Film Review: Brick (2005)

Release Date: January, 2005 (Sundance)
Directed by: Rian Johnson
Written by: Rian Johnson
Music by: Nathan Johnson
Cast: Joseph Gordon-Levitt, Nora Zehetner, Noah Fleiss, Matt O’Leary, Noah Segan, Meagan Good, Emilie de Ravin, Richard Roundtree, Lukas Haas

Bergman Lustig Productions, Focus Features, 110 Minutes

Review:

“Throw one at me if you want, hash head. I’ve got all five senses and I slept last night, that puts me six up on the lot of you.” – Brendan Frye

This reminds me of that 2017 neo-noir Gemini. Reason being, I saw the trailer for it, was lured in and captivated by the visuals and tone but then upon seeing the movie, realized that it had nothing much to offer other than atmosphere and shitbabble conversations from characters written to appear as cool but actually coming off as pretentious douchewads.

With Brick, everything starts to come undone and loses its luster, as soon as you hear the first bit of dialogue.

Additionally, a lot of this isn’t well shot or well lit. It doesn’t employ anything beyond early film school level cinematography. The visual allure of the trailer was obviously just a selection of the movie’s best shots, probably handpicked by the producers in an effort to at least get enough people to watch this just so that the film could break even. Because even though Brick is sort of a cult film now, no one really knew about it for years.

To put it bluntly, Brick is a fucking headache. It has some talented people in it but what could have been great performances and maybe even iconic ones, is undone by director and writer Rian Johnson’s middle school dialogue.

It’s like Johnson is a teen that just discovered classic film-noir and crime fiction and just lifted 1940s dialogue from those sources, applied it to teenagers in a contemporary setting and thought that it was some sort of genius that would make him the new millennium’s Fellini.

But Hollywood apparently loved this film and Johnson’s horrendously bad Looper because he went on to make a Star Wars picture. Granted, it was the worst Star Wars film ever made and pretty much derailed the franchise.

The point is, the warning signs of Rian Johnson’s inability to actually make a competent film were very apparent with Brick.

This tried so hard to be cool but it failed, just as Rian Johnson tries so hard to be a filmmaker but fails, time and time again.

Rating: 4/10
Pairs well with: other overly stylized and quippy, shitbabble movies that miss their mark because they can’t see their mark.

TV Review: Californication (2007-2014)

Original Run: August 13th, 2007 – June 29th, 2014
Created by: Tom Kapinos
Directed by: various
Written by: various
Music by: Tree Adams, Tyler Bates
Cast: David Duchovny, Natascha McElhone, Madeleine Martin, Evan Handler, Pamela Adlon, Madeline Zima, Stephen Tobolowsky, Jason Beghe, Bill Lewis, Judy Greer, Tim Minchin, Mädchen Amick, Ezra Miller, Justine Bateman, Peter Gallagher, Kathleen Turner, James Frain, Carla Gugino, Rob Lowe, Zoë Kravitz, Meagan Good, Rza, Maggie Grace, Michael Imperioli, Heather Graham

Totally Commercial Films, Aggressive Mediocrity, Twilight Time Films, And Then…, Showtime, 84 Episodes, 29 Minutes (per episode)

Review:

I heard a lot of good things while Californication was on the air. I held off on checking it out until it was over, recently binge watching it on Netflix.

The story follows novelist Hank Moody (David Duchovny) as he tries to win back his long time baby mama Karen (Natascha McElhone) and balance a life of sex addiction, drugs, booze and his daughter (Madeleine Martin). Also, early in the series, he gets caught up in having sex with the underage daughter (Madeline Zima) of his baby mama’s new fiance. The show is accented by Hank’s manager and best friend, Charlie (Evan Handler) and his wife, Marcy (Pamela Adlon).

The show starts out really strong and each season is actually pretty good before it runs off the rails in the final season of its seven season run.

Duchovny is lovable as the childish and womanizing novelist but ultimately, he constantly does questionable things and always finds himself in trouble or making situations much worse. Sometimes, it is just the result of unforeseen circumstances but typically it is the result of a myriad of bad or careless decisions.

The constant back and forth between Hank and Karen is enjoyable for the first few seasons but it eventually grows tiresome about midway through the series’ run. Maybe that is because I binge watched it and didn’t see their relationship grow, evolve and fall apart over the course of several years time.

Hank’s daughter started out as a decent enough character but after a season or two, she becomes completely unlikable and doesn’t recognize that her father isn’t really all that bad and that despite his pitfalls has genuinely tried to put her first.

The best overall story during the run of the show was the up and down relationship of secondary characters Charlie and Marcy. They go through more real world problems and drama than Hank and Karen do and in the end, they reconnect and find each other, ending off better than they ever were throughout their tumultuous relationship. And Stu, who becomes Marcy’s husband over a season or two, was hysterical. The love triangle between Charlie, Marcy and Stu was the highlight of this entire show. And honestly, this relationship makes Hank and Karen’s look like bullshit high school level drama.

By the time I got to the end, I really didn’t care about where Hank and Karen ended up because based off of their track record, I knew it had the possibility to go in the opposite direction five minutes after the final credits rolled.

The show was pretty solid for most of its run but the final goodbye was long overdue by the time I got to the end.

Rating: 7.75/10
Pairs well with: Shameless, Weeds, Entourage and Aquarius.

Film Review: Venom (2005)

Also known as: Backwater, The Reaper (working titles)
Release Date: September 16th, 2005
Directed by: Jim Gillespie
Written by: Flint Dille, John Zuur Platten, Brandon Boyce
Music by: James L. Venable, John Debney
Cast: Agnes Bruckner, Jonathan Jackson, Laura Ramsey, D.J. Cotrona, Meagan Good, Bijou Phillips, Method Man

Outerbanks Entertainment, Collision Entertainment, Miramax Films, Dimension Films, 85 Minutes

Review:

“It’s a milking ceremony. It’s an old Haitian ritual. The Mambo is saving the man’s soul, clensing him of evil. It’s his last rites. The snakes are charmed by the Mamboto suck out the man’s evil, so that his soul may pass on.” – Cece

Man, this was shit.

And it wasn’t the good sort of shit. It was just stinky, funky, boring shit.

Venom is a slasher film that takes place in the Louisiana bayou. It has elements of voodoo in it too, as this film’s slasher is a victim of cursed ghost snakes that possess it and control it. Ghost snakes brought to life by shoddy CGI, mind you. I guess going to the pet store at the mall and buying a couple pythons for a hundred bucks a pop would have killed the budget. The entire CGI for this film probably cost about eight dollars.

Anyway, we get a group of teens and each one fits a predetermined role that anyone who has watched a slasher film knows exactly who’s who. Immediately, you know the girl who will survive and pretty much know the general order in which these kids will get picked off.

The villain is this scared up gas station worker with a big ass tow truck. He’s normal in the beginning but he crashes into some old voodoo lady, tries to save her but ultimately gets bitten by her cartoon voodoo snakes and becomes a swamp zombie. Seriously, he looks like a shirtless, maskless Jason Voorhees covered in mud like Dutch from Predator. Oh, and the cartoon voodoo snakes often times peek through the holes in his decaying body.

Everything about this film was predictable. Slasher films, however, aren’t known for being well-written affairs but at least the good ones tried to do something unique. I guess the voodoo twist is supposed to be unique but we’ve already had voodoo elements brought into slasher pictures; Child’s Play, Candyman and Maniac Cop III immediately come to mind.

Agnes Bruckner was the final girl in this and I thought she was carving out a nice scream queen career for herself as she did this and The Woods around the same time. The Woods is a better film, by the way, and it had Bruce Campbell in it. I can’t recall anything else Bruckner’s done but I remember seeing her in this and thinking, she might be the ’00s horror hero icon.

Method Man from Wu-Tang is in this too but just barely. I feel bad that he got roped into this when he could have done something better with his time like recording another follow up to Tical.

Probably the biggest reason why this movie sucks is that it has absolutely no balls. None. Every big kill happens just after the camera turns away. Sometimes we get to see the aftermath of a kill but the gore is minimal and this just feels like it was edited for television. Fuck this movie and its lack of anything truly horrifying.

Eh. I’m done. I hate this piece of crap. Granted, it’s not the worst horror movie of its decade but I’d rather get a tick in my urethra than ever watch this again.

Rating: 4.25/10
Pairs well with: Other mediocre or bad ’00s horror films: Stay AliveBlack X-MasProm NightValentineSorority Row, See No Evil, etc.