Also known as: X (poster title)
Release Date: November 18th, 1992
Directed by: Spike Lee
Written by: Arnold Perl, Spike Lee
Based on: The Autobiography of Malcolm X by Malcolm X, Alex Haley
Music by: Terence Blanchard
Cast: Denzel Washington, Angela Bassett, Albert Hall, Al Freeman Jr., Delroy Lindo, Spike Lee, Theresa Randle, Kate Vernon, Christopher Plummer, Lonette McKee, Giancarlo Esposito, Wendell Pierce, Roger Guenveur Smith, Debi Mazar, Karen Allen, Peter Boyle, David Patrick Kelly, Mary Alice, Nicholas Turturro, Michael Imperioli, John David Washington, Ossie Davis
Largo International, JVC Entertainment Networks, 40 Acres & A Mule Filmworks, Warner Bros., 202 Minutes
“[Witnessing Malcolm’s control over a mob] That’s too much power for one man to have.” – Captain Green
Every great director has their magnum opus and this is Spike Lee’s.
Malcolm X is pretty perfect from top-to-bottom and for a film that is nearly three and a half hours, it mostly moves at a really good pace. I thought that the first act was too drawn out but it takes up less than an hour of running time and the film really finds its groove once Malcolm goes to prison and first encounters the lessons and ideas around The Nation of Islam.
From that point forward, this is a truly exceptional motion picture that is bolstered by the legendary performance of Denzel Washington. In fact, despite him winning the Academy Award for Training Day, I would say that this is the best performance of his career.
Beyond Washington, everyone else in this film is superb from the smallest parts to the largest. There really isn’t a weak link in the entire cast and Lee did a phenomenal job in picking who he did for each role.
This also boasts the best cinematography out of all of Spike Lee’s movies. Sure, he has a stupendous eye and employs wonderful visuals in every film but this felt so genuine and rich. It was like a true time capsule back to the 1940s through 1960s and nothing about it felt staged or inauthentic.
Having read the book, years ago, I’ve always seen this as the most perfect interpretation of it. In fact, if anyone were to try and attempt a Malcolm X biopic in the future, I don’t know how they could really make anything better or even as close to great as this is. As far as I know, it’s never been attempted and frankly, it shouldn’t be.
Watching this, it was hard not having my mind try to compare the incidents and the social climate in the 1960s to today. A lot of people love quoting Malcom X and for good reason. However, I think that a lot of people who cite him don’t fully grasp the context and cherry pick what fits their narrative. I think it’s important to understand the man’s full journey and to see what he went through, what he learned and how he applied all of that to his actions and his message.
Unfortunately, Malcolm was gunned down in the prime of his life and we never got to see how he would’ve continue to evolve and how he would’ve worked together with other black leaders and leaders of all races in the following decades.
Malcolm’s death was an absolute tragedy but his life is certainly worth knowing and celebrating. With that, this film is really special in how it captured the man, his personal struggles and growth. Spike Lee and Denzel Washington made a biographical picture that is as good as they get.
Pairs well with: Spike Lee’s other films of the late ’80s and into the ’90s.