Vids I Dig 334: Toy Galaxy: The History of the ‘Silverhawks’: Kind of ‘ThunderCats’ In Space

From Toy Galaxy’s YouTube description: Dan takes you through the history of the Silverhawks.

A brother to the more popular Thundercats with a vac-metal toyline from Kenner and only a single season of the animated show Silverhawks is still remembered fondly.

Comic Review: Daredevil by Frank Miller & Klaus Janson, Vol. 1

Published: March 6th, 2014
Written by: Frank Miller, Bill Mantlo, Roger McKenzie, David Michelinie, Marv Wolfman
Art by: Frank Miller, Klaus Janson

Marvel Comics, 326 Pages

Review:

I recently got to scratch off one of my comic book bucket list items. That item was the completion of the entire Frank Miller Daredevil run. I now own all the single issues and it feels good. So to celebrate, I thought that I’d re-read through them all, as they were collected in three beefy volumes that I also own.

This first collection starts with two issues of The Spectacular Spider-Man, which featured Daredevil and had art by Frank Miller. Getting into the start of his run on Daredevil itself, the first handful of issues aren’t written by Miller but he does do the art. But once Miller fully takes over and Klaus Janson comes in to do Miller’s inks, this book really takes off in a new and exciting way, as it becomes grittier and almost has a noir vibe to it.

In this collection, we see the Bullseye character evolve more into the lunatic he actually is. We are also introduced to Elektra, as she makes her first appearance here.

Now nothing is truly wrapped up in this volume and it mainly just lays the foundation for the rest of Miller’s tenure on the title. But it sets things up nicely, really changes the landscape of the title, as long-standing love interest Black Widow moves on with her life and Daredevil is pulled into two new romantic directions.

This also establishes the real tension between Daredevil and The Kingpin.

As the first of three collections covering this run, this book is damn stellar. It’s also a great jumping on point for fans that want to read some of the best years in Daredevil’s long history.

Frankly, I’d read all of Miller’s run and then follow it up with the Ann Nocenti era.

Rating: 9/10
Pairs well with: the rest of Frank Miller’s run, as well as Ann Nocenti’s and the stories in-between.

Comic Review: Wolverine – Epic Collection: Madripoor Nights

Published: December 10th, 2014
Written by: Chris Claremont, Peter David
Art by: John Buscema, Gene Colan

Marvel Comics, 495 Pages

Review:

As big of a Wolverine fan as I am, I have never read his earliest solo stories that revolved around his time in Madripoor when he was going by the name of “Patch”. I knew enough about this era but nothing is ever as good as reading it for yourself.

I read this on Comixology after buying it pretty cheap during a Wolverine sale. Normally, it’s like $30 but I know I got it for less than $10 and it was well worth that price tag.

This is a beefy collection that covers the first 16 issues of his solo comic, as well as the story that came out just before it and another comic that takes place within the same time frame. It makes for one nice long epic of Logan’s life in Madripoor. I’m not sure if he sticks around there after this collection and for how long but this really gives you the important stuff from that era.

I also knew that Jessica Drew a.k.a. Spider-Woman was around for some of this but I didn’t realize that she wasn’t Spider-Woman here and that she was pretty much just herself, as a ninja badass. I also didn’t realize that she was actually a big part of the Wolverine Madripoor stuff.

We also get a cool plot that teams Wolverine up with the Gray Hulk a.k.a. Mr. Joe Fix-It for the first time. It’s a pretty cool tale and it also fits well within the larger tapestry that sees Logan trying to fight the criminal underworld in this fictitious Asian island nation.

Almost everything here is written by the great Chris Claremont, who probably knows Wolverine the best. Some of this is also written by Peter David but he’s a legend too and he knows how to write a story with great energy.

Ultimately, this wasn’t close to being my favorite Wolverine story, and it may actually be a bit underwhelming because of that, but it is still damn entertaining and really reflects a truly unique time in the character’s mythos.

Rating: 7.5/10
Pairs well with: other Wolverine solo stories from the late ’80s into the early ’90s.

Comic Review: The Star Wars

Published: 2013-2014
Written by: J. W. Rinzler
Art by: Rainier Beredo, Michael Heisler, Mike Mayhew, Nick Runge
Based on: George Lucas’ rough draft of the original Star Wars screenplay

Marvel Comics, 218 Pages

Review:

I always wanted to read George Lucas’ original rough draft of the script that eventually became Star Wars: Episode IV – A New Hope. But this is even better than reading the script, as it provides visuals, inspired by the original Ralph McQuarrie concepts for Star Wars.

Additionally, since I’m a pretty hardcore comic book reader, I thought that I’d really like experiencing this early version of Lucas’ vision more than just reading the text. Frankly, it’s a great homage to that screenplay and McQuarrie’s art.

In the end though, the final movie is a much better version of Lucas’ vision. This was still really enjoyable, however, and I really dug it and it probably would’ve made for a solid sci-fi B-movie in the late ’70s, where those things may have been a dime a dozen but they were still pretty cool and a lot of fun. Well, many of them were, anyway.

What’s really cool about this is seeing how a lot of Lucas’ concepts weren’t that fleshed out. Some characters evolved into others, some were completely omitted and the scope of this story feels and looks much larger than what the budget would have allowed.

This isn’t great, though. It’s fun, it’s energetic and I liked the core characters but it lacks the heart and spirit that made A New Hope an instant classic that birthed one of the largest franchises of all-time.

I wouldn’t recommend this to casual fans but it is worth checking out if you’re a lifelong Star Wars fan. It’s kind of weird in spots and I had to keep reminding myself that the rules weren’t established yet.

Rating: 7.25/10
Pairs well with: other Expanded Universe comics within the Star Wars universe.

Comic Review: G.I. Joe: A Real American Hero – Classics, Vol. 10

Published: December 22nd, 2010
Written by: Larry Hama
Art by: Mark Bright, Geof Isherwood, Tony Salmons, Herb Trimpe
Based on: G.I. Joe: A Real American Hero by Hasbro

Marvel Comics (original printing), IDW Publishing (reprinted), 252 Pages

Review:

After the last volume kind of picked things up a bit, this collection really shifts things into high gear, as the original Cobra Commander returns to power and gets his revenge on those within Cobra who he deems as traitors.

This series of ten issues also features the “Snake Eyes Trilogy” storyline, which sees things drastically change for the popular ninja hero, as well as the Baroness, who has dedicated her life to destroying the man. This also changes things for Destro, as well as Storm Shadow and Scarlett.

There’s also a side plot about two of the Joes being brainwashed and under the control of Cobra.

Needless to say, a lot happens in these ten issues and there really isn’t a dull moment.

Larry Hama, even by this point, didn’t seem to tire of these stories and these characters. This caps off with the 100th issue and I have to say that Hama, over the first hundred comics, has done a stupendous job in developing these characters and making many of them feel unique and real.

The art in some of the issues here is a change up from the norm. Most of this does look consistent but other artists came in for an issue or two and altered the visual style a bit. None of it was bad but it was a bit unusual, after having read this series for so long and it having a pretty consistent look.

Ten volumes into the collected classic Marvel series and this is still one of my favorite reads out of all the comics I have picked up over the years. I never got this far when the series was current but I can see now that I truly missed out on these great, later stories.

Rating: 8.75/10
Pairs well with: Any of the original Marvel G.I. Joe and Transformers comics.

Comic Review: Secret Invasion

Published: 2008
Written by: Brian Michael Bendis
Art by: Leinil Francis Yu, Gabriele Dell’Otto (cover)

Marvel Comics, 218 Pages

Review:

Secret Invasion came out after a series of good storylines from Marvel like Civil War, The Death of Captain America and the feud between the two Avengers teams that followed Civil War. I guess this was supposed to be a good payoff for sticking through that solid run of most of Marvel’s major titles. However, this was mostly a clusterfuck that created more problems than the Marvel continuity needed.

This was ambitious, damn ambitious.

Brian Michael Bendis’ ambition really overreached, though, and this mega event became a jumping off point for me back when it was coming out. After a few issues, I dropped it an never looked back.

Since years have passed and Marvel has gotten even worse, I thought that I might enjoy this a bit more and since I never actually finished it the first time, I wanted to give it another shot.

This is just one of those ideas that sounds good on paper but once you start really fleshing it out, you know it’s not going to work. Well, Bendis should have figured that out on his own, especially since the industry considers him a legend.

The biggest problem with this mega event is that it could have worked on a smaller scale. We could’ve seen that the Skrulls had infiltrated the superhero community, replacing some heroes with themselves in disguise. It didn’t need to be so damn grandiose where nearly half the heroes were just Skrulls in hiding. The conspiracy was too big and thus, came across as really fucking dumb.

In fact, this would’ve been much better had the Skrulls just replaced a few key people and there were still less than a handful in disguise. When you expect half the heroes to be impostors, the reveals of who is who loses its impact and you’re left with a half-assed handjob from a drunk instead of great sex from a pretty hot sexual partner.

In the end, when half the characters were impostors, it poses too many questions that just break continuity and it’s way too hard for editorial to keep track of, especially editorial from this era or any after.

Someone really should’ve grabbed Bendis by the shoulders and shouted, “Scale this the fuck down!”

Rating: 4.5/10
Pairs well with: other Marvel mega events.

Film Review: X-Men: First Class (2011)

Release Date: May 25th, 2011 (New York City premiere)
Directed by: Matthew Vaughn
Written by: Ashley Edward Miller, Zack Stentz, Jane Goldman, Matthew Vaughn, Sheldon Turner, Bryan Singer
Based on: X-Men by Stan Lee and Jack Kirby
Music by: Henry Jackman
Cast: James McAvoy, Michael Fassbender, Rose Byrne, January Jones, Oliver Plat, Kevin Bacon, Jennifer Lawrence, Nicholas Hoult, Jason Flemyng, Lucas Till, Edi Gathegi, Caleb Landry Jones, Zoe Kravitz, Michael Ironside, Ray Wise, James Remar, Hugh Jackman (cameo)

Marvel Entertainment, Dune Entertainment, The Donners’ Company, Bad Hat Harry Productions, Ingenious Film Partners, Twentieth Century Fox, 131 Minutes

Review:

“I can’t stop thinking about the others out there, all those minds that I touched. I could feel them, their isolation, their hopes, their ambitions. I tell you we can start something incredible, Erik. We can help them.” – Professor Charles Xavier

While I haven’t seen this picture since it was in the theater, it left a great impression on me and gave me hope for the future of the X-Men franchise in film. Granted, we’d get two pretty good movies and two mostly poopy ones, but the weak whimpering farts of the second half of the prequel series of films didn’t take away my satisfaction with this one and its followup, Days of Future Past.

It was nice to revisit this, all these years later, as it holds up fairly well, even if I’m not as optimistic about the franchise now.

To start, this was much better than the last of the first run of films, X-Men: The Last Stand. That movie left such a bad taste in my mouth that anything better would have made me happy. Luckily, this was a lot better but I think that my original impression was a bit over-inflated due to the precedent set before it.

That’s not to say that this isn’t solid, it is. This is, in fact, a damn good superhero film and one of the best in the schizophrenic X-Men series.

What really sets this one on a pedestal is that the story was pretty good and the acting, at least from the core actors, was convincing and impressive. I didn’t know much about Michael Fassbender, before this, and I wasn’t yet sold on James McAvoy, but this picture cemented both men as two of my favorites over the last decade.

On the flip side of that, you also had some really weak performances from January Jones, who felt out of place and awkward, as well as the younger actors in the cast. A few of them would become better actors over time but they all mostly felt green, here.

I did like the inclusion of Kevin Bacon and Oliver Platt in this, as well as character actors Michael Ironside, James Remar and Ray Wise. While the character actors had small roles, they added an extra level of legitimacy and coolness to the picture.

I loved that this took place in the ’60s, tied to the Cuban Missile Crisis and also went back into Nazi Germany to establish the relationship between Magneto and Sebastian Shaw. The general look and aesthetic of the film were really good and it actually fits with the previous X-Men films, despite those being set over thirty years later. One thing Fox did well, while they managed the X-Men movie franchise, was that they kept everything sort of visually consistent.

My only real gripe about the film is that there isn’t enough emphasis on the actual “first class” of students, which this film is named after. They all felt generic and disposable, cast to play archetypes and nothing more. Sure, some of them are major comic book characters but they didn’t feel that way in this movie.

Overall, this was a good, fresh, soft reboot of the series. It eventually ties to the older films and the series becomes an even bigger continuity clusterfuck but at least this generation of the franchise started out on the right foot.

Rating: 8.25/10
Pairs well with: the other Fox X-Men films.