it as minimal as possible.

Here we are… the end.

Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.

But anyway, how was this film? The big, badass finale to a 22 movie franchise?

It was good but it wasn’t anything close to stellar.

My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.

Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.

The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.

I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.

Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.

Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.

Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.

Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.

Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.

Rating: 7.75/10
Pairs well with: Everything in the MCU before this film, as it all leads up to this one.