Comic Review: Joe Golem: Occult Detective, Vol. 2: The Outer Dark

Published: June 5th, 2018
Written by: Christopher Golden, Mike Mignola
Art by: Patric Reynolds, Dave Stewart

Dark Horse, 137 Pages

Review:

Overall, I’d have to say that this chapter in the Joe Golem series is pretty consistent with the first.

This comic book has several things I love in it and while I do enjoy it, I’m not digging it as much as I had hoped. Still, this is kind of cool and unlike just about everything else on the comic store shelf.

The story here follows a new case but looking at the bigger picture, it reveals more about the main character, as well as his dream-state flashbacks.

What’s strange, is that I find the flashbacks to be more interesting than the main stories in this series. I want to know what the visions means and how they are going to play out.

Sadly, the cases the detective works kind of get in the way of the parts of the story I enjoy more.

That being said, this is a cool, original idea and despite not being fully on board with it, it’s better written than most comics in the modern era.

Rating: 7/10
Pairs well with: other Joe Golem comics, as well as Mike Mignola’s Hellboy and B.P.R.D. series.

Comic Review: Joe Golem: Occult Detective, Vol. 1: The Rat Catcher and The Sunken Dead

Published: 2015-2016
Written by: Christopher Golden, Mike Mignola
Art by: Patric Reynolds

Dark Horse, 138 Pages

Review:

I’ve been wanting to read the Joe Golem comics for quite awhile. I figured, what better time to start than the month of Noirvember?

What really attracted me to these comics is that they have a really old school pulpy vibe to them that taps into two major pulp magazine genres: horror and crime.

Add in the fact that Mike Mignola was involved in the creative process and I was already sold.

Overall, this was pretty enjoyable and a good introduction to the character and the world he inhabits, which is a version of New York City that is halfway underwater. It’s also full of all types of occult threats, which see our title character, a private investigator, go toe-to-toe with some weird stuff.

I love that this has some Lovecraftian flavor to it in subject matter, visual style and narrative tone.

This chapter in the series sets everything up but it is still two tales that are both entertaining and engaging as standalone stories.

This didn’t set my tits on fire, if I’m being honest, but it did make me want to read beyond this first installment. So I’m hoping that as the Joe Golem series movie forward, it finds its footing a bit more and gives me a series I can happily return to every time a new story is published.

Rating: 7/10
Pairs well with: other Joe Golem comics, as well as Mike Mignola’s Hellboy and B.P.R.D. series.

Comic Review: Conan Chronicles – Epic Collection III: Return to Cimmeria

Published: October 2nd, 2019
Written by: Kurt Busiek, Timothy Truman
Art by: various
Based on: Conan the Barbarian by Robert E. Howard

Dark Horse Comics, Marvel (reprinted), 494 Pages

Review:

I’m glad that Marvel’s ego isn’t so big that they didn’t care about putting these collections out.

The stories collected in these Conan Epic Collections are the stories from the character’s era at Dark Horse. It’s exciting to read, at least for me, as I didn’t read the Dark Horse stuff until now. Mainly, due to not reading a lot of comics in the time that these were originally published.

These stories are mostly written by Kurt Busiek and this picks up from his run that was collected in the two previous volumes of the Conan Epic Collections.

This string of tales adapts some of Robert E. Howard’s classic literary stories but it also has some stories that happen before or after famous Conan tales.

For the most part, this is nearly as good as the previous volumes but there seems to be more of a mixture of art styles. While most of the art is good, some of it becomes visually jarring when going from chapter to chapter in that the styles differ greatly in parts. But this tends to happen with Epic Collections and other large collected works in the comic book medium.

Ultimately, this was still a good read and I’m most likely going to pick up the fourth volume when it is released in a few months.

Rating: 8.25/10
Pairs well with: the rest of Kurt Busiek’s Conan run, as well as other Conan comics from the Dark Horse era.

Vids I Dig 122: Strip Panel Naked: The Art of a Mignola Fight Scene

From Strip Panel Naked’s YouTube description: On this episode I wanted to look a fight sequence from Hellboy, The Wolves of Saint August, and look at how Mignola, Sinclair and Brosseau tackled it. On re-reading the Hellboy Omnibus, this sequence struck me in particular because of it’s starkness in contrast to the rest of the standalone issue, and the striking use of yellow in one of the final pages. So I explore a little of the craft behind it, and what makes it work in context.

Comic Review: Hellboy, Vol. 2: Wake the Devil

Published: February 3rd, 2004
Written by: Pat Brosseau, Mike Mignola
Art by: Mike Mignola

Dark Horse, 146 Pages

Review:

I wish I would have read this closer to when I finished the previous volume but my comic book queue is massive and it got somewhat disheveled a few months back when I acquired a ton of new stuff from a friend moving.

Anyway, this is a new story, the second in the actual history of Hellboy. Still, this builds off of the first volume and even though he’s dead, Rasputin returns in spiritual form to band together his Nazi followers, who have idolized him like a religious figure since the old days.

The three main villains here are actually the same as the trio that was featured in the first Guillermo del Toro Hellboy movie.

Overall, I love Mignola’s art style and the tone of these stories. I also love Lovecraftian horror and this just hit those notes in the right way.

However, I found this less exciting than the original miniseries. I think that’s because this isn’t as much of a self contained story as it is being used to world build now that Hellboy is evolving into a regularly released comic for Dark Horse.

In the end, this is still a strong chapter in the franchise and it only makes me want to keep reading the series.

Rating: 8.75/10
Pairs well with: other Hellboy and B.P.R.D. related comics.

Documentary Review: Moebius Redux: A Life In Pictures (2007)

Release Date: 2007 (Germany, France)
Directed by: Hasko Baumann
Written by: Hasko Baumann
Music by: Aaa
Cast: Jean Giraud (Moebius), H.R. Giger, Stan Lee, Jim Lee, Mike Mignola, Dan O’Bannon, Alejandro Jodorowsky, Philippe Druillet, Enki Bilal

Arte France, Avanti Media, Morag Loves Company, 68 Minutes

Review:

I’ve admired Moebius’ artwork for years. However, I sadly didn’t know much about the man until this documentary.

Sure, I knew that he was an artist’s artist and that he has been praised longer than I’ve been alive but I never delved beyond just his art. But I guess that’s my crime and I missed out on not knowing more about Jean Giraud, the man behind the pseudonym.

This short film interviews a lot of iconic people from Alejandro Jodorowsky to Stan Lee to H.R. Giger to Jim Lee to Mike Mignola and they all give their two cents on Moebius and the impact of his work on the comic book and film mediums, as well as his influence on their own work.

Most importantly though, this spends a lot of time with Giraud, as he gives his story, in his own words. He talks about his influences and how Moebius evolved over time, working in the western genre and then sci-fi, fantasy and other styles that come with their own sets of tropes.

This was just a cool documentary about a guy that’s cooler than most people.

Moebius is an extremely talented artist and on top of that, his life is compelling and fascinating.

I’d say that this is definitely a must see for those who love the comic book medium and intriguing creatives with a hell of a lot of passion and imagination.

Rating: 7.75/10
Pairs well with: other comic artist documentaries. I’ve reviewed a ton of them here, already.

Comic Review: Hellboy Vs. Lobster Johnson in the Ring of Death – One-Shot

Published: May 29th, 2019
Written by: Mike Mignola, Chris Roberson
Art by: Paul Grist, Mike Norton, Dave Stewart, Paolo Rivera (cover)

Dark Horse Comics, 24 Pages

Review:

I’ll be honest, I bought this strictly for the cover.

Still, I’m a Hellboy fan so I at least knew that I’d most likely enjoy the whole comic.

For the most part, this was a good read. It doesn’t seem to mean much in the grander scheme of things but it entertained me for a bit and it even threw in a bit of lucha libre to sweeten the pot.

The art was good throughout and the story was energetic and fun.

But man, I just couldn’t take my eye off of the cover and I’d buy a poster print of it in a heartbeat.

And that’s it. This is a one-shot. There’s not much to say without ruining the story. Ultimately, it doesn’t seem important and maybe this should have felt like it had more of a reason to exist but whatever.

So I’ll keep this one short and sweet because the comic was short and sweet.

Rating: 7/10
Pairs well with: other Hellboy comics.