From Filmento’s YouTube description: A year has passed since the great battle of One Marvelous Scene vs One DC-sastrous Scene. And now, my fellow film youtubers — led by mighty formidable channels like of NandovMovies, Hello Future Me, Lessons From The Screenplay, CinemaWins and Schaffrillas Productions — are once again joining forces to create a movement of connected content, this time in form of One X-cellent Scene where they look at positive moments in the X-Men franchise. And since I once again was left out of the fun in a way that brought up my deepest childhood insecurities, I’ll be creating my own movement where we’ll be looking at negative moments in the Fox-Marvel Universe… starting with Josh Trank’s (Fox’s) Fantastic Four, aka Fant4stic, aka one of the biggest disasters/box office flops/worst movies to come out of that universe.
Release Date: January 28th, 2012 (France – Gerardmer Fantasy Film Festival) Directed by: Josh Trank Written by: Josh Trank, Max Landis Cast: Dane DeHaan, Alex Russell, Michael B. Jordan, Michael Kelly, Ashley Hinshaw, Anna Wood
Davis Entertainment, Dune Entertainment, Twentieth Century Fox, 89 Minutes, 89 Minutes (Director’s Cut)
“Please believe me, Steve. Please, it’s just I-I don’t know what I did. I lost control, and I’m so sorry. This thing, it’s just becoming a part of me now and I don’t… I miss you, Steve.” – Andrew Detmer
I kind of wanted to see this back in 2012 when it came out but apparently not enough to actually get off of my ass and go to the theater. That was also a busy year for me, as I was at the height of writing political commentary and free time was a fantasy.
Years have now passed and I kind of lost interest after seeing how awful Josh Trank’s Fantastic Four movie was. However, this was available on Cinemax and I figured I’d finally give it a shot.
This isn’t a bad film but it’s not a particularly good one either. It’s fairly impressive for being made on a very small budget but it also takes advantage of the “found footage” style that was way too popular at the time.
Still, the big finale is superbly executed and pulled off really well. Everything leading up to that, however, is just okay.
The plot follows three teens who find a weird glowing star thing in a cave in the woods. This thing gives them telekinetic powers. Over time, they grow stronger but one of them is a tortured teen that comes from a terrible home life and is also picked on relentlessly by bullies at school. So, you probably know where this is going.
Anyway, angsty teen ends up hurting people and also accidentally kills one of his friends. The finale sees the angsty teen’s cousin try to stop him from hurting more people, as the police come out in full force to take him out.
For the most part, this is enjoyable and certainly worth checking out for those who like this genre. But it’s nothing special, which is probably why it’s fallen down the cultural memory hole.
The acting and direction are okay but nothing really stands out. Ultimately, it’s a bit better than meh but much better films have explored these concepts already.
Rating: 6/10 Pairs well with:Brightburn, Super 8 and Project Almanac.
Release Date: November 14th, 2018 (New York City premiere) Directed by: Steven Caple Jr. Written by: Juel Taylor, Sylvester Stallone, Sascha Penn, Cheo Hodari Coker Based on: characters by Sylvester Stallone Music by: Ludwig Goransson Cast: Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Wood Harris, Phylicia Rashad, Dolph Lundgren, Florian Munteanu, Andre Ward, Brigitte Nielsen, Milo Ventimiglia, Russell Hornsby, Carl Weathers (archive footage)
Metro-Goldwyn-Mayer, New Line Cinema, 130 Minutes
“Because of you… I lose everything. My country. Respect. You ever see stray dogs in the Ukraine? They go for days without food. People spit on them, they are nothing. No home. Only will to survive… to fight. I have son. All he knows… [raises his fists] …is this.” – Ivan Drago
I really anticipated and then liked the first Creed movie but I was even more excited for where a second one could go.
The reason being, is even back in 2015, I kind of knew they were going to revisit the Ivan Drago storyline that was Rocky IV. Naturally, it felt unavoidable, as Apollo Creed’s son becomes his own man in the boxing realm but the death of his father is still a very big chip on his shoulder. It’s the one thing that eats away at his soul and has to be conquered for the man to become great. Plus, Dolph Lundgren is still tight with Stallone and it made sense on every level.
So even though I liked the previous one, this chapter in the Rocky franchise is a bit better. The Drago story here was great and it had so much depth that it almost improves Rocky IV, which was severely lacking in narrative and character development. Ivan Drago isn’t just a Russian machine raising another Russian machine, here he is a man, a real character, broken, tired, angry and ready to get what he feels is justice for his honor.
Dolph Lundgren was absolutely superb in this. He has more lines and screen time than he did in Rocky IV and you get to see him vulnerable. Also, his relationship with his son is really good and by film’s end, you see this intimidating Russian monster become a real father. But that also gets into a bit of a problem I have with the film, which I’ll get into towards the end of this when I start talking about the few negatives this movie had.
As can be expected with Rocky films, especially after Rocky Balboa and Creed, the movie was solid in its writing, its direction, its score and its acting. From a technical and performance standpoint, there isn’t really anything bad you can say about how this looks and feels on screen.
One person that really captured my attention was Phylicia Rashad. I loved her in the first one but she had more time to shine here and she really takes over the scenes she’s in. She doesn’t overshadow the other actors but her presence and her spirit lifts up their already good performances. Every scene she’s in is meaningful and frankly, why hasn’t Rashad been in more films and television over the years? Maybe she doesn’t want to work as much after her long stint on The Cosby Show and Cosby but this role made her feel like a well aged Clair Huxtable, as I just felt like she was America’s mom once again. She is probably the strongest character in this franchise apart from Adrian, considering what she’s lost and how she still supports Adonis and Rocky, despite what she could lose in doing so.
I was surprised to see Brigitte Nielsen in this. It was absolutely great that she appears in two key scenes. The reason I was surprised by it, is I hadn’t heard anything about her participating and assumed she just wouldn’t be in it due to her divorce from Stallone a few years after Rocky IV. While she doesn’t really share scenes or dialogue with Stallone, I hope the two of them found peace with their divorce from three decades ago. Seeing her in this though, made me wish she had a real verbal exchange with Lundgren and Stallone on screen.
As far as the negatives go, there are only three and they’re minor.
First off, the speech scenes where a character is down and they need to be lifted up by someone else weren’t as strong in this film as they have been in Rocky-related movies of the past. They were okay but they lacked emotional impact and real oomph. None of them were really memorable, except for the scene where Ivan Drago has to get through to his son Viktor. In that moment, Drago has to swallow his pride, stop blaming Rocky and admits that he simply lost a fight, all those years ago.
That brings me to my second negative, as it also involves Ivan Drago.
The scene where Ivan and Rocky come face to face, Ivan unloads on Rocky about what Rocky cost him. Rocky kind of just sits there and takes it, not saying too much. Part of me was waiting for Rocky to tell Drago that he lost more: his best friend, his mind, his body, etc. Because if comparing notes, Drago took more from Rocky. But that didn’t happen and I felt like it needed to, to make Drago think and reflect on his loss and how he’s not just a victim.
The third negative is that you are obviously pulling for Adonis but as the final fight starts to come to its end, there are events that hit you emotionally for Viktor Drago. His mother abandons him, as she leaves her seat when the fight takes a turn. It’s a scene that is done so effectively that in that moment, you want Viktor to win. While I think empathizing more with the Dragos can definitely be explored, the way it’s done in that moment, sort of took the momentum away from the fight and the ending. It felt as if the film was going for a twist but then didn’t commit to it.
Now those negatives don’t ruin the film but they do prevent it from being a great motion picture. Still, I certainly want a Creed III and I want to see the Dragos find peace and to regain their family honor. I think the next natural step is for the two sons of the franchise’s biggest tragedy to both overcome the effects of it and find a bond with one another. And for Rocky and Ivan to embrace… but that’s probably asking a lot.
Rating: 8.25/10 Pairs well with: the first Creed, as well as all the Rocky films before it.
Release Date: November 19th, 2015 (Regency Village Theater) Directed by: Ryan Coogler Written by: Ryan Coogler, Aaron Covington Based on: characters by Sylvester Stallone Music by: Ludwig Göransson Cast: Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad, Anthony Bellew
Metro-Goldwyn-Mayer, New Line Cinema, Warner Bros., 133 Minutes
I was highly skeptical about Creed when I first heard about it. It is a spinoff/sequel to the fantastic Rocky franchise, picking up a few years after its sixth installment, Rocky Balboa. This film follows the son of former Rocky Balboa rival and best friend, Apollo Creed. The young Creed searches out Balboa in an effort to convince him to be his boxing trainer.
My skepticism subsided when I saw this film’s score on Rotten Tomatoes and read a lot of the reviews on the web, most of which were very positive. It also reunites its star Michael B. Jordan with his Fruitvale Station director Ryan Coogler.
I really enjoyed this movie. Out of the Rocky sequels, it is certainly in the upper echelon. It captures the energy and spirit of what worked in the original film and works as sort of a remake, even though it is a sequel. This time, Adonis Johnson, the young Creed, is in the role of Rocky Balboa and Rocky is in the role of his trainer, Mickey Goldmill.
Adonis faces adversity and has the need to prove himself, similar to Rocky in the original. Except Adonis’ story is much different. Those differences aside, it is a familiar tale that treads familiar territory. But Adonis’ journey is unique and its hard not to get caught up in the emotion of it all, especially if you’ve been watching Rocky movies your entire life.
The film also adds more to the Rocky legend, as it shows where Balboa is after the events of the last film in his series.
Creed also pulls at the heartstrings for those who have had a forty year or so investment in the character of Balboa. He has his own fight for his own survival in the movie and he also finds a sense of belonging and family after he has lost his wife, his two best friends, his mentor and his son, who moved to Vancouver – far away from his dad and the issues of being the son of a local legend.
The relationship between Adonis and Rocky is heartwarming, heartbreaking and a beautiful thing to witness. Rocky films have always been full of emotion and self discovery and Creed lives up to those earlier movies.
I don’t want to give too much away but if you are a fan of the Rocky film series, this is a must-see. You won’t be disappointed and it reignites some serious nostalgia.
But again, this is Adonis’ film. That being said, I hope we get to see what happens after the credits role. Adonis Johnson becomes Adonis Creed and, as a character, he deserves to stand proudly next to the icons: Rocky Balboa and Apollo Creed.
Rating: 8/10 Pairs well with: Anything within the Rocky franchise. Also, Ryan Coogler’s other films with Michael B. Jordan.
Release Date: January 29th, 2018 (Dolby Theatre premiere) Directed by: Ryan Coogler Written by: Ryan Coogler, Joe Robert Cole Based on:Black Panther by Stan Lee, Jack Kirby Music by: Ludwig Göransson Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker, Andy Serkis, Sebastian Stan (cameo)
Marvel Studios, Walt Disney Studios, 147 Minutes
“The world is changing. Soon there will only be the conquered and the conquerors. You are a good man, with a good heart. And it’s hard for a good man to be a king.” – King T’Chaka
*There be spoilers here!
The world around me turned Black Panther into a political and social film. I wanted to go into it and just enjoy it for what it is, whether the end result was good or bad. But you’ve got Hollywood and and critics pimping it out like its the greatest superhero film of all-time. While that happens almost every time a new Marvel movie comes out, there was the SJW twist this time, just as there was with Wonder Woman. On the flip side of that, there were the anti-SJW whiners who were trying to trash the film before seeing it and even going as far as to sabotage ratings and reviews on interactive movie websites.
I just wanted to see this movie and judge it on its own merits. I had to shut out the outside world (thankfully I deactivated my Facebook long ago) and I had to walk into the theater, sit down and experience this film for myself and without prejudice, bias or some sort of white male guilt weighing heavy on my brain because the media wants to constantly remind me what I’m responsible for throughout history.
All bullshit aside, I thought Black Panther was pretty damn good. Now I didn’t like it as much as the last Thor movie or as much as those Guardians of the Galaxy pictures, but this is certainly one of the best Marvel movies to take place on Earth. Granted, most of this takes place in the fictional and fantastical nation of Wakanda but it is very much a movie about our home planet.
What makes Black Panther so interesting and probably really gratifying and inspirational for black people, is that it shows black people being at the forefront of trying to fix the world’s problems. It shows that they’ve always had something of extreme value to offer but because of the state of the rest of the world, have withheld it and kept it safe. Sure, it’s metaphor, but it’s an effective metaphor and has a deeper meaning than just being a plot device created by Marvel Comics decades ago.
I have been a massive fan of Chadwick Boseman since I saw him play Jackie Robinson in the grossly underappreciated 42. Seeing him get to star in a film directed by Ryan Coogler, alongside Coogler’s go-to guy Michael B. Jordan, was something I couldn’t pass up, regardless of what this movie was about. And luckily, for us, Boseman and Jordan have good chemistry and both actors carry each other to a higher level.
The philosophical differences between Boseman’s Black Panther and Jordan’s Killmonger are both clearly understood and, as a viewer, you respect Panther’s vision of keeping the peace but it is hard to not get swept into the emotion and justice Killmonger feels he needs to enact. Part of me actually hoped that the two would fight it out and would both survive and diplomatically find a solution together. I mean, they’re long lost cousins and it was obvious Killmonger was reconsidering his iron clad stance in those final moments, where a part of him learned to love his true king and cousin.
The rest of the cast is exceptional, especially the three main ladies.
It was nice seeing Lupita Nyong’o playing a human being and not a motion capture character. While I enjoyed her work in Star Wars and The Jungle Book, I haven’t seen her in much else. It was nice being able to feel connected to her and her performance in a more organic way. Danai Gurira, who I really only know from The Walking Dead, finally got a role that allowed her to break free from just being known as sword-wielding badass Michonne. Letitia Wright was probably my favorite person in the film, overall. She played the Panther’s sister, was a scientist and also got into the thick of it and proved that she is far from being just some damsel in distress; she is a friggin’ warrior.
The rest of the cast is comprised of Martin Freeman, playing the same role he did in Captain America: Civil War, Forest Whitaker, Angela Bassett and Daniel Kaluuya, in his first role since Get Out. Newcomer Winston Duke was great as Panther’s rival, M’Baku. He is a warrior king from the mountains who challenges Panther for the throne but ultimately, is instrumental in helping Black Panther save Wakanda.
It was really cool seeing Andy Serkis return as the villain Klaw, who was briefly seen in Avengers: Age of Ultron. It’s also always fun to see Serkis play a character that is him, in the flesh. He’s synonymous with motion capture characters so we don’t often get to see his actual face in a big blockbuster film. He was superb as Ulysses Klaue a.k.a. Klaw. His personality was infectious and insane. In all honesty, Marvel has had a hard time of creating great villains but Serkis’ Klaw is now one of my favorites. I just wish Marvel would stop killing all the baddies because we’ll never get a Masters of Evil story that way.
As far as the film’s look, it is pristine and beautiful. Wakanda is one of the most enchanting places in the Marvel Cinematic Universe. The special effects and cinematography are spectacular and there isn’t a shot in the film that doesn’t look like it wasn’t meticulously crafted.
Black Panther was a film that came in with a lot of hype and a lot of political and social concerns. Getting beyond that and staring into its core, it is a fine film, crafted by a solid, up and coming director who has already accomplished a lot with only three pictures under his belt. I hope that Coogler returns for the eventual sequel.
Rating: 8/10 Pairs well with:Captain America: Civil War and presumably Avengers: Infinity War and its sequel, once they come out.
Release Date: August 4th, 2015 (New York City premiere) Directed by: Josh Trank Written by: Jeremy Slater, Simon Kinberg, Josh Trank Based on:Fantastic Four by Stan Lee, Jack Kirby Music by: Marco Beltrami, Philip Glass Cast: Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Toby Kebbell, Reg E. Cathey
Marvel Entertainment, Constantin Film, Marv Films, Robert Kulzer Productions, TSG Entertainment, Kinberg Genre, 20th Century Fox, 100 Minutes
*originally written in 2015.
“There is no Victor… there is only Doom!” – Victor Domashev
This film has been panned by fans for months, even though it just now came out. Critics have also been panning it now for about a week. So is this film the big shitfest that many people have anticipated?
Well, the photo I used in this review was the most exciting I could find of this film and it is pretty boring and uninspiring (*I replaced this with the poster). But I do like looking at Kate Mara – there she is, to the left. I’m not sure why but something about her is alluring. But I’m a guy and pretty is a weakness for us.
No matter what though, this film can’t be as bad as all of its predecessors, right? This is the third attempt at a live action Fantastic Four film. They should’ve gotten things right on this attempt, right?
The answer is “no.”
But let me start by saying that this film is not as horrible as many people want you to believe. It certainly isn’t worth the 4.4 on IMDb or the 3/10 on JoBlo. It isn’t as bad as other awful comic book films – the worst that come to mind being Catwoman and Elektra. This film was better than the previous Fantastic Four films. Granted, not by much but at least they didn’t fight a hungry fucking space cloud or Doctor Doom on a flying surfboard.
Sure, the final battle in this movie was also horrible, I can’t excuse it. The barren rocky world they were on and the fact that Doctor Doom acted like a false god while telekinetically altering the topography of this planet was reminiscent of the final battle from Star Trek V: The Final Frontier, which if you remember, was the absolute worst Star Trek film featuring the original cast. Except, that film was more imaginative and had more soul than this new Fantastic Four. This film had no soul. And if it had a soul, it’d be the soul of a manila folder. Because those are the boringest damn things I can think of.
I don’t hate this movie but more likely than not, I will never watch it again and I hope a sequel is never made. I didn’t like the direction, the dialogue must have been written by a middle school kid and the acting was mostly crap. The sets were boring, the effects were boring, the characters were boring, their costumes were boring and being that bored with everything got pretty boring. If anything, this film was a fantastic bore.
Doctor Doom looked like a humanoid creature made of garbage collected after a rave at a tin foil factory. He also had ridiculous powers that allowed him to telekinetically make people’s heads explode like the aliens from Mars Attacks when they were confronted with Slim Whitman music. Doom could also move the Earth. He was like that shitty villain from season four of Heroes but with godlike powers added in. I’m not even really sure what the hell Doom was – before or after the transformation.
I’m kind of all over the place with this review, as the film was all over the place. My brain is scrambled from this film. Also, my popcorn was shitty.
Anyway, I am already pretty damn bored talking about this boring turd. So I’m going to go get drunk now and hope that the bourbon erases this experience from my memory.