Comic Review: The Punisher: Die Hard In the Big Easy

Published: 1992
Written by: John Wagner
Art by: Phil Gascoine

Marvel Comics, 51 Pages

Review:

This has been in my comic collection since 1992. I remember getting a bunch of Punisher one-shots and miniseries in a trade with a friend in middle school, who really wanted a bunch of my Power Pack stuff, which I read when I was much younger but lost interest in.

This was one of the many Punisher comics I got but for some reason it was filed away and wasn’t unearthed until now.

This story, as the title gives away, sees The Punisher go to New Orleans. While he’s their, he obviously gets tied up in some criminal plot involving voodoo.

The villain in this is pretty cool and I wish he wasn’t just a one-off baddie. He was a voodoo priest that was very reminiscent of Baron Samedi from the James Bond film, Live and Let Die. He also reminded me a lot of a modern film character, Tony Todd’s Reverend Zombie from the Hatchet films.

Being that this was a one-shot release, it was about the same size as a typical annual give or take a few pages. It’s a cool story, it’s creepy, action packed and I dug the hell out of the art style.

My only real complaint is that these releases are just over so fast. This could’ve been expanded into a good story arc in one of the regular Punisher comic series that were being published back then. 

However, for being rather short, it packs a punch, gets right to the point and doesn’t waste time.

Rating: 6.5/10
Pairs well with: all the other Punisher miniseries, one-shots and graphic novels from the late ’80s and early ’90s.

Comic Review: The New Mutants, Issues #32-34

Published: 1985
Written by: Chris Claremont
Art by: Steve Leialoha, Glynis Wein

Marvel Comics, 69 Pages

Review:

I’m reviewing these three issues on their own, as they are wedged between two different collected editions of classic New Mutants stories. This happens immediately after the Demon Bear Saga and the Legion stuff, which I previously reviewed. The collected volume after this one will be reviewed in the near future.

This is a pretty cool trio of issues, though, and it splits the team up a bit, which gives us a really cool story centered around Magik and Dani, as they travel to the past and meet a descendant of Storm.

There’s just some cool Magik related occult stuff, which was always a highlight of the New Mutants for me, as she is my favorite character and a lot of that has to do with the dark shit that surrounds her.

The art style in this changed, as Bill Sienkiewicz left the series and Steve Leialoha took over. While I prefer Sienkiewicz, Leialoha was able to keep the aesthetic and vibe pretty close to what I had come to love over the Demon Bear and Legion stories.

Overall, this was an energetic and cool story that moves on from the New Mutants toughest challenges and opens the door to an uncertain future. This stretch of three issues wasn’t what I’d call filler but it was a bit of a breather and still a cool, fun, worthwhile story.

Rating: 8.5/10
Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.

Comic Review: Daredevil by Ed Brubaker & Michael Lark – Ultimate Collection, Book 1

Published: June 4th, 2020
Written by: Ed Brubaker
Art by: David Aja, Michael Lark, Tommy Lee Edwards (cover)

Marvel Comics, 304 Pages

Review:

After Brian Michael Bendis’ run on Daredevil ended in a weird spot because the guy just doesn’t know how to finish, we were treated to Ed Brubaker’s solid stint on the title.

Brubaker had his work cut out for him, considering where the character of Daredevil was when this started and because Bendis literally spent about fifty issues going back and forth on whether or not the public knew Matt Murdock was Daredevil and still didn’t give that extremely drawn out, tiresome and annoying plot a definitive end.

So Brubaker still has that bullshit to try and resolve while also having to figure out what to do with the title character being locked up in prison. Oh, and there’s the whole thing about Daredevil’s flash in the pan ex-wife that Bendis had to clunkily wedge into the mythos with romantic cringe that made me question the writer’s manhood.

Anyway, Brubaker doesn’t waste any time trying to make magic out of Bendis’ J. J. Abrams style ending.

So we start with Murdock in jail and with that, we see him have to survive while being locked up with a lot of the criminals he put there, including The Kingpin, The Owl, Bullseye, Hammerhead, Gladiator and a slew of others. We also see The Punisher get himself arrested, so that he can also go to jail in an effort to help Murdock survive in there.

On the outside, we have someone else posing as Daredevil, while Foggy Nelson and Dakota North work to get Matt out of prison. Pretty early on in the story, Foggy is murdered while visiting Matt in jail. This sets Matt off on a revenge quest within the prison walls and with that, we get one of my all-time favorite Daredevil story arcs.

Following the prison story, we see Matt go to Europe, as there are more layers to the mystery surrounding Foggy’s death. This second half of the story is pretty fucking great too and the ending wasn’t anything I expected. It also satisfied, unlike the end of Bendis’ tenure on the book.

Beyond the story, the art in this is superb. Brubaker worked with Michael Lark, who is an artist that he actually works with fairly regularly. In this series, Lark really captured the already established tone and vibe of the Marvel Knights era of the Daredevil series. Lark was probably the perfect guy to pick up this ball and run with it, as he’s done a lot of the more gritty noir-esque comics that Brubaker has written over the years.

If you are a fan of Daredevil and haven’t read this story, you probably should. It’s one of my favorites of all-time and this Ultimate Collection joined both halves together in one volume. Although, you can also find the two stories as two separate trade paperbacks under the title The Devil, Inside and Out (Vol. 1 and 2).

Rating: 9.5/10
Pairs well with: the other Daredevil comics from his Marvel Knights run.

Video Game Review: The Uncanny X-Men (NES)


I remember how excited I was blowing my Christmas money on this game at Toys”R”Us, the year it came out.

Then I remember how depressed I was after playing it for two minutes, once I traveled an hour back home with my mind set on conquering the Brotherhood of Evil Mutants.

This game is absolute shit. It’s one of the worst video games I have ever played. It’s certainly the one that pissed me off the most after spending my own money on it back before I was old enough to even work.

Everything about this game is complete trash.
-The graphics
-The mechanics
-The controls
-The level design
-The generic, asshole enemies
-The sound
-The garish colors
-The second character’s AI
EVERYTHING

I figured I’d play it again, for the first time in decades, to see if maybe I overreacted back in the day. Nope. This is still, hands down, the worst original Nintendo game that I personally paid for.

At least those Sega Genesis X-Men games kind of made up for this one.

Rating: 0.5/10
Pairs well with: other terrible 8-bit Marvel games.

Comic Review: The New Mutants – Epic Collection: The Demon Bear Saga

Published: July 10th, 2019
Written by: Chris Claremont
Art by: Bill Sienkiewicz, Sal Buscema, Bob McLeod

Marvel Comics, 504 Pages

Review:

Man, oh man… I forgot how great the Demon Bear story was! It was one of my favorite New Mutants stories when I first discovered this comic series, as a young kid. But I hadn’t actually read it for probably thirty years now.

This beefy Epic Collection release doesn’t just cover that story, though, as it features the events leading up to it and the story after, which is the debut of Legion.

Every story arc in this collection is pretty damn cool. There really wasn’t a dull moment and you get to see these great characters develop even more while also seeing their bond strengthen quite immensely.

This stretch of issues also feature the art of Bill Sienkiewicz, a comic book artist that truly had a unique style that I’ve always thought was one of the most impressive, expressive and coolest. It’s this series that introduced me to Sienkiewicz’s work, which I couldn’t get enough of. In fact, I bought all of his Elektra and Moon Knight stuff that I could find at my local comic shop circa 1990.

This stretch of issues was always one of my favorite runs on any comic book series. Revisiting it for the first time in eons, I still feel that way.

Rating: 9.5/10
Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.

Comic Review: The Eternals: To Slay A God/Manifest Destiny

Published: 2008-2009
Written by: Charles Knauf, Daniel Knauf, Fred Van Lente
Art by: Daniel Acuna, Pascal Alixe, Eric Nguyen

Marvel Comics, 258 Pages (total, both volumes)

Review:

I’ve got to say, this was a pleasant surprise. Especially, because this series followed the more well-regarded Neil Gaiman run on The Eternals, which I really wasn’t a fan of, at all.

My only real issue with it was that the story seemed large enough that it probably should’ve crossed over into other comics, as it had members of just about every important Marvel team show up in this story. Plus, with a gigantic Celestial just standing around near the Golden Gate Bridge, you’d probably expect a large contingent of heroes to be there, on the defense.

Looking beyond that, Iron Man was directly involved in the story and this was during the time when he was the director of S.H.I.E.L.D., so I’m sure he had some pull with the other primary heroes of Earth, who might be a bit weary of the Celestial just camping out near a major city and massive landmark.

The story here was pretty good, though. I dug this quite a bit and it was my favorite Eternals thing outside of the original Jack Kirby run in the ’70s and The Eternals Saga massive event that took place in the pages of The Mighty Thor from 1978 to late 1980.

I feel like even if you aren’t too familiar with these somewhat obscure Marvel characters, the writers of this series did a good job of cluing the reader in to who they are. The only thing the reader might be missing is all the extra context that comes with reading the earlier comics.

This story really ups the ante in a cool way and it draws The Eternals into the mainstream more, having them exist more directly with so many of Marvel’s core characters.

I thought that the art in this series was also damn good. It really embodies that mid-’00s Marvel art style but I really enjoyed that look at the time and still do, as the ’10s came with some really questionable and downright awful artistic choices by the company.

Sadly, this run on the series didn’t last very long and that’s why I just merged both collected trade paperbacks into one review. For whatever reason, this team has never had long runs and haven’t been popular amongst fans. While I like them, it makes me wonder why they would introduce them into the Marvel Cinematic Universe when there are still so many more interesting and popular characters that they haven’t used yet.

Rating: 7.5/10
Pairs well with: other runs of The Eternals over the years.