Film Review: Lethal Weapon 2 (1989)

Release Date: July 5th, 1989 (Los Angeles premiere)
Directed by: Richard Donner
Written by: Jeffrey Boam, Shane Black, Warren Murphy
Music by: Michael Kamen, Eric Clapton, David Sanborn
Cast: Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland, Derrick O’Connor, Patsy Kensit, Darlene Love, Traci Wolfe, Steve Kahan, Mary Ellen Trainor, Jenette Goldstein, Dean Norris, Kenneth Tigar

Silver Pictures, Warner Bros., 114 Minutes, 108 Minutes (cut), 118 Minutes (Director’s Cut)

Review:

“I’m too old for this shit!” – Roger Murtaugh

This is my favorite Lethal Weapon movie and in fact, it’s pretty close to perfect on every level.

While most people probably see the first film as the best, I enjoy this one slightly more because it builds off of that foundation and makes it better. Also, this is the film that added in Joe Pesci, who had an amazing dynamic with Gibson and Glover and made this power duo a superpowered trio.

I also prefer the criminal plot in this movie and it takes more of a front seat, as the first film was primarily about dealing with Riggs’ personal problems and overcoming them.

That’s not to say that Riggs’ emotions don’t get the better of him in this film, they do, but the story and the context as to why are much more apparent and the tragedy that befalls his character actually happens in front of your eyes in this chapter. It makes more of an emotional impact on the viewer and because of what he’s already overcome, you understand his drive in the third act of the film and you root for him, and Murtaugh, in a way that you didn’t in the first picture.

Additionally, the villains are fucking superb. Joss Ackland is at his all-time best in this movie as the villainous, racist, South African diplomat, hiding behind legal red tape. I also like Derrick O’Connor as the top henchman. He isn’t quite on Busey’s level from the first movie but he is much better than the standard henchman from most action films of a similar style.

Overall, Lethal Weapon 2 takes the formula that was already established and perfects it. It adds to the series without taking anything away while having a swifter pace that doesn’t leave room for unnecessary filler. The characters are developed more in this chapter and all that is done organically as the story progresses. This is a finely written motion picture that understands the balance it needs between the action genre, comedy, drama and character building. It masters this in ways that other similar films have struggled.

There isn’t a bad thing I can say about the movie, really. It’s just awesome, top to bottom. It has everything I want in a Lethal Weapon movie and none of the stuff I don’t.

Rating: 9.5/10
Pairs well with: the other Lethal Weapon films, as well as most ’80s buddy action movies.

Film Review: Lethal Weapon (1987)

Release Date: March 6th, 1987
Directed by: Richard Donner
Written by: Shane Black
Music by: Michael Kamen, Eric Clapton
Cast: Mel Gibson, Danny Glover, Gary Busey, Mitchell Ryan, Tom Atkins, Darlene Love, Traci Wolfe, Steve Kahan, Mary Ellen Trainor, Ed O’Ross, Al Leong, Jack Thibeau

Silver Pictures, Warner Bros., 109 Minutes, 117 Minutes (Director’s Cut)

Review:

“I’m too old for this shit!” – Roger Murtaugh

Since there have been rumblings, once again, about Lethal Weapon 5, I was reminded that I haven’t really watched the original film in quite awhile. So, since I have the DVD box set, I figured that I’d give them all a rewatch and a review.

I actually forgot how dark this first film was in regards to Martin Riggs’ depression and suicidal thoughts. Sure, I remember that part of the story but I see a lot more layers with it now, as an adult that has dealt with depression his entire life and many of the experiences and thoughts that come with it. I can also relate to the loss and grief that Riggs felt over his wife’s death, as I lost someone very close to me, which had me in a similar head space for a few years.

As a kid and a teen, I don’t think I understood the real depth of Riggs’ despair and I also didn’t fully understand how this is a movie about a broken man finding something to live for and that he is essentially adopted by a family that grows to love him as one of their own. And honestly, I’m not sure if Shane Black’s script meant to take it that deep but Mel Gibson and Danny Glover add so much to their roles and this story, emotionally, that lesser actors couldn’t have achieved this on quite the same level with this much human emotion.

That being said, the film is really about a man emerging from absolute darkness and finding his way in the world again. And while this isn’t the main plot thread of the sequels, it helped to establish the bond between Riggs and Murtaugh so well, that the emotions and connections in this film created such a strong foundation that it made the camaraderie in the sequels natural and frankly, easy.

The movie is an action comedy, despite the really heavy emotional stuff, and within that, it has a great balance between the darker stuff and its lighthearted playfulness. It’s also full of badass action and just makes me wish that Hollywood could still make pictures like this that are this good.

Action comedies in the modern era just don’t hit the right notes. You can’t compare any of those Kevin Hart buddy action comedies to the Lethal Weapon films and that’s not a knock against the talented Hart, I think it is just a product of the times we live in and their contrast to what the 1980s (and ’90s) were.

A lot of the credit has to go to Richard Donner, who was on his A-game as a director in the ’80s, as well as producer Joel Silver, a man that was involved with some of the most iconic films of all-time, especially in this era and the action genre.

But it all really comes back to the greatness that is the pairing of Gibson and Glover. They’re bond and their banter is absolute perfection. You buy into what they’re selling and they feel like they’re your friends too. On top of that, Glover’s family is great and they make the scenes they share with the two leads pretty special.

While the actual plot dealing with the crime element in the film is a bit thin, it’s still interesting and it also brings in great performances from Gary Busey, Tom Atkins and the grossly underappreciated Mitchell Ryan. I also love seeing and hearing Al Leong actually speak in this beyond just being a voiceless henchman.

On top of all that, the action sequences are superb, the stunts are fantastic and this is a movie that still packs a punch and is just as exciting as it was over thirty years ago.

Lethal Weapon is a stupendous film. It has the greatest tandem in buddy cop movie history and it has aged tremendously well.

Rating: 9.25/10
Pairs well with: the other Lethal Weapon films, as well as most ’80s buddy action movies.

Documentary Review: The Madness of Max (2015)

Release Date: August 1st, 2015
Directed by: Gary McFeat, Tim Ridge
Written by: Gary McFeat, Tim Ridge
Music by: Gary McFeat
Cast: George Miller, Mel Gibson, Steve Bisley, Hugh Keays-Byrne, Joanne Samuel

Macau Light Company, 157 Minutes

Review:

Being a big fan of Mad Max, I’ve wanted to see this documentary for awhile. While it has a lot of information and stories, it’s way too long for the subject matter, moves pretty slow and is actually a bit boring.

For something that’s over two and a half hours, this could have had some stuff in it about the sequels but those aren’t really mentioned, as this focuses solely on the first film and its creation. It’s an interesting story, for sure, but this documentary’s pacing and length sucked my interest right out of the room.

This thing is more than an hour longer than the movie its talking about, which is kind of mad, pun intended.

I like the insight from George Miller, as well as the cast but all this is, is 157 minutes of talking heads cut together into sections about certain subjects in regards to the film’s production.

A lot of this felt like interviews that could have been whittled down and better edited. A lot of people rehash the same things, again and again, and a lot of the details don’t need to be presented multiple times. But maybe the filmmakers wanted to give everyone an equal amount of time. But in doing that, it makes the flow and quality of this picture suffer.

Rating: 6/10
Pairs well with: other “making of” movie documentaries.

Film Review: Mad Max Beyond Thunderdome (1985)

Also known as: Mad Max 3 (working title), Mad Max III (Philippines)
Release Date: June 29th, 1985 (Japan)
Directed by: George Miller, George Ogilvie
Written by: Terry Hayes, George Miller
Music by: Maurice Jarre
Cast: Mel Gibson, Tina Turner, Bruce Spence

Kennedy Miller Productions, Warner Bros., 107 Minutes

Review:

“Ladies and gentlemen, boys and girls… Dyin’ time’s here.” – Dr. Dealgood

I always thought of this as the worst of the original Mad Max trilogy. However, revisiting it now, just after watching the first two, I think I enjoyed it more than the original. In fact, I have a lot more appreciation for this film after watching it this time. Plus, it was the first time I had seen it since before Mad Max: Fury Road came out four years ago.

Now this doesn’t have the hard edge of the other films and it does feel like a Hollywood recreation of the franchise with a bigger budget, the addition of Tina Turner (a huge star at the time) and the larger scope of the movie. Those aren’t necessarily bad things, though, and I think that Hollywood sort of legitimizing this film series with a larger, more polished production, is probably what gave it the cultural longevity it’s had.

You also have to keep in mind that these films are really all that Mel Gibson was known for in 1985. Lethal Weapon and a much more lucrative, mainstream career didn’t come until 1987.

What makes this work so well, is the fact that Mel Gibson is so comfortable in this role by this point. Even though we got to know him in the first film, everything changes when his family dies and then in the second picture, he was sort of an unemotional husk with just a glimmer of humanity shining through. Here, that hard, outer husk is torn away and we’re left with a man that has found a way to live again. At least, he’s found a surrogate family and something that he must fight for. While that’s similar to the second film, it’s a much more fluid and human journey here. You don’t feel like he’s just playing the hero because it’s something to do and he hates scumbags, you actually sense love growing inside of him.

However, as much as I love Tina Turner in this, her being the primary villain also tames this movie when compared to the others. She kind of likes Max throughout the picture and she’s just a tough woman trying to maintain order in a town full of shady degenerates. She’s not pure evil like Lord Humongous, Toecutter or Immortan Joe and that kind of makes the threat in this film feel like a minor one.

Granted, the big finale which sees vehicle mayhem and the inclusion of a train car is still quite good. I don’t enjoy it as much as the finale from The Road Warrior but it is very close in quality to that one. In fact, this finale is better shot, looks crisper and has some stellar stunts. However, it is less gritty and thus, not as badass as the finale from the previous film. But it is fun seeing the kids in the film get in on the action during this big chase.

Speaking of the kids, there are a lot of them in this movie. But all the ones that have lines and are key characters are really good. This movie could have gone south really quickly with its overabundance of child actors but they certainly add more to the film than they take away.

This is definitely a film with three acts and each act has a very distinct feeling and tone to it. From a narrative standpoint, this is the best structured film and tells the best story out of all four Mad Max pictures.

Beyond Thunderdome gets a bad rap from some and while I wish it had been more of an R rated film than a PG-13 one, I’m still pretty satisfied with it and I think it’s aged pretty darn well.

Rating: 8.5/10
Pairs well with: all the other Mad Max films, as well as other post-apocalyptic car and biker movies, most of which were ripoffs of this.