Release Date: July 21st, 1980 (UK)
Directed by: James Glickenhaus
Written by: James Glickenhaus
Music by: Joe Renzetti
Cast: Robert Ginty, Samantha Eggar, Christopher George, Steve James, George Cheung, Irwin Keyes, Ned Eisenberg
Interstar, 104 Minutes (Director’s Cut), 101 Minutes (original cut)
“Hey man, whatcha doing? Come on man, don’t fuck around! Hey! Hey! Don’t do that! Come on, man. Whatcha doing that for? Stop!” – Chicken Pimp
Before he was one of the world’s most prolific Ferrari aficionados, James Glickenhaus was a film director. While his movies might not have connected with most people, I’ve always liked his work. I hadn’t seen any of his pictures in awhile, though, so I figured I’d watch the one that immediately comes to mind when I think of his films: The Exterminator.
This movie is a simple vigilante story. It also plays like a Punisher movie if the Punisher was actually allowed to get uber hardcore and get revenge in a balls out, unrelenting ’70s/’80s action film sort of way. Plus, the vigilante here really likes using a flamethrower, which just adds an extra level of extremism to his brand of street justice.
The film essentially starts out as a war movie as we see our would-be hero and his buddy getting tortured by sadistic captors during Vietnam. They escape and make it back to New York City. There, the friend is paralyzed after trying to stop some piece of shit thugs. So the would-be hero decides to make the scumfucks of the NYC slums pay for their scumfuckery.
The Exterminator is action packed and gritty as hell. However, it wasn’t as hard as I remembered it being even though some baddies are turned extra crispy. I feel like this really should’ve gone full on exploitation, grindhouse style and maybe it’d be a bigger cult classic than it is.
I like the action and the story isn’t bogged down by unnecessary plot filler. This just gets to the point once it gets going and it doesn’t let up until the final frame.
I dug revisiting this a lot and I especially loved how enjoyable Robert Ginty was as The Exterminator.
My only real complaint is that the vigilante hero didn’t look as cool as he does on the poster. He should’ve wore that badass black leather outfit.
Pairs well with: its sequel, as well as other ’70s and ’80s vigilante flicks.
Release Date: May 8th, 1981
Directed by: Tony Maylam
Written by: Brad Grey, Tony Maylam, Harvey Weinstein, Bob Weinstein, Peter Lawrence
Music by: Rick Wakeman
Cast: Brian Matthews, Lou David, Leah Ayres, Brian Backer, Larry Joshua, Jason Alexander, Ned Eisenberg, Carrick Glenn, Fisher Stevens, Holly Hunter
Miramax Films, Filmways Pictures, 91 Minutes
“You’re crazy.” – Karen, “Yeah, I know. Crazy for you.” – Eddy
Sure, The Burning was made to cash in on the success of the previous year’s smash hit, Friday the 13th. In fact, the whole 1980s slasher genre was just riding on the coattails of Friday the 13th and Halloween but that doesn’t take away the fact that The Burning is a pretty good film in its genre and I would dare say, a classic.
Sadly, it is underappreciated today and maybe it wasn’t even that appreciated when it came out, as it was one of many Friday the 13th clones lost in a sea of teenage blood.
In this slasher picture, there is a summer camp caretaker named Cropsy. Some teenage boys decide to play a prank on him late at night. The prank has disastrous results, as the frightened Cropsy accidentally sets himself and his home on fire. He nearly burns to death but falls into the river. Years later, he returns to the camp to get murderous revenge. Of course, he doesn’t just look for the teens who pranked him, he just goes on a killing spree of all teenagers because that’s what you do in a slasher film.
There are a few highlights to this film. The first being the cast.
Several people here would go on to be pretty notable stars. George Costanza himself, Jason Alexander, is in this, slimmed down and with a full head of hair. It is actually weird seeing him very un-Costanza-like. He is almost a cool jock type, which is pretty amusing.
The film also features Leah Ayres, who might be more recognizable as the leading lady in the Jean-Claude Van Damme classic Bloodsport. There’s also Brian Backer, who I will always love for his role as “Rat” in Fast Times at Ridgemont High and his one-off appearance in Police Academy 4: Citizens On Patrol. You have Fisher Stevens, who would star in the two Short Circuit movies and play the villain in Hackers. Ned Eisenberg, a guy who is in just about everything, plays the generic teen asshole that exists in every proper slasher flick. I also have to point out Carrick Glenn, who didn’t do very many movies, but really steals the show in this and not just because of her bare boobs. The biggest star of this thing, other than Alexander, is Holly Hunter. While her role here is far from massive, she would go on to have a hell of a career.
Another highlight is the special effects and the makeup. This thing was essentially made on a limited budget but the practical effects are absolutely top notch. I actually think the effects in this are superior to the much more famous Friday the 13th. The burnt flesh of Cropsy is fantastic and his face is truly disgusting without looking cheesy or having to be visually obscured to hide some sort of cosmetic imperfection. The raft murder scene is particularly well done, especially the killer’s point-of-view shot where he chops off Fisher Stevens’ fingers.
While so many slasher flicks miss the mark, The Burning just gets it. I’m kind of surprised that this didn’t generate sequels, as Cropsy was a spectacular slasher, his origin story was simple but well-handled and the overall vibe of the picture was a good balance of creepy and fun.
That final pursuit scene, through the woods, is one of the best in the genre, even if Brian Backer was the intended victim and not a damsel in distress. Granted, he was still a damsel in distress and required rescuing from the bad ass male hero. But the ending does make it rather unique, as there isn’t a scream queen present.
The Burning is a remarkable picture for what it is. While it isn’t as beloved, to me, as the entirety of the Friday the 13th film series, I do enjoy it more than the first couple movies in that franchise. It is kind of hard to top Friday the 13th parts IV and VI. However, The Burning is an example of how good a slasher picture can be, even if the vast majority of them are just rehashes of a few that came early in the genre.