Vids I Dig 231: Toy Galaxy: The Crazy Bizarre History of ‘Max Headroom’: TV Star, Icon, Pitch Man, Pirate

From Toy Galaxy’s YouTube description: On this episode we attempt to cover the crazy, bizarre history of Max Headroom.

For his conception as a character introducing music videos to his own TV movie, to Coca-Cola spokesperson to gone in just a few years.

His legacy as a instrument of political commentary may be more relevant than ever.

Film Review: Honey, I Shrunk the Kids (1989)

Also known as: Grounded, Teenie Weenies, The Big Backyard (working titles)
Release Date: June 23rd, 1989
Directed by: Joe Johnston
Written by: Ed Naha, Tom Schulman, Stuart Gordon, Brian Yuzna
Music by: James Horner
Cast: Rick Moranis, Matt Frewer, Marcia Strassman, Kristine Sutherland, Thomas Wilson Brown, Jared Rushton, Amy O’Neill, Robert Oliveri, Mark L. Taylor, Kimmy Robertson, Frank Welker (voice)

Walt Disney Pictures, Silver Screen Partners III, Buena Vista Pictures, 94 Minutes

Review:

“Nick, I’ve got six hours to get home, get big and get to the mall. Now get moving.” – Amy Szalinski

It’s hard for me to wrap my head around the fact that one of the writers of Honey, I Shrunk the Kids is Brian Yuzna, the guy behind Re-Animator and its sequels, as well as From Beyond and Society. In fact, this film came out in the same year as the over the top and insane Society. Talk about two extremes.

Anyway, this family classic was one of many reasons as to why the summer of ’89 is probably the best summer for movies of all-time. I loved this as a kid and it has held up pretty well.

Some of the effects look a bit dated, as this came out just before the CGI boom that came with Jurassic Park in 1993, but the use of green screen and stop motion effects pretty much comes off without a hitch and these special effects are top of the line for 1989. Disney crafted an incredible world for this movie and all the physical sets still look fabulous by 2019 standards.

The movie is also kind of timeless and the humor still works. This isn’t a film that’s chock full of ’80s cliches. Okay, maybe the clothes the kids wear are very ’80s but this is written in a way that the jokes and humor aren’t as dated as other films from the time.

Additionally, all the kid actors are pretty solid, as are the parents. The parents of course get top billing in this movie but the bulk of the film is focused on the children and their adventure, trying to get home from the other side of their backyard. Of course there are several challenges that stand in the kids way, which just makes this adventure a lot of fun and actually provides a good amount of real tension.

Rick Moranis is as good as he always is but the real scene stealer was Matt Frewer, who owned the character of Russ Sr. Frewer can do drama and comedy well but here he was so committed to the bit that he was the biggest bright spot in the film.

I’m glad that I revisited this and I’ve just realized that it’s approaching its thirtieth anniversary. Man, I can’t believe it’s been that long since the epic summer of ’89.

Rating: 7.25/10
Pairs well with: the sequels but each one gets worse and worse, as well as other late ’80s family sci-fi movies like *batteries not included and Cocoon.

Film Review: Watchmen (2009)

Release Date: February 23rd, 2009 (London premiere)
Directed by: Zack Snyder
Written by: David Hayter, Alex Tse
Based on: Watchmen by Dave Gibbons, Alan Moore (uncredited)
Music by: Tyler Bates
Cast: Malin Åkerman, Billy Crudup, Matthew Goode, Carla Gugino, Jackie Earle Haley, Jeffrey Dean Morgan, Patrick Wilson, Stephen McHattie, Matt Frewer

Warner Bros. Pictures, Paramount Pictures, Legendary Pictures, Lawrence Gordon Productions, 162 Minutes, 186 Minutes (Director’s Cut), 215 Minutes (Ultimate Cut)

Review:

“None of you seem to understand. I’m not locked in here with you. You’re locked in here with me!” – Rorschach

When Watchmen first came out, I was super excited just based off of the trailer alone and having just come off the greatness that was Christopher Nolan’s The Dark Knight. However, once seeing the film, I was pretty disappointed. Because of that, I never watched it again until now, ten years later, shy of two months.

I really wanted to give this another shot but if I was going to watch it, it had to be the Ultimate Cut. I needed to see the director’s complete vision and adaptation of the comic, which I have loved since first picking it up in the early ’90s.

I don’t know if it’s because I finally watched the Ultimate Cut or because all those years ago, I saw this three hour epic at a midnight showing and grew dead tired but this was not the same experience. This was something much greater and even closer to what Alan Moore and Dave Gibbons’ great comic was supposed to be. I’ve been hard on Zack Snyder before and while this isn’t perfection, it’s still a stupendous adaptation that hits the right notes narrative wise and tonally.

I think that one major issue I had with it initially, is that it is almost a panel to shot recreation of the comic. I thought that it should have taken a bit more creative license but seeing the complete version, I’m glad that they didn’t and my initial assessment was wrong.

It’s been so long since I saw the theatrical version, so it’s hard for me to tell what wasn’t in that one and what was added to this version but the most notable addition is the inclusion of the animated bits, which tell the story of The Black Freighter, which had its story sprinkled throughout the original comic. The movie felt like it was missing that in the original version and the way that they use it here is really cool. Also, the animation was incredible and also matched the tone of the comic quite well.

The only big difference between this and the comic is the omission of the giant kaiju monster that wrecked New York City. It’s replaced here with a more realistic threat but I felt like the kaiju thing was always really cool and I feel like it would have worked in the film. But it’s exclusion doesn’t really hurt the movie. I’m just baffled as to why it was changed when everything else is so damn close to the source material. Plus, kaiju make everything better.

I thought that the acting in the film was exceptional and as great as it is, there are two people who really stole the show: Jackie Earle Haley as Rorschach and Jeffrey Dean Morgan as the Comedian. These two guys had an incredible presence when they were on the screen. This was also the first time I noticed Morgan and I’m glad to see him carve out a fine career since this picture.

Malin Åkerman and Patrick Wilson carry the bulk of the acting duties, as the story seems to feature them the most, even though it balances all these characters very well. I thought both of them put in solid performances. But I can’t really knock anyone in the movie for not carrying their weight and doing the source material justice.

This was and still is the greatest thing that Zack Snyder has ever directed. I’m not trying to knock his more recent work but I feel like he’s always trying to recapture the lightning in a bottle that he had here and it just isn’t working on the same level for him.

The Ultimate Cut is very long, almost four hours. However, it moves swiftly and a lot of ground is covered in that time. As I get older, I don’t have the attention span to sit and watch long movies like this in one sitting but the length didn’t bother me here. I was glued to the screen and sucked into this universe.

I’m glad that I finally got to revisit Watchmen and that I went with the Ultimate Cut. This should be the version that everyone watches and the only one that exists.

Rating: 9.5/10
Pairs well with: it’s pretty damn unique but I guess if you needed to pair it with something, Blade Runner or The Dark Knight.