Film Review: Creed II (2018)

Release Date: November 14th, 2018 (New York City premiere)
Directed by: Steven Caple Jr.
Written by: Juel Taylor, Sylvester Stallone, Sascha Penn, Cheo Hodari Coker
Based on: characters by Sylvester Stallone
Music by: Ludwig Goransson
Cast: Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Wood Harris, Phylicia Rashad, Dolph Lundgren, Florian Munteanu, Andre Ward, Brigitte Nielsen, Milo Ventimiglia, Russell Hornsby, Carl Weathers (archive footage)

Metro-Goldwyn-Mayer, New Line Cinema, 130 Minutes

Review:

“Because of you… I lose everything. My country. Respect. You ever see stray dogs in the Ukraine? They go for days without food. People spit on them, they are nothing. No home. Only will to survive… to fight. I have son. All he knows… [raises his fists] …is this.” – Ivan Drago

I really anticipated and then liked the first Creed movie but I was even more excited for where a second one could go.

The reason being, is even back in 2015, I kind of knew they were going to revisit the Ivan Drago storyline that was Rocky IV. Naturally, it felt unavoidable, as Apollo Creed’s son becomes his own man in the boxing realm but the death of his father is still a very big chip on his shoulder. It’s the one thing that eats away at his soul and has to be conquered for the man to become great. Plus, Dolph Lundgren is still tight with Stallone and it made sense on every level.

So even though I liked the previous one, this chapter in the Rocky franchise is a bit better. The Drago story here was great and it had so much depth that it almost improves Rocky IV, which was severely lacking in narrative and character development. Ivan Drago isn’t just a Russian machine raising another Russian machine, here he is a man, a real character, broken, tired, angry and ready to get what he feels is justice for his honor.

Dolph Lundgren was absolutely superb in this. He has more lines and screen time than he did in Rocky IV and you get to see him vulnerable. Also, his relationship with his son is really good and by film’s end, you see this intimidating Russian monster become a real father. But that also gets into a bit of a problem I have with the film, which I’ll get into towards the end of this when I start talking about the few negatives this movie had.

As can be expected with Rocky films, especially after Rocky Balboa and Creed, the movie was solid in its writing, its direction, its score and its acting. From a technical and performance standpoint, there isn’t really anything bad you can say about how this looks and feels on screen.

One person that really captured my attention was Phylicia Rashad. I loved her in the first one but she had more time to shine here and she really takes over the scenes she’s in. She doesn’t overshadow the other actors but her presence and her spirit lifts up their already good performances. Every scene she’s in is meaningful and frankly, why hasn’t Rashad been in more films and television over the years? Maybe she doesn’t want to work as much after her long stint on The Cosby Show and Cosby but this role made her feel like a well aged Clair Huxtable, as I just felt like she was America’s mom once again. She is probably the strongest character in this franchise apart from Adrian, considering what she’s lost and how she still supports Adonis and Rocky, despite what she could lose in doing so.

I was surprised to see Brigitte Nielsen in this. It was absolutely great that she appears in two key scenes. The reason I was surprised by it, is I hadn’t heard anything about her participating and assumed she just wouldn’t be in it due to her divorce from Stallone a few years after Rocky IV. While she doesn’t really share scenes or dialogue with Stallone, I hope the two of them found peace with their divorce from three decades ago. Seeing her in this though, made me wish she had a real verbal exchange with Lundgren and Stallone on screen.

As far as the negatives go, there are only three and they’re minor.

First off, the speech scenes where a character is down and they need to be lifted up by someone else weren’t as strong in this film as they have been in Rocky-related movies of the past. They were okay but they lacked emotional impact and real oomph. None of them were really memorable, except for the scene where Ivan Drago has to get through to his son Viktor. In that moment, Drago has to swallow his pride, stop blaming Rocky and admits that he simply lost a fight, all those years ago.

That brings me to my second negative, as it also involves Ivan Drago.

The scene where Ivan and Rocky come face to face, Ivan unloads on Rocky about what Rocky cost him. Rocky kind of just sits there and takes it, not saying too much. Part of me was waiting for Rocky to tell Drago that he lost more: his best friend, his mind, his body, etc. Because if comparing notes, Drago took more from Rocky. But that didn’t happen and I felt like it needed to, to make Drago think and reflect on his loss and how he’s not just a victim.

The third negative is that you are obviously pulling for Adonis but as the final fight starts to come to its end, there are events that hit you emotionally for Viktor Drago. His mother abandons him, as she leaves her seat when the fight takes a turn. It’s a scene that is done so effectively that in that moment, you want Viktor to win. While I think empathizing more with the Dragos can definitely be explored, the way it’s done in that moment, sort of took the momentum away from the fight and the ending. It felt as if the film was going for a twist but then didn’t commit to it.

Now those negatives don’t ruin the film but they do prevent it from being a great motion picture. Still, I certainly want a Creed III and I want to see the Dragos find peace and to regain their family honor. I think the next natural step is for the two sons of the franchise’s biggest tragedy to both overcome the effects of it and find a bond with one another. And for Rocky and Ivan to embrace… but that’s probably asking a lot.

Rating: 8.25/10
Pairs well with: the first Creed, as well as all the Rocky films before it.

Film Review: Rocky Balboa (2006)

Release Date: December 20th, 2006
Directed by: Sylvester Stallone
Written by: Sylvester Stallone
Music by: Bill Conti
Cast: Sylvester Stallone, Burt Young, Antonio Tarver, Milo Ventimiglia, Geraldine Hughes, Tony Burton, James Francis Kelly III, Lou DiBella

Revolution Studios, Metro-Goldwyn-Mayer, Columbia Pictures, 100 Minutes

Review:

“It doesn’t matter how this looks to other people. If this is something you gotta do, then you do it. Fighters fight.” – Little Marie

It’s been awhile since I’ve seen Rocky Balboa. I really liked it when it came out but at the same time, I was going through some heavy personal shit that this film emotionally tapped into at the time. I lost someone really close to me the day before this film came out and in some way, seeing this film that same week sort of helped me with the grief and guilt of that experience. And frankly, I’ll always associate this film with that experience.

Seeing it, over a decade later, and after having just watched the five original Rocky films, I do still like this picture but it is my least favorite of the Rocky franchise. Yeah, I’m that one weirdo that actually liked Rocky V and was happy with it as the ending to the series.

The thing about this film, is that I think it actually would have worked better without the whole fight element thrown in. But it’s a Rocky film so Rocky has to fight, I guess that’s the rule. I would have been more interested in seeing Rocky deal with his grief in an elderly reality where he can’t fight and certainly shouldn’t be allowed to fight. Eventually, he has to hang those gloves up and I would have rather seen him try to figure out how to overcome his personal demons when his one way of dealing with them is no longer available to him. There are different fights in life than the physical ones and we’ve seen Rocky use boxing as a metaphor for his life from the ’70s into the ’90s. I think that Creed did a better job of finding a way to help Rocky find meaning in his life outside of taping up his own fists.

The thing with the fight and how it all goes down is unrealistic. I just can’t see a boxer as old as Balboa getting cleared to fight the undefeated world champion, whether it’s just some corny exhibition or not. The idea of it also sets a bad precedent of some sort of reality where aged fighters can somehow hang with guys in their prime that are at the top of their game. Sure, this is a feel good story for old men, past their prime, but Sugar Ray Leonard should absolutely never step into the ring with Floyd Mayweather.

Everything else about this film I mostly liked. Rocky owns a restaurant, he is having a hard time with his relationship with his son, he gets to spend quality time with Paulie and he gets to reconnect with a young girl he hasn’t seen since 1976. I also loved Spider Rico’s role in this movie, as he was there for comedic relief but it was cool seeing Rocky still care for his old rival and friend.

Rocky Balboa is a sad and borderline depressing movie. It does have its patented feel good ending but it was unsatisfying in the fact that it was tied into the fight within the film. I would have rather seen him reconnect with his son, find love with Marie and accept that life goes on and he has to go on with it. While it sort of happens, it does so with the fight as a metaphor for everything because surviving a beat down of epic proportions means that your problems are gone until you need to make a sequel.

But I get it, what’s a Rocky movie without a fight? And if Stallone didn’t have his most famous character throw down, people wouldn’t have gone to see the film. What is Rocky Balboa without boxing? But couldn’t that have been the whole point of the film?

Rating: 7.5/10
Pairs well with: Anything within the Rocky franchise. Also, Ryan Coogler’s Creed.

TV Review: Mob City (2013)

Original Run: December 4th, 2013 – December 18th, 2013
Created by: Frank Darabont
Directed by: Frank Darabont, Guy Ferland
Written by: Frank Darabont, Michael Sloane, David J. Schow, David Leslie Johnson
Based on: L.A. Noir by John Buntin
Music by: Mark Isham
Cast: Jon Bernthal, Milo Ventimiglia, Neal McDonough, Alexa Davalos, Jeffrey DeMunn, Robert Knepper, Jeremy Luke, Gregory Itzin, Edward Burns, Dana Gould, Simon Pegg, Ernie Hudson, Patrick Fischler

Darkwoods Productions, Swiftly Productions, Michael DeLuca Productions, TNT, 6 Episodes, 45 Minutes (per episode)

Review:

Frank Darabont was the man that brought The Walking Dead to the small screen back in 2010. Unfortunately, he was the showrunner for only a short time. AMC fired him after two seasons and it actually angered some of the cast members who were close to Darabont. He took two of those actors with him to this show, which became his big project after being let go by AMC.

Darabont went to TNT with the idea of adapting the book L.A. Noir for television. He cast Jon Bernthal (The Walking Dead‘s Shane) as the lead and also got Jeffrey DeMunn (Dale from The Walking Dead) to play a pivotal role. Sadly, this would not become the runaway success that TNT had hoped for after Darabont smashed cable records with The Walking Dead.

Mob City is much better than decent but it also didn’t exist long enough to truly find its footing. The way in which it was released also probably hurt it. It came out in the middle of the Christmas holiday television season with episodes played back-to-back like two hour movies over the course of three weeks. It was treated more like a miniseries than a show and this may have confused people and just got lost in the holiday shuffle.

The real problem with Mob City, however, is that six episodes just aren’t enough to really get invested in it. I didn’t feel invested in The Walking Dead after its very short first season, either. Imagine if all you ever knew was season one of The Walking Dead. It has evolved into a much different show over time. Even though a small sample size created a long lasting legacy for AMC, a small sample size is just a small sample size and it didn’t work the same way for TNT’s Mob City.

Mob City told a quick story over its six episodes but it was just enough to get you interested on what this show could be over the long haul. It even ends on a bit of a cliffhanger, as you know that there is a bigger story just on the horizon. Unfortunately, we’ll never get that.

It is hard to give a show a fair look with only six episodes. Mob City was intriguing and offered up some really cool bits in its short run. The shootout on the carousel in episode three was magnificent. The end of the season was also great. But ultimately, there just wasn’t enough time to really get to know these characters or to be able to sink your teeth into a show that felt like it had riches to bestow on its audience. But kudos to the writers, because these characters left you wanting to get to know them much more intimately.

Rating: 7/10