Original Run: January 1st, 2020 – January 3rd, 2020
Created by: Mark Gatiss, Steven Moffat
Directed by: Johnny Campbell, Damon Thomas, Paul McGuigan
Written by: Mark Gatiss, Steven Moffat
Based on: Dracula by Bram Stoker
Music by: David Arnold, Michael Price
Cast: Claes Bang, Dolly Wells, John Heffernan, Morfydd Clark, Joanna Schanlan, Mark Gatiss, Lydia West
Hartswood Films, BBC, Netflix, 3 Episodes, 88-91 Minutes (per episode)
What a fucking catastrophe this show was.
It started out kind of interesting and I watched it because Mark Gatiss and Steven Moffat were the creative forces behind it. I liked most of their work even if their later Doctor Who stuff turned to shit. But I had hoped this would be more like Sherlock than late-Doctor Who but what I got was more like a botched kidney transplant.
The show really got away from itself at the midpoint of the first episode where it decided to deviate from the traditional Dracula story. While I’m okay with creative freedom and the Dracula story has been reinvented dozens, if not hundreds, of times, this was one of the worst Dracula storytelling experiments I’ve ever had to suffer through.
Now this isn’t a knock against the actors, they were mostly really good, and it’s not a knock against the quality of the production as it looked great. No, this is about the story and how stupid and batshit retarded it was.
This was damn near unwatchable once it went off the rails but there was that part of me that stuck through it, hoping that the genius of Gatiss and Moffat would somehow turn this around and make it something great or at least acceptable enough to not be a total waste.
By the time you get through the third and final episode, however, you’re left scratching your head wondering what the fucking point was.
Honestly, I have no idea and I can’t get my four and a half hours back.
Pairs well with: waking up in a bathtub full of ice after an abduction and a kidney gone missing.
Release Date: January 26th, 2020 (Sundance)
Directed by: Jeff Orlowski
Written by: Davis Coombe, Vickie Curtis, Jeff Orlowski
Music by: Mark A. Crawford
Cast: Interviewees: Tristan Harris, Aza Raskin, Justin Rosenstein, Shoshana Zuboff, Jaron Lanier, Tim Kendall, Rashida Richardson, Renee DiResta, Anna Lembke, Roger McNamee, Guillaume Chaslot; Performances: Skyler Gisondo, Kara Hayward, Vincent Kartheiser, Sophia Hammons, Catalina Garayoa, Barbara Gehring, Chris Grundy
Exposure Labs, Argent Pictures, The Space Program, Netflix, 94 Minutes
“How do you wake up from the Matrix when you don’t know you’re in the Matrix?” – Self – Google, Former Design Ethicist
I watched this based off of a recommendation and honestly, I probably wouldn’t have, otherwise. I’m glad I did though, as it was really refreshing seeing some of the people who were instrumental in developing social media, kind of condemning certain parts of it, as it’s now being used in a way to create an addiction to it and to further divide the people using it.
Initially, it was created to bring people together, where they could interact with one another, all over the world. Where they could share ideas and more or less, come together in a positive, constructive way in an effort to shape a better planet.
In the last decade or so, all of that has started to take a turn for the worse.
This film breaks down how this happened and how it all works. Frankly, it’s kind of scary but it’s also not like most of us sane, rational people aren’t aware of it. There’s a reason why I stopped using Facebook, only occasionally touch Instagram and pretty much just use Twitter to promote this site and then shitpost.
This also has some bits in it where actors play characters being affected by all of this. It’s used to illustrate in an interesting way how social media can destroy relationships and human interaction. It also shows how these apps work and why they hone in on our different triggers to sell products and to keep us engaging with the app.
I can’t say that anything here was new information but it’s refreshing seeing the architects of the problem try to combat it and bring more awareness to it.
Pairs well with: other recent tech documentaries.
Original Run: May 27th, 2020
Directed by: Lisa Bryant
Based on: Filthy Rich: A Powerful Billionaire, the Sex Scandal that Undid Him, and All the Justice that Money Can Buy: The Shocking True Story of Jeffrey Epstein by James Patterson
Music by: Justin Melland
RadicalMedia, JP Entertainment, Third Eye Motion Picture Company, Netflix, 4 Episodes, 55-57 Minutes (per episode)
I didn’t know as much about this story as I probably needed to. Sure, I, like most people, know the general gist of it but not the details.
Although, if I’m being honest, I kind of expected this to go much deeper and also expose the guy’s ties to some of the politicians and celebrities that were in his orbit.
Regardless of that, this was still a decent primer on the horrible shit that this guy did.
Frankly, this was pretty tough to get through, as you come to realize how deep the rabbit hole goes and how many different under-aged girls that this guy sexually assaulted on a constant basis.
Most importantly, this serves as a warning against the type of people that prey on young girls, as well as looking at their behavior and the methods that they could use to exploit and violate others.
As a documentary, I thought this was just okay. I feel like it needed a lot more information and that it could’ve gone a lot deeper into Epstein’s reach among the elite.
Pairs well with: other recent Netflix true crime documentaries.
And a followup video regarding the director’s comments on the film’s backlash.
Original Run: July 22nd, 2020
Created by: Dimitri Doganis, Bart Layton, Adam Hawkins, Jon Liebman
Directed by: Sam Hobkinson
Cast: Rudy Giuliani, various
Brillstein Entertainment Partners, Raw Television, Netflix, 3 Episodes, 44-62 Minutes (per episode)
I watched this on a recommendation by a friend. I was glad I did though, as I might not have known about it, as I rarely even login to Netflix anymore.
The title is pretty self-explanatory but to delve beyond that, this specifically talks about how guys like Rudy Giuliani, other lawyers and the FBI worked at bringing down the big crime families in New York City during the mid-’80s.
The show features a lot of talking head interviews by the people who were there, as they recount all the key events and developments that led to the collapse of organized crime and how their efforts changed how mob rule would be fought against forever.
Overall, this is engaging and packed full of so many great stories that I was pretty captivated by it from start to finish. In fact, I binged through it in one sitting but it is also only three episodes long.
I’d like to see this series continue in the future, maybe looking at how organized crime was fought in different cities or regions.
Pairs well with: other recent crime documentaries, many others are also found on Netflix.
Release Date: August 30th, 2018 (Venice premiere)
Directed by: Morgan Neville
Music by: Daniel Wohl
Cast: Orson Welles (archive footage), Alan Cumming (host, narrator), Peter Bogdanovich, Oja Kodar, Peter Jason, Cybill Shepherd, Frank Marshall, Beatrice Welles, John Huston (archive footage), Dennis Hopper (archive footage)
Tremolo Productions, Royal Road Entertainment, Netflix, 98 Minutes
They’ll Love Me When I’m Dead is a pretty fascinating documentary but then Orson Welles, the film’s subject, is an immensely fascinating guy.
This tells the story of Welles’ attempt at trying to complete what would have been his final film: The Other Side of the Wind. However, the picture, despite Welles’ best efforts and years spent filming footage, would not see the light of day.
Beyond that, this explores why it never materialized into a final, complete form. It looks at Welles’ rocky relationship with the Hollywood elite but also shows how passionate he was about the project, which seemed to be ever evolving and not something that had any sort of definitive framework.
More than anything, this was a great documentary simply because it showed us an intimate look into Welles’ life and career at its final stages. He was a lovable, charismatic guy that remained somewhat enigmatic till the end.
It’s also worth seeing for any Welles’ fan, as it does show a lot of the footage that was filmed for The Other Side of the Wind. And even if you don’t get a clear understanding of what the film was to be, you do at least come to understand, as much as a mortal can, Welles’ creative process and motivation in making it.
This is a stupendous documentary film on the man and his brand of filmmaking. And since it is on Netflix, those with the streaming service should probably check it out.
Pairs well with: other documentaries on Orson Welles and filmmaking from his era.
From The Critical Drinker’s YouTube description: Grab a cold one as I venture into the world of madness, mayhem and murder that is… Tiger King.
Original Run: March 20th, 2020
Created by: Chris Smith, Fisher Stevens, Eric Goode, Rebecca Chaiklin
Directed by: Eric Goode, Rebecca Chaiklin
Music by: Mark Mothersbaugh, John Enroth, Albert Fox, Robert Mothersbaugh
Cast: Joe Exotic, Carole Baskin, Bhagavan Antle, John Finlay, Rick Kirkham, John Reinke, Saff Saffery, Jeff Lowe, Howard Baskin, Travis Maldonado, Dillon Passage
Netflix, 7 Episodes, 41-48 Minutes (per episode)
I knew all about Joe Exotic and even though he’s a weird eccentric zoo keeper and wannabe politician that tried to pay someone to commit murder, I wasn’t super excited to have to sit through an entire documentary miniseries about it.
Being that everyone and I mean everyone is talking about this damn show, I figured I’d just give the first episode or two a watch to see if it’s all that it’s cracked up to be. Well, I’ve got to say, it sucked me in.
Granted, this could be due to not having a whole lot to do during the COVID-19 pandemic but the real reason this latched onto my mind is due to all the other characters in this story. The majority of these people are all eccentric, batshit crazy and have major skeletons in their closets.
Sure, I knew who Carole Baskin was but I never really deep dived into her past, as this documentary does. I was also aware of Bhagavan Antle but I didn’t know that he basically ran a fucking zoo harem. Add in all the other colorful weirdos and criminals and this becomes one of the most intriguing and weirdest true crime sagas that I’ve ever seen unfold.
This is compelling television and it tries to tell all sides of the story. It appears to be mostly fair to all parties involved but I can see how almost all of them will have a problem with how they were portrayed here, as it doesn’t paint a nice picture for nearly any of the participants. Point being, this doesn’t seem biased in one direction or the other and maybe these are all just shitty people.
Only a few of the key or even minor players here came out looking kind of okay. And if anything, this exposes just how insane this world is and it certainly doesn’t do any favors for the big cat and exotic animal industries. But I’m okay with that, as these places really shouldn’t exist and humankind should work towards not keeping wild animals in captivity, unless it is to actually help and study animals without using them as attractions or personal pets.
In the end, none of these people really seem to give a shit about the animals they claim they’re doing this for.
But I’m also not here to rant on about the politics of this.
So as a show, this is pretty effective and informative entertainment. Now I can’t say that this is effective because of how it is presented, I just think that the story itself is so fascinating on its own that it made the documentary filmmakers’ jobs easier. Granted, I’m also not saying their not skilled, this is just a unique and bonkers story full of strange, oddball, dark personalities that the show just sort of sells itself without any need for extra frills and post-production or narrative trickery.
Pairs well with: Joe Exotic’s crazy campaign videos.