Film Review: The Deadly Bees (1966)

Release Date: December 23rd, 1966 (Deming, New Mexico)
Directed by: Freddie Francis
Written by: Robert Bloch, Anthony Marriott
Based on: A Taste for Honey by Gerald Heard
Music by: Wilfred Josephs
Cast: Suzanne Leigh, Guy Doleman, Frank Finlay, Michael Ripper, Katy Wild, Michael Gwynn

Amicus Productions, Paramount Pictures, 83 Minutes

Review:

“[Referring to a liquid he has] I’ve made this especially for you, Vicki.” – H.W. Manfred

The Deadly Bees has a really low rating on IMDb and pretty much everywhere else you might look. Despite what seems to be most people’s disdain for the film, I actually like it.

I think this may be due to my love of British horror from this era but I’ll always have a pretty big soft spot for Amicus Productions, along with Hammer Films: the two studios that really made their mark in the ’60s and ’70s and epitomize the second wave of classic horror.

The Deadly Bees was also lampooned by Mystery Science Theater 3000 in one of the later seasons. I understand why it was rife with material to riff but there is still something truly eerie and effective about the film.

The biggest factor working against the movie is the special effects where the bee attacks are concerned. I mean, even for the ’60s, it’s kind of horrible. All of these scenes are comprised of victims flailing around, simulating a bee attack with yellowish bee blobs superimposed over the screen. It’s really bizarre looking and I know that funds on these sort of pictures were very limited but it bogs the rest of the film down in its cheap hokiness.

The plot is actually decent, most of the characters are good and there is a predictable twist at the end but I think it still works and it doesn’t diminish the feeling of dread when the damsel is in mortal danger.

The film also features Michael Ripper and Michael Gwynn, two actors that you’d see pop up in several Amicus and Hammer films.

I thought that Suzanne Leigh was pretty good in this and put in a convincing performance. She truly is an old school beauty and with that, has an enchanting presence.

Guy Doleman did a good job too, as you never really knew where he stood in the story. Was he an evil bastard or was he just kind of a jerk?

The Deadly Bees does have some issues but I don’t think any of them outweigh the positives to the point that this deserves a 3.6 out of 10 on IMDb. I think that its inclusion on MST3K has negatively effected the public’s view of the film. It’s far from the worst movie that you’ll see on MST3K.

Rating: 5.25/10
Pairs well with: other Amicus and Hammer horror films of the ’60s and ’70s.

Film Review: The Revenge of Frankenstein (1958)

Also known as: Blood of Frankenstein (working title), I, Frankenstein (alternate title)
Release Date: June 1st, 1958 (US)
Directed by: Terence Fisher
Written by: Jimmy Sangster
Based on: Frankenstein by Mary Shelley
Music by: Leonard Salzedo
Cast: Peter Cushing, Francis Matthews, Eunice Gayson, Michael Gwynn, Michael Ripper

Hammer Film Productions, 89 Minutes

Review:

“It should have been perfect. I made it to be perfect. If the brain hadn’t been damaged, my work would have been hailed as the greatest scientific achievement of all time. Frankenstein would have been accepted as a genius of science. Instead, he was sent to the guillotine. I swore I would have my revenge. They will never be rid of me!” – Dr. Victor Stein

The Revenge of Frankenstein was the first sequel to The Curse of Frankenstein. It came out pretty quickly, as its predecessor was released just a year earlier. Also, 1958 saw the release of another major Hammer Films movie that also starred Peter Cushing: The Horror of Dracula. Just after that, in 1959, we got The Mummy. Both of of those films kicked off their respected franchises for Hammer. Basically, Cushing was the king of the Universal Monsters remakes in the UK.

Now this isn’t nearly as good as Curse but it isn’t the worst of the Frankenstein sequels either. I feel that the creative process was probably hindered by Hammer Films being spread too thin due to a bunch of films being developed at the same time.

The script is still pretty decent and the story works well in keeping Baron Frankenstein alive and his experiments going.

However, this actually plays more like a drama than a horror film. Sure, there’s a monster but he’s hardly scary and then there’s a man who has been experimented on by Frankenstein and goes mad, dying in the doctor’s arms, yelling his name in front of a bunch of people at a party.

While Baron Frankenstein now exists as Dr. Stein and practices in another town, the yelling of his true name, combined with his likeness, makes the townsfolk very suspicious.

Frankenstein’s assistant in this film is much more on his side than the previous movie and he assists the doctor in faking his own death, once again, so that he can escape, move somewhere else and continue his work. I actually love the final scene in this movie and it firmly establishes that this film isn’t just a sequel but that it’s now an ongoing franchise.

This is an interesting and well crafted chapter in Hammer’s Frankenstein series, even if it is short on terror. It’s carried by the great performance of Peter Cushing, who seems more comfortable in the role and looks like he’s really enjoying the character, which is probably the best role he’s played over his long career.

The Revenge of Frankenstein is a solid outing by Hammer and another good performance by Peter Cushing. I also really enjoyed the performance by Michael Gwynn as a victim of Frankenstein’s work. Gwynn worked in other Hammer films, as well and is probably most recognized as the priest from Scars of Dracula.

Additionally, Francis Matthews was great as Frankenstein’s sinister assistant Dr. Hans Kleve.

In the end, Terence Fisher directed a pretty good sequel to his predecessor that built off of it and set the stage for the chapters after this one.

Rating: 6.5/10
Pairs well with: other Hammer Frankenstein films, as well as the Hammer Dracula and Mummy series.

Film Review: The Hammer Films Dracula Series, Part II (1970-1973)

I already covered the first four films in this series. So now on to the final four.

Taste the Blood of Dracula (1970):

Release Date: May 7th, 1970 (UK)
Directed by: Peter Sasdy
Written by: Anthony Hinds
Based on: Dracula by Bram Stoker
Music by: James Bernard
Cast: Christopher Lee, Geoffrey Keen, Gwen Watford, Linda Hayden, Madeline Smith, Michael Ripper

Hammer Film Productions, Warner-Pathé Distributors, Warner Bros., 95 Minutes (UK), 91 Minutes (USA)

taste-the-blood-of-draculaReview:

This is one of the darkest of the Hammer studios Dracula films. Actually, I would say that it is the darkest.

The opening scene sees a greedy salesman stumble upon Dracula dying, as this scene is edited together with the closing moments of the previous film. When Dracula dies, this man takes all of his belongings and even collects his blood, which is now in a powder form.

The main group of characters, at least in the first half of the film, are these rich eccentric men and “model citizens” who have a secret club where they dabble in seedy behavior because they are bored with their seemingly humble and moral lives. When they get tired of brothels and their typical seediness, they meet a somewhat insane and possessed young man who leads them to Dracula’s belongings and most importantly, the vampire’s blood. The men are grossed out at the thought of drinking the evil Count’s blood but the crazed young man takes a swig, causing him to cry out in pain as the freaked out rich men beat him to death. In this mayhem, Dracula begins to resurrect.

The rest of the story follows Dracula seeking revenge on the three rich men for some reason. He also fancies all the women and one of their beaus has to become the hero.

I love the plot of this film but after a great setup, the last act is a bit anti-climactic.

Scars of Dracula (1970):

Release Date: November 8th, 1970 (UK)
Directed by: Roy Ward Baker
Written by: Anthony Hinds
Based on: Dracula by Bram Stoker
Music by: James Bernard
Cast: Christopher Lee, Patrick Troughton, Dennis Waterman, Jenny Hanley, Michael Gwynn, Michael Ripper

Hammer Film Productions, EMI Films, 20th Century Fox, MGM-EMI, 91 Minutes

scars_of_draculaReview:

They didn’t waste time making this film, as it came out just about six months after the previous installment.

This chapter in the series is infamous for being the most violent entry. It isn’t full of stomach-churning gore but it is much more bloody and intense than any other film in the series. I feel like Hammer thought that they had to up the ante somehow and more gore and more blood was the easiest route.

Scars of Dracula reintroduces us to the religious protagonist once again, after we got a break from the formula in the last movie. Although his role is pretty limited to just a few scenes. The religious hero is played by Michael Gwynn. The main protagonist is a young man looking for his missing brother, who finds himself protecting his love. Classic Doctor Who fans should love the fact that the Second Doctor, Patrick Troughton, plays Count Dracula’s servant.

This is a solid film in the series. Really, none of these movies are bad. It actually does amaze me though, that the quality is still there six films deep.

Dracula A.D. 1972 (1972):

Release Date: September 28th, 1972 (UK)
Directed by: Alan Gibson
Written by: Don Houghton
Based on: Dracula by Bram Stoker
Music by: Mike Vickers
Cast: Christopher Lee, Peter Cushing, Caroline Munro, Stephanie Beacham, Christopher Neame

Hammer Film Productions, Columbia-Warner Distributors, 96 Minutes

dracula_ad_1972Review:

This film freshens things up a bit by bringing Dracula into what was then the modern world. It also brings Van Helsing back to the series (played by the great Peter Cushing once again) as he plays two versions of the character. He plays the original version of Van Helsing in 1872 and then plays his great-grandson, in 1972. Both amazingly look exactly the same.

The story follows a Dracula disciple named Johnny Alucard (“Dracula” spelled backwards) and his attempt to raise the evil count and exact revenge on the Van Helsing family by sacrificing the professor’s niece to the dark lord.

I actually enjoy this film a lot and think that the 1972 setting was great. The teens in the film weren’t annoying and actually were all pretty likable and cool characters. Even the villain, Johnny Alucard had a great presence and is still, to this day, one of my favorite vampire characters in film history. His death was a little bizarre though.

The film also features Caroline Munro as Dracula’s first sacrifice. She was a Bond girl in The Spy Who Loved Me, a few years, later and she is one of my all-time favorite girls in that film series. Here, she was a bit younger, just as beautiful and really captured the scenes she was in.

Christopher Lee didn’t get as much screen time as I would like but he still owned the scenes he was in and it was nice seeing Dracula and Van Helsing facing off once again.

The Satanic Rites of Dracula (1973):

Release Date: November 3rd, 1973 (UK)
Directed by: Alan Gibson
Written by: Don Houghton
Based on: Dracula by Bram Stoker
Music by: John Cacavas
Cast: Christopher Lee, Peter Cushing, Joanna Lumley, Michael Coles

Hammer Film Productions, Warner Bros. Pictures, 87 Minutes

the-satanic-rites-of-draculaReview:

This is the final film in the Hammer Dracula series. It is also the weakest.

For the most part, this film is enjoyable because it features Christopher Lee as Dracula and Peter Cushing as Van Helsing and it is their final showdown. And frankly, I’ll watch any film with either man in it and especially any film with both of them in it.

Taking place in the modern era, like the previous film, this one misses its mark somewhat. Where its predecessor was campy and fun, this one was extremely dark, fairly gorey and was the first film in the series with lots of gratuitous nudity. In fact, I don’t think there was nudity at all in any of the previous Hammer Dracula movies.

Now I am not one to complain about nudity but the use of it in this film doesn’t really fit the vibe and style of the series. And where I would let kids watch most of the other films, I’d have to keep this one hidden on a higher shelf in my DVD library.

I feel like they should have ended the series with the previous film. This just felt forced and neither Cushing nor Lee looked all that interested in this picture when they were on screen. At least the film before this had some charm.

*There is another film with Peter Cushing as Van Helsing. It is “The Legend of the Seven Golden Vampires”. Dracula is also in the film but he is not played by Christopher Lee. Also, this isn’t a straight up Hammer Horror film, it is actually a co-produced horror/kung-fu flick that was a collaboration between Hammer and Shaw Brothers (a prominent kung-fu studio at the time). I will review this at some point, I’m sure.