Published: October 7th, 2014 Written by: Paul Tobin Art by: Joe Querio, Mike Mignola (cover) Based on:The Witcher novels by Andrzej Sapkowski
Dark Horse Comics, 137 Pages
I wasn’t sure what to expect from a Witcher comic book but I’m glad that this didn’t disappoint and was a pretty cool read.
While the cover was done by Mike Mignola, the interior art was not. However, it does have the same sort of vibes even if it is less stylized.
The story here was enjoyable and there’s a mystery to be solved. While things aren’t what they seem, the story isn’t predictable and the ending is pretty satisfactory.
Most of the story takes place in and around a haunted house but there are a few characters that come into this tale, as well as some neat monsters, many of which you’ll recognize from The Witcher games.
The story here was interesting and well written with fairly rich and well developed characters that you end up caring about.
All in all, if you are a fan of the franchise, this is definitely worth your time.
Rating: 8/10 Pairs well with: other Witcher comics.
Published: July 1st, 1989 Written by: Gerry Conway, Bill Mantlo, Roger Stern Art by: Gene Colan, Mike Mignola, Kevin Nowlan
Marvel Comics, 154 Pages
I heard a rumor that the second Doctor Strange movie would possibly include the Marvel Cinematic Universe debut of Doctor Doom and that the story for the film would borrow heavily from this story, one I haven’t read since the early ’90s. After reading this, I don’t know how they’d pull it off but I would kind of like to see them attempt it.
Reason being, this is a stupendous comic book. In fact, it’s pretty fucking perfect.
This was originally released as one book in a series of Marvel Comics’ graphic novels. Back in the ’80s and through the early ’90s, Marvel had a graphic novel series that were printed in a larger format than regular comics and also had roughly twice the pages. They sold for more money than regular comic books but they rarely disappointed and usually the stories had a more adult edge to them, which was definitely cool for my pre-teen brain. They also had some of the best artwork of the era, as more time and care were put into these releases.
This story was one of my favorites out of the Marvel graphic novels I read and I’m glad to say that it didn’t just live up to my original opinion of it but it exceeded it. I think that’s because I was able to grasp this more as an adult and the emotional weight of the story really took hold of me.
It also doesn’t hurt that Doctor Doom is my favorite Marvel villain of all-time and I’ve always loved Doctor Strange and the mystic side of the Marvel mythos.
But this story is just so perfect. It brings these two characters together and in regards to Doctor Doom, it really displays his human side and how there might be a good man trapped underneath all that armor, emotional baggage, narcissism and borderline madness.
Doom and Strange unite and take on Mephisto in an effort to free the imprisoned soul of Doom’s mother. It reads like a dark fairy tale but it is packed with lots of action, great magical moments and all sorts of hellish beasts. It’s also all presented with exceptional art.
While this is longer than a regular sized comic book, it is still a quick, easy read. But it shows different sides of these characters and it made Doom a lot more interesting and complex, overall.
It’s also one of the best stories to feature Mephisto and what it is he can do when he’s not just sitting on a throne giving monologues and devising sinister plans.
I read the version that is currently up on Comixology and it also had a few other stories tacked on to it. It’s probably the coolest version of this to be released, if you don’t mind reading comics digitally.
Rating: 10/10 Pairs well with: other ’70s & ’80s comics featuring Doctor Doom or Doctor Strange.
Published: April 26th, 2016 Written by: Mike Mignola Art by: Mike Mignola, various
Dark Horse, 151 Pages
I wasn’t sure what to expect from this trade paperback but I like Hellboy and I like stories that take place in Mexico. Add in some lucha libre elements and I’m definitely sold!
This is an anthology collection of short stories that cover a five month period where Hellboy was in Mexico.
Overall, each chapter is a pretty cool and amusing tale. We see our hero enter the lucha libre world, as well as battling all sorts of supernatural monsters.
You don’t really need to read this in any sort of order with the regular series of titles, as it sort of happens on the side. But for fans of the series, this is certainly worth a look, as it features that great Mike Mignola art and writing style and the setting makes this a pretty unique and refreshing read within the larger Hellboy tapestry.
This did fly by though, at just 151 pages, and it made me wish that there were more Hellboy in Mexico stories to tell or that some of these would’ve been expanded upon more.
Rating: 7.25/10 Pairs well with: other Hellboy comics.
Published: June 5th, 2018 Written by: Christopher Golden, Mike Mignola Art by: Patric Reynolds, Dave Stewart
Dark Horse, 137 Pages
Overall, I’d have to say that this chapter in the Joe Golem series is pretty consistent with the first.
This comic book has several things I love in it and while I do enjoy it, I’m not digging it as much as I had hoped. Still, this is kind of cool and unlike just about everything else on the comic store shelf.
The story here follows a new case but looking at the bigger picture, it reveals more about the main character, as well as his dream-state flashbacks.
What’s strange, is that I find the flashbacks to be more interesting than the main stories in this series. I want to know what the visions means and how they are going to play out.
Sadly, the cases the detective works kind of get in the way of the parts of the story I enjoy more.
That being said, this is a cool, original idea and despite not being fully on board with it, it’s better written than most comics in the modern era.
Rating: 7/10 Pairs well with: other Joe Golem comics, as well as Mike Mignola’s Hellboy and B.P.R.D. series.
Published: 2015-2016 Written by: Christopher Golden, Mike Mignola Art by: Patric Reynolds
Dark Horse, 138 Pages
I’ve been wanting to read the Joe Golem comics for quite awhile. I figured, what better time to start than the month of Noirvember?
What really attracted me to these comics is that they have a really old school pulpy vibe to them that taps into two major pulp magazine genres: horror and crime.
Add in the fact that Mike Mignola was involved in the creative process and I was already sold.
Overall, this was pretty enjoyable and a good introduction to the character and the world he inhabits, which is a version of New York City that is halfway underwater. It’s also full of all types of occult threats, which see our title character, a private investigator, go toe-to-toe with some weird stuff.
I love that this has some Lovecraftian flavor to it in subject matter, visual style and narrative tone.
This chapter in the series sets everything up but it is still two tales that are both entertaining and engaging as standalone stories.
This didn’t set my tits on fire, if I’m being honest, but it did make me want to read beyond this first installment. So I’m hoping that as the Joe Golem series movie forward, it finds its footing a bit more and gives me a series I can happily return to every time a new story is published.
Rating: 7/10 Pairs well with: other Joe Golem comics, as well as Mike Mignola’s Hellboy and B.P.R.D. series.
Published: October 2nd, 2019 Written by: Kurt Busiek, Timothy Truman Art by: various Based on:Conan the Barbarian by Robert E. Howard
Dark Horse Comics, Marvel (reprinted), 494 Pages
I’m glad that Marvel’s ego isn’t so big that they didn’t care about putting these collections out.
The stories collected in these ConanEpic Collections are the stories from the character’s era at Dark Horse. It’s exciting to read, at least for me, as I didn’t read the Dark Horse stuff until now. Mainly, due to not reading a lot of comics in the time that these were originally published.
These stories are mostly written by Kurt Busiek and this picks up from his run that was collected in the two previous volumes of the ConanEpic Collections.
This string of tales adapts some of Robert E. Howard’s classic literary stories but it also has some stories that happen before or after famous Conan tales.
For the most part, this is nearly as good as the previous volumes but there seems to be more of a mixture of art styles. While most of the art is good, some of it becomes visually jarring when going from chapter to chapter in that the styles differ greatly in parts. But this tends to happen with Epic Collections and other large collected works in the comic book medium.
Ultimately, this was still a good read and I’m most likely going to pick up the fourth volume when it is released in a few months.
Rating: 8.25/10 Pairs well with: the rest of Kurt Busiek’s Conan run, as well as other Conan comics from the Dark Horse era.
From Strip Panel Naked’s YouTube description: On this episode I wanted to look a fight sequence from Hellboy, The Wolves of Saint August, and look at how Mignola, Sinclair and Brosseau tackled it. On re-reading the Hellboy Omnibus, this sequence struck me in particular because of it’s starkness in contrast to the rest of the standalone issue, and the striking use of yellow in one of the final pages. So I explore a little of the craft behind it, and what makes it work in context.
Published: February 3rd, 2004 Written by: Pat Brosseau, Mike Mignola Art by: Mike Mignola
Dark Horse, 146 Pages
I wish I would have read this closer to when I finished the previous volume but my comic book queue is massive and it got somewhat disheveled a few months back when I acquired a ton of new stuff from a friend moving.
Anyway, this is a new story, the second in the actual history of Hellboy. Still, this builds off of the first volume and even though he’s dead, Rasputin returns in spiritual form to band together his Nazi followers, who have idolized him like a religious figure since the old days.
The three main villains here are actually the same as the trio that was featured in the first Guillermo del Toro Hellboy movie.
Overall, I love Mignola’s art style and the tone of these stories. I also love Lovecraftian horror and this just hit those notes in the right way.
However, I found this less exciting than the original miniseries. I think that’s because this isn’t as much of a self contained story as it is being used to world build now that Hellboy is evolving into a regularly released comic for Dark Horse.
In the end, this is still a strong chapter in the franchise and it only makes me want to keep reading the series.
Rating: 8.75/10 Pairs well with: other Hellboy and B.P.R.D. related comics.
Release Date: 2007 (Germany, France) Directed by: Hasko Baumann Written by: Hasko Baumann Music by: Aaa Cast: Jean Giraud (Moebius), H.R. Giger, Stan Lee, Jim Lee, Mike Mignola, Dan O’Bannon, Alejandro Jodorowsky, Philippe Druillet, Enki Bilal
Arte France, Avanti Media, Morag Loves Company, 68 Minutes
I’ve admired Moebius’ artwork for years. However, I sadly didn’t know much about the man until this documentary.
Sure, I knew that he was an artist’s artist and that he has been praised longer than I’ve been alive but I never delved beyond just his art. But I guess that’s my crime and I missed out on not knowing more about Jean Giraud, the man behind the pseudonym.
This short film interviews a lot of iconic people from Alejandro Jodorowsky to Stan Lee to H.R. Giger to Jim Lee to Mike Mignola and they all give their two cents on Moebius and the impact of his work on the comic book and film mediums, as well as his influence on their own work.
Most importantly though, this spends a lot of time with Giraud, as he gives his story, in his own words. He talks about his influences and how Moebius evolved over time, working in the western genre and then sci-fi, fantasy and other styles that come with their own sets of tropes.
This was just a cool documentary about a guy that’s cooler than most people.
Moebius is an extremely talented artist and on top of that, his life is compelling and fascinating.
I’d say that this is definitely a must see for those who love the comic book medium and intriguing creatives with a hell of a lot of passion and imagination.
Rating: 7.75/10 Pairs well with: other comic artist documentaries. I’ve reviewed a ton of them here, already.
Published: May 29th, 2019 Written by: Mike Mignola, Chris Roberson Art by: Paul Grist, Mike Norton, Dave Stewart, Paolo Rivera (cover)
Dark Horse Comics, 24 Pages
I’ll be honest, I bought this strictly for the cover.
Still, I’m a Hellboy fan so I at least knew that I’d most likely enjoy the whole comic.
For the most part, this was a good read. It doesn’t seem to mean much in the grander scheme of things but it entertained me for a bit and it even threw in a bit of lucha libre to sweeten the pot.
The art was good throughout and the story was energetic and fun.
But man, I just couldn’t take my eye off of the cover and I’d buy a poster print of it in a heartbeat.
And that’s it. This is a one-shot. There’s not much to say without ruining the story. Ultimately, it doesn’t seem important and maybe this should have felt like it had more of a reason to exist but whatever.
So I’ll keep this one short and sweet because the comic was short and sweet.
Rating: 7/10 Pairs well with: other Hellboy comics.