Release Date: June 23rd, 1955
Directed by: Charles Lamont
Written by: John Grant, Lee Loeb
Music by: Joseph Gershenson (supervisor)
Cast: Bud Abbott, Lou Costello, Marie Windsor, Michael Ansara, Peggy King, Richard Deacon, Mel Welles
Universal International Pictures, 79 Minutes
“There is no curse that a gun or a knife can’t cure.” – Madame Rontru
This installment in the Abbott & Costello/Universal Monsters mashups is one of the best.
While I still like their Frankenstein movie the most, this one is really close to it.
Being that this one lacks the star power and all the famous monsters of the Frankenstein picture, actually makes it a bit more impressive, as it was able to almost live up to that one with far less at the comedians and writers’ disposal.
In fact, I like this movie so much, it is my favorite Universal Mummy movie ever made after the original 1932 Boris Karloff one. The main reason is that this just hits the right notes in regards to the Mummy franchise while also being loaded with great gags and clever comedy writing.
Abbott and Costello are always hilarious and perfect as a pair but they really upped the ante in this one. I also liked seeing multiple mummies on the screen, even if all the dudes wrapped in bandages at the end, weren’t actual mummies.
This did a great job with the sets and making the world feel authentic and real. Well, as much as it could with the limitations of the time.
I also really enjoyed the addition of Mary Windsor, here, and it’s one of my favorite roles she’s played as she got to ham it up with the comedy legends and was convincing in her villainous role, which probably comes from spending so much time acting in classic film-noir pictures before this one.
Ultimately, this is a fun movie that lives up to both of the brands it brought together. Frankly, it’s probably the best way that Abbott and Costello could’ve ended their series of Universal Monster films.
Pairs well with: the other Abbot and Costello monster movies.
Release Date: October 14th, 1971 (UK)
Directed by: Seth Holt, Michael Carreras (uncredited)
Written by: Christopher Wicking
Based on: The Jewel of Seven Stars by Bram Stoker
Music by: Tristram Cary
Cast: Valerie Leon, Andrew Keir, Mark Edwards, James Villiers, Hugh Burden, Aubrey Morris
EMI Films, Hammer Films, American International Pictures, 94 Minutes
“The meek shall not inherit the earth. They can’t be trusted with it.” – Corbeck
Out of the four Mummy movies made by Hammer Films, this one is the most original and least derivative of the two Mummy sequels before it.
While this was an adaptation of The Jewel of Seven Stars, a classic Bram Stoker novel, it was set in contemporary times, giving it a fresh, modern feel. Well, at least in 1971.
This was also probably done to make the film’s production cheaper and I’m sure that it succeeded, as Hammer would follow this up by making two modern Dracula films, as well as a few other flicks set in the 1970s.
Additionally, it differs from the other three films in that the mummy in this picture is a woman. A very, very beautiful and alluring woman, mind you. Valerie Leon, in fact, and if you’ve never seen her in Zeta One, you haven’t truly lived.
Anyway, I like this film simply because it isn’t just a copy of a copy of a copy. It tried something new and I feel like it succeeded in spite of its limitations and faults.
It’s definitely entertaining if you’re a fan of classic Hammer horror and beautiful babes.
I also dig that they adapted a Bram Stoker story that wasn’t Dracula, which is really the only book that Stoker is known for by modern audiences. While The Jewel of Seven Stars isn’t as iconic as Dracula, it’s still a cool story and it helped pave the way for mummy horror before feature length movies were even made.
The acting is pretty average and I’d say it’s what you would expect from a Hammer picture. This one doesn’t have any of the iconic Hammer actors in it but the cast still holds their own.
I thought that this did pretty well with the flashback sequences, tying our female lead back to her previous life as an Egyptian queen. Also, the look of Egypt in this film was otherworldly and kind of cool. I know that the look of outdoor Egypt in this was a byproduct of a low budget but the director made the most out of it and I thought the look worked quite well.
In the end, the Hammer Mummy movies aren’t as beloved as the Dracula and Frankenstein ones but they’re still a lot of fun and still feel like genuine, stylish Hammer pictures.
Pairs well with: the other Hammer Mummy pictures.
Release Date: March 15th, 1967
Directed by: John Gilling
Written by: John Gilling, Anthony Hinds
Music by: Don Banks
Cast: Andre Morell, John Phillips, David Buck, Maggie Kimberly, Elizabeth Sellars, Michael Ripper
Seven Arts Productions, Hammer Films, 90 Minutes
“He says that death awaits all who disturb the resting place of Kah-to-Bey.” – Sir Basil Walden
Being that this was the third Mummy film by Hammer, the momentum started to slow and what we got was a formulaic mummy movie that feels pretty thin when compared to the two before it.
However, I did like the whole gimmick regarding the shroud and how whoever had possession of it had control over the undead mummy in the story.
Michael Ripper returns in a supporting role, although he is playing a different character than he did in the previous film.
One benefit this picture did have over the second one, though, is that it had one of Hammer’s top stars in Andre Morell. I always liked him and he’s my third favorite Hammer lead after Christopher Lee and Peter Cushing. It was cool seeing him get to star in a Mummy picture, as he has a certain panache and a commanding presence.
Overall, though, this is just more of the same even if it does have a few things working for it.
I know that I’ve seen this one before and probably multiple times, as I own the DVD. However, everything about it slipped down the memory hole because it’s pretty much derivative of every other better known Mummy movie before it.
Pairs well with: the other Hammer Mummy pictures.
Release Date: October 18th, 1964 (UK)
Directed by: Michael Carreras
Written by: Michael Carreras, Alvin Rakoff
Music by: Carlo Martelli
Cast: Terence Morgan, Fred Clark, Ronald Howard, Jeanne Roland, George Pastell, Michael Ripper
Swallow Productions Ltd., Hammer Films, 78 Minutes
“We’re all doomed to die for this act of desecration.” – Hashmi Bey
I’ll be honest, I wasn’t expecting much from this movie despite it being a Hammer film based on a classic monster.
For one, it doesn’t star any premier Hammer regulars. Well, except for Michael Ripper but what wasn’t he in from Hammer?
Additionally, other than the first Mummy film from Hammer, I don’t really remember these that well. I think it’s because they didn’t leave an impression and that they may have just been paint-by-numbers rehashes of the first movie and the many mummy monster movies that pre-date them.
Well, I’m not wrong on that, at least with this one. However, seeing it now, I was still pretty entertained by it and even though I’ve seen this, it was like watching it for the first time.
What I really liked about this one was the story and I also thought that the monster was pretty good, even if the man inside wasn’t Christopher Lee. This mummy was still imposing, intimidating and kind of cool, where mummies are typically a bit boring.
I also loved the final sequence in the film, which saw the mummy go into the sewers with the pretty lady. It’s not the most memorable moment of a Hammer picture or even close to that but it was a nice climax to a pretty fun and enjoyable mummy movie.
Although, this film’s original poster is kind of bizarre as it makes the mummy look like a giant and the woman look like she’s toddler size.
Pairs well with: the other Hammer Mummy pictures.
Release Date: August 1st, 1959 (Japan)
Directed by: Terence Fisher
Written by: Jimmy Sangster
Music by: Franz Reizenstein
Cast: Peter Cushing, Christopher Lee, Yvonne Furneaux, Michael Ripper
Hammer Films, 97 Minutes (original), 86 Minutes
“He who robs the graves of Egypt dies!” – Mehemet Bey
Since I’ve reviewed the entirety of Hammer’s Dracula and Frankenstein films, I figured that this classic monster reboot series also needed to be revisited.
Coming off of the heels of The Curse of Frankenstein and The Horror of Dracula, Hammer got the same creative team back together and took a shot at resurrecting The Mummy in their own, original way.
It also helped that they brought back both Peter Cushing and Christopher Lee for this one, making it feel like the third part in a trilogy of films where Hammer was showing tribute to the Universal Monsters franchise that kicked off in the 1930s.
I actually love that this is its own thing and it’s not trying to remake 1932’s The Mummy with Boris Karloff. It just takes the concept and gives the audience a fresh, new story. Sure, there are obvious similarities but this picture has a unique visual aesthetic and frankly, it’s one of the best looking Hammer movies of all-time. I also say that as someone that already loves the visual style of the studio’s classic films.
While I would rank this below the first Dracula and Frankenstein films, it’s still pretty damn good and it’s certainly the best of the Hammer Mummy series.
I enjoyed the characters and I especially liked the look of Christopher Lee’s mummy. The makeup was impressive for 1959 and Lee is such a good physical actor that his mummy is one of my favorites of all-time. While I don’t feel that he gets the same level of admiration as Karloff’s version of the monster, I’d say that his is on the same level and possibly a bit better due to his size and how imposing he is. Lee’s mummy just looks and feels stronger than Karloff’s and there is just something more sinister about him.
Ultimately, this is a solid Hammer horror flick. For fans of the studio and classic monsters, it is definitely worth checking out.
Pairs well with: the other films in Hammer’s Mummy series, as well as other Hammer films of the time.
Release Date: May 22nd, 2017 (State Theatre premiere)
Directed by: Alex Kurtzman
Written by: David Koepp, Christopher McQuarrie, Dylan Kussman, Jon Spaihts, Alex Kurtzman, Jenny Lumet
Music by: Brian Tyler
Cast: Tom Cruise, Sofia Boutella, Annabelle Wallis, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Russell Crowe
Universal Pictures, 107 Minutes
“Please meet Princess Ahmanet. She will claim what she has been denied.” – Dr. Henry Jekyll
Well, it’s here. This is the start of Universal Pictures’ attempt at resurrecting their old school Universal Monsters franchise into something more modern and unified like what Marvel has done with the Avengers series of films and like what DC is now doing with their Justice League movies that started with Man of Steel.
Universal has plans to bring back their classic monsters in what they are now officially calling Dark Universe. The Mummy is the first of these pictures and one would hope that it would be a great start. The big problem is that it isn’t.
I’ve seen a ton of critics and fans trashing this film. While it isn’t as bad as many would have you believe, it certainly has a lot of issues that kick off this Dark Universe franchise pretty weakly.
The biggest problem is Tom Cruise. I’m not hating on Cruise per se but his inclusion in the picture is a distraction. We essentially have typical Tom Cruise making intense faces and trying to prove his manliness and coolness while two women half his age fight over him. He is just quintessential Tom Cruise and that is not what this film needs.
Going forward, a lot of huge names have been mentioned around this franchise and that’s the problem. Unlike Marvel, Universal doesn’t seem to be casting actors that fit parts the right way, they seem to be latching onto star power for the sake of star power.
Another problem is that there isn’t really a sequence that stands out from this film. Nothing is all that memorable or impressive. Its a collage of cookie cutter action sequences that tries to be something big but falls short.
The attempts at humor throughout the film also fall flat. Jake Johnson is there as Cruise’s wisecracking sidekick zombie but his wisecracks just don’t hit the right notes. Cruise tries his hand at some comic relief too but nothing really works.
While I would say that this is a better film, overall, than those atrocious Mummy films with Brendan Fraser, at least those pictures had some truly fun moments. This new Mummy flick is completely devoid of fun and while it tries to be more terrifying, it really isn’t.
There are a few highlights to the film, however.
The first being Sofia Boutella as the mummy. It was refreshing seeing a female mummy and she had a much better presence than anyone else on screen except for Russell Crowe.
Crowe plays Dr. Henry Jekyll. Yes, THAT Dr. Jekyll. He is in the film the same way Samuel Jackson was in the first Iron Man film; he is the character that is going to tie all of these Dark Universe movies together. We also get a nice peek at Mr. Hyde. Okay, more than just a peek but it sets him up nicely, going forward in this series.
As far as the other famous Universal Monsters creatures, we get a glimpse at the Gillman’s hand and a vampire’s skull. This is was done similar to the Easter eggs in the first Iron Man. But really, it just feels like Universal is trying to emulate Marvel too much and I really don’t know what the end game is? A monster Avengers team? But hopefully Universal can do better with their villains than Marvel has done cinematically.
The Mummy is not a good foundation for a franchise but it was a fair attempt that could have been better. It didn’t deter my interest in what else is coming in the future but that is also due to my love of the original Universal Monsters franchise. These monsters are beloved characters in film and literature and although they have all been reinvented more times than one can count, seeing them come together again could be a real treat if the big wigs at Universal learn from this film’s mistakes and correct those issues going forward.
Release Date: August 14th, 1987
Directed by: Fred Dekker
Written by: Shane Black, Fred Dekker
Music by: Bruce Broughton
Cast: Andre Gower, Duncan Regehr, Stephen Macht, Stan Shaw, Tom Noonan, Jonathan Gries, Jason Hervey, Mary Ellen Trainor
Home Box Office, Keith Barish Productions, TAFT Entertainment Pictures, TriStar Pictures, 82 Minutes
The Monster Squad is one of the best kids movies from the 1980s. Coming out in the decade when I was a kid, I was more susceptible to the pop culture of this era than any other. Also, when this film came out, these kids were essentially the same age as me. I also loved classic monsters like these kids, so it wasn’t a hard film for me to connect to.
This film is constantly compared to The Goonies, which was a bigger budget, more popular film that had Steven Spielberg’s and Richard Donner’s names on it. The Monster Squad had Shane Black’s and Fred Dekker’s names on it. At the time, neither were really well known but Dekker had written and directed the pretty stellar Night of the Creeps a year prior. Both men have gone on to make some great films and still work together on some projects. They’re currently working together on a reboot of Predator (Shane Black acted in the original).
Getting back to The Goonies comparison, I find this film to be much better. In fact, I felt that way even in 1987 when this movie came out. To start, you’ve got a group of kids fighting five of the classic Universal Monsters: Count Dracula, Frankenstein’s monster, the Wolf Man, the Mummy and the Gillman (or as many call him, “the Creature From the Black Lagoon” or just, “the Creature”.).
While Dracula and the Mummy both look very much like their Universal Monsters incarnations, the other creatures are updated. The Gillman is now scary and frightening, while the Wolf Man is more bad ass. And while still on the monsters, Duncan Regehr (best known as Zorro in the late 80s) was a perfect Dracula, Jon Gries (Uncle Rico in Napoleon Dynamite) did a fantastic job as the human form of the Wolf Man and Tom Noonan (known for being the Ripper in Last Action Hero) truly owned the role of Frankenstein’s monster and should be considered one of the best to play that character.
The other thing that makes this film better than The Goonies, in my opinion, is that the kids are more real. They cursed, they were often times perverts, they watched slasher films and their parents didn’t give a shit and they felt like boys I’d hang out with at school where the Goonies crew was cool but they seemed like a bunch of kids doing their own thing and came off as less authentic and less organic.
I also love the names in this movie. The token fat kid is called “Fat Kid” even though he reminds people that his name is Horace. The creepy old recluse dude that ends up being totally awesome is only ever called “Scary German Guy”. The character of Patrick has a slutty sister that is only ever referred to as “Patrick’s Sister”. By the way, “Fat Kid” is way better than Chunk from The Goonies, as he doesn’t just eat ice cream and do the truffle shuffle. No, the token fat kid in this movie, picks up a shotgun and saves the kids who bullied him – winning their respect.
This film is campy as hell, fun as hell and just a great fucking motion picture. If you love The Goonies but haven’t seen this, you are doing yourself a huge disservice. If you love classic monsters, you definitely need to get off of your ass and watch this now.
Continuing on with my quest to rewatch and review all the classic Universal Monsters franchises, I have now gotten to the Mummy series.
The Mummy (1932):
Release Date: December 22nd, 1932
Directed by: Karl Freund
Written by: John L. Balderston, Nina Wilcox Putnam, Richard Schayer
Music by: James Dietrich
Cast: Boris Karloff, Zita Johann, David Manners, Edward van Sloan, Arthur Byron
Universal Pictures, 73 Minutes
Immediately following the success of 1931’s Dracula and Frankenstein films, Universal went with the next monster needing to scare the crap out of theatergoers: the Mummy. And who did they get to portray the now iconic character of Imhotep a.k.a the Mummy? Well, they went to Frankenstein’s monster himself, Boris Karloff.
This film was directed by Karl Freund and it was his official directorial debut. For a rookie director behind the camera, Freund had a great eye for capturing intense dread and a very visual gothic style of storytelling. The film was consistent with the vibe of Universal’s other early monster films. While not exactly on the level of what James Whale created in the first two Frankenstein films, this movie does deserve to be applauded as a feat of cinematography and lighting.
Karloff was as amazing as he always is and that should be no surprise. He gave us a much more organic Imhotep than what was given to audiences in the bad 1999 remake of this film. Karloff’s face, especially his eyes, during the waking of Imhotep from his 2,000 year slumber was pretty enchanting and frightening.
I think that this film is overlooked in comparison to the other franchises under the Universal Monsters banner and looking back at it now, I am not sure as to why. It is just as chilling and just as effective as their other early films.
The Mummy’s Hand (1940):
Release Date: September 20th, 1940
Directed by: Christy Cabanne
Written by: Griffin Jay, Maxwell Shane
Cast: Dick Foran, Peggy Moran, Wallace Ford, Cecil Kellaway, Eduardo Ciannelli, George Zucco, Tom Tyler
Universal Pictures, 67 Minutes
After an eight year hiatus, the Mummy returned! Except this mummy was a new character.
The mummy in this film is named Kharis and although his origin story is very similar to Imhotep in the first film, there are some differences. Additionally, this is almost the start of a new series itself, as Kharis continues on as the series antagonist leaving Imhotep behind. In this film, Kharis is played by Tom Tyler, who was best known for starring in low-budget westerns and as Captain Marvel in the serial Adventures of Captain Marvel.
This film uses some pretty awesome sets and that was the biggest takeaway for me in the realm of design and art direction.
This film also introduces the concept of the mummy needing tanna leaves to survive and to be controlled. It is a fictitious plant, so there is no need to worry about people actually using tanna leaves to animate mummified corpses.
This film is generally forgettable and the weakest in the series other than its set design.
The Mummy’s Tomb (1942):
Release Date: October 23rd, 1942
Directed by: Harold Young
Written by: Neil P. Varnick
Cast: Lon Chaney Jr., Dick Foran, John Hubbard
Universal Pictures, 61 Minutes
In this film, we get Lon Chaney Jr. playing Kharis the mummy. This is actually the first of three films where Chaney takes over as the undead monster. So Chaney has played the Mummy, Dracula, the Wolf Man and Frankenstein’s monster. He’s been four out of the six monsters from the Universal Monsters franchises. If only he were the Gillman and the Invisible Man and he would’ve done a clean sweep.
I liked this film better than the previous one. Chaney brought a level of credibility and emotion to Kharis and he made him more relatable.
The problem with this and this branch of the Universal Monsters’ tree is that these films almost blend together too much. There isn’t a lot that sets each one apart and they feel like a retelling over and over again. It is hard to make the Mummy character as compelling as the other Monsters as it is really just a slow moving guy in bandages that wobbles around and moans. Yes, it is a scary concept, especially at the time it came out but it is the most one-dimensional of the Universal Monsters.
Lon Chaney Jr. did a good job and he owned the role probably more so than Boris Karloff did. Besides, Karloff was barely in bandages and spent most of his film playing an Egyptian dude in disguise.
The Mummy’s Ghost (1944):
Release Date: July 7th, 1944
Directed by: Reginald Le Borg
Written by: Griffin Jay, Henry Sucher
Music by: Frank Skinner
Cast: Lon Chaney Jr., John Carradine, Robert Lowery, Ramsay Ames
Universal Pictures, 61 Minutes
Here we go again, another Mummy film.
At this point, I am growing tired of the formula and I am a pretty big old school horror aficionado. This is where I realized, that this is probably the weakest of the Universal Monsters sub-franchises.
Lon Chaney Jr. returns but even he can’t make this as interesting as I hoped it would be. I also don’t understand why Universal made the poor mummy walk up and down a steep sloped roller coaster track that led to his hideout. Why wouldn’t the evil jerk who is controlling the mummy pick easier terrain for his tortoise-like assassin?
But at least when it comes to style and cinematography, it is consistent.
The Mummy’s Curse (1944):
Release Date: December 22nd, 1944
Directed by: Leslie Goodwins
Written by: Leon Abrams, Dwight V. Babcock
Music by: William Lava, Paul Sawtell
Cast: Lon Chaney Jr., Peter Coe, Virginia Christine
Universal Pictures, 62 Minutes
Two Mummy films in the same year? Man, wasn’t Universal getting burnt out on the most mediocre of their Monsters series? And wasn’t Lon Chaney Jr. in desperate need of a break between these movies and all the others he was pumping out?
The mummy wants his bride and that is the plot of this one. Well, that and the fact that some bad guy has nine tanna leaves once again and can therefore control Kharis to do his evil bidding.
At five deep, these films just keep blending together more and more. There is nothing to really set this film apart. Plus, these movies are so short, that it was like watching five different pilots for the same show.
But, the series is over.
More Universal Monsters reviews are coming as soon as I rewatch them. Next up will be the Invisible Man series.
I recently watched all of the Universal Monsters films in each infamous monster’s own franchise. In fact, I own the box set for each monster, so it made it much easier. I also reviewed every film, which will be released here over time.
In regards to the list, I also added in the two Phantom of the Opera films: the 1925 one with Lon Chaney Sr. and the 1943 one with Claude Rains. The Hunchback of Notre Dame from 1923, also starring Lon Chaney Sr. is also included, as it is considered a part of Universal’s canon and led the way for the hunchback staple in their films.
After watching and reviewing them all, I wanted to rank them.
Here is my list:
1. Bride of Frankenstein
2. The Phantom of the Opera (1925)
3. The Invisible Man
6. Creature From the Black Lagoon
7. The Wolf Man
8. Dracula – Spanish Version
9. The Hunchback of Notre Dame
10. Werewolf of London
11. The Phantom of the Opera (1943)
12. The Creature Walks Among Us
13. Son of Frankenstein
14. The Invisible Agent
15. The Mummy
16. Son of Dracula
17. The Invisible Man Returns
18. Frankenstein Meets the Wolf Man
19. Revenge of the Creature
20. The Mummy’s Tomb
21. The Ghost of Frankenstein
22. House of Frankenstein
23. House of Dracula
24. She-Wolf of London
25. Dracula’s Daughter
26. The Mummy’s Ghost
27. The Invisible Man’s Revenge
28. The Mummy’s Curse
29. The Mummy’s Hand
30. The Invisible Woman