Vids I Dig 112: Defunctland: The History of Captain EO

From Defunctland’s YouTube description: Defunctland takes on the troubled 4D, sci-fi, Disney, Francis Ford Coppola, George Lucas, Michael Jackson, and Michael Eisner film, Captian EO.

Film Review: Captain EO (1986)

Also known as: Captain EO and the Space Knights (working title)
Release Date: September 12th, 1986 (Walt Disney World – Epcot Center, Florida)
Directed by: Francis Ford Coppola
Written by: George Lucas, Rusty Lemorande, Francis Ford Coppola
Music by: James Horner, Michael Jackson
Cast: Michael Jackson, Anjelica Huston, Dick Shawn, Tony Cox, Debbie Lee Carrington, Cindy Sorenson, Gary DePew

Three D D D Productions, Eastman Kodak Company, Lucasfilm, Walt Disney, Buena Vista Pictures, 17 Minutes

Review:

“Now listen, the command considers us a bunch of losers, but we’re gonna do it right this time because we’re the best. If not, we’ll be drummed out of the corps.” – Captain EO

Captain EO is a pretty bizarre short film but it wasn’t made to be viewed in a traditional sense or to even have a traditional narrative. It was made to be an attraction at Walt Disney World and Disneyland. Being an attraction it had to be short enough to keep the asses moving in and out of seats.

It was also made to be 3D. While that was hardly a new concept in 1986, it was a concept that had sort of faded away and was somewhat new to a generation of ’80s kids that weren’t old enough to go to the theater to see things like Friday the 13th, Part III in 3D.

However, this was actually promoted as being the first film in “4D”, as it used special effects, lighting, smoke and lasers within the physical theater to enhance the overall viewing experience in the theme park.

The film does start out like a fantasy sci-fi space opera but quickly evolves into an extended music video for the Michael Jackson song “We Are Here to Change the World”. It also ends on another, more famous Jackson tune “Another Part of Me”.

Now this came out when Michael Jackson was literally the biggest thing in the world, so a partnership with Disney was huge in 1986. Add in the fact that this film was directed by Francis Ford Coppola, written by George Lucas, whose Lucasfilm provided the effects, had costumes designed by the team behind Cats and had it’s makeup overseen by the legendary Rick Baker, this project was a pretty big f’n deal.

Also, James Horner, just coming off of his success with Star Trek II and III, provided the orchestral score for the film.

Production was a bit of a clusterfuck and the process took a lot of time with several different groups trying to fix some of the film’s issues but on screen, most of it came off well.

The narrative is pretty incomprehensible and you have to severely suspend disbelief when Captain EO uses dancing and singing to turn an evil space queen and her minions into nice people but when I was a kid, I totally bought into it and it worked. Seeing this again, as an adult, it’s a pretty wonky and strange narrative but I can’t deny the commanding presence that Michael Jackson has on screen. It’s not too dissimilar from his music video for “Thriller”.

Captain EO is a unique experience. It might not be a great one but it’s certainly interesting enough to sit through for just 17 minutes.

Rating: 6.25/10
Pairs well with: Michael Jackson’s Moonwalker and lengthier music videos like Thriller and Ghosts.

Documentary Review: Leaving Neverland (2019)

Also known as: Leaving Neverland: Michael Jackson and Me (UK)
Release Date: January 25th, 2019 (Sundance Film Festival)
Directed by: Dan Reed
Music by: Chad Hobson
Cast: Michael Jackson (archive footage), Wade Robson, Jimmy Safechuck

Amos Pictures, HBO, Channel 4, Kew Media, 236 Minutes, 182 Minutes (UK)

Review:

So, yeah… I had to watch this because there has been so much controversy around this documentary.

First off, if you take this documentary at face value and don’t go through the details with a fine tooth comb, it’s pretty convincing and pretty damning. But like all documentaries, this one had its agenda and it had to hit its points home without there being any counterpoints to what was presented as “fact”.

To be blunt, this is incredibly one-sided and hopefully, people are astute enough to see the forest for the trees, even if the two alleged victims that are featured in this documentary come off as genuine. And I do think they do come off as genuine or they are just damn good actors and deserve every Oscar next year.

I’m not saying that the victims are lying and I don’t want to doubt them, assuming their stories are true. But there are a lot of holes and when looking at the facts that are presented here, some of them don’t line up with details that are already public knowledge.

One example I should point out, is that Jimmy Safechuck’s mom says that she danced for joy when Michael Jackson died in 2009 because he couldn’t sexually abuse anymore children. However, Safechuck never told his mom that Jackson abused him until he was inspired by Wade Robson coming forward in 2013. And this is just one of several things that don’t add up when you take these victims’ stories at face value and look at other important factors like the actual timeline of events.

This was a compelling documentary and I am certainly not dismissing the possibility that Michael Jackson sexually abused children but if the victims’ stories are to be believed, there are a lot of plot holes and details that need to be ironed out.

The biggest problem, is that I can’t take any of this at face value because looking beyond this documentary as entertainment, which is what it is designed to be, as fucked up as that is, these stories come apart when you do any research beyond what is laid out and spoon fed to the audience for four whopping hours. But then, you can see that things don’t add up just within this movie, if you are actually paying attention to the finer points. Plus, the movie isn’t exactly clear on the dates of events it discusses, except where something happens around an event known by the mass populace like the release of an album or actual trials.

I’m not on either side of the debate here. However, it is pretty damn weird that Michael Jackson spent so much time with kids behind closed doors without parents around. But even if Jackson was a predator, the fault really lands right in the parents’ laps.

I don’t want to doubt the story of any victim but we live in a country where you are innocent until proven guilty and when details don’t add up or make sense, that’s more than enough for me to dismiss whatever story is being sold to me.

This was shoddy filmmaking where the film’s own director shot himself in the foot by not catching contradicting details. It was agenda driven, didn’t offer up anything fair and balanced and presented no real evidence other than the stories of two victims, stretched to an ungodly length.

Rating: 5/10
Pairs well with: various other documentaries about Michael Jackson.