From The Critical Drinker’s YouTube description: It’s time to take on a serious challenge this time, as I do my best to turn Captain Marvel into a likeable character.
From Filmento’s YouTube description: Half a decade into the Disney generation of Star Wars, we finally got the sequel trilogy conclusion with Star Wars: The Rise of Skywalker… and it’s not very good. The Force Awakens and The Last Jedi might’ve had problems, but this film just craps the bed entirely. And while you could name a big batch of problems and also blame me for giving Disney and JJ Abrams some of the ideas that led to all this, the main weakness with this film lies in its nature of being a bad series conclusion. And in order to see what exactly is the issue, let’s compare it to another recent very successful series conclusion in Marvel’s MCU — Avengers Endgame. Rise of Skywalker tried to copy paste a lot of same things from Endgame but still managed to fail at all of them. Let’s see how to fail at Endgame.
Release Date: November 4th, 2014
Music by: Lauren Pardini, Daniel Sternbaum
Cast: Axel Alonso, Hayley Atwell, Gerry Conway, Louis D’Esposito, Alan Fine, Seth Green, Clark Gregg, Jimmy Kimmel, Stan Lee, Ralph Macchio, Todd McFarlane, Patton Oswalt, Nicole Perlman, Joe Quesada, Peter Sanderson, Jim Shooter, Kevin Smith, Jim Starlin, Emily VanCamp, Len Wein, Ming-Na Wen
ABC Studios, Disney, Marvel, 42 Minutes
I recently reviewed a short, made-for-TV documentary on Disney+ called Assembling a Universe. That one was a piece on how Disney and Marvel assembled a movie franchise based off of Marvel’s rich treasure trove of characters and stories.
This short documentary is kind of more of the same but it focuses mostly on the comic books themselves and how Marvel grew into what it is today.
Like the previous documentary, which came out earlier in the same year, this one is really just a marketing tool to try and get people to go see their movies. It’s made by Disney, Marvel and ABC, all of whom are essentially the same company, so this is made to sort of pimp themselves out.
Ultimately, this is an autobiographical puff piece. That doesn’t mean that there aren’t things of value in it. It’s informative and gives you a good amount of info to start with for those interested in Marvel’s history but there are much better documentaries, books and magazine articles on the subject.
Pairs well with: Assembling a Universe and Empire of Dreams.
From Filmento’s YouTube description: Brie Larson’s Captain Marvel didn’t seem to enthrall everyone. It was a functional film, but comparing it to DC’s first female led comic-book film of Wonder Woman, Captain Marvel seemed to be pretty forgettable. In today’s episode of One Versus One, let’s find out what core differences there are between these two female superhero movies, and why Captain Marvel became forgettable while Wonder Woman despite its flaws is memorable. It’s Marvel vs DC, Captain Marvel vs Wonder Woman. Here’s how not to adapt a movie.
Release Date: March 18th, 2014
Music by: Brian Tyler
Cast: Hayley Atwell, Shane Black, Kenneth Branagh, Dominic Cooper, Vin Diesel, Robert Downey Jr., Chris Evans, Jon Favreau, Kevin Feige, Clark Gregg, James Gunn, Chris Hardwick, Chris Hemsworth, Tom Hiddleston, Samuel L. Jackson, Scarlett Johansson, Joe Johnston, Louis Leterrier, Jeph Loeb, Anthony Mackie, George R.R. Martin, Tom Morello, Bobby Moynihan, Gwyneth Paltrow, Chris Pratt, Joe Quesada, Robert Redford, Jeremy Renner, Mark Ruffalo, Sebastian Stan, Emily VanCamp, Ming-Na Wen, Jed Whedon, Joss Whedon, Edgar Wright (uncredited)
ABC Studios, Disney, Marvel, 42 Minutes
After watching the beefy but solid Star Wars documentary Empire of Dreams, I noticed that Disney+ also featured a similar made-for-TV documentary about the making of the Marvel Cinematic Universe. I figured I’d check it out, as it originally aired in 2014, on the cusp of the MCU reaching its peak.
Unfortunately, this isn’t as compelling as Empire of Dreams and it plays more like a Marvel produced production used mainly to pimp themselves out and market Captain America: Winter Solider and the Agents of S.H.I.E.L.D. TV show. But I get it, this played on ABC, which like Marvel, is owned by Disney.
It’s still an informative piece with a lot of insight into the making of the first Iron Man movie, which opened the floodgates for the rest of the MCU.
It also expands beyond that and delves a little bit into each movie up to the then still in-production Guardians of the Galaxy. In fact, I think that this was the first real peek into the Guardians of the Galaxy production.
The best part about this short feature is the interviews with the stars and filmmakers who helped bring this universe to life. I especially liked hearing the enthusiasm that Robert Downey Jr., Scarlett Johansson, Gwyneth Paltrow and Jon Favreau had with the early Iron Man pictures.
Overall, this isn’t a must watch but it’s worth your time if you are a big MCU fan.
Pairs well with: other filmmaking documentaries about blockbusters. Empire of Dreams, immediately comes to mind.
From Filmento’s YouTube description: Spider-Man: Far From Home is the first Spider-Man movie ever to reach a billion dollars at the box office, thanks to the massive Avengers-level scale of it all. But as everyone at this point knows — all that scale is a lie. In reality, Far From Home is a tiny, almost indie-sized film. And yet, despite this movie practically cheating the audience for two hours straight, it was still highly loved by everyone. In today’s family friendly PG episode of Film Perfection, let’s find out how that’s possible — how to lie to your audience in a way that still works. How does Far From Home succeed in movie culture where the likes of Snoke and Night King haven’t.
Taken from MauLer’s YouTube description: So I guess it did turn into a series, this will be my outlet for bad movies as time goes on, covering ones that I have previously hated as well as ones that essentially waste my time in the cinema. By doing it like this, with the videos, I am not killing those that I hate, merely saving those I love from seeing these movies, hopefully.
From the Midnight’s Edge YouTube description: On September 11th, The Hollywood Reporter could reveal that Marvel Entertainment have expanded their agreement with Conan Properties, the corporate owners of Conan the Barbarian. This expansion will see more of Robert E. Howard’s characters, such as Solomon Kane and Dark Agnes, appear in the pages of Marvel comics – where we’ve since learned that they will all be crossing over with Moon Knight, in a miniseries called Serpent War. Could there be more to this than it seems? Could even a new Conan movie co-produced by Marvel possibly be on cards further down the line?
In this editorial Andre Einherjar will begin covering by how Conan has fared with Marvel Comics so far, and who Solomon Kane and Dark Agnes are. Then he’ll address the speculation of what this crossover could lead to, and give an update on the current state of Conan on film.
From Shadiversity’s YouTube description: An analysis of the double bladed sword Thanos uses from Avengers: Endgame.