Film Review: The Mole People (1956)

Release Date: November 21st, 1956 (Los Angeles premiere)
Directed by: Virgil Vogel
Written by: Laszlo Gorog
Cast: John Agar, Hugh Beaumont, Cynthia Patrick, Alan Napier, Nestor Paiva

Universal-International, 77 Minutes

Review:

“Archaeologists are underpaid publicity agents for deceased royalty.” – Dr. Roger Bentley

Being that this is a Universal movie, I feel like the Mole People should be considered Universal Monsters by default. Maybe they aren’t included due to this film not being at the same level of quality as the debuts of their more famous monsters but if I’m being honest, it is better than a lot of the sequels once those properties went really deep into their runs.

Also, even though this was showcased on an episode of Mystery Science Theater 3000, it is better than the vast majority of films that they lampooned.

You are exposed to the monsters pretty early on and for audiences of the 1950s, seeing creatures emerge from the dirt that can pull you under and suffocate you in the ground was probably legitimately scary.

And what makes this interesting, is that as the film evolves, you learn that these monsters are victims, enslaved by some shitty humans. So the real monster is man. Granted, this wasn’t a new angle, even by the time that this came out, but it adds an extra narrative layer to this film, making it more than just a standard, cheap thrills, creature feature.

Additionally, the sets are pretty impressive for the time and what I’m sure was a fairly scant budget, even for a major studio production. Sure the matte paintings are obvious with 2019 level HD but they were probably convincing backdrops for the time.

The Mole People is a film that is better than I thought it would be. I don’t ask for much with these sort of pictures but this one wasn’t your typical MST3K schlock and plays like something worthy of being on a double bill with the better Universal Monsters pictures.

Rating: 5.25/10
Pairs well with: This Island Earth, Monolith Monsters and The Deadly Mantis.

Film Review: Follow Me Quietly (1949)

Release Date: July 7th, 1949 (New York City premiere)
Directed by: Richard Fleischer
Written by: Lillie Hayward, Anthony Mann, Francis Rosenwald
Music by: Leonid Raab, Paul Sawtell
Cast: William Lundigan, Dorothy Patrick, Jeff Corey, Nestor Paiva

RKO Radio Pictures, 60 Minutes

Review:

“I always wanted to throw something out of that window. Ha, I didn’t know it would be me. ” – J.C. McGill

Follow Me Quietly was put out by RKO Radio Pictures, a major studio in its heyday, but it feels more like a noir from one of the Poverty Row studios.

I think part of the reason is that this was definitely a B-movie, it had a very scant running time and didn’t have any big marquee players. It was directed by Richard Fleischer, however, and he was certainly a top director but maybe more so after this picture.

It’s an okay movie but there is nothing about it that sets it apart from the slew of late ’40s film-noir pictures. It’s pretty pedestrian, if I’m being honest, but it still has some interesting stuff within its slim 60 minute running time.

But I guess what captivated me most wasn’t the story or the characters but it was nuances within the film. While it’s a pretty standard police procedural for most of the film, the scenes where people try to identify suspects in the police lineup were really neat. Some of the characters posed with blank faces very similar to the character called The Blank from the 1990 Dick Tracy movie. Maybe that character was inspired by these moments in this film.

I enjoyed the police procedural shtick in this but it also felt ridiculous in how they came to conclusions in a few key spots.

In the end, this was an okay way to spend an hour but other than the strange police lineup proceedings, there’s not much to write home about.

Rating: 5.5/10
Pairs well with: other film-noir pictures of the ’40s from RKO Radio Pictures or some of the stuff from Poverty Row studios.

Film Review: Universal Monsters, Part VI – The Creature From the Black Lagoon Series (1954-1956)

I have reached my sixth and final series of Universal Monsters franchises to review.

Now let me state that this is my favorite series. I’m not sure why but the Gillman (a.k.a. the Creature From the Black Lagoon or just the Creature) is my favorite movie monster of all-time. Something about the prehistoric aquatic swamp beast just tickles my fancy.

While I don’t consider these films to be as good as the James Whale films for Universal, I do watch them more and find them to be more entertaining overall. But let me get into each film and elaborate.

Creature From the Black Lagoon (1954):

Release Date: February 12th, 1954 (premiere)
Directed by: Jack Arnold
Written by: Maurice Zimm, Harry Essex, Arthur A. Ross
Music by: Henry Mancini, Hans J. Salter, Herman Stein
Cast: Richard Carlson, Julie Adams, Richard Denning, Antonio Moreno, Nestor Paiva

Universal Pictures, 79 Minutes

creature_from_the_black_lagoonReview: 

This may just be my favorite classic horror film of all-time and it is rated “G”.

Creature From the Black Lagoon is a masterpiece. Is that a bold statement? No.

This film, for its time, was incredibly unique. Being a part of the Universal Monsters franchise, even though it came out more than a decade after that franchise peaked, this movie stands on its own and didn’t need other monsters sprinkled in to capture the public’s attention. In fact, this film was so successful that it spawned two sequels within two years.

Getting away from the standard Universal gothic horror style that was a staple in the Frankenstein, Dracula and Wolf Man series, this film brought us to the Amazon and gave us a creature from the depths of the swamp. And with that, we got a new formula. No mad scientists, no undead creatures, no supernatural horror. Instead, we get a prehistoric monster that is smitten with a girl and just wants to swim with her. Granted, he eventually wants to go one step further and kidnap her and take her to his cave so she can lay on rocks and look sexy all day.

I just love the tone of this film and I can’t necessarily say that it brings a level of terror and dread as some of its predecessors at Universal, but it is a fun film and the most adventurous one in the Universal Monsters catalog. Plus, Julie Adams is really nice to look at.

Revenge of the Creature (1955):

Release Date: March 23rd, 1955 (Denver premiere)
Directed by: Jack Arnold
Written by: William Alland, Martin Berkeley
Music by: Herman Stein
Cast: John Agar, Lori Nelson, Nestor Paiva, Clint Eastwood (uncredited – first role)

Universal Pictures, 82 Minutes

revenge_creatureReview: 

The first sequel in this series is the weakest installment overall but it is still a great film and really enjoyable.

In this one, the Gillman is captured and brought to an oceanic park in Florida to be treated crappier than the orca in Blackfish. The Gillman doesn’t like it, the Gillman gets pissed, the Gillman escapes and tears up the oceanic park, flips a few cars and goes off into the ocean to leave humans behind.

Except there is that new girl he is smitten with who isn’t as cute as Julie Adams but is still cute. The Gillman stalks the leading lady like an aquatic swamp pervert should. He eventually gets her and then carries her around for the rest of the film until the heroes show up to save her.

The plot moves a bit slow, as a big portion of the film deals with the scientists interacting with the Gillman while he is in captivity. It is worth mentioning though that this is Clint Eastwood’s film debut and his role is somewhat bizarre.

I should also mention that this film in the series is featured in an episode of Mystery Science Theater 3000.

The Creature Walks Among Us (1956):

Release Date: April 26th, 1956
Directed by: John Sherwood
Written by: Arthur A. Ross
Music by: Henry Mancini
Cast: Jeff Morrow, Rex Reason, Leigh Snowden, Don Megowan

Universal Pictures, 78 Minutes

the_creature_walks_among_usReview: 

So what do the logical and ethical human scientists decide to do to the Gillman in this film? Well, they think it is a good idea to give him surgery in an effort to make him better fit in with humans. By surgery, I mean they cut off parts of his face and body and pretty much butcher him alive. Yeah, the plot is bizarre and insane and makes little sense but we don’t watch these films for logic and sometimes crazy equals awesome.

This film and the others in this series all have a consistent vibe and even though there is some experimentation with the plots in each sequel, they all feel like they belong to the larger series’ narrative. And the experimentation is kind of refreshing in this series, as each movie has its own identity. We’re not subjected to a string of rehashes of the same film like the Mummy and Frankenstein series.

This film also explores the humanity of the monster – does it exist, who is the Gillman, what motivates him, can he be human? It also explores what it means to be human and are we really just monsters ourselves. There is a lot of psychology at play in this film which makes it a pretty special experience for a horror film of its era.

And at least in this movie, the last shot of the film isn’t a beaten and bloodied Gillman sinking to the bottom of the river assumedly dead. This time the disfigured and biological tampered with monster just wants to get away from humans and go home and after all the horrible things that have been done to him, he at least gets back to his familiar environment.

Compared to the other two films in this series, this one really connects the audience to the creature on an emotional level and that is what makes this movie special.