Comic Review: Daredevil: Guardian Devil

Published: November, 1998 – June, 1999
Written by: Kevin Smith
Art by: Joe Quesada

Marvel Comics, 180 Pages

Review:

I loved this Kevin Smith run on Daredevil back in the day when it was new. But it is shockingly twenty years old now, which makes me feel old as shit and even though it is still a pretty good story, it doesn’t resonate with me as profoundly as it did back in the day.

I guess I just don’t care about religion or mysticism anymore because I grew up and moved away from the heavy handed religious influence that stifled me in my youth. Also, decades later, I’m kind of over Kevin Smith’s commentary on Catholicism. And while Matt Murdock a.k.a. Daredevil is bound by his Catholic beliefs, it just doesn’t make for an interesting story for me anymore.

I’m going to get into major plot spoiler territory here. So turn away if you want to read this.

The religious mumbo jumbo in this is just a big illusion created by Mysterio, who is mostly a Spider-Man villain. He gives his reasoning as to why he wants to screw around with Daredevil but it’s pretty fucking meh. Apparently, Daredevil has been drugged the whole time. I’m not sure how a drug can last for days on end but I guess this explains why he found it necessary to throw a baby off of a fucking roof. Sorry, but I wanted to throw this book when that happened… way before we got an explanation to Daredevil’s bat shit behavior several issues later.

Additionally, none of the characters really act rational in anyway. I guess, again, this is due to Daredevil being high as fuck but if I have to read six or seven issues before the explanation, I’m just going to assume that the writer doesn’t understand or know these characters. Had I been reading this as a new comic now, I would’ve quit on issue no. 1 or 2.

I’m not even really sure why I liked this story in 1999 or so, other than I thought Kevin Smith was a genius back then, I was still under the influence of religion and I thought that Dogma was Generation X’s Ben fucking Hur.

On to the positives.

I liked the art, I liked the villain lineup and I was really happy with the confrontation between Daredevil and Bullseye. Back in the early ’90s when I was hardcore into Daredevil, a big reason for that was Bullseye. I loved him just as much as Daredevil and maybe even a little bit more. He’s a complete fucking badass and underutilized by Marvel. Hell, he was completely shitted on in the 2003 Daredevil film. So when I can get some solid Bullseye shit, I’m a fan. So kudos to Smith for giving me the Bullseye I love.

Anyway, this was once a beloved book in my collection. Now I just stare at it wedged between the Frank Miller and Ann Nocenti Daredevil books on my shelf and feel like this doesn’t belong.

Rating: 5/10
Pairs well with: The Daredevil stories that followed, as well as Kevin Smith’s run on Green Arrow. I hope I don’t hate his Green Arrow story now too. I need to revisit it really soon.

Comic Review: The Superior Spider-Man, Vol. 1: My Own Worst Enemy

Published: November 14th, 2013
Written by: Dan Slott
Art by: Giuseppe Camuncoli, Ryan Stegman

Marvel Comics, 117 Pages

Review:

When I heard about this series before it came out, it sounded like a terrible idea and it seemed that my sentiment was also the majority’s. However, as the series rolled on, people really started talking it up and now it is considered by many to be a high point in the decade long run of Dan Slott on Spider-Man titles. So I figured that I’d give it a shot.

The reason why this was so controversial was because Otto Octavius a.k.a. Doctor Octopus put his mind into Peter Parker’s body and hijacked his life becoming Spider-Man and Peter Parker. Yeah, it sounds terrible on the surface and comes off as a cheap trick to try and deliberately stir up controversy for publicity’s sake. And really, that’s probably exactly what it was.

Controversial moments in comics usually turn out poor results in the long run or at least on the creative side. This is a rare example of it actually working and leading into a narrative and creative direction that fans liked. In fact, this series has since ended but fans are clamoring to see the Superior Spider-Man return in some form, especially after his involvement in the recent milestone issue The Amazing Spider-Man number 800.

I don’t know why this works, as it just seems weird and unbelievable even for comic books. But somehow, you know that this is a redemption story for Otto Octavius, even if his actions to put this in motion were rather heinous. His goal is to be the “superior” Spider-Man and also the superior Peter Parker. He wants to be the best version of both personas that he can possibly be.

Otto alters how Spider-Man operates in a way that is more efficient and he also strives to better Parker’s personal life by going back to school to get his PhD.

Another interesting part of the story is that Peter still exists as a ghost that is attached to Otto but Otto is still unaware of Parker’s presence and his constant commentary on how Otto is messing up his life and reputation.

I know that the premise may sound stupid or off-putting for old school Spider-Man fans but man, this really is a good read and I feel as if it is only going to get better as it finds its stride.

Rating: 7.5/10
Pairs well with: Other Superior Spider-Man collections and any of Dan Slott’s other Spider-Man titles.

Comic Review: The Amazing Spider-Man: Go Down Swinging

Published: March 7th, 2018
Written by: Dan Slott
Art by: Stuart Immonen, Giuseppe Camuncoli, Jim Cheung, Humberto Ramos, Alex Ross (covers)

Marvel Comics, 148 Pages

Review:

Let me preface this review by saying, “Holy shit balls!”

Man, oh, man… I friggin’ loved this story and this is the best Spider-Man story arc that I have read since before that 2008 catastrophe Brand New Day, which made me quit reading Spider-Man after two decades of loyalty. Yes, I even made it through that godforsaken Clone Saga in the ’90s without quitting.

While Dan Slott was a big part of Brand New Day and continued to keep writing Spider-Man for a decade, including this story, his last, I had heard good things over the last few years. But it wasn’t until I heard about this story that I figured that I’d finally give the guy another shot. Well, he’s really undone the damage of Brand New Day and also seems to be righting the ship with some of the things that have changed since then. Well, at least this arc starts with Peter Parker and Mary Jane Watson making out. That’s a big giant leap out of the Brand New Day muck.

So Norman Osborn, the original Green Goblin, has acquired the Carnage symbiote. He sort of has it under control and used it to remove the restrictions that Peter Parker put in his blood to prevent him from ever being the Green Goblin again. So what we have now is the Green Goblin and all of his powers enhanced by the Carnage suit. So to paraphrase what the official story arc write-up said, “This is Spider-Man’s greatest villain merged with his most deadly.” Basically, shit just got real.

The story sees Osborn hellbent on destroying Spider-Man, which is made easier when he finally remebers that Spidey is Peter Parker. That’s where it becomes an all out assault on Parker and his loved ones. Osborn tells Parker to stop being Spider-Man and if he abides by this, his loved ones will be safe. Peter’s allies unite in an effort to take on Osborne but ultimately, Peter Parker has to put the costume back on and have a big showdown with this new Red Goblin for all the marbles.

The story is intense, really intense. It was hard to put down and the big 80 page finale that was issue 800 was perfection. I understand people’s reservations with Slott’s epic run on The Amazing Spider-Man but this story arc was some grade A stuff, especially in an era where Marvel hasn’t been putting out a lot of quality books.

This served to not just up the ante and give Spider-Man one of his toughest threats of all-time, it also gave closure to a lot of plot threads that have stretched decades. There is an important death in this but it was done tastefully and only made that character better. Also, it was a decades long redemption story that gave a sad but satisfying payoff for those who hated and then learned to love this character over the years.

I also thought that the art was incredible. Marvel has been letting amateurish looking art creep into their titles but The Amazing Spider-Man has kept the best of the best and the quality of Go Down Swinging is such a great contrast to the terrible Marvel books I see, wall to wall, in every comic book shop I frequent.

I can’t praise this enough. And thank god they pushed Mockingbird out of the equation, as that relationship never seemed to work for me (and others from what I’ve read).

Dan Slott may have started out throwing gasoline on a dumpster fire but he ended by giving us one of the high points in the long history of The Amazing Spider-Man.

Rating: 9.75/10
Pairs well with: Since this is the big finale of the long and storied Dan Slott run, all of the Slott Spider-Man stuff before this. However, you may want to pickup the story arc Threat Level: Red, as it serves to setup this big finale. Try to avoid Brand New Day unless you’re into torture.

Comic Review: The Amazing Spider-Man: Threat Level: Red

Published: January 24th, 2018
Written by: Dan Slott, Christos Gage
Art by: Stuart Immonen, Mike Hawthorne, Alex Ross (covers)

Marvel Comics, 69 Pages

Review:

I’m reading a lot of The Amazing Spider-Man stuff leading up to issue 800, which is to be the finale of the Dan Slott era. Having just finished up Venom Inc., I jumped right into the next story arc, Threat Level: Red, which spans issues 794 through 796. It’s not a long story arc but it is Slott’s penultimate story before getting into Go Down Swinging.

This also serves to setup Go Down Swinging by dropping little hints about something bigger being in the works, as you see the original Green Goblin, Norman Osborn, acquire the Carnage symbiote.

This short arc is really just three standalone stories.

The first deals with Spidey and his girlfriend Mockingbird going to London to stop Scorpio. The second is an adventure that teams up Spider-Man and Loki, who has replaced Doctor Strange as the Sorcerer Supreme. The third and final tale sees Spidey and Flash Thompson as Anti-Venom defend a facility from the Goblin King and his Goblin minions.

While the three stories were fun, it was all mostly filler and the important bits of the story were the evolution of Norman Osborn into the Red Goblin a.k.a. the Green Goblin with the Carnage symbiote under his control.

This was enjoyable and it set the tone for Dan Slott’s final story.

Rating: 7/10
Pairs well with: The story before it, Venom Inc. and the one following it, Go Down Swinging.

Comic Review: Venomverse

Published: January 9th, 2018
Written by: Cullen Bunn
Art by: Iban Coello

Marvel Comics, 128 Pages

Review:

In preparation for the new Venom series that recently started, I wanted to check out some of the more modern Venom stories out there. Venomverse came highly recommended from a guy at one of my comic book shops. I figured that I’d give it a read, as the premise sounded interesting.

In a nutshell, after stomping a mudhole in Jack O’Lantern’s bum, Venom is zapped away to a different dimension where all the Marvel characters have symbiotes. So what you get is Venomized versions of Captain America, Doctor Strange, Wolverine, Deadpool, Mary Jane Watson, Black Panther, Rocket Raccoon and everyone else in-between. They are fighting a war against the Poisons, who are tiny aliens that absorb the symbiote heroes and villains into their own bodies and become perfect killing machines: the apex predators of the universe. Doctor Strange has been pulling all symbiote heroes and villains into the “Venomverse” dimension in an effort to turn the tide in the war.

Man, if you are a fan of Venom, this is just a really cool and fun book to read. Seriously, I absolutely loved this. I mean, Rocket Raccoon with a Venom symbiote? C’mon, man! All this thing needed was Spider-Ham and Howard the Duck in it too.

The story is really good but I barely even cared about the setup because any reason to have a Marvel Universe full of Venoms is just an awesome time. These stories don’t work so well in the regular Marvel dimension but in this Venomverse pocket of existence, things just seem to flow naturally. Plus, the Poisons were just a really cool idea and added something more to the story than just having a symbiote war for the sake of having a symbiote war.

Granted, I felt that this ended a bit anticlimactically but you also get a post credits scene just like the Marvel movies, which I thought was a neat twist. And that ending sets up the potential for the Poisons to expand into other universes and dimensions.

This was just a damn good book and pretty refreshing and entertaining, as Marvel has produced a lot of duds lately.

Rating: 9.75/10
Pairs well with: Any of the great Eddie Brock Venom stories. But for more recent stuff, the new Venom series and the Venom, Inc. story arc from recent issues of The Amazing Spider-Man.