Film Review: Gemini (2017)

Release Date: March 12th, 2017 (SXSW)
Directed by: Aaron Katz
Written by: Aaron Katz
Music by: Keegan DeWitt
Cast: Lola Kirke, Zoë Kravitz, Greta Lee, Michelle Forbes, Nelson Franklin, Reeve Carney, Jessica Parker Kennedy, James Ransone, Ricki Lake, John Cho

Film Science, Rough House Pictures, Syncopated Films, Pastel Productions, Neon, 92 Minutes

Review:

“You know how you said you don’t feel safe? I feel like that all the time.” – Heather Anderson

Have you ever heard the saying “style over substance”? Well, this is a perfect example of that.

This is a film that looks really damn good with top notch cinematography, a strong understanding of mise-en-scène and stellar lighting. It also has better than decent acting but that’s about it for the positives.

This tries to be a modern film-noir but it fails in most ways. Just jumping right into the deep end of the pool, the ending of this movie is fucking terrible and it makes it so that the film doesn’t really have much of a point or a point within the framework that it seemed to be building. Like a noir, it had a twist. The twist, however, is that this movie was a waste of your time. It exists more as a critique of fame than a solid mystery crime thriller.

Zoë Kravitz’s character is killed in her home with the gun of her personal assistant. The assistant discovers her body, she becomes the prime suspect but like a typical noir, she goes on the run from the law, trying to figure out who murdered her boss. Spoiler alert: her boss is alive and the body belonged to a crazy fan that looked a lot like her.

That being said, the title of the film pretty much gives away the fucking ending! But even then, I figured this mystery out in one regard. I knew that the title would obviously be important. So when you meet the psycho fan and see that she looks an awful lot like the starlet, it was a dead giveaway that she would be the murderer or that she would be tied into the sorry excuse for this film’s twist. And when I saw the dead body, which is just shown from behind while on the floor, I thought it might be the psycho fan. Boy, was I right! But I hoped that this film was smarter than that and I kept watching, waiting for something profound that never came.

When you get to the end, the assistant finds the starlet hiding out in her other house. Then it’s like “Yeah, I’m alive. Sorry you went through all that shit with the cops. Let’s go talk to the press now and clear things up.” And that’s the end. Seriously, that’t the fucking end.

This is a film that was made with a lot of technical prowess but tried so hard to be artsy and a critique on fame that it just looked like every other self-obsessed Hollywood schlock that gets pumped out on a regular basis. I’m just sick of these type of films where Hollywood thinks its the most interesting thing in the world and where famous people are sick of being famous. Hollywood takes itself way too fucking seriously. This movie also took itself way too fucking seriously, which is laughable, considering that it was devoid of soul or real purpose.

Rating: 3.75/10
Pairs well with: Vodka and Valley girl pills.

TV Review: The Killing (2011-2014)

Original Run: April 3rd, 2011 – August 1st, 2014
Created by: Veena Sud
Directed by: various
Written by: various
Based on: Forbrydelsen by Søren Sveistrup
Music by: Frans Bak, We Fell to Earth (theme)
Cast: Mireille Enos, Billy Campbell, Joel Kinnaman, Michelle Forbes, Elias Koteas, Peter Sarsgaard

Fox Television, Fuse Entertainment, KMF Films, Fabrik Entertainment, AMC, Netflix, 44 Episodes, 42-59 Minutes (per episode)

Review:

The Killing is interesting as it started on AMC, got cancelled twice and renewed twice. The second renewal did not come from AMC however, it came from Netflix, who picked up the show for its final season.

As interesting as the story of the show’s turbulent history is, the show itself falls flat.

I really wanted to like The Killing. I gave it a real shot, as I stuck around for the duration, even though I wanted to shut it off after just a few episodes.

I thought it may improve or that it was building towards something fantastic. Well, it never really quite got there and the build up was so slow and dragged out that I often times found myself either daydreaming or huffing markers to pass the time. It is rare that I am this bored watching a show but I’d rather watch gnats procreate than see another episode of The Killing.

The acting isn’t good or bad, it is just there. It is about as exciting as the show itself and I felt like the actors were asleep half the time, bored off of their asses because it took two full seasons to solve one crime when Jeff Goldblum on one of those Law & Order shows solves a different crime each week. Maybe these cops are just shitty at being detectives and they should’ve consulted with Jeff Goldblum.

There’s nothing really more to say because frankly, I am even bored talking about the show.

But hey, great cinematography and and technical prowess from a visual standpoint, if I have to throw in something positive.

Rating: 4.75/10